Kurath, Gertrude Prokosch.
Variant namesBiographical notes:
Gertrude Prokosch Kurath (1903-1992) was educated at Bryn Mawr College (MA, 1928, History of Art) and at the Yale University School of Drama (1929-1930). She received extensive training in music practice and theory, and in several systems of art dance as well as folk dancing, in Germany and the United States. From 1923-1946, she was an active teacher of modern dance, as a concert performer with the stage name Tula, and as a producer of pageants and dance dramas. In the mid-1940s, she turned her focus to the study of the American Indian dance. From 1949-1973, with the assistance of field research grants from the Wenner-Gren Foundation, the American Philosophical Society, and the National Museum of Canada, she studied among the Aztec, Otomi, Tarascan, and Yaqui Indians of Mexico, and the Iroquois, Cherokee, Ottawa, Chippewa, Menomini, Fox, Tewa, Keresan Indians of North America. In 1962, she founded the Dance Research Center in Ann Arbor, Michigan.
From the guide to the Ceremonial songs of the Tonawanda Seneca longhouse: tonal and rhythmic patterns and ritual functions [1936], Circa 1936, (American Philosophical Society)
From the guide to the Seneca music and dance style: songs and ceremonies of Coldspring longhouse [1951], Circa 1951, (American Philosophical Society)
From the guide to the Religious Customs of Modern Michigan Algonquians, 1955, 1955, (American Philosophical Society)
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Subjects:
- Algonquian Indians
- Animals
- Buffalo dance
- Catholic Church
- Dance
- Eastern Woodlands Indians
- Indians of North America
- Indians of North America
- San Juan Pueblo (N.M.)
Occupations:
- Cochiti dance
Places:
- Klamath Indian Reservation (Or.) (as recorded)
- Allegheny River (Pa. and N.Y.) (as recorded)
