Compare Constellations
Information: The first column shows data points from Motherwell, Robert Burns, 1915- in red. The third column shows data points from Motherwell, Robert in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Motherwell, Robert Burns, 1915-
Shared
Motherwell, Robert
Motherwell, Robert Burns, 1915-
Name Components
Name :
Motherwell, Robert Burns, 1915-
Dates
- Name Entry
- Motherwell, Robert Burns, 1915-
Citation
- Name Entry
- Motherwell, Robert Burns, 1915-
[
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert
Name Components
Name :
Motherwell, Robert
Dates
- Name Entry
- Motherwell, Robert
Citation
- Name Entry
- Motherwell, Robert
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert, 1915-
Name Components
Name :
Motherwell, Robert, 1915-
Dates
- Name Entry
- Motherwell, Robert, 1915-
Citation
- Name Entry
- Motherwell, Robert, 1915-
[
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert, 1915-1991
Name Components
Name :
Motherwell, Robert, 1915-1991
Dates
- Name Entry
- Motherwell, Robert, 1915-1991
Citation
- Name Entry
- Motherwell, Robert, 1915-1991
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert (American painter, printmaker, and author, 1915-1991)
Name Components
Name :
Motherwell, Robert (American painter, printmaker, and author, 1915-1991)
Dates
- Name Entry
- Motherwell, Robert (American painter, printmaker, and author, 1915-1991)
Citation
- Name Entry
- Motherwell, Robert (American painter, printmaker, and author, 1915-1991)
[
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, R.
Name Components
Name :
Motherwell, R.
Dates
- Name Entry
- Motherwell, R.
Citation
- Name Entry
- Motherwell, R.
[
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert (Robert Burns), 1915-1991
Name Components
Name :
Motherwell, Robert (Robert Burns), 1915-1991
Dates
- Name Entry
- Motherwell, Robert (Robert Burns), 1915-1991
Citation
- Name Entry
- Motherwell, Robert (Robert Burns), 1915-1991
[
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert Burns 1915-1991
Name Components
Name :
Motherwell, Robert Burns 1915-1991
Dates
- Name Entry
- Motherwell, Robert Burns 1915-1991
Citation
- Name Entry
- Motherwell, Robert Burns 1915-1991
[
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, R. (Robert)
Name Components
Name :
Motherwell, R. (Robert)
Dates
- Name Entry
- Motherwell, R. (Robert)
Citation
- Name Entry
- Motherwell, R. (Robert)
[
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Contributors from initial SNAC EAC-CPF ingest
Robert Motherwell
Name Components
Name :
Robert Motherwell
Dates
- Name Entry
- Robert Motherwell
Citation
- Name Entry
- Robert Motherwell
[
{
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert Burns 1915-
Name Components
Name :
Motherwell, Robert Burns 1915-
Dates
- Name Entry
- Motherwell, Robert Burns 1915-
Citation
- Name Entry
- Motherwell, Robert Burns 1915-
[
{
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Contributors from initial SNAC EAC-CPF ingest
Motherwell, Robert Burns
Name Components
Name :
Motherwell, Robert Burns
Dates
- Name Entry
- Motherwell, Robert Burns
Citation
- Name Entry
- Motherwell, Robert Burns
[
{
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Contributors from initial SNAC EAC-CPF ingest
Robert Burns Motherwell
Name Components
Name :
Robert Burns Motherwell
Dates
- Name Entry
- Robert Burns Motherwell
Citation
- Name Entry
- Robert Burns Motherwell
[
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Citation
- Exist Dates
- Exist Dates
Abstract expressionist painter. Close friend of Baziotes.
Robert Motherwell, 1915-1991, painter of New York, N.Y.
Painter; New York, N.Y.; b. 1915; d. 1991.
Renowned as one of the founders of Abstract Expressionism, Robert Motherwell (1915-1991) was a painter and printmaker of international stature. Member of the New York School with Jackson Pollock, Mark Rothko, and Willem de Kooning, Motherwell was selected to exhibit at Peggy Guggenheim's Art of This Century Gallery in 1943, which was followed by a one-man exhibition of his work in 1944. In 1946, Motherwell was included in The Museum of Modern Art exhibition, Fourteen Americans [MoMA Exh. #329, September 10 - December 8, 1946]. Motherwell had his first major museum retrospective at The Museum of Modern Art in 1965, which subsequently traveled to major venues in Europe.
Artist.
Motherwell was an abstract expressionist painter, New York, N.Y. and Greenwich, Conn; Reedy, a Minnesota collector.
Painter, printmaker; Greenwich, Connecticut. Born 1915. Died 1991.
Robert Motherwell (1915-1991) was a painter and printmaker from New York, N.Y.
American artist.
eng
Latn
Citation
- BiogHist
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https://viaf.org/viaf/100187143
https://viaf.org/viaf/100187143
https://viaf.org/viaf/100187143
Citation
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https://www.worldcat.org/identities/lccn-n50006652
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Citation
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https://id.loc.gov/authorities/n50006652
https://id.loc.gov/authorities/n50006652
https://id.loc.gov/authorities/n50006652
Citation
- Same-As Relation
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https://www.wikidata.org/entity/Q165275
https://www.wikidata.org/entity/Q165275
https://www.wikidata.org/entity/Q165275
Citation
- Same-As Relation
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Citation
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Citation
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Citation
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http://viaf.org/viaf/100187143
Citation
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http://www.worldcat.org/oclc/779477631
Citation
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http://www.worldcat.org/oclc/68917307
Citation
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Citation
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Citation
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Citation
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http://www.worldcat.org/oclc/122600041
Citation
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http://www.worldcat.org/oclc/220208913
Citation
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http://www.worldcat.org/oclc/122557368
Citation
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http://www.worldcat.org/oclc/495853540
Citation
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http://www.worldcat.org/oclc/435526894
Citation
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http://www.worldcat.org/oclc/77065312
Citation
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http://www.worldcat.org/oclc/86132825
Citation
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http://www.worldcat.org/oclc/122515582
Citation
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http://www.worldcat.org/oclc/83795518
Citation
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http://www.worldcat.org/oclc/670140660
Citation
- Source
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http://www.worldcat.org/oclc/299029123
Citation
- Source
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http://www.worldcat.org/oclc/77065311
Citation
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http://www.oac.cdlib.org/ark:/13030/kt3c60111t
Citation
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http://findingaids.cul.columbia.edu/ead/nnc-rb/ldpd_4078342
Citation
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http://www.worldcat.org/oclc/779477586
Citation
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http://www.worldcat.org/oclc/759207469
Citation
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http://www.worldcat.org/oclc/79868190
Citation
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Citation
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http://www.worldcat.org/oclc/84266492
Citation
- Source
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http://www.worldcat.org/oclc/122291518
Citation
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http://www.worldcat.org/oclc/712291097
Citation
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http://www.aaa.si.edu/collections/findingaids/polljack.xml
Citation
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http://www.worldcat.org/oclc/669910196
Citation
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http://www.aaa.si.edu/collections/findingaids/bengbill.xml
Citation
- Source
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http://www.worldcat.org/oclc/29991730
Citation
- Source
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http://www.worldcat.org/oclc/8403741
Citation
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http://www.worldcat.org/oclc/122456199
Citation
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http://www.worldcat.org/oclc/122355108
Citation
- Source
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http://www.worldcat.org/oclc/220160362
Citation
- Source
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http://library.syr.edu/digital/guides/h/hartigan_g.htm
Citation
- Source
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http://www.worldcat.org/oclc/646397325
Citation
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http://www.worldcat.org/oclc/84233075
Citation
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http://www.worldcat.org/oclc/122394562
Citation
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http://www.worldcat.org/oclc/646401238
Citation
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http://www.worldcat.org/oclc/77719338
Citation
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http://www.worldcat.org/oclc/702416511
Citation
- Source
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http://www.worldcat.org/oclc/756821045
Citation
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http://www.worldcat.org/oclc/83780041
Citation
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http://www.worldcat.org/oclc/220244658
Citation
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http://www.worldcat.org/oclc/81173100
Citation
- Source
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http://www.worldcat.org/oclc/60537937
Citation
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http://www.worldcat.org/oclc/220244497
Citation
- Source
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http://www.worldcat.org/oclc/86132968
Citation
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http://www.worldcat.org/oclc/220239721
Citation
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http://www.worldcat.org/oclc/78686307
Citation
- Source
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http://www.worldcat.org/oclc/429884166
Citation
- Source
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http://www.oac.cdlib.org/ark:/13030/tf7x0nb2hk
Citation
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http://www.worldcat.org/oclc/83691045
Citation
- Source
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http://www.worldcat.org/oclc/64057603
Citation
- Source
- http://www.worldcat.org/oclc/64057603
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http://www.aaa.si.edu/collections/findingaids/gertkasl.xml
Citation
- Source
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http://www.worldcat.org/oclc/233007163
Citation
- Source
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http://www.worldcat.org/oclc/122515681
Citation
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http://www.worldcat.org/oclc/629695768
Citation
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http://www.worldcat.org/oclc/662601642
Citation
- Source
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http://www.worldcat.org/oclc/220183819
Citation
- Source
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http://www.worldcat.org/oclc/122502429
Citation
- Source
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http://www.worldcat.org/oclc/276394137
Citation
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http://www.worldcat.org/oclc/744425244
Citation
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- http://www.worldcat.org/oclc/744425244
http://www.worldcat.org/oclc/611201659
Citation
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http://www.worldcat.org/oclc/83459092
Citation
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http://www.worldcat.org/oclc/744437329
Citation
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http://www.worldcat.org/oclc/79728856
Citation
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http://www.worldcat.org/oclc/220208963
Citation
- Source
- http://www.worldcat.org/oclc/220208963
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http://nwda.orbiscascade.org/ark:/80444/xv20855
Citation
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- http://nwda.orbiscascade.org/ark:/80444/xv20855
http://www.worldcat.org/oclc/122571659
Citation
- Source
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http://www.worldcat.org/oclc/495595062
Citation
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- http://www.worldcat.org/oclc/495595062
http://www.worldcat.org/oclc/181964226
Citation
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http://www.worldcat.org/oclc/83627898
Citation
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- http://www.worldcat.org/oclc/83627898
http://www.worldcat.org/oclc/756821078
Citation
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- http://www.worldcat.org/oclc/756821078
http://www.worldcat.org/oclc/779477564
Citation
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- http://www.worldcat.org/oclc/779477564
http://www.worldcat.org/oclc/122397015
Citation
- Source
- http://www.worldcat.org/oclc/122397015
http://www.worldcat.org/oclc/495596710
Citation
- Source
- http://www.worldcat.org/oclc/495596710
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http://hdl.handle.net/10079/fa/beinecke.cohena
Citation
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http://www.oac.cdlib.org/ark:/13030/kt1t1nd961
Citation
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- http://www.oac.cdlib.org/ark:/13030/kt1t1nd961
http://www.worldcat.org/oclc/750153210
Citation
- Source
- http://www.worldcat.org/oclc/750153210
http://www.worldcat.org/oclc/122455143
Citation
- Source
- http://www.worldcat.org/oclc/122455143
http://www.worldcat.org/oclc/40445359
Citation
- Source
- http://www.worldcat.org/oclc/40445359
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http://www.aaa.si.edu/collections/findingaids/asheelis.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/asheelis.xml
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/fivecol/mtholyoke/mshm283.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcnaf">Motherwell, Robert.</ead_entity> </container> </objectXMLWrap>
http://asteria.fivecolleges.edu/findaids/mountholyoke/mshm283.html
Citation
- Source
- http://asteria.fivecolleges.edu/findaids/mountholyoke/mshm283.html
http://www.worldcat.org/oclc/122451887
Citation
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- http://www.worldcat.org/oclc/122451887
http://www.worldcat.org/oclc/122515189
Citation
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- http://www.worldcat.org/oclc/122515189
http://www.worldcat.org/oclc/744428650
Citation
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- http://www.worldcat.org/oclc/744428650
http://www.worldcat.org/oclc/212828650
Citation
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- http://www.worldcat.org/oclc/212828650
http://www.worldcat.org/oclc/122455179
Citation
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- http://www.worldcat.org/oclc/122455179
http://www.worldcat.org/oclc/233007040
Citation
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- http://www.worldcat.org/oclc/233007040
http://www.worldcat.org/oclc/77846662
Citation
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- http://www.worldcat.org/oclc/77846662
http://www.worldcat.org/oclc/122553114
Citation
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- http://www.worldcat.org/oclc/122553114
http://www.worldcat.org/oclc/495595029
Citation
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- http://www.worldcat.org/oclc/495595029
http://www.worldcat.org/oclc/122576736
Citation
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- http://www.worldcat.org/oclc/122576736
http://www.worldcat.org/oclc/83691074
Citation
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- http://www.worldcat.org/oclc/83691074
http://www.worldcat.org/oclc/85015106
Citation
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- http://www.worldcat.org/oclc/85015106
http://www.worldcat.org/oclc/265033358
Citation
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- http://www.worldcat.org/oclc/265033358
http://www.worldcat.org/oclc/122640594
Citation
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- http://www.worldcat.org/oclc/122640594
http://www.worldcat.org/oclc/744428318
Citation
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- http://www.worldcat.org/oclc/744428318
http://www.worldcat.org/oclc/122345242
Citation
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- http://www.worldcat.org/oclc/122345242
http://www.worldcat.org/oclc/227184656
Citation
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- http://www.worldcat.org/oclc/227184656
http://www.worldcat.org/oclc/301785381
Citation
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- http://www.worldcat.org/oclc/301785381
http://www.worldcat.org/oclc/30946080
Citation
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- http://www.worldcat.org/oclc/30946080
http://www.worldcat.org/oclc/81841760
Citation
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- http://www.worldcat.org/oclc/81841760
http://www.worldcat.org/oclc/226956443
Citation
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- http://www.worldcat.org/oclc/226956443
http://www.worldcat.org/oclc/79377461
Citation
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- http://www.worldcat.org/oclc/79377461
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/stabgall.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Motherwell, Robert</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/stabgall.xml
Citation
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- http://www.aaa.si.edu/collections/findingaids/stabgall.xml
http://www.worldcat.org/oclc/754863387
Citation
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- http://www.worldcat.org/oclc/754863387
http://www.worldcat.org/oclc/699816143
Citation
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- http://www.worldcat.org/oclc/699816143
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/oac/stanford/mss/m1446.xml</filename> <ead_entity en_type="persname" role="subject" source="lcnaf">Motherwell, Robert.</ead_entity> </container> </objectXMLWrap>
http://www.oac.cdlib.org/ark:/13030/kt4p3021rd
Citation
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- http://www.oac.cdlib.org/ark:/13030/kt4p3021rd
http://www.worldcat.org/oclc/122514976
Citation
- Source
- http://www.worldcat.org/oclc/122514976
http://www.worldcat.org/oclc/122577831
Citation
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- http://www.worldcat.org/oclc/122577831
http://www.worldcat.org/oclc/82275884
Citation
- Source
- http://www.worldcat.org/oclc/82275884
http://www.worldcat.org/oclc/220179604
Citation
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- http://www.worldcat.org/oclc/220179604
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http://www.oac.cdlib.org/ark:/13030/tf9199n9wm
Citation
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- http://www.oac.cdlib.org/ark:/13030/tf9199n9wm
http://www.worldcat.org/oclc/83688693
Citation
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- http://www.worldcat.org/oclc/83688693
http://www.worldcat.org/oclc/220151566
Citation
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- http://www.worldcat.org/oclc/220151566
http://www.worldcat.org/oclc/199208189
Citation
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- http://www.worldcat.org/oclc/199208189
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/kuhkath.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Motherwell, Robert</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/kuhkath.xml
Citation
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- http://www.aaa.si.edu/collections/findingaids/kuhkath.xml
http://www.worldcat.org/oclc/122355091
Citation
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- http://www.worldcat.org/oclc/122355091
http://www.worldcat.org/oclc/122639227
Citation
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- http://www.worldcat.org/oclc/122639227
http://www.worldcat.org/oclc/86133455
Citation
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- http://www.worldcat.org/oclc/86133455
http://www.worldcat.org/oclc/122397634
Citation
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- http://www.worldcat.org/oclc/122397634
http://www.worldcat.org/oclc/122599729
Citation
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- http://www.worldcat.org/oclc/122599729
http://www.worldcat.org/oclc/233007155
Citation
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- http://www.worldcat.org/oclc/233007155
http://www.worldcat.org/oclc/82918348
Citation
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- http://www.worldcat.org/oclc/82918348
http://www.worldcat.org/oclc/220208758
Citation
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- http://www.worldcat.org/oclc/220208758
http://www.worldcat.org/oclc/86152576
Citation
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- http://www.worldcat.org/oclc/86152576
http://www.worldcat.org/oclc/495596848
Citation
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- http://www.worldcat.org/oclc/495596848
http://www.worldcat.org/oclc/78142078
Citation
- Source
- http://www.worldcat.org/oclc/78142078
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/oac/getty/spcoll/900184.xml</filename> <ead_entity en_type="persname" encodinganalog="600" rules="lcnaf">Motherwell, Robert</ead_entity> </container> </objectXMLWrap>
http://www.oac.cdlib.org/ark:/13030/tf7k4005g7
Citation
- Source
- http://www.oac.cdlib.org/ark:/13030/tf7k4005g7
http://www.worldcat.org/oclc/122403897
Citation
- Source
- http://www.worldcat.org/oclc/122403897
Gropius, Walter, 1883-1969. Papers, 1925-1969 (bulk: 1937-1969)
Title:
Walter Gropius papers, 1925-1969 (inclusive), 1937-1969 (bulk).
