Compare Constellations
Information: The first column shows data points from Rothko, Mark, 1903-1970 in red. The third column shows data points from Rothkowitz, Mark, 1903-1970. in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Rothko, Mark, 1903-1970
Shared
Rothkowitz, Mark, 1903-1970.
Rothko, Mark, 1903-1970
Name Components
Name :
Rothko, Mark, 1903-1970
Dates
- Name Entry
- Rothko, Mark, 1903-1970
Citation
- Name Entry
- Rothko, Mark, 1903-1970
[
{
"contributor": "VIAF",
"form": "authorizedForm"
},
{
"contributor": "WorldCat",
"form": "authorizedForm"
},
{
"contributor": "oac",
"form": "authorizedForm"
},
{
"contributor": "LC",
"form": "authorizedForm"
},
{
"contributor": "NLA",
"form": "authorizedForm"
},
{
"contributor": "aar",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rothko, Mark
Name Components
Name :
Rothko, Mark
Dates
- Name Entry
- Rothko, Mark
Citation
- Name Entry
- Rothko, Mark
[
{
"contributor": "VIAF",
"form": "authorizedForm"
},
{
"contributor": "oac",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rothko, Mark (American painter, born in Russia, 1903-1970)
Name Components
Name :
Rothko, Mark (American painter, born in Russia, 1903-1970)
Dates
- Name Entry
- Rothko, Mark (American painter, born in Russia, 1903-1970)
Citation
- Name Entry
- Rothko, Mark (American painter, born in Russia, 1903-1970)
[
{
"contributor": "VIAF",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rotko, Marks, 1903-1970
Name Components
Name :
Rotko, Marks, 1903-1970
Dates
- Name Entry
- Rotko, Marks, 1903-1970
Citation
- Name Entry
- Rotko, Marks, 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
ロスコ, マーク
Name Components
Name :
ロスコ, マーク
Dates
- Name Entry
- ロスコ, マーク
Citation
- Name Entry
- ロスコ, マーク
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
רותקו, מארק
Name Components
Name :
רותקו, מארק
Dates
- Name Entry
- רותקו, מארק
Citation
- Name Entry
- רותקו, מארק
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Ротко, Марк, 1903-1970
Name Components
Name :
Ротко, Марк, 1903-1970
Dates
- Name Entry
- Ротко, Марк, 1903-1970
Citation
- Name Entry
- Ротко, Марк, 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
ロスコ
Name Components
Name :
ロスコ
Dates
- Name Entry
- ロスコ
Citation
- Name Entry
- ロスコ
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rothkowitz, Marcus 1903-1970
Name Components
Name :
Rothkowitz, Marcus 1903-1970
Dates
- Name Entry
- Rothkowitz, Marcus 1903-1970
Citation
- Name Entry
- Rothkowitz, Marcus 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
マーク・ロスコ
Name Components
Name :
マーク・ロスコ
Dates
- Name Entry
- マーク・ロスコ
Citation
- Name Entry
- マーク・ロスコ
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rotko, Mark 1903-1970
Name Components
Name :
Rotko, Mark 1903-1970
Dates
- Name Entry
- Rotko, Mark 1903-1970
Citation
- Name Entry
- Rotko, Mark 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rothko, Marc 1903-1970
Name Components
Name :
Rothko, Marc 1903-1970
Dates
- Name Entry
- Rothko, Marc 1903-1970
Citation
- Name Entry
- Rothko, Marc 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rosuko Māku 1903-1970
Name Components
Name :
Rosuko Māku 1903-1970
Dates
- Name Entry
- Rosuko Māku 1903-1970
Citation
- Name Entry
- Rosuko Māku 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rothkowitz, Marcus
Name Components
Name :
Rothkowitz, Marcus
Dates
- Name Entry
- Rothkowitz, Marcus
Citation
- Name Entry
- Rothkowitz, Marcus
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
マーク・ロスコ 1903-1970
Name Components
Name :
マーク・ロスコ 1903-1970
Dates
- Name Entry
- マーク・ロスコ 1903-1970
Citation
- Name Entry
- マーク・ロスコ 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Mark Rothko
Name Components
Name :
Mark Rothko
Dates
- Name Entry
- Mark Rothko
Citation
- Name Entry
- Mark Rothko
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
רותקו, מארק 1903-1970
Name Components
Name :
רותקו, מארק 1903-1970
Dates
- Name Entry
- רותקו, מארק 1903-1970
Citation
- Name Entry
- רותקו, מארק 1903-1970
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Rothkowitz, Mark, 1903-1970.
Name Components
Name :
Rothkowitz, Mark, 1903-1970.
Dates
- Name Entry
- Rothkowitz, Mark, 1903-1970.
Citation
- Name Entry
- Rothkowitz, Mark, 1903-1970.
[
{
"contributor": "WorldCat",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Citation
- Exist Dates
- Exist Dates
Russian-born American artist, Mark Rothko, is noted as one of the primary artists of Abstract Expressionism and color field painting.
Mark Rothko was an American painter and draughtsman of Russian birth. Born Sept. 25, 1903, Dvinsk, Russia (now Daugavpils, Latvia). Died Feb. 25, 1970, New York.
eng
Latn
Citation
- BiogHist
- BiogHist
https://viaf.org/viaf/68937721
https://viaf.org/viaf/68937721
https://viaf.org/viaf/68937721
Citation
- Same-As Relation
- https://viaf.org/viaf/68937721
https://www.worldcat.org/identities/lccn-n50047882
https://www.worldcat.org/identities/lccn-n50047882
https://www.worldcat.org/identities/lccn-n50047882
Citation
- Same-As Relation
- https://www.worldcat.org/identities/lccn-n50047882
https://id.loc.gov/authorities/n50047882
https://id.loc.gov/authorities/n50047882
https://id.loc.gov/authorities/n50047882
Citation
- Same-As Relation
- https://id.loc.gov/authorities/n50047882
https://www.wikidata.org/entity/Q160149
https://www.wikidata.org/entity/Q160149
https://www.wikidata.org/entity/Q160149
Citation
- Same-As Relation
- https://www.wikidata.org/entity/Q160149
http://www.worldcat.org/oclc/710020373
Citation
- Source
- http://www.worldcat.org/oclc/710020373
http://www.worldcat.org/oclc/312026676
Citation
- Source
- http://www.worldcat.org/oclc/312026676
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http://www.oac.cdlib.org/ark:/13030/kt7c6039pn
Citation
- Source
- http://www.oac.cdlib.org/ark:/13030/kt7c6039pn
http://www.worldcat.org/oclc/699816143
Citation
- Source
- http://www.worldcat.org/oclc/699816143
http://www.worldcat.org/oclc/297147820
Citation
- Source
- http://www.worldcat.org/oclc/297147820
http://www.worldcat.org/oclc/123944651
Citation
- Source
- http://www.worldcat.org/oclc/123944651
http://www.worldcat.org/oclc/220208963
Citation
- Source
- http://www.worldcat.org/oclc/220208963
http://www.worldcat.org/oclc/220234410
Citation
- Source
- http://www.worldcat.org/oclc/220234410
http://www.worldcat.org/oclc/84233075
Citation
- Source
- http://www.worldcat.org/oclc/84233075
http://www.worldcat.org/oclc/220189903
Citation
- Source
- http://www.worldcat.org/oclc/220189903
http://www.worldcat.org/oclc/220208894
Citation
- Source
- http://www.worldcat.org/oclc/220208894
http://www.worldcat.org/oclc/220179033
Citation
- Source
- http://www.worldcat.org/oclc/220179033
http://www.worldcat.org/oclc/78707437
Citation
- Source
- http://www.worldcat.org/oclc/78707437
http://www.worldcat.org/oclc/86133455
Citation
- Source
- http://www.worldcat.org/oclc/86133455
http://www.worldcat.org/oclc/56100577
Citation
- Source
- http://www.worldcat.org/oclc/56100577
http://www.worldcat.org/oclc/122545512
Citation
- Source
- http://www.worldcat.org/oclc/122545512
http://www.worldcat.org/oclc/122502569
Citation
- Source
- http://www.worldcat.org/oclc/122502569
http://www.worldcat.org/oclc/301785409
Citation
- Source
- http://www.worldcat.org/oclc/301785409
http://www.worldcat.org/oclc/84463847
Citation
- Source
- http://www.worldcat.org/oclc/84463847
http://www.worldcat.org/oclc/744426362
Citation
- Source
- http://www.worldcat.org/oclc/744426362
http://www.worldcat.org/oclc/79320494
Citation
- Source
- http://www.worldcat.org/oclc/79320494
http://www.worldcat.org/oclc/233007161
Citation
- Source
- http://www.worldcat.org/oclc/233007161
http://www.worldcat.org/oclc/81461322
Citation
- Source
- http://www.worldcat.org/oclc/81461322
http://www.worldcat.org/oclc/83989065
Citation
- Source
- http://www.worldcat.org/oclc/83989065
http://www.worldcat.org/oclc/646400452
Citation
- Source
- http://www.worldcat.org/oclc/646400452
http://www.worldcat.org/oclc/646400448
Citation
- Source
- http://www.worldcat.org/oclc/646400448
http://www.worldcat.org/oclc/301785582
Citation
- Source
- http://www.worldcat.org/oclc/301785582
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/spohclay.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/spohclay.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/spohclay.xml
http://www.worldcat.org/oclc/646400485
Citation
- Source
- http://www.worldcat.org/oclc/646400485
http://www.worldcat.org/oclc/77066770
Citation
- Source
- http://www.worldcat.org/oclc/77066770
http://www.worldcat.org/oclc/220208998
Citation
- Source
- http://www.worldcat.org/oclc/220208998
http://www.worldcat.org/oclc/233007046
Citation
- Source
- http://www.worldcat.org/oclc/233007046
http://www.worldcat.org/oclc/646400437
Citation
- Source
- http://www.worldcat.org/oclc/646400437
http://www.worldcat.org/oclc/220208954
Citation
- Source
- http://www.worldcat.org/oclc/220208954
http://www.worldcat.org/oclc/220180003
Citation
- Source
- http://www.worldcat.org/oclc/220180003
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/myerjohn.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/myerjohn.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/myerjohn.xml
http://www.worldcat.org/oclc/779477518
Citation
- Source
- http://www.worldcat.org/oclc/779477518
http://www.worldcat.org/oclc/245521099
Citation
- Source
- http://www.worldcat.org/oclc/245521099
http://www.worldcat.org/oclc/122515582
Citation
- Source
- http://www.worldcat.org/oclc/122515582
http://www.worldcat.org/oclc/732896297
Citation
- Source
- http://www.worldcat.org/oclc/732896297
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/yamialic.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/yamialic.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/yamialic.xml
http://www.worldcat.org/oclc/779477586
Citation
- Source
- http://www.worldcat.org/oclc/779477586
http://www.worldcat.org/oclc/122291560
Citation
- Source
- http://www.worldcat.org/oclc/122291560
http://www.worldcat.org/oclc/233007156
Citation
- Source
- http://www.worldcat.org/oclc/233007156
http://www.worldcat.org/oclc/646400468
Citation
- Source
- http://www.worldcat.org/oclc/646400468
http://www.worldcat.org/oclc/226956520
Citation
- Source
- http://www.worldcat.org/oclc/226956520
http://www.worldcat.org/oclc/80468572
Citation
- Source
- http://www.worldcat.org/oclc/80468572
http://www.worldcat.org/oclc/80691316
Citation
- Source
- http://www.worldcat.org/oclc/80691316
http://www.worldcat.org/oclc/646395822
Citation
- Source
- http://www.worldcat.org/oclc/646395822
http://www.worldcat.org/oclc/220208720
Citation
- Source
- http://www.worldcat.org/oclc/220208720
http://www.worldcat.org/oclc/82223590
Citation
- Source
- http://www.worldcat.org/oclc/82223590
http://www.worldcat.org/oclc/85172344
Citation
- Source
- http://www.worldcat.org/oclc/85172344
http://www.worldcat.org/oclc/646397786
Citation
- Source
- http://www.worldcat.org/oclc/646397786
http://www.worldcat.org/oclc/220208707
Citation
- Source
- http://www.worldcat.org/oclc/220208707
http://www.worldcat.org/oclc/657041545
Citation
- Source
- http://www.worldcat.org/oclc/657041545
http://www.worldcat.org/oclc/779476946
Citation
- Source
- http://www.worldcat.org/oclc/779476946
http://www.worldcat.org/oclc/220208732
Citation
- Source
- http://www.worldcat.org/oclc/220208732
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/milldoro.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/milldoro.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/milldoro.xml
http://www.worldcat.org/oclc/226956443
Citation
- Source
- http://www.worldcat.org/oclc/226956443
http://www.worldcat.org/oclc/233007158
Citation
- Source
- http://www.worldcat.org/oclc/233007158
http://www.worldcat.org/oclc/86122665
Citation
- Source
- http://www.worldcat.org/oclc/86122665
http://www.worldcat.org/oclc/84266492
Citation
- Source
- http://www.worldcat.org/oclc/84266492
http://www.worldcat.org/oclc/86118569
Citation
- Source
- http://www.worldcat.org/oclc/86118569
http://www.worldcat.org/oclc/779477687
Citation
- Source
- http://www.worldcat.org/oclc/779477687
http://www.worldcat.org/oclc/84451789
Citation
- Source
