Beckett, Samuel, 1906-1989

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Samuel Barclay Beckett was born April 13, 1906, at his family's home in Foxrock, south of Dublin. He was educated at Miss Ida Elsner's Academy in Stillorgan, the Earlsfort House School in Dublin, and the Portora Royal School in Enniskillen, Northern Ireland (1919-23). He began his law studies at Trinity College in order to become an accountant in his family's architectural surveyance firm, but in his third year he started studying modern languages, particularly French. His studies improved so markedly that he won a scholarship to pass the summer in France before his senior year, and he graduated first in his class in modern languages in 1927.

Following his graduation, Beckett taught at Campbell College in Belfast (1927-1928) and the École Normale Supérieure in Paris (1928-1930). During his stay in Paris, he established relationships with many important literary figures of his day, including Thomas MacGreevy, Richard Aldington, Brian Coffey, Denis Devlin, George Reavey, Samuel Putnam, Nancy Cunard, Sylvia Beach, and, most significantly for Beckett, James Joyce.

Beckett's early writings such as Whoroscope (1930), Proust (1931), More Pricks than Kicks (1934), Echo's Bones and Other Precipitates (1935), and Murphy (1938) won him neither fame nor money. Despite his love for Paris and his periodic stays in Germany, France, and London, Beckett's financial straits repeatedly constrained him to return to live with his disapproving family in Dublin, where he became subject to mental breakdowns and frequent, severe bouts of depression.

Throughout the 1930s and early 1940s, Beckett worked as a reviewer and translator for various magazines and projects, including Nancy Cunard's Negro Anthology (1934). He became increasingly interested in modern drama as he observed productions of the Dramiks, a Dublin troupe, and contemplated writing his own plays. In October 1940, he became a member of the French Resistance, and he and Suzanne Deschevaux-Dumesnil (who he married in 1961) were forced to flee to unoccupied France in August 1942. The French rewarded his courage in 1945 with the Croix de Guerre and the Médaille de la Résistance.

During the late 1940s, Beckett began to write many of his works in French, including Molloy (1951), Malone meurt (1951), and the play that finally won him international fame, En attendant Godot (1952). Other works that helped to establish Beckett's reputation include L'Innomable (1953), Watt (1953), Fin de partie (1957), and Krapp's Last Tape (1960). After 1960, Beckett's works became increasingly brief, but he remained prolific until his death on December 22, 1989. Beckett was awarded the Nobel Prize in 1969.

From the guide to the Samuel Beckett Collection TXRC00-A1., 1930-1990, (Harry Ransom Humanities Research Center, University of Texas at Austin)

Samuel Barclay Beckett was born April 13, 1906, at his family's home in Foxrock, south of Dublin. He was educated at Miss Ida Elsner's Academy in Stillorgan, the Earlsfort House School in Dublin, and the Portora Royal School in Enniskillen, Northern Ireland (1919-23). He began his law studies at Trinity College in order to become an accountant in his family's architectural surveyance firm, but in his third year he started studying modern languages, particularly French. His studies improved so markedly that he won a scholarship to pass the summer in France before his senior year, and he graduated first in his class in modern languages in 1927.

Following his graduation, Beckett taught at Campbell College in Belfast (1927-1928) and the École Normale Supérieure in Paris (1928-1930). During his stay in Paris, he established relationships with many important literary figures of his day, including Thomas MacGreevy, Richard Aldington, Brian Coffey, Denis Devlin, George Reavey, Samuel Putnam, Nancy Cunard, Sylvia Beach, and, most significantly for Beckett, James Joyce.

Beckett's early writings such as Whoroscope (1930), Proust (1931), More Pricks than Kicks (1934), Echo's Bones and Other Precipitates (1935), and Murphy (1938) won him neither fame nor money. Despite his love for Paris and his periodic stays in Germany, France, and London, Beckett's financial straits repeatedly constrained him to return to live with his disapproving family in Dublin, where he became subject to mental breakdowns and frequent, severe bouts of depression.

Throughout the 1930s and early 1940s, Beckett worked as a reviewer and translator for various magazines and projects, including Nancy Cunard's Negro Anthology (1934). He became increasingly interested in modern drama as he observed productions of the Dramiks, a Dublin troupe, and contemplated writing his own dramas. In October 1940, he became a member of the French Resistance, and he and Suzanne Deschevaux-Dumesnil (whom he married in 1961) were forced to flee to unoccupied France in August 1942. The French rewarded his resistance in 1945 with the Croix de Guerre and the Médaille de la Résistance.