Papers of German-born architect and Harvard professor Walter Gropius.
ArchivalResource: 40 boxes (15 linear ft.)
http://id.lib.harvard.edu/ead/hou00397/catalog View
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- Resource Relation
- Walter Gropius papers, 1925-1969 (inclusive), 1937-1969 (bulk).
Gladys Kashdin papers
Title:
Gladys Kashdin papers
The scattered papers of Gladys Kashdin measure 1.2 linear feet and date from 1942 to 1978. Found are research files and interviews focusing on Abstract Expressionism and abstract expressionist artists including sound recordings of interviews with H. Harvard Arnason, James Brooks, Adolph Gottlieb, Philip Guston, Conrad Marca-Relli, and Robert Motherwell.
ArchivalResource:
https://n2t.net/ark:/65665/mw96123e703-466d-4c4a-8766-8b455057ee85 View
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- Resource Relation
- Kashdin, Gladys Shafran, 1921-. Gladys Kashdin papers, [ca. 1948-1974].
O'Hara, Frank. Frank O'Hara papers, 1956-1966.
Title:
Frank O'Hara papers, 1956-1966.
Includes schedules, correspondence for and checklists of exhibitions on which Frank O'Hara worked, and Museum activities in which he was interested: project proposals and cost estimates; information re: lenders and contributors; proposed schedules for exhibitions; articles and clippings with reference to O'Hara; museum administrative matters; staff meeting minutes and notices; exhibition catalogs; and a book and photographs. Correspondents include Michael Barjansky, Robert Bollt, Bernard Brodsky, Wilson Burdett, Walter Burns, Jean Cassou, Enrico Crispolti, Rene d'Harnoncourt, Arthur Drexler, Jean Dubuffet, James C. Dunn, Robert Giron, Jane Gollin, Peggy Guggenheim, Ben Heller, Felrath Hines, Joseph Hirshhorn, Werner Hofmann, Sam Hunter, Elaine Johnson, Dietrich Mahlow, Porter McCray, Patrick B. McGinnis, Dr. O. Meyer, Dorothy C. Miller, Grace L. McCann Morley, George Montgomery, Stefan Munsing, Renee S. Neu, Roy R. Neuberger, Isamu Noguchi, Richard Palmer, Virginia Pearson, Lee Krasner Pollock, Arturo Profili, Waldo Rasmussen, Gerhart Rindauer, Bryan Robertson, Nelson A. Rockefeller, Robert Rosenblum, Arnold Rudlinger, Godfrey Sanitini, Meyer Schapiro, Mrs. Gable Senior, Tom Slick, David Smith, Gordon M. Smith, Francisco Matarasso Sobrino, G. R. Swenson, Vittorio Viale, Monroe Wheeler, E. de Wilde, William Wright.
ArchivalResource: 2 linear feet (4 boxes).
http://www.worldcat.org/oclc/122577831 View
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- O'Hara, Frank. Frank O'Hara papers, 1956-1966.
Clement Greenberg papers
Title:
Clement Greenberg papers
The papers of influential New York author and art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers consists of letters from art critics, artists, family, friends, curators, collectors, publishers, galleries, and museums, with scattered letters from Greenberg. Also found are Greenberg's business and financial records along with small amounts of biographical material, printed material, and writings consisting of two reports. Correspondence includes letters to Greenberg, often documenting the lives and careers of many of the correspondents in significant detail, and scattered copies of Greenberg’s replies. Much of the correspondence is rich and substantive, and is indicative of Greenberg’s influence in the art world. Correspondents include Darby Bannard, Ethel Baziotes, Anthony Caro, Richard Diebenkorn, Piero Dorazio, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, Leslie Waddington and many others. Biographical material includes notes from an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence and other documentation related to Greenberg's appearances, such as for lectures and on television, and documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.Artwork consists of one etching by Kurt Wisenski. Although the papers contain very few of Greenberg's writings about art, there are lists of artists and reports written by Greenberg on the state of art in Japan and India in 1967 which are probably related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.One series of access restricted papers contains documents relating to Greenberg's role as an executor for the David Smith estate.
ArchivalResource: 8.6 linear feet
https://n2t.net/ark:/65665/mw9583b0d2a-ad31-4fa9-a3b5-eacce3cb0313 View
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- Resource Relation
- Clement Greenberg papers, 1937-1983
James E. B. Breslin research archive on Mark Rothko, 1900-1994, 1940-1990
Title:
James E. B. Breslin research archive on Mark Rothko 1900-1994 1940-1990
Archive assembled by James Breslin, professor at the University of California, Berkeley, as he researched and wrote Mark Rothko: a biography. The Russian-born American painter's life and work are the central subjects of the collection, situated in broad historical and artistic contexts with particular emphasis on Abstract Expressionism and the New York art world from the 1920s through the 1960s. Materials include interview recordings and transcripts, correspondence, financial and legal documents, photographs, clippings, assorted printed materials, and extensive notes.
ArchivalResource: 18.7 linear ft.; (32 boxes, 1 flat file folder)
http://hdl.handle.net/10020/cifa2003m23 View
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- Resource Relation
- Breslin, James E. B., 1935-1996. James E. B. Breslin research archive on Mark Rothko, 1900-1994 (bulk 1940-1990).
Arthur A. Cohen papers, 1941-1988
Title:
Arthur A. Cohen papers 1941-1988
The Arthur A. Cohen Papers provide evidence of the writing, editing, and publishing career of Arthur Allen Cohen between 1940 and 1986. The Papers consist of correspondence, writings, personal papers, photographs, audiovisual material, legal and financial documents, and clippings relating to Cohen's writing, publishing companies Noonday Press and Meridian Books, and work editing the Documents of Twentieth Century Art series for Viking Press. Cohen's interest in theology (particularly Judaism) and art are also reflected in the Papers, particularly his writing and publishing projects.
ArchivalResource: 47.0 linear feet (46 boxes)
http://hdl.handle.net/10079/fa/beinecke.cohena View
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- Resource Relation
- Arthur A. Cohen papers, 1941-1988
Congregation B'nai Israel of Millburn (N.J.). Congregation B'nai Israel of Millburn records, 1931-2005.
Title:
Congregation B'nai Israel of Millburn records, 1931-2005.
Contains photocopies of board minutes; originals of Rabbi Gruenwald's sermons; Sisterhood records; minutes; photographs; newsletters; and other materials.
ArchivalResource: 15.5 cubic ft.
http://www.worldcat.org/oclc/495853540 View
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- Resource Relation
- Congregation B'nai Israel of Millburn (N.J.). Congregation B'nai Israel of Millburn records, 1931-2005.
Nathan Halper business records
Title:
Nathan Halper business records
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.
ArchivalResource: 4.2 Linear feet
https://n2t.net/ark:/65665/mw95a6a9a4b-cbbf-47a1-9f4e-54b3415e3840 View
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Citation
- Resource Relation
- Halper, Nathan. Nathan Halper correspondence and gallery records, 1952-1979, bulk, 1953-1970.
Arthur Berger papers, 1905-2004, 1930-2003
Title:
Arthur Berger papers 1905-2004 1930-2003
The Arthur Berger Papers contain primarily his analytical documentation of 20th century music, and his compositions from the 1940s-1990s.
ArchivalResource: 16.78; 45 boxes
http://archives.nypl.org/mus/20317 View
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- Resource Relation
- Arthur Berger papers, 1905-2004, 1930-2003
B.R. Kornblatt Gallery records
Title:
B.R. Kornblatt Gallery records
The records of the B. R. Kornblatt Gallery of Baltimore, Md. and Washington, D.C. measure 4.1 linear feet and date from 1971 to 1992. The collection consists primarily of artists' files along with a few exhibition files and sales records.
ArchivalResource: 4.1 Linear feet
https://n2t.net/ark:/65665/mw952769c43-32aa-4240-ae84-88610180a0a7 View
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Citation
- Resource Relation
- B. R. Kornblatt Gallery. B.R. Kornblatt Gallery records, 1975-1992.
Entretiens de Pontigny records MS 0768., 1942-1945.
Title:
Entretiens de Pontigny records 1942-1945.
Entretiens de Pontigny; gatherings of intellectuals in France, founded in 1910 as Decades de Pontigny and held at Mount Holyoke College in 1942-1944. Records consist of correspondence, meeting minutes, article, press releases, schedules, programs, a guest register and photographs relating to the meetings at Mount Holyoke Include letters by Gustave Cohen, Jean Andre Wahl, Dorothy Canfield Fisher, Beatrice Fry Hyslop, Jacques Maritain, Cecile Jahiel, Auguste Viatte, Andre Spire, Marcelle de Manziarly, Boris Mirkine-Guetzevitch, and Mrs. Raymond de Saussure.
ArchivalResource: 1 box; (5 linear in.)
http://asteria.fivecolleges.edu/findaids/mountholyoke/mshm283.html View
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- Entretiens de Pontigny records MS 0768., 1942-1945.
OAC Review Index (University of Guelph). Memorials to leaders in agriculture opened at Experimental Farm, OAC Review, v.48, no.8, Summer 1936, p. 454-455.
Title:
Memorials to leaders in agriculture opened at Experimental Farm, OAC Review, v.48, no.8, Summer 1936, p. 454-455. 1936.
ArchivalResource: 2 p.
http://www.worldcat.org/oclc/629695768 View
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- Resource Relation
- OAC Review Index (University of Guelph). Memorials to leaders in agriculture opened at Experimental Farm, OAC Review, v.48, no.8, Summer 1936, p. 454-455.
Lee Nordness business records and papers
Title:
Lee Nordness business records and papers
The Lee Nordness business records and papers measure 117.5 linear feet and date from circa 1931 to 1992 with the bulk of materials dating from 1954 to 1984. The records document seven New York City art-related companies with which Nordness was involved: Talent Discovery Company, The Little Studio, Ltd., American Art Expositions, Inc., Nordness Gallery, Inc., Lee Nordness Galleries Art Advisory Section, Inc., Lee Nordness Galleries Exhibition Section, Inc., and Forms & Objects, Inc. Records include correspondence, artist's files, business and legal records, inventories, financial and sales records, printed materials, scrapbooks, and photographic materials. Also found is a small group of personal papers.
ArchivalResource: 117.5 Linear feet
https://n2t.net/ark:/65665/mw965a089d3-b459-436d-8468-e7e559fd7043 View
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Citation
- Resource Relation
- American Art Expositions (Firm). American Art Expositions, Inc. records.
Clemens Kalischer papers
Title:
Clemens Kalischer papers
276 photographs, ca. 1946-1966, taken by Kalisher of artists teaching at Bennington College, Bennington, Vermont, Black Mountain College, North Carolina, and the MacDowell Colony, Peterborough, New Hampshire.
ArchivalResource:
https://n2t.net/ark:/65665/mw955662f44-58c5-4a43-a039-3bf7013ee4c6 View
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Citation
- Resource Relation
- Kalischer, Clemens, 1921-. Clemens Kalischer papers, ca.1946-1966.
Oral history interview with Dore Ashton
Title:
Oral history interview with Dore Ashton
An interview of Dore Ashton conducted 2010 November 21 and 2011 March 9, by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Ashton's home, in New York, New York.
OralHistoryResource: Sound recording, master: 2 memory cards (2 hr., 57 min.) secure digital, wav 1.25 in.
https://n2t.net/ark:/65665/mw9b7c38826-8734-452b-afbe-3303efd2db24 View
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- Resource Relation
- Ashton, Dore. Oral history interview with Dore Ashton, 2010 Nov. 21.
Harold Rosenberg papers, 1923-1984
Title:
Harold Rosenberg papers 1923-1984
American art critic who developed the concept of "action painting" to describe the work of New York School painters such as De Kooning and Pollock. In 1967 Rosenberg became the regular art reviewer for . The papers offer a comprehensive view of his professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and 1970s. The New Yorker
ArchivalResource: ca. 30 linear ft.; (64 boxes, 8 flat file folders)
http://hdl.handle.net/10020/cifa980048 View
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- Harold Rosenberg papers, 1923-1984
Motherwell, Robert. Robert Burns Motherwell : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Title:
Robert Burns Motherwell : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990
File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.
ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.
http://www.worldcat.org/oclc/662601642 View
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- Resource Relation
- Motherwell, Robert. Robert Burns Motherwell : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Oral history interview with Nathan Halper
Title:
Oral history interview with Nathan Halper
An Interview of Nathan Halper conducted 1980 July 8-1980 Aug. 14, by Robert Brown, for the Archives of American Art.
OralHistoryResource: Sound recording: 1 sound cassette and 1 sound tape reel ;Transcription: 125 p.
https://n2t.net/ark:/65665/mw962af9f2e-929a-4df0-b28e-d1923c721dc2 View
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- Resource Relation
- Halper, Nathan. Nathan Halper interviews, 1980 July 8-Aug. 14 [sound recording].
Hanuman books. Hanuman books records, 1978-1996, (bulk 1986-1994).
Title:
Hanuman books records, 1978-1996, (bulk 1986-1994).