- http://www.worldcat.org/oclc/84451789
http://www.worldcat.org/oclc/233007162
Citation
- Source
- http://www.worldcat.org/oclc/233007162
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/oac/getty/spcoll/2003.M.23.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcnaf">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.oac.cdlib.org/ark:/13030/kt1t1nd961
Citation
- Source
- http://www.oac.cdlib.org/ark:/13030/kt1t1nd961
http://www.worldcat.org/oclc/233007163
Citation
- Source
- http://www.worldcat.org/oclc/233007163
http://www.worldcat.org/oclc/220208800
Citation
- Source
- http://www.worldcat.org/oclc/220208800
http://www.worldcat.org/oclc/233007166
Citation
- Source
- http://www.worldcat.org/oclc/233007166
http://www.worldcat.org/oclc/646400477
Citation
- Source
- http://www.worldcat.org/oclc/646400477
http://www.worldcat.org/oclc/81257215
Citation
- Source
- http://www.worldcat.org/oclc/81257215
http://www.worldcat.org/oclc/225528592
Citation
- Source
- http://www.worldcat.org/oclc/225528592
http://www.worldcat.org/oclc/646400450
Citation
- Source
- http://www.worldcat.org/oclc/646400450
http://www.worldcat.org/oclc/646396952
Citation
- Source
- http://www.worldcat.org/oclc/646396952
http://www.worldcat.org/oclc/122502429
Citation
- Source
- http://www.worldcat.org/oclc/122502429
http://www.worldcat.org/oclc/122640594
Citation
- Source
- http://www.worldcat.org/oclc/122640594
http://www.worldcat.org/oclc/495595064
Citation
- Source
- http://www.worldcat.org/oclc/495595064
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/oac/getty/spcoll/980048.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcnaf">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.oac.cdlib.org/ark:/13030/tf7x0nb2hk
Citation
- Source
- http://www.oac.cdlib.org/ark:/13030/tf7x0nb2hk
http://www.worldcat.org/oclc/233007147
Citation
- Source
- http://www.worldcat.org/oclc/233007147
http://www.worldcat.org/oclc/422875173
Citation
- Source
- http://www.worldcat.org/oclc/422875173
http://www.worldcat.org/oclc/646400697
Citation
- Source
- http://www.worldcat.org/oclc/646400697
http://www.worldcat.org/oclc/754863387
Citation
- Source
- http://www.worldcat.org/oclc/754863387
http://www.worldcat.org/oclc/227193624
Citation
- Source
- http://www.worldcat.org/oclc/227193624
http://www.worldcat.org/oclc/220209019
Citation
- Source
- http://www.worldcat.org/oclc/220209019
http://www.worldcat.org/oclc/245522291
Citation
- Source
- http://www.worldcat.org/oclc/245522291
http://www.worldcat.org/oclc/123373514
Citation
- Source
- http://www.worldcat.org/oclc/123373514
http://www.worldcat.org/oclc/233007167
Citation
- Source
- http://www.worldcat.org/oclc/233007167
http://www.worldcat.org/oclc/430380749
Citation
- Source
- http://www.worldcat.org/oclc/430380749
http://www.worldcat.org/oclc/220208978
Citation
- Source
- http://www.worldcat.org/oclc/220208978
http://www.worldcat.org/oclc/220179262
Citation
- Source
- http://www.worldcat.org/oclc/220179262
http://www.worldcat.org/oclc/646398642
Citation
- Source
- http://www.worldcat.org/oclc/646398642
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/parsbett.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/parsbett.xml
Citation
- Source
- http://www.aaa.si.edu/collections/findingaids/parsbett.xml
http://www.worldcat.org/oclc/122402723
Citation
- Source
- http://www.worldcat.org/oclc/122402723
http://www.worldcat.org/oclc/495596710
Citation
- Source
- http://www.worldcat.org/oclc/495596710
http://www.worldcat.org/oclc/80506415
Citation
- Source
- http://www.worldcat.org/oclc/80506415
http://www.worldcat.org/oclc/220208691
Citation
- Source
- http://www.worldcat.org/oclc/220208691
http://www.worldcat.org/oclc/744437329
Citation
- Source
- http://www.worldcat.org/oclc/744437329
http://www.worldcat.org/oclc/314174989
Citation
- Source
- http://www.worldcat.org/oclc/314174989
http://www.worldcat.org/oclc/646400432
Citation
- Source
- http://www.worldcat.org/oclc/646400432
http://www.worldcat.org/oclc/199281006
Citation
- Source
- http://www.worldcat.org/oclc/199281006
http://www.worldcat.org/oclc/122515112
Citation
- Source
- http://www.worldcat.org/oclc/122515112
http://www.worldcat.org/oclc/220208777
Citation
- Source
- http://www.worldcat.org/oclc/220208777
http://www.worldcat.org/oclc/646400460
Citation
- Source
- http://www.worldcat.org/oclc/646400460
http://www.worldcat.org/oclc/669909573
Citation
- Source
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http://www.worldcat.org/oclc/419260674
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- http://www.worldcat.org/oclc/419260674
http://www.worldcat.org/oclc/220208913
Citation
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- http://www.worldcat.org/oclc/220208913
http://www.worldcat.org/oclc/86163039
Citation
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- http://www.worldcat.org/oclc/86163039
http://www.worldcat.org/oclc/79174979
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- http://www.worldcat.org/oclc/79174979
http://www.worldcat.org/oclc/31118539
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- http://www.worldcat.org/oclc/31118539
http://www.worldcat.org/oclc/744428318
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- http://www.worldcat.org/oclc/744428318
http://www.worldcat.org/oclc/220208842
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- http://www.worldcat.org/oclc/220208842
http://www.worldcat.org/oclc/657041498
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- http://www.worldcat.org/oclc/657041498
http://www.worldcat.org/oclc/122565545
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- http://www.worldcat.org/oclc/122565545
http://www.worldcat.org/oclc/220208941
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- http://www.worldcat.org/oclc/220208941
http://www.worldcat.org/oclc/220160362
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- http://www.worldcat.org/oclc/220160362
http://www.worldcat.org/oclc/83780041
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- http://www.worldcat.org/oclc/83780041
http://www.worldcat.org/oclc/80369558
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- http://www.worldcat.org/oclc/80369558
http://www.worldcat.org/oclc/220208627
Citation
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- http://www.worldcat.org/oclc/220208627
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/stamtheo.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Rothko, Mark,1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/stamtheo.xml
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- http://www.aaa.si.edu/collections/findingaids/stamtheo.xml
http://www.worldcat.org/oclc/680879605
Citation
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- http://www.worldcat.org/oclc/680879605
http://www.worldcat.org/oclc/233007157
Citation
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- http://www.worldcat.org/oclc/233007157
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/oac/getty/spcoll/940004.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcnaf">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.oac.cdlib.org/ark:/13030/tf8n39n9g1
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- http://www.oac.cdlib.org/ark:/13030/tf8n39n9g1
http://www.worldcat.org/oclc/220244761
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http://www.worldcat.org/oclc/220208989
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http://www.worldcat.org/oclc/77846662
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http://www.worldcat.org/oclc/233007155
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- http://www.worldcat.org/oclc/233007155
http://www.worldcat.org/oclc/220244497
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- http://www.worldcat.org/oclc/220244497
http://www.worldcat.org/oclc/220189395
Citation
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- http://www.worldcat.org/oclc/220189395
http://www.worldcat.org/oclc/86132985
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- http://www.worldcat.org/oclc/86132985
http://www.worldcat.org/oclc/226956339
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http://www.worldcat.org/oclc/233007160
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- http://www.worldcat.org/oclc/233007160
http://www.worldcat.org/oclc/233007164
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- http://www.worldcat.org/oclc/233007164
http://www.worldcat.org/oclc/220208832
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- http://www.worldcat.org/oclc/220208832
http://www.worldcat.org/oclc/79376234
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http://www.worldcat.org/oclc/123411006
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- http://www.worldcat.org/oclc/123411006
http://www.worldcat.org/oclc/220244601
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- http://www.worldcat.org/oclc/220244601
http://www.worldcat.org/oclc/82983863
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- http://www.worldcat.org/oclc/82983863
http://www.worldcat.org/oclc/220208920
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http://www.worldcat.org/oclc/220209009
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http://www.worldcat.org/oclc/220208935
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- http://www.worldcat.org/oclc/220208935
http://www.worldcat.org/oclc/368027966
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- http://www.worldcat.org/oclc/368027966
http://www.worldcat.org/oclc/82919384
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- http://www.worldcat.org/oclc/82919384
http://www.worldcat.org/oclc/233007232
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- http://www.worldcat.org/oclc/233007232
http://www.worldcat.org/oclc/233007050
Citation
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- http://www.worldcat.org/oclc/233007050
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/oac/stanford/mss/m1446.xml</filename> <ead_entity en_type="persname" role="subject" source="lcnaf">Rothko, Mark.</ead_entity> </container> </objectXMLWrap>
http://www.oac.cdlib.org/ark:/13030/kt4p3021rd
Citation
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- http://www.oac.cdlib.org/ark:/13030/kt4p3021rd
http://www.worldcat.org/oclc/646395898
Citation
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- http://www.worldcat.org/oclc/646395898
http://www.worldcat.org/oclc/646395841
Citation
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- http://www.worldcat.org/oclc/646395841
http://www.worldcat.org/oclc/233007159
Citation
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- http://www.worldcat.org/oclc/233007159
http://www.worldcat.org/oclc/233007168
Citation
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- http://www.worldcat.org/oclc/233007168
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/greeclep.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/greeclep.xml
Citation
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- http://www.aaa.si.edu/collections/findingaids/greeclep.xml
http://www.worldcat.org/oclc/646400503
Citation
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- http://www.worldcat.org/oclc/646400503
http://www.worldcat.org/oclc/80031973
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- http://www.worldcat.org/oclc/80031973
http://www.worldcat.org/oclc/83790979
Citation
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- http://www.worldcat.org/oclc/83790979
http://www.worldcat.org/oclc/669910196
Citation
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- http://www.worldcat.org/oclc/669910196
http://www.worldcat.org/oclc/220208872
Citation
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- http://www.worldcat.org/oclc/220208872
http://www.worldcat.org/oclc/710019018
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- http://www.worldcat.org/oclc/710019018
http://www.worldcat.org/oclc/646397106
Citation
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- http://www.worldcat.org/oclc/646397106
http://www.worldcat.org/oclc/83004787
Citation
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- http://www.worldcat.org/oclc/83004787
