Hans Namuth photographs and papers, 1952-ca. 1985 (bulk 1953- 1970).

ArchivalResource

Namuth, Hans. Hans Namuth photographs and papers, 1952-ca. 1985 (bulk 1953- 1970).

Hans Namuth photographs and papers, 1952-ca. 1985 (bulk 1953- 1970).

Primarily photographs taken by Namuth of New York artists. Also included are correspondence, writings, and exhibition announcements. Pictured are Josef Albers, William Baziotes, Alexander Calder, Joseph Cornell (one shot microfilmed with AAA's Photographs of Artists-Collection II, reel 1817, frames fr. 323-324), Willem de Kooning, Richard Diebenkorn, Jim Dine, Helen Frankenthaler, Sonia Gechtoff, Grace Hartigan, Edward Hopper, Robert Indiana, Jasper Johns, Ellsworth Kelly, Franz Kline, Lee Krasner, Roy Lichtenstein, Alexander Lieberman, Conrad Marca-Relli, Agnes Martin, Robert Motherwell, Louise Nevelson, Barnett Newman, Isamu Noguchi, Alfonso Ossorio, Jackson Pollock, Robert Rauschenberg, Ad Reinhardt, Larry Rivers, Mark Rothko, George Segal, Ben Shahn, Tony Smith, Saul Steinberg, Frank Stella, Clyfford Still, Andrew Wyeth, and others. The manuscript portion (1 linear ft.) relates mostly to Namuth's film about Alfred Stieglitz, "Alfred Stieglitz, American" and includes interviews with Ansel Adams, Harold Clurman, Aaron Copland, Arnold Newman, Dorothy Norman, and Marie Rapp; correspondence with Ansel Adams, Peter Bunnell, Jack Boynton, Aaron Copland, Juan Hamilton, Bernard Karpel, Lincoln Kirstein, Dorothy Norman and Georgia O'Keeffe; script information, grant applications, printed material, and photographs including one of Stieglitz by Weegee (Arthur Fellig), 1945. Other correspondence is with Patricia Johanson concerning a film about Josef Albers, the Virginia Museum of Fine Arts, Yale University's Dept. of Architecture, correspondence regarding Namuth's "17 Painters" exhibit done for the American Pavilion at the Brussels World Fair in 1958, and correspondence with Kenneth Koch regarding Koch's performance piece "The Construction of Boston" which Namuth documented. Additional material includes Namuth's "impressions" on each artists' portrait in the Brussels World's Fair portrait sessions, scattered business records, and printed matter.

7.0 linear ft.

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