Collection includes: correspondence, invoices, manuscripts, typescripts, artwork, audiotapes, printed ephemera, photographs and books. Records document the founding of Hanuman Books, the administration of a small New York Press, Indian printing practices, San Francisco's North Beach and New York's Lower East Side literary and art scenes, Beat poetry, the Naropa Institute, contemporary music and film, and gay men and gay literature in the 1980s and 1990s.
ArchivalResource: 20 linear ft.
http://www.worldcat.org/oclc/68917307 View
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- Resource Relation
- Hanuman books. Hanuman books records, 1978-1996, (bulk 1986-1994).
Berger, Arthur, 1912-2003. Arthur Berger papers, 1905-2004 (bulk 1930-2003).
Title:
Arthur Berger papers, 1905-2004 (bulk 1930-2003).
The Arthur Berger papers document twentieth century music from both a critic and composer?s perspective.
ArchivalResource: 16.78 linear feet (45 boxes)
http://www.worldcat.org/oclc/60537937 View
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- Resource Relation
- Berger, Arthur, 1912-2003. Arthur Berger papers, 1905-2004 (bulk 1930-2003).
Motherwell, Robert. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122394562 View
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- Resource Relation
- Motherwell, Robert. Artist file.
Artists and printmaking : the making of a print : lecture, by Edmund Brooke Alexander
Title:
Artists and printmaking : the making of a print : lecture, by Edmund Brooke Alexander
A tape recording of a lecture and eight accompanying color slides delivered by Edmund Brooke Alexander at the Fogg Art Museum. Alexander speaks of prints he has published and distributed since 1968 by artists Alex Katz, Sam Francis, Sol Lewitt, Robert Motherwell and others; factors in judging prints, painters and sculptors working in printmaking; and his involvement with young painters, studying to become printmakers.
ArchivalResource:
https://n2t.net/ark:/65665/mw91ffce369-8d69-4506-843d-7fc8af1a4036 View
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- Resource Relation
- Alexander, Brooke. Artists and printmaking : the making of a print : lecture, 1984 February 29 / by Edmund Brooke Alexander.
Florence Weinstein papers
Title:
Florence Weinstein papers
The papers of New York painter and ceramicist Florence Weinstein measure 0.2 linear feet and date from 1929 to 1983. The collection provides scattered documentation of Weinstein's career through records including correspondence, biographical notes, printed materials, photographs of Weinstein and her work, and a drawing by Sylvie Weinstein.
ArchivalResource: 0.2 Linear feet
https://n2t.net/ark:/65665/mw9f9c76310-1e24-4bb6-9c81-903ca8a7489a View
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- Weinstein, Florence, b. 1895. Florence Weinstein papers, 1929-1983.
Barbara Rose papers, 1940-1993 (bulk 1960-1985).
Title:
Barbara Rose papers, 1940-1993 (bulk 1960-1985).
The collection, a selected portion from the total Barbara Rose archive, documents Rose's research and writings about American art, especially the New York art world during the 1960s and 1970s. It contains correspondence, manuscripts, photographs, and audio and video tapes. About .5 linear ft. of correspondence from artists includes substantial files of letters from Anne and Avigdor Arikha, and Mark Di Suvero, plus copies of letters between Ad Reinhardt and Thomas Merton (1956-64), and two 1966 letters from Robert Motherwell in which he describes the post-war New York art scene. Correspondence with other artists, critics and dealers is scattered throughout the manuscript and research files. These latter files contain Rose's research and portions of manuscripts for published and unpublished works on Patrick Henry Bruce, Georgia O'Keefe, Andy Warhol, Lee Krasner and Jackson Pollock, the Fernando Vijande gallery in Spain, E.A.T. (Experiments in Art and Technology), and the Art and Technology program of the Los Angeles County Museum. Smaller files contain notes and portions of manuscripts about Clement Greenberg, Peggy Guggenheim, Alexander Liberman, Mark Di Suvero, and the Pier 35 project in New York City. One file contains Rose's student notes from a class with Meyer Schapiro. The Vijande Gallery material includes biographical and visual material (slides and photographs) about Spanish artists, most of whom were represented by the gallery. These include José Luis Alexanco, Frederic Amat, Francesc Artigua, Rafael Baixeras, Evaristo Bellotti, Juan Bordes, Carmen Calvo, Miguel Angel Camparo, Joan Cardells, Victoria Civera, Chema Cobo, Costus, Gerardo Delgado, Xavier Franquesa, Maria Gomez, Luis Gordillo, Miquel Navarro, Soledad Sevilla, José Maria Sicilia, Juan Uslé, and Zush.
ArchivalResource: 10 linear ft.147 sound cassettes : 1 5/16 ips ; 3 78/ c 21/2 in., 1/8 in. tape, originals.13 sound tape reels of 13 : 7.5 ips ; 5 in and 7 in., 1/8 in tape, originals.6 videocassettes (VHS, U-Matic, Beta) : sd. ; originals.
http://hdl.handle.net/10020/cifa930100 View
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- Rose, Barbara. Barbara Rose papers, 1940-1993 (bulk 1960-1985).
A structure for creativity.
Title:
A structure for creativity.
Public slide-talk on what it is like to do abstract art with visual artist Robert Motherwell.
ArchivalResource: 2 sound tape reels (114 min.) : analog, 3 3/4 ips ; 7 in.
http://id.lib.harvard.edu/alma/990083357230203941/catalog View
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- Motherwell, Robert. A structure for creativity.
Museum of Modern Art (New York, N.Y.). Robert Motherwell. 1965 : Archives pamphlet file : miscellaneous uncataloged material.
Title:
Robert Motherwell. 1965 : Archives pamphlet file : miscellaneous uncataloged material.
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/82275884 View
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- Museum of Modern Art (New York, N.Y.). Robert Motherwell. 1965 : Archives pamphlet file : miscellaneous uncataloged material.
Reis, Bernard. Bernard and Rebecca Reis papers, ca. 1924-1985.
Title:
Bernard and Rebecca Reis papers, ca. 1924-1985.
The papers contain correspondence, business and financial records, printed ephemera, and photographs. The two primary foci, 20th century artists and the art collection formed by Bernard and Rebecca Reis, are brought out through a substantial body of letters from major and minor figures of the American art world, written and visual documentation of the Reis collection of art and books, and ephemeral material relating to artists and patrons.
ArchivalResource: ca. 3.4 linear ft. (8 boxes)
http://www.worldcat.org/oclc/84266492 View
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- Reis, Bernard. Bernard and Rebecca Reis papers, ca. 1924-1985.
Bernard J. Reis papers
Title:
Bernard J. Reis papers
The papers of New York accountant and art collector Bernard J. Reis measure 2.1 linear feet and date from circa 1913 to 1983. The papers document his friendships with artists, his role as accountant for Art of This Century and the Peggy Guggenheim Foundation, and executor of the Mark Rothko Estate. Included are biographical and family papers, correspondence, professional files, scrapbooks, printed material, and photographs.
ArchivalResource: 2.1 Linear feet
https://n2t.net/ark:/65665/mw9d95afd3e-1722-47ce-b62b-d5ec9342f4e4 View
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- Reis, Bernard J., 1895-1978. Bernard J. Reis papers, 1934-1979.
Museum of Modern Art (New York, N.Y.). Gifts of works on paper by Robert Motherwell. 1987-1988 : Archives pamphlet file : miscellaneous uncataloged material.
Title:
Gifts of works on paper by Robert Motherwell. 1987-1988 : Archives pamphlet file : miscellaneous uncataloged material.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122345242 View
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- Museum of Modern Art (New York, N.Y.). Gifts of works on paper by Robert Motherwell. 1987-1988 : Archives pamphlet file : miscellaneous uncataloged material.
Smithsonian Institution. Libraries. Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.
Title:
Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.
Searchable digital collection of Hirshhorn Museum and Sculpture Garden Library Audio Collection. Digital collection contains 306 digital audio files reformatted from audio cassettes containing recorded symposiums, lectures, interviews and events ranging in date from 1969 to 2004. The content of the audio collection includes: event recordings and interviews dating back to the founding days of the Hirshhorn Museum and Sculpture Garden, interviews of renowned modern and contemporary artists, lectures and symposium focusing on significant themes in 20th century art.
ArchivalResource: 306 audio files : digital.
http://www.worldcat.org/oclc/699816143 View
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- Smithsonian Institution. Libraries. Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.
Howard Somers Conant papers
Title:
Howard Somers Conant papers
The papers of art educator and painter Howard Somers Conant measure 3.2 linear feet and date from 1944 to 1987. The papers document Conant's career as an art educator through correspondence with friends and colleagues; draft manuscripts, lectures, and other writings; newsletters, copies of published books, and other printed materials; and seventy-four sound recordings of interviews, lectures, and panel discussions that Conant took part in during the 1960s.
ArchivalResource: 3.2 linear feet
https://n2t.net/ark:/65665/mw963bb7974-6a05-496a-b0aa-c93c84b750cf View
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- Conant, Howard Somers, 1921-. Howard Somers Conant papers, [ca.1946]-1985.
Karl E. Fortess interviews with artists
Title:
Karl E. Fortess interviews with artists
The taped interviews with artists by Karl Fortress measure 5.6 linear feet and date from circa 1963 to 1985. The interviews consist of 205 cassettes containing 268 interviews, averaging 35 minutes, of painters, sculptors, and printmakers. Fortess conducted seventy-nine of the interviews as a pilot for and as part of a grant from Office of Education, U.S. Dept. of Health, Education, and Welfare at Boston University's School of Applied Arts. Included in the collection is the final report for the grant, June 1968, summarizing the objective was "to develop a library of taped interviews with contemporary American painters, sculptors, and graphic artists, such interviews to be concerned with questions of technical, professional and personal interest" and the evaluation process and outcomes of the value of the interviews as a teaching resource for faculty and students. The interviews followed guidelines to include background, training, work patterns, interests, teachers, influences, teaching experiences, attitudes toward teaching, and opinions on art trends. Fortess continued interviewing artists upon completion of the grant, including many with with artists associated with the Woodstock, N.Y. art community.
OralHistoryResource: 268 interviews recorded on 205 audio cassettes.
https://n2t.net/ark:/65665/mw996b317da-502d-42d0-a01e-ee00fc5235a4 View
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- Fortess, Karl E. (Karl Eugene), 1907-. Karl E. Fortess taped interviews with artists, [1963-1985].
Motherwell, Robert. Writings on art, 1941-1971.
Title:
Writings on art, 1941-1971.
Compendium of statements, including panel discussions, interviews, letters to curators, and other informal writings, with offprints or copies of published work. Some ribbon copies, corrected drafts and notes by the artist are included. Arranged chronologically.
ArchivalResource: 1 box.
http://www.worldcat.org/oclc/81841760 View
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- Motherwell, Robert. Writings on art, 1941-1971.
Gyorgy Kepes papers
Title:
Gyorgy Kepes papers
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
ArchivalResource: 21.2 Linear feet
https://n2t.net/ark:/65665/mw9f863f285-f429-48f1-ba6e-fb74702c12ba View
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- Kepes, Gyorgy, 1906-2001. Gyorgy Kepes papers, 1825-1989 (bulk 1909-1989).
Elise Asher papers
Title:
Elise Asher papers
The Elise Asher papers, 1923-1994, measure 1.6 linear feet and reflect Asher's career as a poet, painter, and sculptor, and her friendships with many of the more prominent artists of the mid-twentieth century. The collection contains biographical material, letters, writings, works of art, business records, printed material, and photographs.Notable correspondents found in the collection include Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut.
ArchivalResource:
https://n2t.net/ark:/65665/mw99a5d878c-4baa-45be-be3d-56ae368dc221 View
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- Elise Asher papers, 1923-1994
Oral history interview with Aaron Siskind
Title:
Oral history interview with Aaron Siskind
An interview of Aaron Siskind conducted 1982 September 28-October 2, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 45 p.
https://n2t.net/ark:/65665/mw93b4bbb41-b11b-467e-93b5-df9352eb486d View
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- Siskind, Aaron. Aaron Siskind interview, 1982 Sept. 28 - Oct. 2.
Robert Motherwell lecture
Title:
Robert Motherwell lecture
A lecture delivered by Robert Motherwell at Yale University, New Haven, Connecticut.
ArchivalResource:
https://n2t.net/ark:/65665/mw96ea20bbf-a67d-4e2a-8810-7542d2b98011 View
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- Motherwell, Robert. Robert Motherwell lecture, 1973 Apr. 18.
Leen, Nina, 1909-. [The Irascibles] [graphic] / Nina Leen.
Title:
[The Irascibles] [graphic] / Nina Leen. 1950. Nov. 24.
Pictured from left rear: Willem De Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne; next row: Richard Pousette-Dart, William Baziotes, Jimmy Ernst, Jackson Pollock, James Brooks, Clyfford Still, Robert Motherwell, Bradley Walker Tomlin; foreground: Theodoros Stamos, Barnett Newman and Mark Rothko. Missing from photo: Weldon Kees, Fritz Bultman and Hans Hofmann. Photographed by Nina Leen for Time/Life, 1951.
ArchivalResource: 1 photographic print : b&w ; 26 x 21 cm.
http://www.worldcat.org/oclc/779477586 View
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- Leen, Nina, 1909-. [The Irascibles] [graphic] / Nina Leen.
Motherwell, Robert. The Dedalus Foundation's Robert Motherwell scrapbooks, 1946-2000.
Title:
The Dedalus Foundation's Robert Motherwell scrapbooks, 1946-2000.
The Robert Motherwell Scrapbooks document Motherwell's long artistic career. The majority of the Scrapbooks consist of exhibition invitations, brochures, catalogues, and reviews and articles by such noted art critics as John Canaday, Dore Ashton, Hilton Kramer, Peter Schjeldahl, John Russell, Clement Greenberg, Emily Genauer, and Grace Glueck. Motherwell's name is usually underlined or circled within these documents. There is an emphasis on Motherwell's transition from painting to collage-making, and other themes include Motherwell's interest in teaching and literature, his involvement with politics and activism, and his achievements and innovations as an artist. The majority of the collection centers on the middle years, from the 1970s to the early 1990s.
ArchivalResource: 4 linear ft. (11 boxes)
http://www.worldcat.org/oclc/670140660 View
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- Motherwell, Robert. The Dedalus Foundation's Robert Motherwell scrapbooks, 1946-2000.
Mitch Tuchman papers relating to the book Painters Painting
Title:
Mitch Tuchman papers relating to the book Painters Painting
Papers related to Tuchman's co-authoring with Emile de Antonio the book Painters Painting: A History of American Modernism in the Words of Those Who Created It (Abbeville Press, 1984). The book was based on uncut transcripts and the film script from de Antonio's 1972 film Painters Painting, inspired by the Museum of Modern Art's exhibition, New York Painting and Sculpture: 1940-1970, curated by Henry Geldzahler. Included are correspondence; transcripts of interviews conducted by de Antonio of painters, critics, curators, and collectors; notes; drafts of the book; and a subject card file.
ArchivalResource:
https://n2t.net/ark:/65665/mw98bedc02c-14bb-4f53-9a7a-fce8627ada72 View
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- Tuchman, Mitch. Mitch Tuchman papers related to the book Painters Painting, 1980-1989.
Motherwell, Robert. Reminiscences of Robert Motherwell : oral history, 1977.
Title:
Reminiscences of Robert Motherwell : oral history, 1977.
Graduate work in philosophy at Harvard; surrealism; School of New York; collages; philosophy of art; visit to Altamira.