http://www.worldcat.org/oclc/646400533
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- http://www.worldcat.org/oclc/646400533
http://www.worldcat.org/oclc/779476944
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- http://www.worldcat.org/oclc/779476944
http://www.worldcat.org/oclc/220208817
Citation
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- http://www.worldcat.org/oclc/220208817
http://www.worldcat.org/oclc/220208769
Citation
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- http://www.worldcat.org/oclc/220208769
http://www.worldcat.org/oclc/83688683
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- http://www.worldcat.org/oclc/83688683
http://www.worldcat.org/oclc/220208745
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- http://www.worldcat.org/oclc/220208745
http://www.worldcat.org/oclc/220191778
Citation
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- http://www.worldcat.org/oclc/220191778
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/avermilt.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/avermilt.xml
Citation
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- http://www.aaa.si.edu/collections/findingaids/avermilt.xml
http://www.worldcat.org/oclc/220208618
Citation
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- http://www.worldcat.org/oclc/220208618
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/oac/getty/spcoll/900184.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcnaf">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.oac.cdlib.org/ark:/13030/tf7k4005g7
Citation
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- http://www.oac.cdlib.org/ark:/13030/tf7k4005g7
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/kuhkath.xml</filename> <ead_entity en_type="persname" encodinganalog="600" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/kuhkath.xml
Citation
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- http://www.aaa.si.edu/collections/findingaids/kuhkath.xml
http://www.worldcat.org/oclc/368024659
Citation
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- http://www.worldcat.org/oclc/368024659
http://www.worldcat.org/oclc/83609109
Citation
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- http://www.worldcat.org/oclc/83609109
http://www.worldcat.org/oclc/646400571
Citation
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- http://www.worldcat.org/oclc/646400571
<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/aar/asheelis.xml</filename> <ead_entity en_type="persname" encodinganalog="700" source="lcsh">Rothko, Mark, 1903-1970</ead_entity> </container> </objectXMLWrap>
http://www.aaa.si.edu/collections/findingaids/asheelis.xml
Citation
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- http://www.aaa.si.edu/collections/findingaids/asheelis.xml
http://www.worldcat.org/oclc/78686307
Citation
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- http://www.worldcat.org/oclc/78686307
http://www.worldcat.org/oclc/688850724
Citation
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- http://www.worldcat.org/oclc/688850724
http://www.worldcat.org/oclc/220208905
Citation
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- http://www.worldcat.org/oclc/220208905
http://www.worldcat.org/oclc/220208758
Citation
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- http://www.worldcat.org/oclc/220208758
http://viaf.org/viaf/68937721
Citation
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- http://viaf.org/viaf/68937721
http://www.worldcat.org/oclc/77755808
Citation
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- http://www.worldcat.org/oclc/77755808
http://www.worldcat.org/oclc/233007040
Citation
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- http://www.worldcat.org/oclc/233007040
http://www.worldcat.org/oclc/662602482
Citation
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- http://www.worldcat.org/oclc/662602482
http://www.worldcat.org/oclc/34370095
Citation
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- http://www.worldcat.org/oclc/34370095
http://www.worldcat.org/oclc/68796459
Citation
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- http://www.worldcat.org/oclc/68796459
Oral history interview with Joseph Solman
Title:
Oral history interview with Joseph Solman
An interview of Joseph Solman conducted 1981 May 6-8, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 4 cassettes : analog.Transcript: 56 p.
https://n2t.net/ark:/65665/mw95bfbda07-5fd1-4465-8a8b-c73f67919d9a View
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Citation
- Resource Relation
- Solman, Joseph, 1909-. Joseph Solman interview, 1981 May 6-8.
Clay Spohn papers
Title:
Clay Spohn papers
The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, art work, printed material, and photographs which reflect the life and career of painter and educator Clay Spohn.
ArchivalResource: 20.4 Linear feet
https://n2t.net/ark:/65665/mw989dc0985-c251-4480-9ed7-d84755d301bb View
View in SNACcreatorOf
Citation
- Resource Relation
- Spohn, Clay Edgar, 1898-1977. Clay Spohn papers, circa 1862-1985, bulk, 1890-1985.
Crow, Thomas. Seeing Rothko [sound recording] / [sponsored by the Getty Research Institute].
Title:
Seeing Rothko [sound recording] / [sponsored by the Getty Research Institute].
Recording captures lectures and conversations about the artisit Mark Rothko. The Getty Research Institute devoted its 2001- 2002 scholar year to exploring the role of the spectator in completing the experience and meaning of the work of visual art within the theme "Frames of Viewing: Perception, Experience, Judgment." Perhaps no artist of the recent past was more deeply concerned than Rothko with the act of seeing and the conditions under which his work would face its audience. Critical and historical discussion of his art likewise hinges, more than for many of his contemporaries, on just what is being attended to in his paintings. Rothko insisted on his own approaches to lighting and hanging his own art, providing an ideal topic for a symposium with Getty scholars and other art historians, critics, and curators to consider the act of seeing in front of a Rothko painting, and, by extension, the act of seeing itself.
ArchivalResource: 3 soundcassettes of 3 (DAT) : digital ; 1/8 in. + 1 event program.
http://www.worldcat.org/oclc/732896297 View
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Citation
- Resource Relation
- Crow, Thomas. Seeing Rothko [sound recording] / [sponsored by the Getty Research Institute].
Oral history interview with Stanley Kunitz
Title:
Oral history interview with Stanley Kunitz
An interview of Stanley Kunitz conducted 1983 Dec. 8, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 43 p.
https://n2t.net/ark:/65665/mw9daf9bc73-2dce-4e03-9559-f2946b8c5e2a View
View in SNACreferencedIn
Citation
- Resource Relation
- Kunitz, Stanley, 1905-. Stanley Kunitz interview, 1983 Dec. 8 [sound recording].
Giuseppe Panza papers, 1956-1990
Title:
Giuseppe Panza papers 1956-1990
Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs.
ArchivalResource: ca. 117 linear feet; (311 boxes, 58 rolls, 3 flat file folders)
http://www.oac.cdlib.org/ark:/13030/tf8n39n9g1 View
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Citation
- Resource Relation
- Giuseppe Panza papers, 1956-1990
Richard Lippold papers
Title:
Richard Lippold papers
The papers of sculptor and educator Richard Lippold measure 1.3 linear feet and date from 1940s to 1977. The collection provides documentation on Lippold's career through correspondence, writing files, project files, printed materials, and several motion picture films.
ArchivalResource: 1.3 Linear feet
https://n2t.net/ark:/65665/mw97cf2af3f-5196-4bc4-965b-ddbaa7e65ced View
View in SNACcreatorOf
Citation
- Resource Relation
- Lippold, Richard, 1915-. Richard Lippold papers, 1944-1977.
Oral history interview with Bernard J. Reis
Title:
Oral history interview with Bernard J. Reis
An interview of Bernard Reis conducted 1976 June 3-1976 June 10, by Paul Cummings, for the Archives of American Art.
OralHistoryResource: Sound recording: 2 sound tape reels ; 5 in.Transcript: 64 p.
https://n2t.net/ark:/65665/mw9cbdc1da9-bb60-45c7-af14-ea01af3e0937 View
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Citation
- Resource Relation
- Reis, Bernard J., 1895-1978. Oral history interview with Bernard J. Reis, 1976 June 3-1976 June 10.
Oral history interview with Dorothy C. Miller
Title:
Oral history interview with Dorothy C. Miller
An interview of Dorothy Miller conducted 1970 May 26-1971 Sept. 28, by Paul Cummings, for the Archives of American Art. Miller speaks of her childhood and family background; the beginning of her career in museums; her first trip to Europe; the Depression and its effect on the art world; the establishment of the WPA Federal Art Project; the scandal over the Diego Rivera mural in Rockefeller Center; getting started with the Museum of Modern Art in its early years; working with Alfred Barr; early exhibitions at the MOMA; meeting Mark Tobey and Morris Graves; meeting Holger Cahill; Cahill's background; Cahill's involvement with the WPA Federal Art Project, and the Project's early years; post-war changes in American art and the post-war years at the MOMA; Shaker design; some of her colleagues at the MOMA. She recalls Duncan Phillips, Rene D'Harnoncourt, Jackson Pollock, Edward M.M. Warburg, Nelson Rockefeller, Mark Rothko, Louise Nevelson, Alexander Calder, Lyonel Feininger, Walker Evans, and Edwin Dickinson.
OralHistoryResource: 1 sound tape reel ; 7 in. and 9 sound tape reels ; 5 in. (19 hrs.); Transcript: 260 p.
https://n2t.net/ark:/65665/mw940c85ded-d241-4018-8248-4f24388f12e3 View
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Citation
- Resource Relation
- Miller, Dorothy Canning, 1904-2003. Oral history interview with Dorothy C. Miller, 1970 May 26-1971 Sept. 28.
Alice Yamin papers
Title:
Alice Yamin papers
The papers of painter, draftsperson, and art consultant Alice Yamin date from 1927-1998, and measure 2.0 linear feet. Found within the papers are letters from artists, writers, galleries, and CIGY-GEIGY Corporation for whom Yamin worked as an art consultant. The collection also contains exhibition files, printed material, and photographs of Yamin, family members, and colleagues.The most significant series consists of letter files, which also contain scattered printed material and photographs collected by Yamin, concerning specific individuals and organizations. Represented within the files are artists Herb Aach, Ilya Bolotowsky, Ernest Briggs, Lily Brody, Fritz Bultman, Elaine DeKooning, Sideo Fromboluti, Fritz Glarner, Adolph Gottlieb, John Grillo, Buffie Johnson, Alex Katz, William H. Littlefield, Alice Trumbull Mason, Elizabeth McFadden, Daphne Mumford, Barnett Newman, Philip Pavia, Mark Rothko, Elsa Schmid, and Jane Teller; curator Henry Ginsburg; writers Barbara Nimri Aziz, Georgine Oeri, Gertrud Oeri-Sarasin, and Leo Yamin; and galleries including the Ingber Gallery and the Landmark Gallery. There are also letter files concerning the CIGY-GEIGY Corporation; for Alice Yamin's brother, businessman Frank S. Bernard, and the town of Chilmark, Massachusetts, where the Yamins spent their summers. Even though Yamin's responses to the letters are not included in the collection, this series illustrates the wide range of her friendships and associates in the art business.Also found are exhibition files containing letters, prospectuses, business records such as loan agreements, clippings, and exhibition announcements and catalogs concerning the inclusion of Yamin's art work primarily in group exhibitions. Printed material consists of miscellaneous clippings, and exhibition announcements and catalogs that do not relate to the exhibition files, as well as miscellaneous booklets, brochures, and a copy of the book <emph render="italic">American Drawings, Watercolors, Pastels, and Collages</emph> published by the Corcoran Gallery of Art which contains a reproduction of Yamin's work. Photographs are of Yamin, family members, and colleagues including Bill and Maria Lipkind, and Aaron Siskind.