During the late 1940s, Beckett began to write many of his works in French, including Molloy (1951), Malone meurt (1951), and the play that finally won him international fame, En attendant Godot (1952). Other works that helped to establish Beckett's reputation include L'Innomable (1953), Watt (1953), Fin de partie (1957), and Krapp's Last Tape (1960). After 1960, Beckett's works became increasingly brief, but he remained prolific until his death on December 22, 1989. Beckett was awarded the Nobel Prize in 1969.

The two Beckett scholars John Fletcher and Raymond Federman spent a decade compiling the first large-scale bibliography of their subject, Samuel Beckett: his works and his critics; an essay in bibliography (1970), with Beckett's personal assistance.

From the guide to the Carlton Lake Collection of Samuel Beckett Papers TXRC00-A2., 1947-2000, (The University of Texas at Austin, Harry Ransom Humanities Research Center)

Biography

(The following is drawn from online sources including those of the University of New Mexico and the Moonstruck Drama Bookstore.)

One of the most unique and powerful voices of the Twentieth Century, Samuel Beckett was born in Foxrock, Ireland, in 1906, and suffered, as he claimed, an eventless childhood. He attended Trinity College in Dublin, and left for Paris when he was twenty-two (he would later call this city home). In Paris he fell in with a group of avant-garde artists, including James Joyce, who was to become a life-long friend. Although he continued to write in both English and French throughout his life, most of his major works were written in French between 1946 and 1950.Beckett was awarded the Nobel prize for literature in 1969. He died in Paris in 1989.

Beckett's bizarre world is explored in novels, short stories, poetry, and scripts for radio, television, and film. But he is best known for his work in the theatre. Samuel Beckett's first play, Eleuthéria, mirrors his own search for freedom, revolving around a young man's efforts to cut himself loose from his family and social obligations. His first real triumph, however, came on January 5, 1953, when Waiting for Godot premiered at the Théâtre de Babylone. In spite of some expectations to the contrary, the strange little play in which "nothing happens" became an instant success, running for four hundred performances at the Théâtre de Babylone and enjoying the critical praise of dramatists as diverse as Tennessee Williams, Jean Anouilh, Thornton Wilder, and William Saroyan . The strange atmosphere of Godot, in which two tramps wait on what appears to be a desolate road for a man who never arrives, conditioned audiences to following works like Endgame, Happy Days, and Krapp's Last Tape .

Beckett's drama is most closely associated with the Theatre of the Absurd. He employs a minimalistic approach, stripping the stage of unnecessary spectacle and characters. Tragedy and comedy collide in a bleak illustration of the human condition and the absurdity of existence. In this way, each work, from the lengthy productions ( Godot, Endgame ) to the very brief ( Ohio Impromptu, Catastrophe ) to the despairing mologues ( Rockaby, A Piece of Monologue ), serves as a metaphor for existence and an entertaining philosophical discussion. Although Beckett dissociated himself from the post World War II French existentialists, his works cover much of the same ground and ask similar questions.

From the guide to the Samuel Beckett Papers, ca. 1959-1973, (University of California, Santa Barbara. Library. Department of Special Collections)

One of the most unique and powerful voices of the Twentieth Century, Samuel Beckett was born in Foxrock, Ireland, in 1906, and suffered, as he claimed, an eventless childhood. He attended Trinity College in Dublin, and left for Paris when he was twenty-two (he would later call this city home). In Paris he fell in with a group of avant-garde artists, including James Joyce, who was to become a life-long friend. Although he continued to write in both English and French throughout his life, most of his major works were written in French between 1946 and 1950. Beckett was awarded the Nobel prize for literature in 1969. He died in Paris in 1989.

From the description of Samuel Beckett Papers, [ca. 1959-1973]. (University of California, Santa Barbara). WorldCat record id: 62149010

Irish playwright and novelist.

From the description of Samuel Beckett Collection, 1930-1990. (Harry Ransom Humanities Research Center (HRC); University of Texas at Austin). WorldCat record id: 122545926

Samuel Beckett was born in Foxrock, County Dublin on Good Friday, 13 April 1906. Although throughout his life he had the reputation of being sombre, mysterious and reclusive, this popular myth hid a very private, yet immensely generous, gracious and caring person.