ArchivalResource: Transcript: 45 leaves.Tape: 1 reel.
http://www.worldcat.org/oclc/122451887 View
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- Motherwell, Robert. Reminiscences of Robert Motherwell : oral history, 1977.
Emerson Woelffer papers
Title:
Emerson Woelffer papers
Correspondence, printed material, and a drawing.
ArchivalResource:
https://n2t.net/ark:/65665/mw9256f47f0-d56a-4580-9ee2-2b84e0b38365 View
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- Woelffer, Emerson, 1914-2003. Emerson Woelffer papers, 1937-1999.
David Smith papers
Title:
David Smith papers
Correspondence; sketchbooks; sketches; scrapbooks; exhibition catalogs; photographs; business records; and printed material.
ArchivalResource:
https://n2t.net/ark:/65665/mw93f629ffe-5a31-4f3f-882c-31ef72a18c53 View
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- Smith, David, 1906-1965. David Smith papers, 1926-1965.
Jacques Barzun Papers, ca.1900-1999.
Title:
Jacques Barzun Papers, ca.1900-1999.
The correspondence, researach, and teaching files of Jacques Barzun (1907-2012).
ArchivalResource: 194 linear ft. in 454 boxes; 1 drawer of oversized material; 11 correspondence file boxes (CLOSED); 2 small cartons (CLOSED); and 2 record storage cartons (CLOSED at ReCAP).
http://findingaids.cul.columbia.edu/ead/nnc-rb/ldpd_4079628 View
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- Jacques Barzun Papers, ca.1900-1999.
Elise Asher papers
Title:
Elise Asher papers
The Elise Asher papers, 1923-1994, measure 1.6 linear feet and reflect Asher's career as a poet, painter, and sculptor, and her friendships with many of the more prominent artists of the mid-twentieth century. The collection contains biographical material, letters, writings, works of art, business records, printed material, and photographs.Notable correspondents found in the collection include Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut.
ArchivalResource:
https://n2t.net/ark:/65665/mw99a5d878c-4baa-45be-be3d-56ae368dc221 View
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- Asher, Elise, 1914-. Elise Asher papers, 1923-1994.
Diamonstein-Spielvogel, Barbaralee. Barbaralee Diamonstein-Spielvogel collection, 1976-1999.
Title:
Barbaralee Diamonstein-Spielvogel collection, 1976-1999.
The Barbaralee Diamonstein-Spielvogel Collection dates from 1976 to 1999 and primarily comprises videotapes and autdiotapes of interviews conducted by Diamonstein-Spielvogel with various artists, architects, craftsmen, interior designers, fashion designers, and photographers concerning their respective fields. These interviews are the substance of Diamonstein-Spielvogel's ten different television series, which include "About the Arts," "American Architecture Now," "American Architecture Now II," "Barbaralee Diamonstein and ...," "Handmade In America," "Inside New York's Art World," "Inside Fashion," "Inside Fashion- Fashion Now," "Interior Design: The New Freedom," and "Visions and Images: American Photographers on Photography." Also included in this collection are interviews of Diamonstein-Spielvogel concerning her work on several news shows, including ABC's "Good Morning America," Fox's "Ten O'Clock News," and WOR-TV's "Straight Talk." Additionally, there are a few news segments that she produced, including ABC's "Arts Minutes" and CBS's "But Not On My Block," and one that she wrote and narrated, CBS's "Lamp Unto My Feet: After Reubens." The collection, arranged alphabetically by the first name of each interview subject, includes various preservation formats, including 1" Open Reel Videotape, 3/4" Umatic Videotape, and VHS Videotape. The collection also contains twenty-eight unedited audiotapes consisting of additional interviews conducted by Diamonstein-Spielvogel, accompanied by a book of transcriptions entitled Singular Voices: Americans Who Make a Difference.
ArchivalResource: 556 items (54.0 lin. ft.)
http://www.worldcat.org/oclc/712291097 View
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- Diamonstein-Spielvogel, Barbaralee. Barbaralee Diamonstein-Spielvogel collection, 1976-1999.
Gertrude Kasle Gallery records
Title:
Gertrude Kasle Gallery records
The records of the Gertrude Kasle Gallery of Detroit measure 8.1 linear feet and date from 1949-1999, with the bulk of the records dating from 1964-1983. The collection documents the establishment and operations of this contemporary American art gallery and consists of artists files, business and administrative files, exhibition files, photographic materials, and interviews and lectures in the form of sound recordings. The bulk of the records consist of Artists' Files that document the professional and personal relationships Kasle fostered with the artists represented by the gallery, including sales and exhibitions. The files contain a wide variety of materials and the amount of documentation for each artist also varies. Typically the files contain personal and business correspondence, sales documentation, exhibition photographs, photographs of works of art, family photographs, photographs of the artist, exhibition announcements and catalogs, other printed materials, greeting cards, and other documents. Some of the artists well-represented in the files include Lee Bontecou, Wilhem De Kooning, Jim Dine, Helen Frankenthaler, Brenda Goodman, Robert Goodnaugh, John Goodyear, Adolph Gottlieb, Philip Guston, Grace Hartigan, Ray Johnson, Robert Motherwell, Robert Natkin, Lowell Nesbitt, Claes Oldenburg, Charles Pollock, Robert Rauschenberg, Julius Schmidt, Babe Shapiro, Michael Todd, and Jack Tworkov. Additional general information about exhibitions is found in Series 3, Exhibition Files and additional photographs are filed in Series 4, Photographic Material. Gallery and personal business and administrative files house documents relating to the founding and incorporation of the gallery and general operations, as well as some of Gertrude Kasle personal business files. Also found in this series are files related to fine art prints and the gallery's business relationship with Universal Limited Art Editions. Scattered exhibition files are found for a few of the gallery's exhibitions and also include general exhibition related files, such as clippings, announcements, guest lists, and schedules. Most of the information about the gallery's exhibitions is found in the Artists Files. Photographs and slides are found throughout the collection, particularly in the Artists Files, but Series 4, Photographic Materials houses an extensive collection of slides documenting art work by artists represented by the gallery. There is also an autographed photograph portrait of Lowell Nesbitt.Sound recordings are of interviews and lectures. Interviews are with Tatyana Grosman, Lowell Nesbitt, Paul Jenkins, and Bill Tall. There are recorded lectures by Paul Jenkins and Jack Tworkov. The sound recordings are on both audio cassette reel to reel tapes. Transcripts are not available.
ArchivalResource:
https://n2t.net/ark:/65665/mw966a2f90b-2c81-4c74-85c0-150badf90c1d View
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- Gertrude Kasle Gallery records, 1949-1999 (bulk 1964-1983)
Rosenberg, Harold, 1906-1978. Harold Rosenberg Papers, 1923-1984.
Title:
Harold Rosenberg Papers, 1923-1984.
The papers offer a comprehensive view of Harold Rosenberg's professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and '70s. One highlight is the editorial correspondence with Irving Howe, William Phillips, Irving Kristol, Norman Podhoretz, Thomas Hess and Ben Raeburn. Also interesting are letters from French intellectuals such as Simone de Beauvoir and Maurice Merleau-Ponty, whose work presumably grounded Rosenberg's theory of "action painting." There is ample, rich correspondence with writers and artists such as Saul Bellow, Kenneth Burke, Donald Barthelme, Robert Motherwell, Philip Guston, Ad Reinhardt, and Allan Kaprow. Manuscripts show the range of topics Rosenberg's thoughtful writings encompassed in the little magazines that embraced him for more than three decades. They also show the maturation of his style as a reviewer for The New Yorker. The evolution of a given manuscript is often discernible through notes, drafts, corrected typescripts and galleys. Interviews and teaching files give a glimpse of the way Rosenberg presented his ideas as a public speaker, a facet of him that the audiotape also preserves. There is a relatively small amount of personal material, such as letters from Rosenberg's wife, May Natalie Tabak, and journals and photographs, which convey the quality of his family life. Clippings and printed matter, including 20 propaganda posters from the second World War, evoke the social and intellectual era in which Rosenberg lived and worked.
ArchivalResource: ca. 33 linear ft. (65 boxes)
http://www.worldcat.org/oclc/83780041 View
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- Rosenberg, Harold, 1906-1978. Harold Rosenberg Papers, 1923-1984.
Barbara Rose papers
Title:
Barbara Rose papers
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
ArchivalResource: 1.4 Linear feet
https://n2t.net/ark:/65665/mw94ba999c5-8b4b-480e-ae02-6477a9b5920f View
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- Rose, Barbara. Barbara Rose papers, 1962-circa 1969.
Oral history interview with Robert Motherwell
Title:
Oral history interview with Robert Motherwell
Interview of Robert Motherwell conducted 1971 Nov. 24-1974 May 1, by Paul Cummings, for the Archives of American Art, at the artist's home, in Greenwich, Conn.
OralHistoryResource: 4 sound tape reels (7 hours 30 min.) ; 5 in.Transcript: 166 p.
https://n2t.net/ark:/65665/mw9cc1234b3-dc2d-44ca-82a9-b29b13cf1c7b View
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- Motherwell, Robert. Oral history interview with Robert Motherwell, 1971 Nov. 24-1974 May 1.
Katharine Kuh papers
Title:
Katharine Kuh papers
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
ArchivalResource: 12 linear feet
https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a View
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- Kuh, Katharine. Katharine Kuh papers, 1875-1994, bulk, 1930-1994.
John Jones interviews with artists
Title:
John Jones interviews with artists
Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.
ArchivalResource: 0.4 linear feet
https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91 View
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- Jones, John. John Jones interviews with artists, 1965 Oct. 5-1965 Nov. 12.
Joann and Gifford Phillips papers
Title:
Joann and Gifford Phillips papers
Correspondence, photographs, writings, interview transcripts, a sound recording, printed material and miscellany concerning the careers of art collectors Joann and Gifford Phillips.
ArchivalResource: 2.6 linear feet
https://n2t.net/ark:/65665/mw92403f254-7c9d-4818-baff-9407d2d58df1 View
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- Phillips, Joann. Joann and Gifford Phillips papers, circa 1950-2009.
Reynal, Eugene, Mrs., 1905-1977. Robert Motherwell in his studio [graphic].
Title:
Robert Motherwell in his studio [graphic]. 1952.
Identification on verso (handwritten): "Motherwell in his studio 1952."
ArchivalResource: 1 photographic print : b&w ; 31 x 25 cm.
http://www.worldcat.org/oclc/79377461 View
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- Reynal, Eugene, Mrs., 1905-1977. Robert Motherwell in his studio [graphic].
Oral history interview with Robert Motherwell
Title:
Oral history interview with Robert Motherwell
An interview of Robert Motherwell conducted 1981 December 15, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 15 p.
https://n2t.net/ark:/65665/mw991271373-8c62-48fc-a350-f5bd8e5a5300 View
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- Motherwell, Robert. Robert Motherwell interview, 1981 Feb. 15.
Calder, Alexander, 1898-1976. What modern art means to me.
Title:
What modern art means to me.
Papers presented at a symposium held at the Museum of Modern Art, New York, Feb. 5, 1951. Mimeographed, typescript, and manuscript material.
ArchivalResource: 49 leaves ; 28 cm.
http://www.worldcat.org/oclc/122639227 View
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- Calder, Alexander, 1898-1976. What modern art means to me.
Katharine Kuh papers
Title:
Katharine Kuh papers
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
ArchivalResource: 12 linear feet
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- Katharine Kuh papers, 1875-1994, bulk 1930-1994
Billy Al Bengston papers
Title:
Billy Al Bengston papers
The papers of Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the southern California artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs. Found within the biographical materials series are three feet of calendars which extensively document Bengston's personal and professional activities for fourteen years, and include ephemera related to these activities. This series also includes health records, wills, and passports. Correspondence is with galleries, museums, universities, businesses, friends, and colleagues, and primarily concerns exhibitions, sales, consignments, commissions, and Bengston's personal finances. Bengston's relationship with the James Corcoran Gallery, Janie C. Lee Gallery, John Berggruen Gallery, Martha Jackson Gallery, and Texas Gallery are well-documented here, as well as in the Museum and Gallery Files series. Also found is a limited amount of personal correspondence with collectors, researchers, and friends. A few letters from other artists, including Peter Plagens and a letter from Richard Diebenkorn are interfiled here. Bengston's professional relationships with galleries, museums, and universities are well-documented in the gallery and museum files, including the galleries mentioned above, Ferus Gallery, and others. Lists of consignments and prices, invoices, records of sales, loan agreement forms, shipping receipts, exhibition checklists, and exhibition floor plans provide information about sales, exhibitions, and loans. A few files provide further information about Bengston teaching activities. His personal business records include art sales records, price lists, lists of purchases, records of investment, and personal finance records. Project files include correspondence, notes, and printed materials related to Bengston's commissions for artwork and personal projects, including a book he worked on with Ed Ruscha, <emph render="italic">Business Cards</emph>. Writings by Bengston include responses to exhibitions of West Coast art and his thoughts on his career, art, the artistic community, motorcycles, as well as a recollection of John Altoon. Also found are questionnaires sent out by Bengston for an art survey, with responses from Peter Alexander, Carl Andre, John Chamberlain, Dan Flavin, Joe Goode, Robert Graham, Roy Lichtenstein, Robert Motherwell, Ed Ruscha, and others. Writings by others consist primarily of exhibition catalog essays, manuscripts of interviews with Bengston, and other writings about Bengston. Also found is an essay by Walter Hopps. Photographs of Bengston include a family picture from the 1940s, Bengston at work on projects in Los Angeles and Syracuse, New York, and Bengston at social events. Other photographs consist of pictures of friends and artists, Bengston's artwork, documentary evidence of damaged artwork, and of commission sites. Printed materials from the 1960s - 1980s include clippings, full articles, exhibition announcements and catalogs, and posters. They document exhibitions, art in southern California, and society and art events. The collection houses limited amounts of artwork including sketches, cut-outs, doodles and drawings.
ArchivalResource:
https://n2t.net/ark:/65665/mw9100ab903-2685-4182-8e65-3886c54e0d7f View
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- Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988)
William and Ethel Baziotes papers
Title:
William and Ethel Baziotes papers
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.Biographical material on William Baziotes consists of a bibliography, teaching files, a sound recording of an interview, membership cards, sales records, a sketchbook, and other miscellaneous material. There is one folder regarding Ethel Baziotes containing a few certificates and her college diploma.Correspondence consists of letters to William and Ethel Baziotes. Notable correspondents include Lawrence Alloway, Alfred Barr, Andre Breton, Clement Greenberg, Peggy Guggenheim, David Hare, Jean Helion, Maria and Robert Motherwell, Jackson Pollock, and others. There are also letters from the Samuel M. Kootz Gallery regarding the sales of William Baziotes's artwork and letters written by William Baziotes to his brother Christos. Letters to Ethel Baziotes include condolence letters as well as letters from museum and galleries regarding exhibitions of her husband's work.Writings include William Baziotes’s notes on various subjects, a list of book titles, and a transcript for a speech. Writings by others include essays about William Baziotes and other subjects.Printed materials consist of clippings, announcements, magazines, and many exhibition catalogs, mostly on group exhibitions which included artwork by William Baziotes.Photographs are of William Baziotes, Ethel Baziotes, family and friends, their residence, and his artwork. There are a also photographs of Meir Bernstein, Samuel Kootz, Paul Bodin, Maria Motherwell, Pablo and Maya Picasso, Rudi Blesh, Nathan Halper, Ethel Schwabacher, Clyfford Still, and others.