ArchivalResource: 2 linear feet
https://n2t.net/ark:/65665/mw9450adfab-29f0-4402-900d-5c3676da8b95 View
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Citation
- Resource Relation
- Yamin, Alice. Alice Yamin papers, 1927-1998.
Mark Rothko Foundation records
Title:
Mark Rothko Foundation records
Administrative files, correspondence and printed material pertaining to the activities of the Mark Rothko Foundation.
ArchivalResource:
https://n2t.net/ark:/65665/mw9ac1785cb-9c06-41f7-9596-690cd09a9bb6 View
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Citation
- Resource Relation
- Mark Rothko Foundation. Mark Rothko Foundation records, 1976-1987.
Elise Asher papers
Title:
Elise Asher papers
The Elise Asher papers, 1923-1994, measure 1.6 linear feet and reflect Asher's career as a poet, painter, and sculptor, and her friendships with many of the more prominent artists of the mid-twentieth century. The collection contains biographical material, letters, writings, works of art, business records, printed material, and photographs.Notable correspondents found in the collection include Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut.
ArchivalResource:
https://n2t.net/ark:/65665/mw99a5d878c-4baa-45be-be3d-56ae368dc221 View
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Citation
- Resource Relation
- Elise Asher papers, 1923-1994
Museum of Modern Art (New York, N.Y.). Mark Rothko. 1961 : Archives pamphlet file : miscellaneous uncataloged material.
Title:
Mark Rothko. 1961 : Archives pamphlet file : miscellaneous uncataloged material.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/86163039 View
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Citation
- Resource Relation
- Museum of Modern Art (New York, N.Y.). Mark Rothko. 1961 : Archives pamphlet file : miscellaneous uncataloged material.
Oral history interview with Maulina (Molly) Dennett Pendergast
Title:
Oral history interview with Maulina (Molly) Dennett Pendergast
An interview of Maulina Dennett Pendergast conducted 1964 Oct. 25, by Mary McChesney, for the Archives of American Art.
OralHistoryResource: Transcript: 33 p.
https://n2t.net/ark:/65665/mw9f54f4c77-78ee-4a59-8711-7f02b4eea84b View
View in SNACreferencedIn
Citation
- Resource Relation
- Roth, Maurice, 1892-1983,. Oral history interview with Maurice Roth, 1984 Sept. 15 [sound recording].
Oral history interview with Jacob Kainen
Title:
Oral history interview with Jacob Kainen
An interview of Jacob Kainen conducted 1982 Aug. 10-1982 Sept. 22, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 6 cassettes analog.Transcript: 108 p.
https://n2t.net/ark:/65665/mw9b3fdd057-20aa-4e92-aaae-8b8e30d39212 View
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Citation
- Resource Relation
- Kainen, Jacob. Jacob Kainen interview, 1982 Aug. 10-Sept. 22.
Alexander Liberman photography archive, ca. 1925-ca. 1998.
Title:
Alexander Liberman photography archive, ca. 1925-ca. 1998.
Photographs made by Alexander Liberman. The collection contains ca. 8,000 photographic prints, 50,000 transparencies, 90,000 negatives, 38 books of contact sheets, and loose prints mounted on foam core. Subjects of the photographs fall into two groups, contemporary artists and European historical sites. The collection documents over 242 major European and American artists, such as Braque, Cezanne, Dali, de Kooning, Duchamp, Ernst, Giacometti, Kandinsky, Matisse, Newman, Picasso, Rauschenberg, and Rothko. Documentation consists of portraits of the artist at work or in their studio and photographs of the work in progress or as a finished work of art. The group of photographs documenting historical and architectural sites focuses on Greece, France, Italy, and Spain.
ArchivalResource: ca. 380 linear feet (380 boxes, 4 flat file folders, 19 framed items)
http://hdl.handle.net/10020/cifa2000r19 View
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Citation
- Resource Relation
- Liberman, Alexander, 1912-1999. Alexander Liberman photography archive, ca. 1925-ca. 1998.
Oral history interview with Elaine de Kooning
Title:
Oral history interview with Elaine de Kooning
An interview of Elaine de Kooning conducted 1981 August 27, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 11 p.
https://n2t.net/ark:/65665/mw9be2d582b-4658-4f8a-8235-93eeb0e9d79f View
View in SNACreferencedIn
Citation
- Resource Relation
- De Kooning, Elaine. Elaine de Kooning interview, 1981 Aug. 27.
Oral history interview with Ida Kohlmeyer
Title:
Oral history interview with Ida Kohlmeyer
An interview of Ida Kohlmeyer conducted 1989 May 17-20, by Avis Berman, for the Archives of American Art.
OralHistoryResource: Sound recording: 4 sound cassettes.Transcript: 177 p.
https://n2t.net/ark:/65665/mw997d588d5-2290-41c3-b7da-8e0f728e1576 View
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Citation
- Resource Relation
- Kohlmeyer, Ida, 1912-1997,. Oral history interview with Ida Kohlmeyer, 1989 May 17-1989 May 20.
Oral history interview with Peter Agostini
Title:
Oral history interview with Peter Agostini
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
OralHistoryResource: Sound recordings: 3 5 in. sound tape reels.Transcript: 99 p.
https://n2t.net/ark:/65665/mw94f33a1ab-e475-4a6f-8b0b-f9822b288239 View
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- Resource Relation
- Agostini, Peter. Peter Agostini interview, 1968 [sound recording].
Oral history interview with Katharine Kuh
Title:
Oral history interview with Katharine Kuh
An interview of Katharine Kuh conducted 1982 Mar. 18-1983 Mar. 24, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
ArchivalResource: 16 cassettes : analog.Transcript: 313 p. (on partial microfilm reel)
https://n2t.net/ark:/65665/mw941cbbacd-01e0-402c-828e-c3909d220c9b View
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- Resource Relation
- Kuh, Katharine. Oral history interview with Katharine Kuh, 1982 Mar. 18-1983 Mar. 24.
Alexander Liberman photography archive, circa 1925-1998, undated
Title:
Alexander Liberman photography archive circa 1925-1998, undated
Photographs made by Alexander Liberman, Russian-born artist, photographer, director of Condé Nast Publications and art director for Vogue. Collection contains over 8,000 photographic prints, 50,000 transparencies, 90,000 negatives, 38 books of contact prints, and prints mounted for exhibitions, dating from circa 1925 to circa 1998. Subjects include artists and personalities, and European historical sites. Also included are personal photographs of family and friends.
ArchivalResource: 381.0 linear feet; (380 boxes, 4 flat file folders, 19 framed items)
http://hdl.handle.net/10020/cifa2000r19 View
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- Resource Relation
- Alexander Liberman photography archive, circa 1925-1998, undated
Milton Avery papers
Title:
Milton Avery papers
The papers of abstract painter Milton Avery measure 2.8 linear feet and date from 1926 to 1982, with the bulk of the collection dating from 1950 to 1982. Almost the entire collection consists of business files maintained by Milton Avery's wife Sally as a trustee for the Milton Avery Trust (2.4 linear feet). Milton Avery's business and personal correspondence (five folders) contains letters from friends and fellow artists, including a few from George Duthuit, Louis Eilshemius, Marsden Hartley, Wallace Putnam, and Mark Rothko. Also found are scattered writings about Avery, price lists, estate records, exhibition announcements and catalogs, and news clippings.
ArchivalResource:
https://n2t.net/ark:/65665/mw962db9fe5-4a80-451f-a614-95e126345f06 View
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- Resource Relation
- Avery, Milton, 1885-1965. Milton Avery papers, 1926-1982, bulk 1950-1982.
Oral history interview with Esther Dick Gottlieb
Title:
Oral history interview with Esther Dick Gottlieb
An interview of Esther Gottlieb conducted 1981 Oct. 22, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 23 p.
https://n2t.net/ark:/65665/mw91199989e-fe97-4cb5-8c93-69aebb28882f View
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- Resource Relation
- Gottlieb, Esther Dick. Esther Dick Gottlieb interview, 1981 Oct. 22.
Avis Berman research material on Katharine Kuh
Title:
Avis Berman research material on Katharine Kuh
Avis Berman research material on art and artists measures 2.6 linear feet and dates from 1976-1994. Included are interviews conducted by Berman, correspondence, printed material, and drafts of writing for articles and essays published by Berman in preparation for various books, articles and exhibitions. magazines and museum and gallery catalog essays.
ArchivalResource: 3.6 Linear feet
https://n2t.net/ark:/65665/mw9cf5807a5-9d5f-4b50-b89f-ff5896361775 View
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- Resource Relation
- Berman, Avis. Avis Berman research material on Katharine Kuh, 1944-2006.