On entering Trinity College, Dublin, Beckett developed his interest in art, music and literature. He was a gifted linguist who also enjoyed vaudeville theatre and the films of Charlie Chaplin, Buster Keaton and the Marx Brothers. An academic career seemed to be the obvious option on graduating but, after spells teaching in Paris and Dublin, Beckett realised he was more suited to the artistic lifestyle he had encountered in Paris in the company of James Joyce. Having witnessed the intolerance of the Nazi regime towards writers and artists in Germany in 1936, Beckett famously decided that he preferred France at war to Ireland in peace, opting to live in France for the rest of his life. However, this bold decision was more than a mere gesture. Beckett was forced to spend much of the war on the run from the Nazis in the South of France working with the French Resistance, for which he was later awarded the Croix de Guerre.

The end of the war marked a burst of literary activity for Beckett, who began writing, in French, a dense prose trilogy comprising Molloy, Malone Dies and The Unnamable . As a relaxation from this project, between October 1948 and January 1949, Beckett worked on a play entitled En attendant Godot - the work which brought him international fame and recognition and which redefined modern theatre. Further literary success ensued, culminating in him being awarded the Nobel Prize for Literature in 1969.

As the years progressed, Beckett's prose and drama decreased in length, as he found increasingly successful ways to express the inexpressible. Yet throughout his career, he remained a bilingual author, creating French and English versions of almost all his work. During the 1970s Beckett directed his major stage plays in Berlin in German, exhibiting another side of his character. His success in this field led him to direct his own plays created specifically for television - a medium which seemed perfect for the stark, imposing images of these later, minimalist pieces.

Samuel Beckett died on 22 December 1989 and was buried in a private ceremony in the Cimetire de Montparnasse in Paris.

From the guide to the Samuel Beckett Collection, 1929 - [ongoing], (Reading University: Special Collections Services)