ArchivalResource: 6.3 linear feet
https://n2t.net/ark:/65665/mw9d6f7f943-90c5-4dd7-b527-e69d86772014 View
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- Baziotes, William, 1912-1963. William and Ethel Baziotes papers, 1916-1992.
James E. B. Breslin research archive on Mark Rothko, 1900-1994, 1940-1990
Title:
James E. B. Breslin research archive on Mark Rothko 1900-1994 1940-1990
Archive assembled by James Breslin, professor at the University of California, Berkeley, as he researched and wrote Mark Rothko: a biography. The Russian-born American painter's life and work are the central subjects of the collection, situated in broad historical and artistic contexts with particular emphasis on Abstract Expressionism and the New York art world from the 1920s through the 1960s. Materials include interview recordings and transcripts, correspondence, financial and legal documents, photographs, clippings, assorted printed materials, and extensive notes.
ArchivalResource: 18.7 linear ft.; (32 boxes, 1 flat file folder)
http://hdl.handle.net/10020/cifa2003m23 View
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- James E. B. Breslin research archive on Mark Rothko, 1900-1994, 1940-1990
Jackson Pollock and Lee Krasner papers
Title:
Jackson Pollock and Lee Krasner papers
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film. The collection is divided into two series, the first of which focuses on Pollock and includes his scattered papers dating from circa 1914 to his death in 1956, as well as Krasner's papers dating from his death to 1984 about managing Pollock's legacy. This series includes biographical materials, including transcripts and audio recordings of an interview with William Wright in 1949; Pollock's and Krasner's correspondence with Thomas Hart Benton, Betty Parsons Gallery, Bill Davis, B. H. Friedman, Reginald Isaacs, Sidney Janis, Violet De Lazlo, Martha Jackson Gallery, Alfonso Ossorio, Tony Smith, and Clyfford Still, and with one another; Krasner's correspondence concerning Pollock's estate and artwork after his death; numerous writings about Pollock, including an original draft of Bryan Robertson's biography and an essay by Clement Greenberg. James Valliere extensive research files on Pollock for a never-published biography were given to Krasner and filed in Series 1. These include scattered correspondence with Lee Krasner, and Pollock's family and friends, including Charles Pollock, Thomas Hart Benton, and Robert Motherwell. There are also transcripts of interviews Valliere conducted with Pollock's friends and colleagues, including James Brooks, Dorothy Dehner, Clement Greenberg, Reuben Kadish, Lee Krasner, Charles Maddox, Mrs. Sanford McCoy, Daniel T. Miller, Robert Miller, and Tony Smith. The original audio reels and duplicates exist for many and are filed here. Additional interviews were conducted with Willem de Kooning, Alfonso Ossorio, and Burton Rouche, but not transcribed - these are filed in Series 1.10, Audio Recordings and Motion Picture Film. Also found in Series 1 are scattered business records documenting Krasner's handling of Pollock's estate and legacy; printed materials relating to Pollock, including published biographies, exhibition catalogs, and clippings; two scrapbooks; and a sketchbook by an unidentified artist. Numerous photographs of Pollock include childhood and family photographs, photographs of Pollock in his studio by Hans Namuth, Rudy Burckhardt, and Herbert Matter, photographs of Pollock with Lee Krasner, and exhibition photographs. Audio recordings and motion film in Series 1 include a 1964 16mm film about Pollock (VHS copies are available) and reel-to-reel recordings of untranscribed interviews of Pollock's friends and colleagues by James Valliere, including interviews with Willem de Kooning and Alfonso Ossorio. Additional transcribed interviews are filed in subseries 1.4.Lee Krasner's papers documenting her own career are arranged in Series 2 and date from 1927-1984. Biographical materials include resumes and awards, school documents, family documentation, and exhibition lists. Her correspondence with artist friends and art colleagues is extensive and includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also maintained correspondence with many art historians and critics, curators, gallery owners, collectors, arts-related and social organizations, admirers, and family members.There are thirteen transcripts of interviews with Krasner by Bruce Glaser, Barbara Cavaliere, Andrew Forge, Emily Wasserman, Barbara Rose, and others. The original audio recordings for these transcripts are filed in series 2.10, along with other audio recordings for which there are no transcripts, including interviews by John Gruen, Delores Holmes, Mercedes Matter, the Martha Dean Radio Show, NBC Today Show, and WQXR radio. There are also audio recordings of Krasner's lectures in series 2.10.Krasner's papers also include writings and reminiscences by Krasner; writings about Krasner; printed materials such as exhibition catalogs and clippings; and one scrapbook containing clippings and photographs. Numerous photographs are of Krasner, including portrait photographs taken by Hans Namuth; of Krasner with Jackson Pollock and family and friends, and of her exhibitions and artwork. Users should note that Pollock's and Krasner's papers contain similar types of material that often overlap in subject matter, especially among the correspondence and photographs.
ArchivalResource:
https://n2t.net/ark:/65665/mw9ac60d2fa-adb8-4919-9ebb-ddef5dfaa3f8 View
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- Pollock, Jackson, 1912-1956. Jackson Pollock and Lee Krasner papers, circa 1905-1984.
Sandler, Irving, 1925-. Irving Sandler papers, ca. 1950-2000.
Title:
Irving Sandler papers, ca. 1950-2000.
The Irving Sandler Papers comprehensively document the career of an American critic who chronicled and commented upon the contemporary art scene for five decades. The foundation of Sandler's biographical approach to art criticism is the informal interview or "conversation" with the artist; the archive comprises all Sandler's notes, transcripts, and audio tapes of these encounters. Though the core of the archive is the material about 1950s abstract expressionist artists, artists and art movements of subsequent decades are amply documented, with special attention to Alex Katz, Phillip Pearlstein, and Al Held. Sandler also took copious notes on panel discussions; such notes appear in several series, and form the foundation of the Art Professional series which, like the Artists series, spans five decades. Notes on panel discussions are also central to the Organizations and Associations series, and in particular to the documentation of the Artists' Club, of which Sandler was Program Director for seven years. Many interviews and panels from Series I through V were also recorded and appear in Series XIV, Audiotapes and Videotapes. The Organizations and Associations series reflects, along with Sandler's role as critic, his active support for emergent artists. The Artists' Space files chronicle the difficulty of establishing a physical space, and also deal with management issues and controversies plaguing early exhibitions. The same series details Sandler's involvement in academic and curatorial organizations, for which he served on the directing board, as he did for numerous foundations and commissions, documented in Series IV. Sandler's career as a professor, independent curator, and reviewer is documented in Series V. through IX. Correspondence is professional, with editors regarding reviewing assignments, with curators regarding exhibitions, and with university administrators regarding promotion. Sandler's longstanding column for The New York Post appears in typescript in Series VI. Writings and in clippings in Series XIII. Printed Matter. Printed Matter also contains an interesting assortment of announcements and brochures for exhibitions Sandler presumably attended.
ArchivalResource: 45 linear ft. (91 boxes)
http://www.worldcat.org/oclc/83459092 View
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- Sandler, Irving, 1925-. Irving Sandler papers, ca. 1950-2000.
MOTHERWELL, ROBERT. Franklin Furnace artist file : miscellaneous uncataloged material.
Title:
Franklin Furnace artist file : miscellaneous uncataloged material.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122447758 View
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- MOTHERWELL, ROBERT. Franklin Furnace artist file : miscellaneous uncataloged material.
Lieberman, William S. (William Slattery), 1924-2005. William S. Lieberman papers, 1948-1984
Title:
William S. Lieberman papers, 1948-1984
The papers, with inclusive dates of 1939-1979, document his involvement with Museum activities. They also refer to the activities and exhibitions organized by the Junior Council such as Young American Printmakers [MoMA Exh. #547], Recent Drawings, U.S.A. [MoMA Exh. #601] and the preparation of The Museum of Modern Art Calendar and Junior Council Print Sales. Correspondence relating to the Dance and Theatre Archives exhibitions is included in addition to correspondence with such artists as Chryssa, Masuo Ikeda, Marc and Valentina Chagall, Robert Motherwell, Lee Krasner, Leonard Baskin, and Emilio Sanchez, many of whom were personal friends of Lieberman. Other correspondents include Museum trustees, patrons, and friends such as Lily Auchincloss, Walter Bareiss, Margaret S. Barr, Celeste G. and Armand P. Bartos, Prinz Franz von Bayern, Ralph F. Colin, Douglas Cooper, Philip Johnson, Countess Ghislaine de Kermaingant, Samuel M. Kootz, Ronald S. Lauder, Estée Lauder, Elizabeth Bliss Parkinson Cobb, Samuel Marx and Florene Marx Schoenborn. Lieberman kept files on specific Museum personalities and events such as Bates Lowry's resignation and the deaths of Alfred H. Barr, Jr. and René d'Harnoncourt.
ArchivalResource: 31 linear ft. (27 boxes)
http://www.worldcat.org/oclc/702416511 View
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- Lieberman, William S. (William Slattery), 1924-2005. William S. Lieberman papers, 1948-1984
Motherwell, Robert,. UNESCO Conference, New York, 1951 : the American artist, 1951.
Title:
UNESCO Conference, New York, 1951 : the American artist, 1951.
Dummy for an unpublished book which was intended for distribution at the Fifth National Conference on UNESCO. Designed by Theodore Brenson in collaboration with Herbert Matter and Robert Motherwell as a visual tribute to America's spirit of internationalism in the field of art.
ArchivalResource: 1 v.
http://www.worldcat.org/oclc/86152576 View
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- Motherwell, Robert,. UNESCO Conference, New York, 1951 : the American artist, 1951.
Motherwell, Robert. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 2 boxes.
http://www.worldcat.org/oclc/80534273 View
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- Motherwell, Robert. Artist file : miscellaneous uncataloged material.
Rudi Blesh papers
Title:
Rudi Blesh papers
The papers of writer, critic, and architectural designer Rudi Blesh measure 2.1 linear feet and date from circa 1900 to 1983. The collection includes correspondence, documentation on writing projects and notes, printed materials, and photograpic materials. Much of the material concerns his collaboration with Harriet Janis on the book Collage: Personalities, Concepts, Techniques.
ArchivalResource: 2.1 Linear feet
https://n2t.net/ark:/65665/mw9266db70e-a5b4-49ce-84f1-45f10174448b View
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- Resource Relation
- Blesh, Rudi, 1899-1985. Rudi Blesh papers, 1909-1983.
Watson/de Nagy & Company gallery records
Title:
Watson/de Nagy & Company gallery records
Correspondence; business records; photographs; and gallery files.
ArchivalResource:
https://n2t.net/ark:/65665/mw9bb955b25-8804-4a12-a2ff-bc2e957d7a20 View
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- Resource Relation
- Watson/de Nagy & Company (Gallery: Houston, Tex.). Watson/de Nagy & Company gallery records, 1972-1984.
Whitney Museum of American Art artists' files and records
Title:
Whitney Museum of American Art artists' files and records
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
ArchivalResource:
https://n2t.net/ark:/65665/mw990da7b91-a3b8-4ace-b8ba-b5c08cfe3284 View
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- Whitney Museum of American Art. Whitney Museum of American Art artists' files and records, 1914-1966.
Yvonne Thomas papers
Title:
Yvonne Thomas papers
Biographical information on Thomas; correspondence, including one postcard from Ad Reinhardt and a note from Robert Motherwell; exhibition catalogs and announcements; clippings; and photographs and slides of Thomas and her work.
ArchivalResource:
https://n2t.net/ark:/65665/mw980577248-20f3-4140-bd13-fa2ce89ea19e View
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- Thomas, Yvonne, 1913-2009. Yvonne Thomas papers, 1955-1979.
Herbert Matter papers, ca. 1937-1984
Title:
Herbert Matter papers ca. 1937-1984
Original artwork, photographs, letters, manuscripts, process materials, memorabilia, negatives, transparencies, film, printed material, and working equipment.
ArchivalResource: ca. 310 linear feet
http://www.oac.cdlib.org/ark:/13030/kt4p3021rd View
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- Herbert Matter papers, ca. 1937-1984
Helen Frankenthaler and Robert Motherwell material about David Smith
Title:
Helen Frankenthaler and Robert Motherwell material about David Smith
Letters from Smith to Frankenthaler and Motherwell; 6 sketchbooks with notes; personal photographs and photographs of Smith's work; a lecture by Smith; and ephemera.
ArchivalResource:
https://n2t.net/ark:/65665/mw9390ffe50-6873-4a57-aed7-7004aea4b9a8 View
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- Frankenthaler, Helen, 1928-2011. Helen Frankenthaler and Robert Motherwell material about David Smith, 1953-1965.
Jackson Pollock and Lee Krasner papers
Title:
Jackson Pollock and Lee Krasner papers
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film. The collection is divided into two series, the first of which focuses on Pollock and includes his scattered papers dating from circa 1914 to his death in 1956, as well as Krasner's papers dating from his death to 1984 about managing Pollock's legacy. This series includes biographical materials, including transcripts and audio recordings of an interview with William Wright in 1949; Pollock's and Krasner's correspondence with Thomas Hart Benton, Betty Parsons Gallery, Bill Davis, B. H. Friedman, Reginald Isaacs, Sidney Janis, Violet De Lazlo, Martha Jackson Gallery, Alfonso Ossorio, Tony Smith, and Clyfford Still, and with one another; Krasner's correspondence concerning Pollock's estate and artwork after his death; numerous writings about Pollock, including an original draft of Bryan Robertson's biography and an essay by Clement Greenberg. James Valliere extensive research files on Pollock for a never-published biography were given to Krasner and filed in Series 1. These include scattered correspondence with Lee Krasner, and Pollock's family and friends, including Charles Pollock, Thomas Hart Benton, and Robert Motherwell. There are also transcripts of interviews Valliere conducted with Pollock's friends and colleagues, including James Brooks, Dorothy Dehner, Clement Greenberg, Reuben Kadish, Lee Krasner, Charles Maddox, Mrs. Sanford McCoy, Daniel T. Miller, Robert Miller, and Tony Smith. The original audio reels and duplicates exist for many and are filed here. Additional interviews were conducted with Willem de Kooning, Alfonso Ossorio, and Burton Rouche, but not transcribed - these are filed in Series 1.10, Audio Recordings and Motion Picture Film. Also found in Series 1 are scattered business records documenting Krasner's handling of Pollock's estate and legacy; printed materials relating to Pollock, including published biographies, exhibition catalogs, and clippings; two scrapbooks; and a sketchbook by an unidentified artist. Numerous photographs of Pollock include childhood and family photographs, photographs of Pollock in his studio by Hans Namuth, Rudy Burckhardt, and Herbert Matter, photographs of Pollock with Lee Krasner, and exhibition photographs. Audio recordings and motion film in Series 1 include a 1964 16mm film about Pollock (VHS copies are available) and reel-to-reel recordings of untranscribed interviews of Pollock's friends and colleagues by James Valliere, including interviews with Willem de Kooning and Alfonso Ossorio. Additional transcribed interviews are filed in subseries 1.4.Lee Krasner's papers documenting her own career are arranged in Series 2 and date from 1927-1984. Biographical materials include resumes and awards, school documents, family documentation, and exhibition lists. Her correspondence with artist friends and art colleagues is extensive and includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also maintained correspondence with many art historians and critics, curators, gallery owners, collectors, arts-related and social organizations, admirers, and family members.There are thirteen transcripts of interviews with Krasner by Bruce Glaser, Barbara Cavaliere, Andrew Forge, Emily Wasserman, Barbara Rose, and others. The original audio recordings for these transcripts are filed in series 2.10, along with other audio recordings for which there are no transcripts, including interviews by John Gruen, Delores Holmes, Mercedes Matter, the Martha Dean Radio Show, NBC Today Show, and WQXR radio. There are also audio recordings of Krasner's lectures in series 2.10.Krasner's papers also include writings and reminiscences by Krasner; writings about Krasner; printed materials such as exhibition catalogs and clippings; and one scrapbook containing clippings and photographs. Numerous photographs are of Krasner, including portrait photographs taken by Hans Namuth; of Krasner with Jackson Pollock and family and friends, and of her exhibitions and artwork. Users should note that Pollock's and Krasner's papers contain similar types of material that often overlap in subject matter, especially among the correspondence and photographs.