Betty Parsons Gallery records and personal papers
Title:
Betty Parsons Gallery records and personal papers
The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection. Personal papers also include personal photographs. Artists files, the largest and most extensive series, consist of a wide variety of documents, including biographical materials, correspondence with or related to the artist, exhibition catalogs and announcements, sales and expense invoices, clippings, price lists, and photographs of the artist, exhibitions, and artwork. The files reflect Parsons's close personal relationships with certain artists, particularly Jackson Pollock, Mark Rothko, Clyfford Still, and Barnett Newman. Extensive documentation is also found for Forrest Bess, William Congdon, Paul Feeley, Thomas George, Alexander Liberman, Seymour Lipton, Richard Pousette-Dart, Jesse Reichek, and Jack Youngerman. Historians and researchers will find these files to be an invaluable resource both in tracing Betty Parsons's role in promoting Abstract Expressionism and researching individual artists. Exhibition files primarily document the gallery's infrequent group or themed exhibitions. Of particular note are the files on <emph render="italic">The Ideographic Picture</emph>, which was organized by Barnett Newman and included his work, as well as that of Pietro Lazzari, Boris Margo, Ad Reinhardt, Mark Rothko, Theodoros Stamos, and Clyfford Still. Price lists, artist biographies and exhibition schedules are housed in the general exhibition files. Loan exhibition files provide documentation of artwork borrowed by other galleries or institutions for exhibitions, as well as shows outside of the gallery that were organized by Betty Parsons. Also found are gallery exhibition guest books, and announcements and catalogs. Gallery correspondence is primarily with galleries and dealers, museums, arts organizations, and collectors. Scattered letters from artists are also found, although the bulk of the artists' correspondence is filed in the Artists Files. Also found here are memoranda and letters between Betty Parsons and her staff that contain detailed information concerning Parsons's schedule and gallery activities. Similar correspondence is found amongst the correspondence files within the series Betty Parsons papers. Appraisal and conservation files include correspondence, appraisal invoices, forms, and appraisal requests and other information from the Art Dealers Association of America, and conservation invoices and reports. The majority of the appraisal records contain information about the specific works of art, including artist, title, date, current owner and the estimated value at the time of the request. Conservation records document conservation treatments undertaken by outside conservators to gallery stock.Sales, purchases, stock and inventory are well documented in the sales and inventory records. The records provide detailed information about individual sales, prices of individual pieces of artwork, consignments, and loans. Most sales records also include detailed information about the buyer and are a valuable resource for provenance research. Files documenting the general administration, routine business operations, and financial transactions (not individual sales) of the gallery are housed in the general business and financial records. These records include ledgers, receipts, tax records, and banking records. There is some limited information about works of art scattered amongst the receipts and in the "in/out slips" files. Legal records house general legal documents and those concerning specific lawsuits. Of particular note is the file detailing the lawsuit between Betty Parsons and Sidney Janis over the fifth floor of 24 West 57th Street.The remainder of the collection consists of Betty Parsons's personal papers which document her career prior to opening her own gallery, her work as an artist, and her personal art collection.Some information about Parsons's work prior to opening her own gallery is found in the early curatorial files she retained from her curatorial and administrative work at the Wakefield Gallery and the Mortimer Brandt Gallery. Clippings, correspondence, announcements, exhibition lists and exhibition files are found. For both positions, she kept only the exhibition files for a small group of exhibitions organized around a specific theme, the most notable being the exhibition of Pre-Columbian Sculpture at the Wakefield Gallery.Biographical materials include copies of her biography, family genealogies, photographs of Parsons, interviews with Colette Roberts and WYNC radio, memberships, photographs, and ephemera, including a collection of programs and invitations from events that she attended. Throughout her life Parsons gave generously of her time to various cultural and charitable institutions and was awarded for her contributions. There are also a number of files that document her speaking engagements, her participation as a juror in numerous juried exhibitions, charitable work, and awards that she received. Parsons's personal correspondence files reflect how deeply Parsons's life was intertwined with the gallery. There are letters from museum directors, dealers, artists seeking representation, and personal letters from artists with whom she had close personal relationships, most notably Larry Bigelow, Alexander Calder, William Condon, and Ad Reinhardt. There are also letters from the English artist Adge Baker, with whom Parsons was romantically involved. Correspondence also includes several files of postcards and Christmas cards. Pocket diaries and engagement calendars, spanning from 1933-1981, record social engagements, meetings, vacations, and telephone numbers. Also found are circa two linear feet of notebooks and sketchbooks, many of which are annotated with addresses, poetry, journal entries, and other observations of people, places, and travels. Writings by others include writings about Betty Parsons or the Betty Parsons Gallery, such as Lawrence Alloway's unpublished typescript titled "An American Gallery" and other topics. Printed material consists of exhibition announcements and catalogs, art magazines, and newspaper and magazine clippings about Betty Parsons, her family and acquaintances, artists, and other art related topics, coupled with a miscellaneous selection of clippings, and a video recording, on topics that presumably captured Parsons's attention. Personal art work records document Betty Parsons's career as an artist through inventories, group and solo exhibitions files, price lists, appraisals, sales and consignment invoices. Photographs are primarily reproductions of her works of art, although there are scattered photographs of exhibition installations. Betty Parsons's private art collection files document her extensive personal collection of art that included works by Jackson Pollock, Agnes Martin, Romare Bearden, Barnett Newman, and Mark Rothko, in addition to Amlash sculpture from ancient Persia and primitive sculpture from New Hebrides. These files include inventories, lists, exhibition records, sales and purchase invoices, and photographs. There are also files for donations and loans from Parsons's personal collection to museums and fund raising auctions for several non-profit institutions. Finally, the personal financial records provide information about the Parsons's family finances and her personal financial success as an art dealer. In addition to her own investments, Parsons inherited shares in family investments through the estates of her parents, J. Fred Pierson, Jr. and Suzanne Miles Pierson, and younger sister, Emily Rayner. Real estate files include correspondence, utility bills, receipts, area maps, and land plots for houses in Sheepscot, Maine and St. Maartens, Netherlands Antilles. Tax returns, ledger worksheets, receipts, banking statements, deposit slips, and cancelled checks are among the other financial records. ,publish:true,subnote_guid:9a5984306548490a4d89aefe032f534d}]}
ArchivalResource:
https://n2t.net/ark:/65665/mw956c1036f-b673-4dc1-8c1b-cde0bd641c60 View
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- Betty Parsons Gallery records and personal papers, circa 1920-1991, bulk 1946-1983
Oral history interview with Betty Parsons
Title:
Oral history interview with Betty Parsons
An interview of Betty Parsons conducted 1981 June 11, by Gerald Silk, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 sound cassette : analog.Transcript: 20 p.
https://n2t.net/ark:/65665/mw9af22fb4c-55c8-4978-959a-a21d7082e79e View
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- Resource Relation
- Parsons, Betty. Betty Parsons interview, 1981 June 11.
Virginia Admiral papers
Title:
Virginia Admiral papers
The papers of painter and poet Virginia Admiral measure 0.6 linear feet and date from 1945-1978. The scattered papers include identification cards, correspondence with artists and friends, personal business records, and printed material. Found are files relating to the Art Workers' Coalition, a group that sought to pressure the Museum of Modern Art and others to implement political and economic reforms to their practices.
ArchivalResource: 0.6 Linear feet
https://n2t.net/ark:/65665/mw9db007217-fac8-4421-90a6-64eb87a06669 View
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Citation
- Resource Relation
- Admiral, Virginia, 1915-2000. Virginia Admiral papers, [ca. 1947-1980].
Oral history interview with Esteban Vicente
Title:
Oral history interview with Esteban Vicente
An interview of Esteban Vicente conducted 1982 April 6, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 18 p.
https://n2t.net/ark:/65665/mw999c94ff5-f122-4851-bcfd-cde4d7cb559d View
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- Resource Relation
- Vicente, Esteban, 1903-. Oral history interview with Esteban Vicente, 1982 Apr. 6.
Rothko, Mark, 1903-1970. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122402723 View
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- Resource Relation
- Rothko, Mark, 1903-1970. Artist file.
Ida Kohlmeyer papers
Title:
Ida Kohlmeyer papers
The papers of sculptor, painter, and educator Ida Kohlmeyer date from circa 1890 to circa 1990s and measure 13.7 linear feet. The papers document Kohlmeyer's many exhibitions and commissioned works, and her teaching career. Found are biographical material, correspondence, writings and notes, personal business records, professional files, printed material, and photographs.
ArchivalResource: 13.7 Linear feet
https://n2t.net/ark:/65665/mw9a251a7a4-4310-4353-b5ea-147a136fbe88 View
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- Resource Relation
- Kohlmeyer, Ida, 1912-1997. Ida Kohlmeyer papers, [ca. 1950]-1997.
Oral history interview with Sally Avery
Title:
Oral history interview with Sally Avery
An interview of Sally Avery conducted 1982 February 19, by Tom Wolf, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 66 p.
https://n2t.net/ark:/65665/mw9ffb07038-14e6-4516-8328-9edfc3008a24 View
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- Resource Relation
- Avery, Sally. Sally Avery interview, 1982 Feb. 19.
Oral history interview with Lee Krasner
Title:
Oral history interview with Lee Krasner
Interview of Lee Krasner conducted in 1972, by Doloris Holmes, for the Archives of American Art "Art World in Turmoil" oral history project.
OralHistoryResource: Transcript: 10 p.
https://n2t.net/ark:/65665/mw92c7720c2-f44d-4ea5-847e-82f9bbd22848 View
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- Resource Relation
- Krasner, Lee, 1908-1984. Lee Krasner interview, 1972 [sound recording].
Oral history interview with Adolph Gottlieb
Title:
Oral history interview with Adolph Gottlieb
An interview of Adolph Gottlieb conducted 1967 Oct. 25, in New York, by Dorothy Seckler, for the Archives of American Art.
OralHistoryResource: Sound recordings: 2 sound cassettes (90 min.)Transcript: 27 p.
https://n2t.net/ark:/65665/mw97b338531-8b28-486d-ab31-96ff3cb82d6f View
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Citation
- Resource Relation
- Gottlieb, Adolph, 1903-1974. Adolph Gottlieb interview, 1967 Oct. 25 [sound recording].
Lefkowitz, David S. Four works, exhibited : for string quartet / by David S. Lefkowitz.
Title:
Four works, exhibited : for string quartet / by David S. Lefkowitz. c1991.
ArchivalResource: 1 score ([13] p.) ; 35 cm.
http://www.worldcat.org/oclc/31118539 View
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- Lefkowitz, David S. Four works, exhibited : for string quartet / by David S. Lefkowitz.
Oral history interview with Dorothy C. Miller
Title:
Oral history interview with Dorothy C. Miller
An interview of Dorothy Canning Miller conducted 1981 May 14, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 3 cassettes : analog.Transcript: 30 p.
https://n2t.net/ark:/65665/mw9848553d6-3075-427e-b4a6-97d47bce0334 View
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- Resource Relation
- Miller, Dorothy Canning, 1904-2003. Oral history interview with Dorothy C. Miller, 1981 May 14.
Whitney Museum of American Art artists' files and records
Title:
Whitney Museum of American Art artists' files and records
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
ArchivalResource:
https://n2t.net/ark:/65665/mw990da7b91-a3b8-4ace-b8ba-b5c08cfe3284 View
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- Resource Relation
- Whitney Museum of American Art. Whitney Museum of American Art artists' files and records, 1914-1966.
Oral history interview with Jack Kufeld
Title:
Oral history interview with Jack Kufeld
An interview of Jack Kufeld conducted 1981 Oct. 5, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 28 p.
https://n2t.net/ark:/65665/mw9e5997e78-31e8-45a8-bbb3-5acd522fa3f9 View
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- Resource Relation
- Kufeld, Jack, 1907-1990. Oral history interview with Jack Kufeld, 1981 Oct. 5.
Rothko, Mark, 1903-1970. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 1 box.
http://www.worldcat.org/oclc/84463847 View
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- Resource Relation
- Rothko, Mark, 1903-1970. Artist file : miscellaneous uncataloged material.
Mary Fuller McChesney papers
Title:
Mary Fuller McChesney papers
The Mary Fuller McChesney papers measure 44.1 linear feet and date from 1949-2011. Included are biographical material, correspondence, writings, artists' files, financial records, photographs, artwork, printed material, and reel-to reel sound recordings documenting the career of sculptor, art historian, and author, Mary Fuller McChesney. A small portion of the papers includes material on painter, Edward Corbett.
ArchivalResource:
https://n2t.net/ark:/65665/mw957f18d05-e78e-47ce-b3e6-68feadc52d60 View
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- Resource Relation
- McChesney, Mary Fuller. Mary Fuller McChesney research material, 1965-1972.
Oral history interview with Hedda Sterne
Title:
Oral history interview with Hedda Sterne
An interview of Hedda Sterne conducted 1981 December 17, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 27 p.
https://n2t.net/ark:/65665/mw96ed824fe-2044-421c-ab59-29fba4b8d7c0 View
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- Resource Relation
- Sterne, Hedda, 1910-. Oral history interview with Hedda Sterne, 1981 Dec. 17.