Archival Resources
Role Title Holding Repository
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creatorOf Beckett, Samuel, 1906-1989. Samuel Beckett collection, 1955-1996. Emory University Library, Special Collect Department
referencedIn Howe, Fanny. Papers, 1981-1995 Stanford University. Department of Special Collections and University Archives
referencedIn Fanny Howe Papers, 1924-1993 Stanford University. Department of Special Collections and University Archives
referencedIn Patrick Robertson and Rosemary Vercoe theatre design collection, c. 1950s-1980s V & A Department of Theatre and Performance
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referencedIn New York Shakespeare Festival records. Series VI: Development Office, 1954-1989 The New York Public Library. Billy Rose Theatre Division.
referencedIn Samuel Beckett Collection, 1929 - [ongoing] Reading University : Special Collections Services
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referencedIn New York Shakespeare Festival Records. Series IV: Production Materials, 1958-1992 The New York Public Library. Billy Rose Theatre Division.
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creatorOf Calder & Boyars. Papers, 1939-1980. Indiana University
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referencedIn Blakeslee, Michael. Concert IV : for oboe and piano ; Concert II ; Chansons d'amour = Love songs = Canciones de amor : para coro y orquesta / M. Blakeslee. Bowling Green State University, BGSU Libraries
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referencedIn Worth, Irene. [Props used by Irene Worth in production of Samuel Beckett's Happy days]. Ohio State University Libraries
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creatorOf Dan H. Laurence Collection. Portraits of notables - reproductions and postcards, photographs of friends, business associates, actors and actresses and Charlotte Shaw, 1894-1934. University of Guelph. McLaughlin Library
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referencedIn O'Brien, Eoin. Some facts relating to the publicatin of Samuel Beckett's Dream of fair to middling women / edited by Eoin O'Brien and Edith Fournier. Dartmouth College Library
referencedIn A. J. Leventhal Collection TXRC00-A3., 1918-1982 Harry Ransom Humanities Research Center
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creatorOf Theatre Plus Archives (University of Guelph). Happy Days / by Samuel Beckett ; directed by Jackie Maxwell, 1986 - house program. University of Guelph. McLaughlin Library
referencedIn Montague, John. John Montague fonds. [1961-1962]. University of Victoria Libraries, UVic
creatorOf American Repertory Theatre (Cambridge, Mass.). Samuel Beckett theatrical ephemera, 1957-1994. University of North Carolina at Chapel Hill
creatorOf Canadian Stage Theatre Archives (University of Guelph). Waiting for Godot / by Samuel Beckett ; directed by Peter Froehlich, 1984 - production photos. University of Guelph. McLaughlin Library
referencedIn Jolas, Eugène, 1894-1952. Eugène and Maria Jolas Papers, 1879-1986. Beinecke Rare Book and Manuscript Library
creatorOf Beckett, Samuel, 1906-1989. Robert Pinget - Samuel Beckett letters, 1953-1988 (bulk 1955-1977). Boston College. John J. Burns Library
creatorOf Toronto Free Theatre Archives. Eh Joe / by Samuel Beckett - unproduced reading script. University of Guelph. McLaughlin Library
referencedIn Hagen, Uta, 1919-2004. Uta Hagen/Herbert Berghof Papers 1889-2004 and undated New York Public Library System, NYPL
referencedIn B.S. Johnson Archive, 1933-2004 British Library: Western Manuscripts
referencedIn Samuel Beckett collection, [19--?-ongoing]. Museum of Performance & Design
referencedIn English Stage Company at the Royal Court Theatre Correspondence TXRC99-A21., 1955-1959, nd Harry Ransom Humanities Research Center
creatorOf Road Show Theatre Company Archives. Waiting for Godot / by Samuel Beckett ; directed by Norman L. Mackay, 1980 - house program. University of Guelph. McLaughlin Library
referencedIn Marcel Mihalovici musical score for, Cascando, 1962-1964. Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University
referencedIn Lothar and Eva Just Film Stills Collection. Harvard Film Archive, Harvard College Library, Harvard University
referencedIn Susan Howe papers, 1894-2008, 1956-2008 Beinecke Rare Book and Manuscript Library
creatorOf Beckett, Samuel, 1906-1989. Samuel Beckett collection, 1953-1964. Boston University. School of Medicine
referencedIn English literature mss., 1951-1993 Lilly Library (Indiana University, Bloomington)
creatorOf Beckett, Samuel, 1906-1989. Samuel Beckett Collection, 1930-1990. Harry Ransom Humanities Research Center
