Sargent, John Singer, 1856-1925

Variant names
Dates:
Birth 1856-01-12
Death 1925-04-14
Americans,
English,

Biographical notes:

Florence 1856-1925 London.

From the description of Portrait of Mrs. J.P. Morgan, Jr. (nee Jane Norton Grew, 1868-1925) [painting]. [ca. 1905] (Unknown). WorldCat record id: 270906593

Anglo-American painter.

From the description of Letters, 1881-1916. (Getty Research Institute). WorldCat record id: 81028068

Sargent was an American-born painter who lived and worked in France, England and elsewhere.

From the description of [Letter] Sunday, 33, Tite Street, Chelsea, S.W. [to] Mrs. Jones / John S. Sargent. [between 1886 and 1925] (Smith College). WorldCat record id: 427559524

Commissioned as a war memorial by Harvard President (1909-1933) Abbot Lawrence Lowell.

From the description of Murals by John Singer Sargent in Widener Library [photographs], ca. 1922. (Harvard University). WorldCat record id: 228509807

From the description of Murals by John Singer Sargent in Widener Library [photographs], ca. 1922. (Harvard University). WorldCat record id: 77068604

Born in Florence, Italy, the son of an American physician, John Singer Sargent (1856-1925) studied painting there and in Paris, where he first gained attention at the Salon with Madame X (1884). Most of his work, such as Lord Ribblesdale (1902, National Gallery, London), was, however, executed in England from 1885, where he became the most fashionable and elegant portrait painter of his age. To this period belongs his well-known Carnation, Lily, Lily, Rose (1885-86, Tate, London). In 1907 he exhibited with the English artists at the Venice Biennale. His early painting shows a French Impressionist influence, but Spanish art had a more lasting effect and Carmencita is perhaps the best example of this. Visiting the United States constantly, he worked on portraits and series of decorative paintings for public buildings, such as The Evolution of Religion for Boston Library (1889-c.1915). He also painted landscapes, especially in later life, and often in watercolour. He was an official war artist in World War I, producing Gassed (1818, Imperial War Museum, London) and other works. [From Chambers Biographical Dictionary (1997)]

From the guide to the John Singer Sargent Letters, 1895-1923, (Special Collections Research Center, Syracuse University Libraries)

American portrait painter.

From the description of Autograph letter signed, dated : [London] Apr. 12 1925, to Blair [Fairchild?], 1925 Apr. 12. (Unknown). WorldCat record id: 270668760

American artist.

From the description of Letters to Sir George Henschel, ca. 1890-1900. (Boston Athenaeum). WorldCat record id: 123166584

American painter.

From the description of Autograph letter signed : Tite Street, Chelsea, to Sir Sidney Cockerell, 1914 Feb. 17. (Unknown). WorldCat record id: 270634330

From the description of Autograph note signed with initials : [n.p.], to Mrs. [John W.] Field, [n.d.]. (Unknown). WorldCat record id: 270634791

From the description of Autograph letter signed : [n.p.], to Oscar Wilde, [n.d.]. (Unknown). WorldCat record id: 270634009

Sargent was a portrait painter; London, England; Hunter a patron.

Sargent was born in Florence and educated in Europe. He portrayed members of high society and aristocracy and became one of the most sought after portraitists of his day.

From the description of John Singer Sargent letters to Mrs. Charles Hunter, 1906-1921. (Unknown). WorldCat record id: 82918366

Portrait painter; London, England.

Born in Florence and educated in Europe. Portrayed members of high society and aristocracy and became one of the most sought after portraitists of his day.

From the description of John Singer Sargent letter to Mrs. Henry White, 1883 Mar. 15. (Unknown). WorldCat record id: 81736016

John Singer Sargent (1856-1925) was born in Florence, Italy to American Parents, Dr. Fitzwilliam Sargent and Mary Newbold Singer Sargent of Philadelphia. During his childhood the family traveled Europe extensively, often spending summers in Switzerland and winters in Italy. Sargent began drawing and painting at an early age, helping in the studio of Carl Welsch in 1868, attending the Accademia delle Belle Arti in Florence in 1873, studying at Carolus-Duran's atelier and the studio of James Carroll Beckwith and finally attending the Ecole des Beaux-Arts in 1875. Sargent quickly gained recognition for his paintings, receiving honors for his works at the Salon and the Society of American Artists. During this period he visited the studios of many prominent artists working in Europe, including John Everett Millais, Frederic Leighton, and Claude Monet and also became friends with Henry James.

Influenced by Frans Hals and Velazquez, Sargent became a very successful portrait painter, acquiring many French patrons and later even more American clients. His most famous work, Mme Gautreau, known as 'Madame X', was denounced by the Salon in 1884 for its provocative modernism. After this scandal he moved from Paris to London, and in 1887 visited the United States, where he was treated as a celebrity. He visited again in 1890 and established studios in New York and Boston, in addition to his studio in London. He also accepted a commission to do a series of murals in the Boston Public Library which wasn't completed and installed until 1916. In 1891 he traveled to Egypt, Greece, and Turkey - travels that inspired his later paintings. By 1900 Sargent was the leading society portrait painter on an international level and was known for using modern styles of lighting, poses, and settings. In addition to many other honors he became a full member of the Royal Academy in London and the National Academy of Design in New York.

In 1907 Sargent decided to give up his portrait studios and focus on murals and landscape studies. In 1918 he became a war artist for the Ministry of Information and in 1924 had his first retrospective exhibition at Grand Central Art Galleries in New York. Sargent remained unmarried and died in his sleep in 1925 at the age of 69.

From the guide to the John Singer Sargent letters, 1887-1922, (Archives of American Art, Smithsonian Institution)

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Subjects:

  • Artists, American
  • Art
  • Art
  • Art
  • Artists
  • Art patronage
  • Art patrons
  • Library decoration
  • Mural painting and decoration
  • Painters
  • Portrait painters
  • Portrait painters
  • Portrait painters
  • Painting, American
  • Painting, American
  • Painting, American
  • Painting, Modern
  • Painting, Modern
  • Portrait painting
  • Portrait painting
  • Portrait painting
  • World War, 1914-1918 Monuments

Occupations:

  • Artists
  • Painter

Places:

  • England--London (as recorded)
  • Massachusetts--Cambridge (as recorded)
  • England--London (as recorded)
  • Massachusetts--Cambridge (as recorded)

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