Rothko, Mark, 1903-1970. [Mark Rothko : International Art & Artists File].
Title:
[Mark Rothko : International Art & Artists File].
ArchivalResource: 1 box.
http://www.worldcat.org/oclc/225528592 View
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- Resource Relation
- Rothko, Mark, 1903-1970. [Mark Rothko : International Art & Artists File].
Rudi Blesh papers
Title:
Rudi Blesh papers
The papers of writer, critic, and architectural designer Rudi Blesh measure 2.1 linear feet and date from circa 1900 to 1983. The collection includes correspondence, documentation on writing projects and notes, printed materials, and photograpic materials. Much of the material concerns his collaboration with Harriet Janis on the book Collage: Personalities, Concepts, Techniques.
ArchivalResource: 2.1 Linear feet
https://n2t.net/ark:/65665/mw9266db70e-a5b4-49ce-84f1-45f10174448b View
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- Resource Relation
- Blesh, Rudi, 1899-1985. Rudi Blesh papers, 1909-1983.
Oral history interview with Fred Martin
Title:
Oral history interview with Fred Martin
An interview of Fred Martin conducted 1980 Aug. 27-Sept. 19, by Terry St. John, for the Archives of American Art.
OralHistoryResource: Sound recording: 8 sound cassettes.Transcript: 202 p.
https://n2t.net/ark:/65665/mw920704751-a0d1-4f44-9b7c-13c08d4dcaf9 View
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- Resource Relation
- Martin, Fred, 1927-. Fred Martin interviews, 1980 Aug. 27 - Sept. 19.
Oral history interview with Ed Weinstein
Title:
Oral history interview with Ed Weinstein
An interview of Ed Weinstein conducted 1983 June 14, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 sound cassettes (1 hour 20 min.) : analog.Transcript 17 p.
https://n2t.net/ark:/65665/mw9787b44b6-4b32-490c-841a-95b972e6489e View
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- Resource Relation
- Weinstein, Ed. Ed Weinstein interview, 1983 June 14 [sound recording].
Oral history interview with Harold Rosenberg
Title:
Oral history interview with Harold Rosenberg
An interview of Harold Rosenberg conducted 1968 July 8-1967 June 28, by Dorothy Seckler, for the Archives of American Art.
OralHistoryResource: Sound recording: 4 sound cassettes.Transcript: 51 p.
https://n2t.net/ark:/65665/mw92bfc2155-1ee4-4620-b842-d7cb3004115b View
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- Resource Relation
- Rosenberg, Harold, 1906-1978. Oral history interview with Harold Rosenberg, 1970 Dec. 17-1973 Jan. 28.
Howard Somers Conant papers
Title:
Howard Somers Conant papers
The papers of art educator and painter Howard Somers Conant measure 3.2 linear feet and date from 1944 to 1987. The papers document Conant's career as an art educator through correspondence with friends and colleagues; draft manuscripts, lectures, and other writings; newsletters, copies of published books, and other printed materials; and seventy-four sound recordings of interviews, lectures, and panel discussions that Conant took part in during the 1960s.
ArchivalResource: 3.2 linear feet
https://n2t.net/ark:/65665/mw963bb7974-6a05-496a-b0aa-c93c84b750cf View
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- Resource Relation
- Conant, Howard Somers, 1921-. Howard Somers Conant papers, [ca.1946]-1985.
Emily Nathan papers
Title:
Emily Nathan papers
The papers of public relations consultant and journalist Emily Nathan measure 5.0 linear feet and date from circa 1943-1985. Included are files on clients, among them Towle Manufacturing and its gallery; the Smithsonian Institution, including the Archives of American Art, Radio Smithsonian and the National Portrait Gallery.
ArchivalResource: 6.0 Linear feet
https://n2t.net/ark:/65665/mw9630e4aee-2164-448c-a093-eae54416f3df View
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- Resource Relation
- Nathan, Emily. Emily Nathan papers, [ca. 1935-1985].
Clement Greenberg papers
Title:
Clement Greenberg papers
The papers of influential New York author and art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers consists of letters from art critics, artists, family, friends, curators, collectors, publishers, galleries, and museums, with scattered letters from Greenberg. Also found are Greenberg's business and financial records along with small amounts of biographical material, printed material, and writings consisting of two reports. Correspondence includes letters to Greenberg, often documenting the lives and careers of many of the correspondents in significant detail, and scattered copies of Greenberg’s replies. Much of the correspondence is rich and substantive, and is indicative of Greenberg’s influence in the art world. Correspondents include Darby Bannard, Ethel Baziotes, Anthony Caro, Richard Diebenkorn, Piero Dorazio, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, Leslie Waddington and many others. Biographical material includes notes from an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence and other documentation related to Greenberg's appearances, such as for lectures and on television, and documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.Artwork consists of one etching by Kurt Wisenski. Although the papers contain very few of Greenberg's writings about art, there are lists of artists and reports written by Greenberg on the state of art in Japan and India in 1967 which are probably related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.One series of access restricted papers contains documents relating to Greenberg's role as an executor for the David Smith estate.
ArchivalResource: 8.6 linear feet
https://n2t.net/ark:/65665/mw9583b0d2a-ad31-4fa9-a3b5-eacce3cb0313 View
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- Resource Relation
- Clement Greenberg papers, 1937-1983
Oral history interview with Esteban Vicente
Title:
Oral history interview with Esteban Vicente
Interview of Esteban Vicente conducted 1968 August 26, by Irving Sandler, for the Archives of American Art. Vicente speaks of the gallery activity of the 1940s and 1950s; The Club and the exhibition on 9th Street arranged by many of those artists; remembering Mark Rothko as a casual acquaintance and the society of artists living in the Hamptons; coming to the United States, acting as vice-consul in Philadelphia for the Loyalist camp during the Spanish Civil War; and his own work and his feelings about the work of his contemporaries. He recalls Bill de Kooning, Franz Kline, John Ferrin, Marca-Relli, Milton Resnick, Joan Mitchell, Helen Frankenthaler, Walter Pach, Elaine de Kooning, Milton Avery, Jackson Pollock, Salvador Dali, and many others.
OralHistoryResource: Transcript 17 p.
https://n2t.net/ark:/65665/mw952b2e3c6-c451-4016-946d-a24f43883c09 View
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- Resource Relation
- Vicente, Esteban, 1903-. Esteban Vicente interview, 1968 Aug. 26.
Matter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.
Title:
Herbert Matter papers, circa 1937-1984.
The collection represents the photography and graphic design career of Herbert Matter, his commercial and personal work. This includes original artwork (collages, sketches), photographs (predominately black and white prints, contact prints, working prints), manuscripts, process materials (paste-ups, proof sheets), memorabilia, negatives, transparencies, slides, 16mm motion picture film, printed material, and working equipment. There is considerable correspondence with particularly noteworthy letters from Gregory Ain, John Cage, John Entenza, Walter Gropius, Gyorgy Kepes, Isamu Noguchi, Irving Penn, and Brett Weston among others.
ArchivalResource: circa 350 linear feet (467 containers)
http://www.worldcat.org/oclc/754863387 View
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- Matter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.
Oral history interview with Joseph Liss
Title:
Oral history interview with Joseph Liss
An interview of Joseph Liss conducted 1982 Aug. 10, by Dore Ashton, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 16 p. (on partial microfilm reel)
https://n2t.net/ark:/65665/mw97af29f2f-673d-4726-bf0b-e3b84eb3adb6 View
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- Resource Relation
- Liss, Joseph. Joseph Liss interview, 1982 Aug. 10.
Oral history interview with Ben-Zion interview
Title:
Oral history interview with Ben-Zion interview
An interview of Ben-Zion conducted 1982 August 3-1982 September 21, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 3 sound cassettes : analog.Transcript: 56 p.
https://n2t.net/ark:/65665/mw9334805f4-8062-4838-9a63-3d95cd017b2a View
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- Resource Relation
- Ben-Zion. Ben-Zion interview, 1982 Aug. 3 - Sept. 21.
John Bernard Myers papers
Title:
John Bernard Myers papers
The John Bernard Myers papers, which measure 2.0 linear feet, date from circa 1940s to 1987, bulk 1970-1987, and document his work as a writer, editor, and gallery director.Personal and professional correspondence consist mainly of incoming letters from colleagues, friends, and admirers. Among the correspondence is business and fan mail concerning <emph render="italic">Tracking the Marvelous</emph> and <emph render="italic">Parenthése</emph>, letters from writer and English professor Guy Davenport, and invitations to speak and teach. Also included are letters to <emph render="italic">The New York Times</emph> and <emph render="italic">Art In America</emph> complaining about critic John Canaday's behavior and comments during a visit to the Tibor de Nagy Gallery.Myers' published and unpublished writings are the collection's most significant series. These consist of manuscripts for his autobiography, <emph render="italic">Tracking the Marvelous</emph>, published in 1984 ; <emph render="italic">Forward and Backward: A Chronicle</emph>, circa 1976, about Mark Rothko's suicide and the subsequent lawsuit brought by his daughter against Marlborough Galleries (a revised version was published later as part three of Myers' autobiography); and <emph render="italic">Knowing What I Like</emph>, 1985, an unpublished collection of his own essays and criticism compiled and edited by Myers. Among his other writings are articles, essays, and reviews. Also included are his diariess dated 1969 and 1974-1983. Entries record daily activities and reactions to his experiences, news of friends, and reflections on his life and relationships. Excerpts from much earlier diaries (not part of the John Bernard Myers Papers) are quoted extensively in <emph render="italic">Tracking the Marvelous</emph>.Printed Matter consists of writings by Myers - <emph render="italic">Tracking the Marvelous: A Life in the New York Art World</emph>; a selection of articles, essays, and criticism published mainly in art periodicals; and exhibition catalogs. Also included are a few articles about Myers and issues of publications he edited. Other printed matter consists of clippings on art subjects, exhibition catalogs, and miscellaneous publications.Miscellaneous items are artwork, biographical information, minutes and memoranda of the Ingram Merrill Foundation, and transcripts of interviews conducted by and with Myers. Also included are records of the Southampton Artists' Theatre Festival, produced by John Bernard Myers, consisting of director's notes and notes and music for "Gertrude Stein's 'First Reader.'"Photographs are of Myers and unidentified friends, interior views of his home in Brewster, N.Y. and one of the back yard. Also included are many photographs of puppets.
ArchivalResource:
https://n2t.net/ark:/65665/mw96e0eaade-fcc4-48bd-965c-150313ad2bba View
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- John Bernard Myers papers, circa 1940s-1987, bulk 1970-1987
Smithsonian Institution. Libraries. Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.
Title:
Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.
Searchable digital collection of Hirshhorn Museum and Sculpture Garden Library Audio Collection. Digital collection contains 306 digital audio files reformatted from audio cassettes containing recorded symposiums, lectures, interviews and events ranging in date from 1969 to 2004. The content of the audio collection includes: event recordings and interviews dating back to the founding days of the Hirshhorn Museum and Sculpture Garden, interviews of renowned modern and contemporary artists, lectures and symposium focusing on significant themes in 20th century art.
ArchivalResource: 306 audio files : digital.
http://www.worldcat.org/oclc/699816143 View
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- Smithsonian Institution. Libraries. Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.