creatorOf Carlton Lake Collection of Samuel Beckett Papers TXRC00-A2., 1947-2000 Harry Ransom Humanities Research Center
referencedIn Richard Barr and Clinton Wilder papers, 1935-1982 The New York Public Library. Billy Rose Theatre Division.
referencedIn Kay Boyle Collection TXRC07-A5., 1945-1990 Harry Ransom Humanities Research Center
creatorOf Native Earth Performing Arts Archives. Give them a carrot (For as long as the grass is green) / based on Samuel Beckett's Waiting for Godot ; directed by Mueriel Miguel ; designed by Patsy Lang, 1984 - production photos. University of Guelph. McLaughlin Library
referencedIn Maurice Kurtz papers, 1965-1999 The New York Public Library. Billy Rose Theatre Division.
referencedIn Kurtz, Maurice, 1913-. Maurice Kurtz papers, 1965-1999. New York Public Library System, NYPL
creatorOf Hutchinson, Mary, 1889-1977. Mary Hutchinson Papers, 1910-1977. Harry Ransom Humanities Research Center
creatorOf Deane, John F., 1943-. John F. Deane papers, 1971-2000. Boston College. John J. Burns Library
creatorOf Barnes, Djuna. Papers. University of Maryland (College Park, Md.). Libraries
referencedIn O'Brien, Edna. Edna O'Brien papers, [ca. 1939-2000]. Emory University Library, Special Collect Department
creatorOf Beckett, Samuel, 1906-1989. Letter by Samuel Beckett, 1959. New York Public Library System, NYPL
creatorOf Hilmy, Steven Campbell. Shifting thresholds : soprano, string quartet, percussion, piano, and tape / Steven Campbell Hilmy. Bowling Green State University, BGSU Libraries
referencedIn Ginsberg, Allen, 1926-1997. Allen Ginsberg papers, 1944-1991. Columbia University in the City of New York, Columbia University Libraries
creatorOf Kim, Earl, 1920-1998. Narratives : a music/theater piece in 2 parts & 7 scenes / [music by] Earl Kim ; texts by Samuel Beckett. New York Public Library System, NYPL
creatorOf Beckett, Samuel, 1906-1989. Le dépeupleur [manuscript], 2009 / Samuel Beckett ; Klaus Zylla. Indiana University
creatorOf Glenville, Peter, 1913-1996. Peter Glenville Papers, 1914-2001 (bulk 1933-1993). Harry Ransom Humanities Research Center
creatorOf Factory Theatre Lab Archives. Waiting for Godot / by Samuel Beckett ; directed by Jeff Henry, 1979 - reviews and articles. University of Guelph. McLaughlin Library
referencedIn Hugh Kenner Papers TXRC02-A5., 1916-1994, n.d., bulk 1943-1994 Harry Ransom Humanities Research Center
creatorOf Beckett, Samuel, 1906-1989. Papers, 1960-1975. Houghton Library
creatorOf Stratford Festival Collection. Waiting for Godot / by Samuel Beckett ; directed by William Hutt, 1968 - reviews and articles. University of Guelph. McLaughlin Library
creatorOf Lam, Bun-Ching. Four Beckett songs : 1980 / Bun-Ching Lam. New York Public Library System, NYPL
referencedIn Kennedy, Sighle. Sighle Kennedy papers, circa 1920s-1996 (bulk dates 1963-1996). Columbia University in the City of New York, Columbia University Libraries
referencedIn Kenner, Hugh, 1923-. Papers of Hugh Kenner [manuscript] 1965-74. University of Virginia. Library
creatorOf Beckett, Samuel, 1906-1989,. Miscellaneous theatrical papers, 1673-1976. Houghton Library
referencedIn Stephen Oliver Collection, 1955-1995 British Library: Music Collections
referencedIn Samuel Beckett Festival (1992 : Hague, Netherlands). Samuel Beckett Festival, The Hague, April 8th-18th, 1992. University of North Carolina at Chapel Hill
creatorOf Beckett, Samuel, 1906-1989. Happy days : playscripts, 1960-1961. Ohio State University Libraries
referencedIn Gerstein, Sergio. Set design and lighting notes for En attendant Godot : [Paris] : autograph manuscript, [1952-53]. Pierpont Morgan Library.
creatorOf Kim, Earl, 1920-1998. Melodrama from Enough / music [by] Earl Kim ; text [by] Samuel Beckett. The Juilliard School, Lila Acheson Wallace Library
referencedIn Tindall, William York, 1903-1981. Papers, [ca. 1938]-1966. Columbia University in the City of New York, Columbia University Libraries
referencedIn The Stefan Brecht Papers, Bulk, 1960-1980, 1960-2000 Fales Library & Special Collections
referencedIn Gregory Mosher Papers, 1938-2002, [Bulk Dates: 1967-2002] Columbia University. Rare Book an Manuscript Library
referencedIn Miscellaneous theatrical papers, 1673-1976. Houghton Library
referencedIn Alix Jeffry additional papers, 1935-1993. Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University
creatorOf Grand Theatre Collection (University of Guelph). Waiting for Godot / by Samuel Beckett ; directed by David Wallett, 1973 - house program. University of Guelph. McLaughlin Library
referencedIn New world writing records, 1952-1960. Beinecke Rare Book and Manuscript Library
referencedIn Monteith, Charles. Charles Monteith papers, 1948-1994. Emory University Library, Special Collect Department
Role Title Holding Repository