ArchivalResource:
https://n2t.net/ark:/65665/mw9ac60d2fa-adb8-4919-9ebb-ddef5dfaa3f8 View
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- Resource Relation
- Jackson Pollock and Lee Krasner papers, circa 1914-1984, bulk 1942-1984
Motherwell, Robert. Artist file.
Title:
Artist file.
ArchivalResource: 3 folders.
http://www.worldcat.org/oclc/122397634 View
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- Motherwell, Robert. Artist file.
Grace Hartigan Papers, 1942-2006
Title:
Grace Hartigan Papers 1942-2006
Correspondence, primarily incoming, 1942-1970; drawings by Alfred Leslie and Saul Steinberg; exhibition catalogs; a notebook containing recipes and sketches; photographs of Hartigan, her work, and various of her artist friends, including Mary Clyde, Willem de Kooning, Helen Frankenthaler, Alfred Leslie, Frank O'Hara, and Larry Rivers; and writings of Hartigan and others, including that of Ted Joans, Barbara Guest, and Frank O'Hara
ArchivalResource: 25 linear ft
http://library.syr.edu/digital/guides/h/hartigan_g.htm View
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- Grace Hartigan Papers, 1942-2006
Oral history interview with Dorothy C. Miller
Title:
Oral history interview with Dorothy C. Miller
An interview of Dorothy Canning Miller conducted 1981 May 14, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 3 cassettes : analog.Transcript: 30 p.
https://n2t.net/ark:/65665/mw9848553d6-3075-427e-b4a6-97d47bce0334 View
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- Resource Relation
- Miller, Dorothy Canning, 1904-2003. Oral history interview with Dorothy C. Miller, 1981 May 14.
Society for Art, Religion and Contemporary Culture. Records, 1961-1990.
Title:
Records, 1961-1990.
Administrative records, 1961-1990; minutes and proceedings; official correspondence; financial and business records; membership records; program records; publication records; photographs negatives; audiocassettes, sound reels, videocassettes.
ArchivalResource: 41 boxes.
http://www.worldcat.org/oclc/181964226 View
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- Society for Art, Religion and Contemporary Culture. Records, 1961-1990.
Ethel Schwabacher papers
Title:
Ethel Schwabacher papers
The papers of art historian and painter Ethel Schwabacher date from 1939 to 1975 and measure 2.3 linear feet. Found are biographical materials, including motion picture films, correspondence, research and writing files including sound recordings, printed material, and photographs. The papers document Schwabacher's research and writings on her former teacher Arshile Gorky and her colleague John Ford, and her own painting career.
ArchivalResource: 2.3 Linear feet
https://n2t.net/ark:/65665/mw991bcc982-7580-4d08-805d-03ea0cbed3dd View
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- Resource Relation
- Schwabacher, Ethel, 1903-1984. Ethel Schwabacher papers, 1940-1975.
Janssen, Peter T. The nature of abstraction and symbolism in the work of Arshile Gorky and Robert Motherwell / Peter T. Janssen.
Title:
The nature of abstraction and symbolism in the work of Arshile Gorky and Robert Motherwell / Peter T. Janssen. 1984.
ArchivalResource: 41 leaves : ill. ; 28 cm.
http://www.worldcat.org/oclc/29991730 View
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- Resource Relation
- Janssen, Peter T. The nature of abstraction and symbolism in the work of Arshile Gorky and Robert Motherwell / Peter T. Janssen.
Letter: Robert Motherwell, Provincetown, Mass., to Clyde M. Reedy
Title:
Letter: Robert Motherwell, Provincetown, Mass., to Clyde M. Reedy
Motherwell comments on a painting of his that Reedy owned and mentions his visit to the Walker Art Musuem.
ArchivalResource:
https://n2t.net/ark:/65665/mw9427b4a86-f555-43cb-9204-f4b61edd733f View
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- Motherwell, Robert. Letter: Robert Motherwell, Provincetown, Mass., to Clyde M. Reedy, 1972 Sept. 11.
Motherwell, Robert. [Letter] 1955 July 6, New York [to Marvin] Halverson, [New York] / Robert Motherwell.
Title:
[Letter] 1955 July 6, New York [to Marvin] Halverson, [New York] / Robert Motherwell.
Accepts appointment.
ArchivalResource: 1 p. ; 20 cm.
http://www.worldcat.org/oclc/8403741 View
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- Motherwell, Robert. [Letter] 1955 July 6, New York [to Marvin] Halverson, [New York] / Robert Motherwell.
Oral history interview with George McNeil
Title:
Oral history interview with George McNeil
An interview of George McNeil conducted 1968 Jan. 9-May 21, by Irving Sandler, for the Archives of American Art. McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting. He recalls Vaclav Vytlacil, Hans Hofmann; Arshile Gorky, John Graham, Jan Matulka, John Marin, Wassily Kandinsky, Mercedes Carles Matter, Albert Swinden, Fernand Léger, Stuart Davis, Burgoyne Diller, David Smith, Edgar Levy, Leo Manso, Irene Rice Pereira, Willem de Kooning, Ilya Bolotowsky, Mark Rothko, Adolph Gottlieb, Joan Miró, Robert Motherwell, George L.K. Morris, Albert Gallatin, Charles Shaw, John Ferrin, Ralph Rosenborg, Hananiah Harari, Agnes Lyall, Jean Helion, and many others.
OralHistoryResource: Sound recording: 2 sound tapes ; 5 in.Transcript: 18 p.
https://n2t.net/ark:/65665/mw9b3ee2e56-003f-4186-96f2-7f57e7bcd411 View
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- McNeil, George, 1908-1995,. Oral history interview with George McNeil, 1968 Jan. 9-1968 May 21 [sound recording].
Oral history interview with Helen Frankenthaler
Title:
Oral history interview with Helen Frankenthaler
An interview of Helen Frankenthaler conducted 1968, by Barbara Rose, for the Archives of American Art.
OralHistoryResource: Sound recording: 1 sound tape reel ; 7 in.Transcript: 41 p.
https://n2t.net/ark:/65665/mw90b67e11d-b1d1-42d3-a80b-e30e34601fd2 View
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- Frankenthaler, Helen, 1928-2011. Helen Frankenthaler interview, 1969.
Clement Greenberg papers
Title:
Clement Greenberg papers
The papers of influential New York author and art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers consists of letters from art critics, artists, family, friends, curators, collectors, publishers, galleries, and museums, with scattered letters from Greenberg. Also found are Greenberg's business and financial records along with small amounts of biographical material, printed material, and writings consisting of two reports. Correspondence includes letters to Greenberg, often documenting the lives and careers of many of the correspondents in significant detail, and scattered copies of Greenberg’s replies. Much of the correspondence is rich and substantive, and is indicative of Greenberg’s influence in the art world. Correspondents include Darby Bannard, Ethel Baziotes, Anthony Caro, Richard Diebenkorn, Piero Dorazio, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, Leslie Waddington and many others. Biographical material includes notes from an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence and other documentation related to Greenberg's appearances, such as for lectures and on television, and documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.Artwork consists of one etching by Kurt Wisenski. Although the papers contain very few of Greenberg's writings about art, there are lists of artists and reports written by Greenberg on the state of art in Japan and India in 1967 which are probably related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.One series of access restricted papers contains documents relating to Greenberg's role as an executor for the David Smith estate.
ArchivalResource: 8.6 linear feet
https://n2t.net/ark:/65665/mw9583b0d2a-ad31-4fa9-a3b5-eacce3cb0313 View
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- Greenberg, Clement, 1909-1994. Clement Greenberg papers, 1937-1983.
Cornell University. Dept. of History. History 421 papers, 2003.
Title:
History 421 papers, 2003.
Research papers written for Michael Kammen's senior seminar, Art Controversies in American Culture, concerning the history of art-related controversies in the U.S. Papers include "Facing History: No Easy Task," by Siobhan Armstead; "Robert Motherwell's New England Elegy: A Misunderstanding over Blood, Bullets, and John F. Kennedy," by Karne Hukee; "'Sensation'-Seekers: An Analysis of the 'Sensation' Controversy through the Liberal and Conservative Press," by Jill Keller; Exposing the "Termites': Congressman George Dondero's Hysterical Crusade Against 'Communism' in Modern Art," by David Harrison Lloyd; "Labors of the Citizens: The Public Controversy Surrounding Kenneth Evett's Murals for the Nebraska State Capitol, by Ted Lubin; "'The Miracle' and the Fall of Catholic Motion Picture Censorship in the United States," by Michael J. Maas; "Who's Sanity: Society for Sanity in Art Searches for Rationality in Modernism," by Elizabeth Maratea; "Andrew Wyeth, American Painter: Avant-Garde or Retardataire?: Critical Opinion Versus Public Opinion, Placed in Historical Context, 1937-1967," by Charlotte Louise Nunes; "Exclusive Legacies: The Creation of the World War II Memorial and the Preservation of the National Mall," by Laura Rowntree; and "Portrait of the Bust that Was a Bust: An Examination of the George Moscone Sculpture Controversy," by Lucas Zier.
ArchivalResource: 10 items.
http://www.worldcat.org/oclc/64057603 View
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- Cornell University. Dept. of History. History 421 papers, 2003.
Motherwell, Robert : Biographical file.
Title:
Motherwell, Robert : Biographical file. [1900-9999]
May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.
ArchivalResource: 1 envelope : manila ; 13 x 10 in.
http://www.worldcat.org/oclc/40445359 View
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- Motherwell, Robert : Biographical file.
Motherwell, Robert, 1915- : [miscellaneous ephemeral material].
Title:
Motherwell, Robert, 1915- : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199208189 View
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- Motherwell, Robert, 1915- : [miscellaneous ephemeral material].
Bradley Walker Tomlin papers
Title:
Bradley Walker Tomlin papers
Correspondence mostly with family members, including letters from Tomlin while in Paris, London, and New York, 1924-1929; exhibition catalogs and announcements; illustrations for children's books and magazine covers; sketches; photographs, including some of Frank London, Antoinette Schulte, Sylvia Pedlar, Robert Motherwell, and Herbert Ferber; miscellaneous professional papers; three statements of policy regarding united action by painters, including "Declaration to the American Avant-Garde Painters by Georges Mathieu," October 1952; and miscellaneous printed material.
ArchivalResource:
https://n2t.net/ark:/65665/mw96b32a0e2-2eaa-4b58-9119-da63566a64a4 View
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- Tomlin, Bradley Walker, 1899-1953. Bradley Walker Tomlin papers, 1910-1967.
John Jones interviews with artists
Title:
John Jones interviews with artists
Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.
ArchivalResource: 0.4 linear feet
https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91 View
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- Jones, John. John Jones interviews with artists, 1965 Oct. 5-1965 Nov. 12.
Photographs of artists by Fred McDarrah
Title:
Photographs of artists by Fred McDarrah
Photographs of Norman Bluhm, Robert Motherwell, Franz Kline, Willem De Kooning, Kenneth Noland, Hannah Wilke, Christo, and Jack and Sandra (Freckleton) Beal.
ArchivalResource:
https://n2t.net/ark:/65665/mw9b290e713-0a53-4361-a6b9-0761509e5221 View
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- McDarrah, Fred W., 1926-2007,. Photographs of artists by Fred McDarrah 1963-1976.
[Seminar.
Title:
[Seminar.
ArchivalResource: 2 sound tape reels (109 min.) : analog, 3 3/4 ips ; 7 in.
http://id.lib.harvard.edu/alma/990083357200203941/catalog View
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- Motherwell, Robert. [Seminar.
Learning from performers : sound recordings
Title:
Learning from performers : sound recordings
Lectures by artists delivered for the "Learning from Performers" series at Harvard University, Cambridge, Massachusetts. Artists include Richard Estes(21 p.), Julien Levy, Robert Motherwell, Alice Neel(51 p.) and Louise Nevelson.
ArchivalResource:
https://n2t.net/ark:/65665/mw92c405e73-7ad6-4047-811c-bf546186e524 View
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- Resource Relation
- Harvard University. Learning from performers : sound recordings, 1977 Mar. 31-1979 June 4.
Cohen, Arthur A. (Arthur Allen), 1928-1986,. Arthur Cohen interview with Robert Motherwell, 1969.
Title:
Arthur Cohen interview with Robert Motherwell, 1969.
Arthur Cohen interviewed Robert Motherwell over four days in August 1969. Topics discussed include Motherwell's education and his views on art. This collection contains a recording of most of the interview on three cassette tapes, a typed transcript of the interview, and a typed chronology of key events in Motherwell's life to 1965. The collection does not include a recording of the first few minutes of the interview, but they are documented in part one of the transcript.
ArchivalResource: 0.5 linear feet (2 boxes)
http://www.worldcat.org/oclc/77719338 View
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- Cohen, Arthur A. (Arthur Allen), 1928-1986,. Arthur Cohen interview with Robert Motherwell, 1969.
Motherwell, Robert, 1915-1991. [Robert Motherwell] : artist file
Title:
[Robert Motherwell] : artist file 1900-
Assembled file includes clippings, photographs, reproductions from books and auction catalogs, postcards, press releases, slides, resumes, reviews, exhibition ephemera.
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/611201659 View
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- Motherwell, Robert, 1915-1991. [Robert Motherwell] : artist file
Stable Gallery records
Title:
Stable Gallery records
The Stable Gallery records measure 2.9 linear feet and are dated 1916-1999 (bulk 1953-1970). The gallery was known for its representation of the New York School. Records consist mainly of artist files containing biographical notes, correspondence, price lists, sales and payment information, printed matter, and photographs. A small number of gallery administrative and financial records are included, along with printed matter, photographs, personal papers, and estate records of gallery founder and owner Eleanor Ward. There are also reminiscences by gallery owner Eleanor Ward and her assistant Alan Groh, a sound cassette recording of Eleanor Ward, and a videoreel (1/2 inch) documentary of a 1973 Sotheby auction of works from the Robert C. Scull collection.The Stable Gallery's administrative records includes both general correspondence and copious letters from Eleanor Ward to Alan Groh, her assitant regarding gallery business, lists, floor plans, financial records, printed matter, and photographs of unidentified artwork and exhibition installations. There are also reminiscences by gallery owner Eleanor Ward and Alan Groh, a cassette recording of Eleanor Ward, and a film recording of a 1973 Sotheby auction of works from the Robert C. Scull collection. Additional Stable Gallery administrative and financial information, as well as related printed matter is included with the artist files.Artist files contain biographical notes, correspondence, price lists, printed matter, and photographs of artists and artwork. The correspondence includes memoranda regarding payments to artists and sales information. Among the printed matter is documentation of the Stable Gallery and other exhibitions, reviews, and miscellaneous articles. Unfortunately, no records about the famous Stable Annuals held between 1953 and 1957 survive.Artwork consists of 4 sketchbooks and loose sheets with charcoal drawings by unidentified artist(s). The Eleanor Ward papers include miscellaneous personal papers and records concerning her estate. Photographs in the series are of Eleanor Ward, friends and family, parties, and the interior and exterior of Ward's Connecticut house.