Interview with Edith Carson
Title:
Interview with Edith Carson
An interview of Edith Carson conducted 1968 Jan. 10 by Walter Hopps regarding her husband Mark Rothko. Carson speaks of her family background; meeting Mark Rothko at Lake George, New York in 1932; their 13 year marriage; their early friends; his admiration for Milton Avery; Rothko's interest in tragedy and his "tremendous emotional capacity for despair"; his visits to New York museums and 57th Street galleries; and his family background, early work and love of music.
OralHistoryResource: 1 sound cassette.
https://n2t.net/ark:/65665/mw949e5b75e-54f1-4931-9eb9-4749b8a2fda1 View
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- Resource Relation
- Carson, Edith. Edith Carson interview, 1976 Oct. 19.
Getty Research Institute. Contemporary Programs and Research. Sound and space in the Rothko Chapel, March 23, 2005.
Title:
Sound and space in the Rothko Chapel, March 23, 2005.
"Sound and Space in the Rothko Chapel," a lecture and performance held at the Getty Center on March 23, 2005 explored the relationship between Mark Rothko, other Abstract Expressionist painters and composer Morton Feldman. A lecture by Thomas Crow preceded the musical performance of selected Feldman compositions by the Nimbus Ensemble.
ArchivalResource: 3 recordings (3 DVDs, 3 miniDV tapes) 1 program.
http://www.worldcat.org/oclc/419260674 View
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- Getty Research Institute. Contemporary Programs and Research. Sound and space in the Rothko Chapel, March 23, 2005.
Oral history interview with Maurice Roth
Title:
Oral history interview with Maurice Roth
An interview of Maurice Roth conducted 1984 September 15, by Ruth Howard Cloudman, for the Archives of American Art's Mark Rothko and His Times Oral History Project.
OralHistoryResource: Sound recording: 1 sound cassette : analog.Transcript: 24 p. (on partial microfilm reel)
https://n2t.net/ark:/65665/mw9f6c7ddfe-249e-4c6e-b261-71d5d3d96460 View
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- Roth, Maurice, b. 1892. Maurice Roth interview, 1984 Sept. 15 [sound recording].
Dorothy C. Miller papers
Title:
Dorothy C. Miller papers
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of <emph render="italic">The Nelson A. Rockefeller Collection: Masterpieces of Modern Art.</emph> Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, <emph render="italic">Art At Work: Chase Manhattan Bank Collection</emph>. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art. Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing <emph render="italic">Edward Hicks: His Peaceable Kingdom and Other Paintings</emph>. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
ArchivalResource:
https://n2t.net/ark:/65665/mw9f1ed6cb6-f194-4b76-a8dd-fce3352c09b8 View
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- Dorothy C. Miller papers, circa 1912-1992, bulk 1959-1984
Oral history interview with Ernest Briggs
Title:
Oral history interview with Ernest Briggs
An interview of Ernest Briggs conducted 1982 July 12-1982 October 21, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 3 cassettes : analog.Transcript: 41 p.
https://n2t.net/ark:/65665/mw9e3ba01f7-8ea4-40aa-ba66-09272d9c6c3e View
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- Briggs, Ernest, 1923-. Ernest Briggs interview, 1982 July 12 - Oct. 21.
Oral history interview with Buffie Johnson
Title:
Oral history interview with Buffie Johnson
An interview of Buffie Johnson conducted 1982 Nov. 13, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 16 p.
https://n2t.net/ark:/65665/mw931ce1518-030f-4316-b80b-12f849b3bb90 View
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- Resource Relation
- Johnson, Buffie. Oral history interview with Buffie Johnson, 1982 Nov. 13.
Rothko, Mark, 1903-1970. Mark Rothko : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Title:
Mark Rothko : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990
File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.
ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.
http://www.worldcat.org/oclc/662602482 View
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- Rothko, Mark, 1903-1970. Mark Rothko : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Oral history interview with Dore Ashton
Title:
Oral history interview with Dore Ashton
An interview of Dore Ashton conducted 2010 November 21 and 2011 March 9, by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Ashton's home, in New York, New York.
OralHistoryResource: Sound recording, master: 2 memory cards (2 hr., 57 min.) secure digital, wav 1.25 in.
https://n2t.net/ark:/65665/mw9b7c38826-8734-452b-afbe-3303efd2db24 View
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- Ashton, Dore. Oral history interview with Dore Ashton, 2010 Nov. 21.
Oral history interview with Buffie Johnson
Title:
Oral history interview with Buffie Johnson
An interview of Buffie Johnson conducted 1977 Nov. 22-1978 Jan. 23, by Paul Cummings, for the Archives of American Art.
OralHistoryResource: Sound recording: 2 sound tape reels ; 5 in.Transcript: 140 p.
https://n2t.net/ark:/65665/mw939e09048-eb0d-453d-8407-d295b4ef7c7e View
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- Johnson, Buffie. Buffie Johnson interviews, 1977 Nov. 22-1978 Jan. 23.
Rothko, Mark : Biographical file.
Title:
Rothko, Mark : Biographical file. [1900-9999]
May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.
ArchivalResource: 1 envelope : manila ; 13 x 10 in.
http://www.worldcat.org/oclc/56100577 View
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- Rothko, Mark : Biographical file.
Oral history interview with Sonia Allen
Title:
Oral history interview with Sonia Allen
An interview of Sonia Allen conducted 1984 September 15, by Ruth Howard Cloudman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 14 p.
https://n2t.net/ark:/65665/mw9e3c876fd-d746-46a6-8f0f-c0ecf1d5f9f0 View
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- Resource Relation
- Allen, Sonia, d. 1984 or 5. Sonia Allen interview, 1984 Sept. 15 [sound recording].
Bernard J. Reis papers
Title:
Bernard J. Reis papers
The papers of New York accountant and art collector Bernard J. Reis measure 2.1 linear feet and date from circa 1913 to 1983. The papers document his friendships with artists, his role as accountant for Art of This Century and the Peggy Guggenheim Foundation, and executor of the Mark Rothko Estate. Included are biographical and family papers, correspondence, professional files, scrapbooks, printed material, and photographs.
ArchivalResource: 2.1 Linear feet
https://n2t.net/ark:/65665/mw9d95afd3e-1722-47ce-b62b-d5ec9342f4e4 View
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- Reis, Bernard J., 1895-1978. Bernard J. Reis papers, 1934-1979.
Oral history interview with Herbert Ferber
Title:
Oral history interview with Herbert Ferber
An interview of Herbert Ferber conducted 1981 June 2, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 12 p.
https://n2t.net/ark:/65665/mw932ecbd0f-f533-437c-88bd-4110b2d62f6d View
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- Ferber, Herbert, 1906-1991. Oral history interview with Herbert Ferber, 1981 June 2.
Harold Rosenberg papers, 1923-1984
Title:
Harold Rosenberg papers 1923-1984
American art critic who developed the concept of "action painting" to describe the work of New York School painters such as De Kooning and Pollock. In 1967 Rosenberg became the regular art reviewer for . The papers offer a comprehensive view of his professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and 1970s. The New Yorker
ArchivalResource: ca. 30 linear ft.; (64 boxes, 8 flat file folders)
http://hdl.handle.net/10020/cifa980048 View
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- Harold Rosenberg papers, 1923-1984
Reynal, Eugene, Mrs., 1905-1977. Mark Rothko in his studio [graphic].
Title:
Mark Rothko in his studio [graphic]. 1952.
Identification on verso (handwritten): Rothko in his studio 1952.
ArchivalResource: 1 photographic print : b&w ; 25 x 20 cm.
http://www.worldcat.org/oclc/227193624 View
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- Reynal, Eugene, Mrs., 1905-1977. Mark Rothko in his studio [graphic].
Oral history interview with Hedda Sterne
Title:
Oral history interview with Hedda Sterne
An interview of Hedda Sterne conducted 1981 December 17, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 27 p.
https://n2t.net/ark:/65665/mw96ed824fe-2044-421c-ab59-29fba4b8d7c0 View
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- Sterne, Hedda, 1916-. Hedda Sterne interview, 1981 Dec. 17.
Rothko, Mark, 1903-1970. Artist file.
Title:
Artist file.
ArchivalResource: 2 folders.
http://www.worldcat.org/oclc/314174989 View
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- Rothko, Mark, 1903-1970. Artist file.
Elise Asher papers
Title:
Elise Asher papers
The Elise Asher papers, 1923-1994, measure 1.6 linear feet and reflect Asher's career as a poet, painter, and sculptor, and her friendships with many of the more prominent artists of the mid-twentieth century. The collection contains biographical material, letters, writings, works of art, business records, printed material, and photographs.Notable correspondents found in the collection include Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut.
ArchivalResource:
https://n2t.net/ark:/65665/mw99a5d878c-4baa-45be-be3d-56ae368dc221 View
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- Asher, Elise, 1914-. Elise Asher papers, 1923-1994.
General information about the Rothko murals at Harvard.
Title:
General information about the Rothko murals at Harvard.
May contain pamphlets, press accounts, and ephemera.
ArchivalResource:
http://www.worldcat.org/oclc/77066770 View
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- General information about the Rothko murals at Harvard.
Judith Wechsler papers
Title:
Judith Wechsler papers
The papers of filmmaker and art historian Judith Wechsler measure 17.4 linear feet and consist of film production material from several of Wechsler's documentary films released between 1989 and 1994. Most of the collection consists of sound recordings and motion picture film. Notable content includes interviews with Jasper Johns, Frank Stella, David Hockney, Philip Pearlstein, Joel Meyerowitz, Jo Spence, Yolanda Sonnabend, Dominique de Menil, Walter Hopps, Aaron Siskind, and Harry Callahan, as well as footage of artists working in their studios. Production elements found include original sound recordings, original camera negative outtakes, work print picture and soundtrack, trims, various pre-print master material, and video copies of completed works.
ArchivalResource: 17.4 Linear feet
https://n2t.net/ark:/65665/mw9fc8cc499-eb07-4514-a5ce-77f018cb7e0d View
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- Wechsler, Judith,. Judith Wechsler papers, circa 1985-1994.
Hans Namuth photographs and papers
Title:
Hans Namuth photographs and papers
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.The first series contains materials related to the planning and production of Namuth's film <emph render="italic">Alfred Stieglitz, Photographer</emph>. Documentation includes articles, correspondence, exhibition materials, grant program request sheets, magazines and catalogs, photo requests, photographs and photographic materials, notes and research, shot lists, script drafts and fragments, interview transcripts, and correspondence. Interviewees include Ansel Adams, Arnold Newman, Aaron Copland, Dorothy Norman, and others.The second series contains various writings and papers relating to Namuth’s professional activities, including Namuth’s exhibition at the 1958 Brussels World Fair, business and financial records, papers on <emph render="italic">The Construction of Boston</emph> by Kennth Koch, correspondence, a notebook, and various printed materials. Namuth's correspondence is with James Boynton, Bernard Karpel, the Museum of Modern Art, Cynthia Navaretta, Elizabeth Shaw, the Virginia Museum of Fine Arts, and the Yale University School of Art and Architecture.Photographs taken by Hans Namuth depict prominent American (primarily New York-based) artists, architects, writers, musicians, and art critics. Artists are shown in their studios or homes, either at work or posing for the camera, and include Alexander Calder, Stuart Davis, Willem de Kooning, Grace Hartigan, Edward Hopper, Jasper Johns, Lee Krasner, Isamu Noguchi, Jackson Pollock, Robert Rauschenberg, Mark Rothko, and Andrew Wyeth, among many others. Photographs of other individuals include Marcel Breuer, John Cage, Leo Castelli, Buckminster Fuller, and Ludwig Mies van der Rohe, and others. Also found are photographs of exhibitions, openings, and art-related events from the 1950s and 1960s, such as a traveling Picasso exhibit and a Robert Rauschenberg opening at the Jewish Museum. Most photographs are black and white, but a few color prints are included.