Relation Name
associatedWith Alan, Schneider person
associatedWith Albee, Edward, 1928- person
associatedWith American Repertory Theatre (Cambridge, Mass.). corporateBody
associatedWith Arikha, Avigdor, 1929-2010. person
associatedWith Ashton, Dore. person
associatedWith Auster, Paul, 1947- person
associatedWith Barnes, Djuna person
associatedWith Barnes, Djuna. person
associatedWith Barr, Richard person
associatedWith Blakeslee, Michael. person
associatedWith Blin, Roger. person
associatedWith Boyle, Kay person
associatedWith Boyle, Kay. person
associatedWith Boyle, Kay, 1902-1992 person
associatedWith Bridson, D. G. (Douglas G.), 1910- person
associatedWith Brown, Andreas person
associatedWith Brown, Andreas. person
associatedWith Brustein, Robert. person
associatedWith Burroughs, William S., 1914-1997. person
associatedWith Calder & Boyars. corporateBody
associatedWith Canadian Stage Theatre Archives (University of Guelph) corporateBody
associatedWith Canadian Stage Theatre Archives (University of Guelph) corporateBody
associatedWith Cantor, James L. person
associatedWith CentreStage Theatre Archives. corporateBody
associatedWith CentreStage Theatre Archives (University of Guelph) corporateBody
associatedWith Chapman, Robert Harris. person
correspondedWith Cixous, Hélène (1937-....) person
associatedWith Coffey, Brian, 1905- person
associatedWith Colo, Papo person
associatedWith Crest Theatre. corporateBody
associatedWith Cronyn, Hume. person
associatedWith Cronyn, Hume Blake, 1864-1933 person
associatedWith Cunard, Nancy, 1896-1965 person
associatedWith Daiken, Leslie. person
associatedWith Dan H. Laurence Collection. corporateBody
associatedWith Deane, John F., 1943- person
associatedWith Djohan, Sjaflinar. person
associatedWith Duckworth, Colin. person
associatedWith English Stage Company at the Royal Court Theatre corporateBody
associatedWith Envoy (Dublin) corporateBody
associatedWith Factory Theatre Lab Archives. corporateBody
associatedWith Federman, Raymond. person
associatedWith Fletcher, Ifan Kyrle, 1905-1969. person
associatedWith Fortner, Wolfgang, 1907- person
associatedWith Fuller, R. Buckminster (Richard Buckminster), 1895-1983 person
associatedWith Galerie auf Zeit. corporateBody
associatedWith Genet, Jean, 1910-1986. person
associatedWith Geoffrey Hazard person
associatedWith Gerstein, Sergio. person
associatedWith Ginsberg, Allen, 1926-1997. person
associatedWith Glenville, Peter, 1913-1996. person
associatedWith Gold, William A., 1922- person
associatedWith Graff, Robert D., 1919- person
associatedWith Grand Theatre Collection (University of Guelph) corporateBody
associatedWith Grand Theatre Collection (University of Guelph) corporateBody
associatedWith Grand Theatre Collection (University of Guelph) corporateBody
associatedWith Graves, Robert Ranke, 1895-1985 person
associatedWith Grove Press. corporateBody
associatedWith Hagen, Uta, 1919-2004 person
associatedWith Harvard Theatre Collection corporateBody
associatedWith Harvey, Lawrence E., 1925- person
associatedWith Hayden Henri 1883-1970 person
associatedWith Hazard, Geoffrey C., person
associatedWith Helen Willard person
associatedWith Herbert Myron person
associatedWith Higgins Aidan, 1927- person
associatedWith Hilmy, Steven Campbell. person
associatedWith Horowitz, Israel. person
associatedWith Howe, Fanny. person
associatedWith Howe, Fanny. person
associatedWith Howe, Fanny Quincy. person
associatedWith Howe, Mary Manning person
associatedWith Howe, Mary Manning. person
associatedWith Howe, Susan, 1937- person
associatedWith Hughes, Langston, 1902-1967 person
associatedWith Hutchinson, Mary, 1889-1977 person
associatedWith Ingberman, Jeanette person
associatedWith Israel, Calvin, person
associatedWith Jeffry, Alix person
associatedWith J.M. Dent & Sons. corporateBody
associatedWith John Calder, Ltd. corporateBody
associatedWith John Calder, Ltd. corporateBody
correspondedWith Johnson, Bryan Stanley William, 1933-1973 person
associatedWith Jolas, Eugène, 1894-1952. person
associatedWith Judson, Horace Freeland, 1931- person
associatedWith Kennedy, Sighle. person
associatedWith Kenner, Hugh person
associatedWith Kenner, Hugh. person
associatedWith Kenner, Hugh, 1923- person
associatedWith Kim, Earl, 1920-1998. person
associatedWith Kobler, John person
associatedWith Kobler, John. person
associatedWith Krolow, Karl, person
associatedWith Kurtz, Maurice, 1913- person
associatedWith Lake, Carlton. person
associatedWith Lam, Bun-Ching. person
associatedWith Lathem, Edward Connery. person
associatedWith Leventhal, Abraham Jacob, 1896-1979 person
associatedWith Leventhal, A. J. (Abraham Jacob), 1896-1979. person
associatedWith Logue, Christopher, 1926-2011. person
associatedWith Lortel, Lucille person