ArchivalResource:
https://n2t.net/ark:/65665/mw991ac322b-59f8-40f3-8b7a-926e8ffb653b View
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- Resource Relation
- Stable Gallery records, 1916-1999, bulk 1953-1970
April Kingsley and Budd Hopkins papers
Title:
April Kingsley and Budd Hopkins papers
The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley’s papers are comprised primarily of artist files for figures that April had a significant engagement with, project files, interviews with artists, subject file index cards, biographical materials, and miscellaneous correspondence. Hopkins’ papers are comprised of biographical material, as well as correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Hopkins' personal business records include correspondence and sale and consignment information. Also found are writings, printed material, including exhibition invitations and catalogs and press clippings, and photographic material depicting Hopkins and his artwork.
ArchivalResource: 11 Linear feet; 0.209 Gigabytes
https://n2t.net/ark:/65665/mw94156d765-6914-437a-9d3b-e520ab367d30 View
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- Resource Relation
- Hopkins, Budd, 1931-2011. Budd Hopkins papers, 1956-1983.
Nathan Halper Papers, 1923-1986.
Title:
Nathan Halper Papers 1923-1986.
ArchivalResource: 13.26 linear ft. ( 28 Boxes, & 1 Flat Box).
http://findingaids.cul.columbia.edu/ead/nnc-rb/ldpd_4078342 View
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- Nathan Halper Papers, 1923-1986.
Irving Sandler papers, ca. 1914-2001, bulk 1950-2000
Title:
Irving Sandler papers ca. 1914-2001, bulk 1950-2000
Papers of the American art critic Irving Sandler, including five decades of notes, transcripts and audiotapes of interviews with artists and art professionals, materials documenting art organizations and associations, and correspondence regarding publications, lectures, and academic appointments.
ArchivalResource: 45 linear ft.; (90 boxes, 1 flat file folder)
http://hdl.handle.net/10020/cifa2000m43 View
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- Irving Sandler papers, ca. 1914-2001, 1950-2000
Oral history interview with Herbert Ferber
Title:
Oral history interview with Herbert Ferber
An interview of Herbert Ferber conducted 1981 June 2, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 12 p.
https://n2t.net/ark:/65665/mw932ecbd0f-f533-437c-88bd-4110b2d62f6d View
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- Ferber, Herbert, 1906-1991. Oral history interview with Herbert Ferber, 1981 June 2.
Levy, Howard. Howard Levy letter to Robert Motherwell, 1971.
Title:
Howard Levy letter to Robert Motherwell, 1971.
ArchivalResource: 1 sheet.
http://www.worldcat.org/oclc/750153210 View
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- Resource Relation
- Levy, Howard. Howard Levy letter to Robert Motherwell, 1971.
Ulfert Wilke papers
Title:
Ulfert Wilke papers
Diaries, correspondence, sketchbooks, drawings, photographs, printed material, and scrapbooks.
ArchivalResource:
https://n2t.net/ark:/65665/mw9e56aaddf-dae5-417d-8dff-b33c5722bce5 View
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- Wilke, Ulfert, 1907-1987. Ulfert Wilke papers, 1934-1977.
Hans Namuth photographs and papers
Title:
Hans Namuth photographs and papers
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.The first series contains materials related to the planning and production of Namuth's film <emph render="italic">Alfred Stieglitz, Photographer</emph>. Documentation includes articles, correspondence, exhibition materials, grant program request sheets, magazines and catalogs, photo requests, photographs and photographic materials, notes and research, shot lists, script drafts and fragments, interview transcripts, and correspondence. Interviewees include Ansel Adams, Arnold Newman, Aaron Copland, Dorothy Norman, and others.The second series contains various writings and papers relating to Namuth’s professional activities, including Namuth’s exhibition at the 1958 Brussels World Fair, business and financial records, papers on <emph render="italic">The Construction of Boston</emph> by Kennth Koch, correspondence, a notebook, and various printed materials. Namuth's correspondence is with James Boynton, Bernard Karpel, the Museum of Modern Art, Cynthia Navaretta, Elizabeth Shaw, the Virginia Museum of Fine Arts, and the Yale University School of Art and Architecture.Photographs taken by Hans Namuth depict prominent American (primarily New York-based) artists, architects, writers, musicians, and art critics. Artists are shown in their studios or homes, either at work or posing for the camera, and include Alexander Calder, Stuart Davis, Willem de Kooning, Grace Hartigan, Edward Hopper, Jasper Johns, Lee Krasner, Isamu Noguchi, Jackson Pollock, Robert Rauschenberg, Mark Rothko, and Andrew Wyeth, among many others. Photographs of other individuals include Marcel Breuer, John Cage, Leo Castelli, Buckminster Fuller, and Ludwig Mies van der Rohe, and others. Also found are photographs of exhibitions, openings, and art-related events from the 1950s and 1960s, such as a traveling Picasso exhibit and a Robert Rauschenberg opening at the Jewish Museum. Most photographs are black and white, but a few color prints are included.
ArchivalResource: 4.5 linear feet
https://n2t.net/ark:/65665/mw98657f618-8639-4278-8569-19240b164357 View
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- Namuth, Hans. Hans Namuth photographs and papers, 1952-ca. 1985 (bulk 1953- 1970).
Bernard and Rebecca Reis papers, ca. 1924-1985
Title:
Bernard and Rebecca Reis papers ca. 1924-1985
Accountant who served as a financial advisor and patron to many artists; wife Rebecca Reis (b. 1900) was an art collector. The papers contain correspondence, business and financial records, printed ephemera, photographs, a substantial body of letters from major and minor figures of the American art world, written and visual documentation of the Reis collection of art and books, and ephemeral material relating to artists and patrons.
ArchivalResource: 3.4 linear ft.; (8 boxes)
http://hdl.handle.net/10020/cifa900184 View
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- Bernard and Rebecca Reis papers, ca. 1924-1985
Robert Motherwell postcard to William Baziotes
Title:
Robert Motherwell postcard to William Baziotes
Motherwell writes inviting Baziotes to a preview of his work.
ArchivalResource:
https://n2t.net/ark:/65665/mw9ba2e6f07-1c22-409a-a9f3-8ab275d013a0 View
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- Motherwell, Robert. Robert Motherwell postcard to William Baziotes, 1944.
Dore Ashton papers
Title:
Dore Ashton papers
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.
ArchivalResource: 35.6 Linear feet
https://n2t.net/ark:/65665/mw96b23d022-d02d-4a06-ba62-e34c59ad25ae View
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- Resource Relation
- Ashton, Dore. Dore Ashton papers, 1849-2010 bulk 1931-1983.
Oral history interview with Harold Rosenberg
Title:
Oral history interview with Harold Rosenberg
An interview of Harold Rosenberg conducted 1968 July 8-1967 June 28, by Dorothy Seckler, for the Archives of American Art.
OralHistoryResource: Sound recording: 4 sound cassettes.Transcript: 51 p.
https://n2t.net/ark:/65665/mw92bfc2155-1ee4-4620-b842-d7cb3004115b View
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- Resource Relation
- Rosenberg, Harold, 1906-1978. Oral history interview with Harold Rosenberg, 1970 Dec. 17-1973 Jan. 28.
Henry Botkin papers
Title:
Henry Botkin papers
Biographical material (1945-1965), letters (1917-1979), notes (1950-1970), writings (1944-1970), business records (1927-1977), art works (1932-1964), subject files (1952-1955), scrapbook (1927-1939), printed material (1923-1977), and photographs (1922-1968) documenting Botkin's career and his friendship with George and Ira Gershwin and other entertainment and artistic figures.
ArchivalResource:
https://n2t.net/ark:/65665/mw9556a5d7f-65c5-4c7f-827f-d4664d1cfc35 View
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- Botkin, Henry, 1896-1983. Henry Botkin papers, 1917-1979.
Halper, Nathan. Nathan Halper papers, 1923-1986.
Title:
Nathan Halper papers, 1923-1986.
Correspondence, manuscripts, notes, word lists, documents, photographs, clippings, periodicals, and other printed materials concerning his writings, translations, and criticism. Most of the manuscript drafts and notes are for his critical and analytical studies of Finnegans Wake and of other works by James Joyce. There are also draft translations from the Yiddish of various authors, early autobiographical articles and chapters for an autobiographical novel, general literary criticism, articles on chess, as well as notes and drafts for his research in 1938 into the history of the Indians of New England and of the Mashpee Indian Reservation on Cape Cod in Massachusetts. There are many periodicals and other printed materials about Provincetown where he maintained his art gallery. Some years before his death, he began a study of Jewish-American family names; there are many notes, drafts, and clippings for his projected book on the subject which was not completed. Among the correspondents are John Cage, Richard Ellmann, Norman Mailer, Robert Motherwell, Lionel Trilling, and Edmund Wilson.
ArchivalResource: 13.26 linear ft. ( 28 boxes, 1 flat box).
http://www.worldcat.org/oclc/299029123 View
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- Halper, Nathan. Nathan Halper papers, 1923-1986.
Oral history interview with Philip Pavia
Title:
Oral history interview with Philip Pavia
An interview of Philip Pavia conducted 1965 Jan. 19, by Bruce Hooton, for the Archives of American Art.
OralHistoryResource: Sound recording: 1 sound tape reel ; 7 in.Transcript: 30 p.
https://n2t.net/ark:/65665/mw900ce44fe-8dfc-42e5-9c93-42bf7c34c21c View
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- Resource Relation
- Pavia, Philip, 1915-2005. Philip Pavia interview, 1965 Jan. 19.
Fuchs, Kenneth. Face of the night : after a painting by Robert Motherwell : for oboe and English horn and chamber ensemble / by Kenneth Fuchs.
Title:
Face of the night : after a painting by Robert Motherwell : for oboe and English horn and chamber ensemble / by Kenneth Fuchs. [1990]
ArchivalResource: 1 ms. score (137 p.) ; 29 cm.
http://www.worldcat.org/oclc/30946080 View
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- Resource Relation
- Fuchs, Kenneth. Face of the night : after a painting by Robert Motherwell : for oboe and English horn and chamber ensemble / by Kenneth Fuchs.
Billy Al Bengston papers
Title:
Billy Al Bengston papers
The papers of Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the southern California artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs. Found within the biographical materials series are three feet of calendars which extensively document Bengston's personal and professional activities for fourteen years, and include ephemera related to these activities. This series also includes health records, wills, and passports. Correspondence is with galleries, museums, universities, businesses, friends, and colleagues, and primarily concerns exhibitions, sales, consignments, commissions, and Bengston's personal finances. Bengston's relationship with the James Corcoran Gallery, Janie C. Lee Gallery, John Berggruen Gallery, Martha Jackson Gallery, and Texas Gallery are well-documented here, as well as in the Museum and Gallery Files series. Also found is a limited amount of personal correspondence with collectors, researchers, and friends. A few letters from other artists, including Peter Plagens and a letter from Richard Diebenkorn are interfiled here. Bengston's professional relationships with galleries, museums, and universities are well-documented in the gallery and museum files, including the galleries mentioned above, Ferus Gallery, and others. Lists of consignments and prices, invoices, records of sales, loan agreement forms, shipping receipts, exhibition checklists, and exhibition floor plans provide information about sales, exhibitions, and loans. A few files provide further information about Bengston teaching activities. His personal business records include art sales records, price lists, lists of purchases, records of investment, and personal finance records. Project files include correspondence, notes, and printed materials related to Bengston's commissions for artwork and personal projects, including a book he worked on with Ed Ruscha, <emph render="italic">Business Cards</emph>. Writings by Bengston include responses to exhibitions of West Coast art and his thoughts on his career, art, the artistic community, motorcycles, as well as a recollection of John Altoon. Also found are questionnaires sent out by Bengston for an art survey, with responses from Peter Alexander, Carl Andre, John Chamberlain, Dan Flavin, Joe Goode, Robert Graham, Roy Lichtenstein, Robert Motherwell, Ed Ruscha, and others. Writings by others consist primarily of exhibition catalog essays, manuscripts of interviews with Bengston, and other writings about Bengston. Also found is an essay by Walter Hopps. Photographs of Bengston include a family picture from the 1940s, Bengston at work on projects in Los Angeles and Syracuse, New York, and Bengston at social events. Other photographs consist of pictures of friends and artists, Bengston's artwork, documentary evidence of damaged artwork, and of commission sites. Printed materials from the 1960s - 1980s include clippings, full articles, exhibition announcements and catalogs, and posters. They document exhibitions, art in southern California, and society and art events. The collection houses limited amounts of artwork including sketches, cut-outs, doodles and drawings.
ArchivalResource:
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- Resource Relation
- Bengston, Billy Al. Billy Al Bengston papers, circa 1940s-1989 (bulk 1968-1988).
Cleve Gray papers
Title:
Cleve Gray papers
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam movement; and <emph render="italic">Threnody</emph>, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art. Among the biographical material are award and membership certificates, biographical notes, and personal documentation. The alphabetical files contain Cleve Gray's personal and professional correspondence, as well as subject files relating to projects and interests. Correspondence is with friends and family, colleagues, publishers, museum curators and directors, art dealers, collectors, and fans. Among the correspondents of note are: Jacques Barzun, James E. Davis, Naum Gabo, Louise N. Grace, Hans and Fridel Richter, and Jacques and Gaby Villon. Other substantial correspondence includes: Berry-Hill Galleries, Betty Parsons Gallery, Connecticut Commission on the Arts, Jacques Seligmann and Co., Neuberger Museum of Art, Pratt Institute, Princeton University, and Rhode Island School of Design. Subject files mostly consist of correspondence, but include printed material and some photographs. Among the subject files are: Art Collection of Cleve and Francine Gray, Artist-Dealer Consignments and Visual Artists' Rights Act of 1989, Artists' Tax Equity Act of 1979, Promised Gifts to Museums, <emph render="italic">Threnody</emph>, Vestments, and Vietnam Protest. Of particular interest are files relating to the Estate of Hans Richter (Cleve Gray, executor), and Gray's research correspondence and illustrations for his <emph render="italic">Cosmopolitan</emph> article "Women-Leaders of Modern Art." Writings are manuscripts and drafts, research materials, notes, and miscellaneous writings by Cleve Gray and other authors. Those by Gray include articles and catalog introductions on a wide range of art-related topics, as well as book and exhibition reviews. Also found are a book proposal, texts and notes for lectures and talks, miscellaneous notes, poems, political statements, and student papers. Of particular interest are autobiographical notes in the form of a chronology that his biographer, Nicholas Fox Weber, cited as an "autochronology." Among the writings by other authors are pieces about Cleve Gray including Nicholas Fox Weber's manuscript <emph render="italic">Cleve Gray</emph>. A significant amount of material relates to three books edited by Gray: <emph render="italic">David Smith by David Smith: Sculpture and Writings</emph>, <emph render="italic">Hans Richter</emph>, and <emph render="italic">John Marin</emph>. Research material survives for an unpublished volume, <emph render="italic">Naum Gabo</emph>. Also included are notes relating to his translation of <emph render="italic">A l'Infinitif</emph> by Marcel Duchamp. Jane Daggett Dillenberger is represented by a lecture, "The Resurrection in Art." The remaining items by other authors are unsigned; of particular interest is a small notebook of reminiscences and notes about Jackson Pollock. Artwork by Cleve Gray consists mostly drawings and sketches, and a small number of paintings, prints, and watercolors. Works by other artists consist are an unsigned mobile of paper cut-outs, possibly by Alexander Calder, and a pencil drawing signed Dick (probably Richard Avedon). Audio recordings are a radio broadcast featuring Cleve Gray, several lectures by Gray on John Marin, and a lecture titled "Meaning in the Visual Arts." Other recordings are of Hans Richter and an interview with Jimmy Ernst conducted by Francine du Plessix Gray. Also found is a videocassette of "Glenville School Students at SUNY (Lincoln Center Activity)." Artifacts are a Chinese scroll representative of those that hung in Cleve Gray's studio, two of his paintbrushes, Aberdeen-Angus Breeders' Association blue ribbon, and Neuberger Museum of Art Lifetime Achievement Award. The vast majority of printed material - articles, clippings, exhibition catalogs and announcements, reproductions of art work, etc. - are about or by Cleve Gray. Miscellaneous items and publications mentioning Gray consist of annual reports, brochures, calendars, newsletters, programs, etc. Clippings about Vietnam and Vietnam protest memorabilia reflect his passionate involvement in the anti-war movement; a small number of these items mention Gray or were written by him. Photographs are of artwork, events, people, places, and miscellaneous subjects. Most of the art work appearing in the photographs is by Cleve Gray and includes images of destroyed paintings. Also found is an original print of <emph render="italic">Photo Abstraction</emph> by Gray, circa 1934. Of particular note are photographs of <emph render="italic">Threnody</emph>, among them preparatory drawings and views of the work in progress. Photographs of artwork by other artists include Louise N. Grace, Jacques Lipchitz, John Marin, Hans Richter, and Jacques Villon. Photographs of people are mainly portraits of Gray, and views of him with his wife and sons. Other individuals appearing in photographs are Hans Richter and some of Richter's descendants. Pictures of places consist of Gray's studio. Events are an unidentified exhibition opening. Miscellaneous subjects are mostly exhibition installations. Illustrations consist of photographs published in <emph render="italic">David Smith by David Smith: Sculpture and Writings</emph>. Also found are small number of negatives and color transparencies.
ArchivalResource:
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- Resource Relation
- Gray, Cleve. Cleve Gray papers, 1942-2004.
Motherwell, Robert. [Robert Motherwell : International Art & Artists File].
Title:
[Robert Motherwell : International Art & Artists File].
ArchivalResource: 1 file.
http://www.worldcat.org/oclc/429884166 View
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- Resource Relation
- Motherwell, Robert. [Robert Motherwell : International Art & Artists File].
Diane Di Prima Papers, 1948-1971
Title:
Diane Di Prima Papers 1948-1971
Papers of the American poet, author, and editor. Correspondence (1960-1971); diaries, playscripts and miscellaneous writings (1948-1966); and original manuscripts by others (Paul Blackburn, Robert Creeley, Ed Dorn, Kirby Doyle, Robert Duncan, Anselm Hollo, Steve Jonas, LeRoi Jones, Allan Kaprow, Kenneth Koch, Joseph LeSueur, Ron Loewinsohn, Clive Matson, David Meltzer, Frank O’Hara, Charles Olson, Stuart Perkoff, Gary Snyder, Norman Solomon, Gilbert Sorrentino, A.B. Spellman, Mike Strong, James Waring, Philip Whalen, Jonathan Williams) submitted for publication in . The floating bear
ArchivalResource: 2.5 linear ft.
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- Resource Relation
- Diane Di Prima Papers, 1948-1971
Motherwell, Robert. Correspondence with Edward F. Fry, 1970.
Title:
Correspondence with Edward F. Fry, 1970.
Regarding exhibition, Robert Motherwell: the music collages, 1989-1990 at the Montclair Art Museum. Includes exhibition preview program and exhibition catalog.
ArchivalResource: 2 items (3 leaves, 1 booklet)
http://www.worldcat.org/oclc/212828650 View
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- Resource Relation
- Motherwell, Robert. Correspondence with Edward F. Fry, 1970.
Guthrie Foster papers
Title:
Guthrie Foster papers
Letters, 1959-1960, from Anni Albers, Josef Albers, Adolph Gottlieb, Maria Hofmann (for Hans Hofmann), Leo Lionni, Robert Motherwell, Paul Rand, Ben Shahn, and Marguerite Wildenhain each responding to Foster's invitation to be a guest instructor at the Atlanta Art Institute. Most declined the invitation. Robert Motherwell wrote that he would not teach in a segregated school.
ArchivalResource:
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Citation
- Resource Relation
- Foster, Guthrie. Guthrie Foster papers, 1959-1966.
Cuddihy, John Murray. Robert Motherwell scrapbooks, 1944-1978.
Title:
Robert Motherwell scrapbooks, 1944-1978.
The Robert Motherwell Scrapbooks, complied by John Cuddihy, document the development of Robert Motherwell's career. They include exhibition catalogues, hundreds of newspaper and magazine clippings, exhibition invitations and checklists and other ephemera as well as photographs of Motherwell's work, records of Cuddihy's own collection, and various personal papers relevant to Cuddihy's interest in Motherwell. The latter includes records of sale, Cuddihy's diagrams of works by Motherwell and correspondence between Cuddihy and various dealers and museums, such as the Jewish Museum, the Sam Kootz Gallery, the Sidney Janis Gallery, The Museum of Modern Art, the Bennington College Art Museum, the San Francisco Museum of Art, the American Federation of Artists (AFA), the Pasadena Art Museum, the Smith College Art Museum, and Dore Ashton, on behalf of Cooper Union. The scrapbooks also include several letters and cards from Motherwell, and one from Helen Frankenthaler, Motherwell's former wife. The final scrapbook contains several autobiographical items, including the covers of Cuddihy's two publications.
ArchivalResource: 1 linear ft. (5 v.)
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- Resource Relation
- Cuddihy, John Murray. Robert Motherwell scrapbooks, 1944-1978.
Motherwell, Robert, 1915-1991 : artist file.
Title:
Motherwell, Robert, 1915-1991 : artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/759207469 View
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- Resource Relation
- Motherwell, Robert, 1915-1991 : artist file.
The Dorathy Bruce Farr papers, 1965-1989
Title:
The Dorathy Bruce Farr papers 1965-1989
Materials written by and about artist Dorathy Bruce Farr.
ArchivalResource: 1 linear foot
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- Resource Relation
- The Dorathy Bruce Farr papers, 1965-1989
Papers of John Coolidge and Agnes Mongan, 1909-2006
Title:
Papers of John Coolidge and Agnes Mongan, 1909-2006
These papers of Fogg Art Museum directors John Coolidge and AgnesMongan document their administration of the museum and related professional activities. Mostof Coolidge's papers were created during his administration, from 1948 to 1968; most ofMongan's papers are from her tenure as acting director and then director (1968 to 1971). Thepapers consist primarily of correspondence, including Coolidge's correspondence with artdealers, and also include photographs, memoranda, reports, meeting minutes, blueprints, printedmaterial, letters of recommendation, page proofs, financial documents, sketches and grantproposals.
ArchivalResource: 152 file boxes + oversize materials
http://id.lib.harvard.edu/ead/art00017/catalog View
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- Resource Relation
- Papers of John Coolidge and Agnes Mongan, 1909-2006
Barbara Rose papers, 1940-1993, bulk 1960-1985
Title:
Barbara Rose papers, 1940-1993, bulk 1960-1985
The Barbara Rose papers represent a selection from her archive and document her research in post-war and contemporary American art. The bulk of the papers date from 1960 through 1985. Included are sound recordings and videos, most of which are interviews by Rose of American artists active in the 1960s.
ArchivalResource: 11 linear ft.; (40 boxes)
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- Barbara Rose papers, 1940-1993, 1960-1985
Matter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.
Title:
Herbert Matter papers, circa 1937-1984.
The collection represents the photography and graphic design career of Herbert Matter, his commercial and personal work. This includes original artwork (collages, sketches), photographs (predominately black and white prints, contact prints, working prints), manuscripts, process materials (paste-ups, proof sheets), memorabilia, negatives, transparencies, slides, 16mm motion picture film, printed material, and working equipment. There is considerable correspondence with particularly noteworthy letters from Gregory Ain, John Cage, John Entenza, Walter Gropius, Gyorgy Kepes, Isamu Noguchi, Irving Penn, and Brett Weston among others.
ArchivalResource: circa 350 linear feet (467 containers)
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- Matter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.
Citation
- Constellation Relation
- Gropius, Walter, 1883-1969
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- Alexander, Brooke.
Citation
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- American Art Expositions (Firm)
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- Asher, Elise, 1914-
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- Ashton, Dore
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- Barzun, Jacques, 1907-
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- Baziotes, William, 1912-1963.
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- Bengston, Billy Al.
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- Berger, Arthur, 1912-2003.
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- Blesh, Rudi, 1899-1985.
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- Botkin, Henry, 1896-1983.
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- Breslin, James E. B., 1935-1996.
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- Cohen, Arthur A. (Arthur Allen), 1928-1986,
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- Congregation B'nai Israel of Millburn (N.J.)
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- Coolidge, John, 1913-1995
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- Cornell University. Dept. of History.
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- Cuddihy, John Murray.
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- Cummings, Paul
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- Dedalus Foundation.
Citation
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- Diamonstein, Barbaralee,
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- Diamonstein-Spielvogel, Barbaralee.
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- Di Prima, Diane, Archives
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- Elise Asher
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- Entretiens de Pontigny.
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- Farr, Dorathy Bruce
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- Ferber, Herbert, 1906-
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- Fortess, Karl E. (Karl Eugene), 1907-
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- Foster, Guthrie.
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- Frankenthaler, Helen, 1928-2011
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- Fuchs, Kenneth.
Citation
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- Gertrude Kasle Gallery
Citation
- Constellation Relation
- Gertrude Kasle Gallery (Detroit, Mich.)
Citation
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- Gertrude Kasle Gallery (Detroit, Mich.)
Citation
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- Gray, Cleve.
Citation
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- Greenberg, Clement, 1909-1994.
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- Hanuman books.
Citation
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- Hopkins, Budd, 1931-2011.
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- Kalischer, Clemens, 1921-
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- Kashdin, Gladys Shafran, 1921-
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- Kepes, Gyorgy, 1906-2001.
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- Kuh, Katharine.
Citation
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- Leen, Nina, 1909-
Citation
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- Levy, Howard.
Lieberman, William S. (William Slattery), 1924-2005.
http://n2t.net/ark:/99166/w6rn3bk3
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correspondedWith
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- Constellation Relation
- Lieberman, William S. (William Slattery), 1924-2005.
Mark Rothko and His Times Oral History Project.
http://n2t.net/ark:/99166/w6bw5pv8
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associatedWith
Citation
- Constellation Relation
- Mark Rothko and His Times Oral History Project.
Mark Rothko and His Times Oral History Project.
http://n2t.net/ark:/99166/w63z454s
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associatedWith
Citation
- Constellation Relation
- Mark Rothko and His Times Oral History Project.
Citation
- Constellation Relation
- Matter, Herbert, 1907-1984.
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- McDarrah, Fred W., 1926-2007,
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- McNeil, George, 1908-
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- Miller, Dorothy Canning, 1904-2003
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- Montclair Art Museum.
Citation
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- Museum of Modern Art (New York, N.Y.)
Citation
- Constellation Relation
- Namuth, Hans.
Citation
- Constellation Relation
- OAC Review Index (University of Guelph)
Citation
- Constellation Relation
- Office for the Arts at Harvard & Radcliffe.
Citation
- Constellation Relation
- O'Hara, Frank.
Citation
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- Pavia, Philip, 1915-2005,
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- Phillips, Joann.
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- Pollock, Jackson, 1912-1956.
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- Reedy, Clyde M.
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- Reis, Bernard
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- Reis, Bernard.
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- Reis, Bernard J., 1895-1978.
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- Reis, Rebecca
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- Reynal, Eugene, Mrs., 1905-1977.
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- Rose, Barbara
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- Rose, Barbara.
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- Rosenberg, Harold, 1906-1978.
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- Sandler, Irving, 1925-
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- Schwabacher, Ethel, 1903-1984.
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- Siskind, Aaron
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- Smith, David, 1906-1965.
Society for Art, Religion and Contemporary Culture.
http://n2t.net/ark:/99166/w6x992vr
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associatedWith
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- Constellation Relation
- Society for Art, Religion and Contemporary Culture.
Citation
- Constellation Relation
- Stable Gallery
Citation
- Constellation Relation
- Stable Gallery (New York, N.Y.)
The John and Mable Ringling Museum of Art Library.
http://n2t.net/ark:/99166/w6g79w7w
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associatedWith
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- Constellation Relation
- The John and Mable Ringling Museum of Art Library.
Citation
- Constellation Relation
- Thomas, Yvonne, 1913-2009.
Citation
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- Tomlin, Bradley Walker, 1899-1953.
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- Tuchman, Mitch.
Citation
- Constellation Relation
- Tuchman, Phyllis
Watson/de Nagy & Company (Gallery: Houston, Tex.)
http://n2t.net/ark:/99166/w6sg13cb
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associatedWith
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- Constellation Relation
- Watson/de Nagy & Company (Gallery: Houston, Tex.)
Citation
- Constellation Relation
- Weinstein, Florence, b. 1895.
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- Whitney Museum of American Art.
Citation
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- Wilke, Ulfert, 1907-1987.
Citation
- Constellation Relation
- Woelffer, Emerson, 1914-2003.
eng
Zyyy
Citation
- Language
- eng
Abstract expressionism
Citation
- Subject
- Abstract expressionism
Abstract expressionism
Citation
- Subject
- Abstract expressionism
Art, American
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- Subject
- Art, American
Art
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- Subject
- Art
Art
Citation
- Subject
- Art
Artist archives
Citation
- Subject
- Artist archives
Artists
Citation
- Subject
- Artists
Collage
Citation
- Subject
- Collage
Color-field painting
Citation
- Subject
- Color-field painting
Painters
Citation
- Subject
- Painters
Painters
Citation
- Subject
- Painters
Painting, American
Citation
- Subject
- Painting, American
Printmaker
Citation
- Subject
- Printmaker
Surrealism
Citation
- Subject
- Surrealism
Americans
Citation
- Nationality
- Americans
Book designers
Citation
- Occupation
- Book designers
Citation
- Place
- Connecticut
Connecticut
Parsed from SNAC EAC-CPF.
Citation
- Place
- New York (State)
New York (State)
Parsed from SNAC EAC-CPF.
Citation
- Place
- United States
United States
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Citation
- Place
- New York (State)--New York
New York (State)--New York
Parsed from SNAC EAC-CPF.
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>
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- Convention Declaration
- Convention Declaration 398