associatedWith Lowenfels, Walter, 1897-1976, person
associatedWith MacGowran, Gloria. person
associatedWith Mahon, Derek, 1941- person
associatedWith Malcolm Black Collection. corporateBody
associatedWith Marcuse, Herbert, 1898-1979. person
associatedWith Mihalovici, Marcel, 1898- person
associatedWith Mihalovici, Marcel, 1898-1985. person
associatedWith Montague, John. person
associatedWith Monteith, Charles. person
associatedWith Morot-Sir, Edouard, person
associatedWith Mosher, Gregory. person
associatedWith Myron, Herbert, person
associatedWith Native Earth Performing Arts Archives. corporateBody
associatedWith Native Earth Performing Arts Archives. corporateBody
associatedWith New Directions Publishing Corp. corporateBody
correspondedWith New Yorker Magazine, Inc corporateBody
associatedWith New York Public Library for the Performing Arts. Billy Rose Theatre Division. Theatre on Film and Tape Archive. corporateBody
associatedWith New York Shakespeare Festival corporateBody
associatedWith O'Brien, Edna. person
associatedWith O'Brien, Eoin. person
associatedWith O'Brien, Eoin, b 1939 person
associatedWith O'Casey, Sean, 1880-1964. person
associatedWith O'Grady, Desmond, 1929- person
associatedWith Page, Anthony, 1935- person
associatedWith Papp, Joseph person
associatedWith Patrick Robertson and Rosemary Vercoe person
associatedWith Peter Blais Collection. corporateBody
associatedWith Peter Blais Collection. corporateBody
correspondedWith Pinget, Robert person
associatedWith Pinter, Harold, 1930-2008. person
associatedWith Redgrave, Michael person
associatedWith Reynolds, Roger, 1934- person
associatedWith Richard Rose Collection. corporateBody
associatedWith Road Show Theatre Company. corporateBody
associatedWith Road Show Theatre Company Archives. corporateBody
associatedWith Robert D. Graff person
associatedWith Rosset, Barney. person
associatedWith Rosset, Barney, collector. person
associatedWith Roundabout Theatre Company. corporateBody
associatedWith Rubin, Louis Decimus, 1923- person
associatedWith Saddler, Donald person
associatedWith Samuel Beckett Festival (1992 : Hague, Netherlands) corporateBody
associatedWith Samuel French, Inc. corporateBody
associatedWith Schneider, Alan. person
associatedWith Stoppard, Tom person
associatedWith Stoppard, Tom. person
associatedWith Stratford Festival Collection. corporateBody
associatedWith Stratford Festival Collection. corporateBody
associatedWith Stratford Festival Collection. corporateBody
associatedWith Stratford Festival Collection. corporateBody
associatedWith Stratford Festival Collection. corporateBody
associatedWith Stratford Festival Collection (University of Guelph) corporateBody
associatedWith Tandy, Jessica. Hume Cronyn and Jessica Tandy papers. 1885-1994 person
associatedWith Theatre Plus Archives (University of Guelph) corporateBody
associatedWith Tindall, William York, 1903-1981. person
associatedWith Toronto Arts Productions. corporateBody
associatedWith Toronto Free Theatre Archives. corporateBody
associatedWith Toronto Free Theatre Archives. corporateBody
associatedWith Toronto Free Theatre Archives. corporateBody
associatedWith Toronto Free Theatre Archives. corporateBody
associatedWith Toronto Free Theatre Archives (University of Guelph) corporateBody
associatedWith Toronto Workshop Productions Archives (University of Guelph) corporateBody
associatedWith Trocchi, Alexander. person
associatedWith Velde Geer van 1898-1977 person
associatedWith Vogel, Joseph. person
associatedWith Vogel, Joseph, 1904- person
associatedWith Walter Lowenfels person
associatedWith Weber, Sheila. person
associatedWith Weber, Sheila. person
correspondedWith Wenning, Henry person
associatedWith Whitelaw, Billie. person
associatedWith Wichtrey, Antje. person
associatedWith Wilder, Clinton person
associatedWith Wilder, Thornton, 1897-1975. person
associatedWith Willard, Helen, person
associatedWith William Hutt fonds (University of Guelph) corporateBody
correspondedWith Wright, Barbara, 1915-2009 person
correspondedWith Zorina, Vera. person
associatedWith Zylla, Klaus. person
Place Name Admin Code Country
Dublin L IE
Belfast NIR GB
Paris A8 FR
Subject
Theater
Theater
Artists' books
Authors and the theater
Authors, French
Authors, Irish
Drama
English drama
Irish drama
Dramatists
Dramatists, Irish
Expressionism (Art)
French literature
Irish literature
Literary agents
New novel (Literary movement)
Playwright, Irish
Playwriting
Theater of the absurd
Theatrical producers and directors
Occupation
Authors, Irish
Dramatists
Dramatists, Irish
Activity

Person

Birth 1906-04-13

Death 1989-12-22

Irish (Republic of Ireland)

French,

German,

English

Information

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