ArchivalResource: 4.5 linear feet
https://n2t.net/ark:/65665/mw98657f618-8639-4278-8569-19240b164357 View
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- Resource Relation
- Namuth, Hans. Hans Namuth photographs and papers, 1952-ca. 1985 (bulk 1953- 1970).
Milton Avery papers
Title:
Milton Avery papers
The papers of abstract painter Milton Avery measure 2.8 linear feet and date from 1926 to 1982, with the bulk of the collection dating from 1950 to 1982. Almost the entire collection consists of business files maintained by Milton Avery's wife Sally as a trustee for the Milton Avery Trust (2.4 linear feet). Milton Avery's business and personal correspondence (five folders) contains letters from friends and fellow artists, including a few from George Duthuit, Louis Eilshemius, Marsden Hartley, Wallace Putnam, and Mark Rothko. Also found are scattered writings about Avery, price lists, estate records, exhibition announcements and catalogs, and news clippings.
ArchivalResource:
https://n2t.net/ark:/65665/mw962db9fe5-4a80-451f-a614-95e126345f06 View
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- Milton Avery papers, 1926-1982 (bulk 1950-1982)
Oral history interview with Juliette Hays
Title:
Oral history interview with Juliette Hays
An interview of Juliette Hays conducted 1982 July 28, by Dore Ashton, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 11 p.
https://n2t.net/ark:/65665/mw9df50727b-d5e2-49a1-a09b-2ef010d8846b View
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- Hays, Juliette. Juliette Hays interview, 1982 July 28.
Edwin David Porter papers
Title:
Edwin David Porter papers
Family correspondence; personal and professional correspondence relating to Porter's career as a gallery owner, with Caresse Crosby, Eldzier Cortor, Worden Day, Edith Halpert, Adolph Gottlieb, Karl Knaths, Peggy Guggenheim, Mark Rothko, Willem de Kooning, and many others; diaries; notes; financial papers; clippings; publicity catalogs; and miscellany.
ArchivalResource:
https://n2t.net/ark:/65665/mw992829fdb-4f7e-4a5f-991f-9e1f13f7af67 View
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- Porter, David, 1912-. Edwin David Porter papers, 1929-1969.
Rothko, Mark, 1903-1970. The artist today / [Mark Rothko]. circa 1940-1941.
Title:
The artist today / [Mark Rothko]. circa 1940-1941.
Includes 134 pages and 3 title folders of Rothko's preliminary work on The Artist's reality : philosophies of art, including individual sections titled: The artist today, The artist's dilemma, Art as a form of action, The integrity of the plastic process, Art, reality and sensuality, Generalization since the Renaissance, Objective impressionism, Plasticity, Subject, the myth and Modern art as the recapitulation of art experience.
ArchivalResource: [137] leaves (1 box)
http://www.worldcat.org/oclc/123411006 View
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- Rothko, Mark, 1903-1970. The artist today / [Mark Rothko]. circa 1940-1941.
Rosenberg, Harold, 1906-1978. Harold Rosenberg Papers, 1923-1984.
Title:
Harold Rosenberg Papers, 1923-1984.
The papers offer a comprehensive view of Harold Rosenberg's professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and '70s. One highlight is the editorial correspondence with Irving Howe, William Phillips, Irving Kristol, Norman Podhoretz, Thomas Hess and Ben Raeburn. Also interesting are letters from French intellectuals such as Simone de Beauvoir and Maurice Merleau-Ponty, whose work presumably grounded Rosenberg's theory of "action painting." There is ample, rich correspondence with writers and artists such as Saul Bellow, Kenneth Burke, Donald Barthelme, Robert Motherwell, Philip Guston, Ad Reinhardt, and Allan Kaprow. Manuscripts show the range of topics Rosenberg's thoughtful writings encompassed in the little magazines that embraced him for more than three decades. They also show the maturation of his style as a reviewer for The New Yorker. The evolution of a given manuscript is often discernible through notes, drafts, corrected typescripts and galleys. Interviews and teaching files give a glimpse of the way Rosenberg presented his ideas as a public speaker, a facet of him that the audiotape also preserves. There is a relatively small amount of personal material, such as letters from Rosenberg's wife, May Natalie Tabak, and journals and photographs, which convey the quality of his family life. Clippings and printed matter, including 20 propaganda posters from the second World War, evoke the social and intellectual era in which Rosenberg lived and worked.
ArchivalResource: ca. 33 linear ft. (65 boxes)
http://www.worldcat.org/oclc/83780041 View
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- Rosenberg, Harold, 1906-1978. Harold Rosenberg Papers, 1923-1984.
Oral history interview with Alberto Mijangos
Title:
Oral history interview with Alberto Mijangos
An interview of Alberto Mijangos conducted 2003 Dec. 5- 12, by Cary Cordova, for the Archives of American Art, in San Antonio, Tex.
OralHistoryResource: Sound recording, master: 5 sound discs (4 hr. and 40 min.) : digital 2 5/8 in.Sound recording, duplicate: 4 sound cassettes.Transcript: 65 p.
https://n2t.net/ark:/65665/mw98362e110-d323-49d3-a529-849282ea1ff6 View
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- Resource Relation
- Mijangos, Alberto, 1925-. Oral history interview with Alberto Mijangos, 2003 Dec. 5-12 [sound recording].
Oral history interview with June Schwarcz
Title:
Oral history interview with June Schwarcz
An interview of June Schwarcz conducted 2001 January 21, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Schwarcz's home and studio, Sausalito, California.
OralHistoryResource: Sound recording: 4 sound cassettes (3.5 hr.) : analog.Transcript: 75 p.
https://n2t.net/ark:/65665/mw9dd77b4e4-7c5b-46f4-ae5d-12d55f1b6dfb View
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- Schwarcz, June, 1918-. Oral history interview with June Schwarcz, 2001 Jan. 21 [sound recording].
Oral history interview with Katharine Kuh
Title:
Oral history interview with Katharine Kuh
An interview of Katharine Kuh conducted 1982 Mar. 18-1983 Mar. 24, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
ArchivalResource: 16 cassettes : analog.Transcript: 313 p. (on partial microfilm reel)
https://n2t.net/ark:/65665/mw941cbbacd-01e0-402c-828e-c3909d220c9b View
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- Kuh, Katharine. Katharine Kuh interviews, 1982 Mar. 18 - 1983 Mar. 24.
Oral history interview with Jack Tworkov
Title:
Oral history interview with Jack Tworkov
An interview of Jack Tworkov conducted 1981 May 22, by Gerald Silk, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 15 p.
https://n2t.net/ark:/65665/mw9d5f5acd0-a3cc-49c2-a99a-929307233d61 View
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- Tworkov, Jack. Jack Tworkov interview, 1981 May 22.
Oral history interview with Wallace Putnam
Title:
Oral history interview with Wallace Putnam
An interview of Wallace Putnam conducted 1982 Aug. 13-20, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 36 p.
https://n2t.net/ark:/65665/mw95e296974-6e84-4758-94a3-571bdb420ba3 View
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- Resource Relation
- Putnam, Wallace, 1899-. Wallace Putnam interview, 1982 Aug. 13-20.
James E. B. Breslin research archive on Mark Rothko, 1900-1994, 1940-1990
Title:
James E. B. Breslin research archive on Mark Rothko 1900-1994 1940-1990
Archive assembled by James Breslin, professor at the University of California, Berkeley, as he researched and wrote Mark Rothko: a biography. The Russian-born American painter's life and work are the central subjects of the collection, situated in broad historical and artistic contexts with particular emphasis on Abstract Expressionism and the New York art world from the 1920s through the 1960s. Materials include interview recordings and transcripts, correspondence, financial and legal documents, photographs, clippings, assorted printed materials, and extensive notes.
ArchivalResource: 18.7 linear ft.; (32 boxes, 1 flat file folder)
http://hdl.handle.net/10020/cifa2003m23 View
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- Resource Relation
- James E. B. Breslin research archive on Mark Rothko, 1900-1994, 1940-1990
Oral history interview with Bernard Braddon and Sidney Paul Schectman
Title:
Oral history interview with Bernard Braddon and Sidney Paul Schectman
An interview of Bernard Braddon and Sidney Schectman conducted 1981 October 9, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 31 p.
https://n2t.net/ark:/65665/mw9df586a62-b243-414f-8015-edfbdeb438d2 View
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- Resource Relation
- Braddon, Bernard. Bernard Braddon and Sidney Paul Schectman interview, 1981 Oct. 9.
Oral history interview with George McNeil
Title:
Oral history interview with George McNeil
An interview of George McNeil conducted by Dorothy Seckler for the Archives of American Art. McNeil speaks of his childhood and his family; becoming interested in art during high school; attending Pratt Institute, and not being satisfied there; deciding to drop out of Pratt after attending a lecture from Vaclav Vytlacil; going to the Metropolitan Museum every day drawing and analyzing paintings; meeting Arshile Gorky while at the Metropolitan Museum; attending the Art Students League; studying with Hans Hofmann; the start of the American Abstract Artists; his involvement in the WPA's mural project; attending Teachers College at Columbia before joining the Navy; re-entering the New York art scene during the forties and liking it very much; meeting and being influenced by Pollock; his views on the state of painting; how his work has evolved; the various stages in the way a painting developed for him; how The Club and the Eighth Street Club has influenced him; the ideas discussed at The Club, and how he feels surrealism was not a big influence on them; Jackson Pollock's influence on abstract expressionism; artists he admires or has admired; and his thoughts on the contemporary art scene. He recalls Vaclav Vytlacil, Arshile Gorky, Jan Matulka, David Smith, Dorothy Dehner, Edgar Levy, Leo Manso, Burgoyne Diller, Irene Rice Pereira, Hans Hofmann, Jo Hopper, Giorgio Cavallon, Linda Lindaberg (Cavallon), Mercedes Kahls, George Byron Brown, Albert Swinden, Willem de Kooning, Jackson Pollack, Franz Kline, Jack Tworkov, Ad Reinhardt, Mark Rothko, and many others.
OralHistoryResource: Sound recording: 2 sound tapes ; 5 in.Transcript: 18 p.
https://n2t.net/ark:/65665/mw94b6fc63b-c3c0-47b0-b1df-174fd019ac4e View
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- McNeil, George, 1908-. George McNeil interview, 1965 June 3 [sound recording].
Ethel Schwabacher papers
Title:
Ethel Schwabacher papers
The papers of art historian and painter Ethel Schwabacher date from 1939 to 1975 and measure 2.3 linear feet. Found are biographical materials, including motion picture films, correspondence, research and writing files including sound recordings, printed material, and photographs. The papers document Schwabacher's research and writings on her former teacher Arshile Gorky and her colleague John Ford, and her own painting career.
ArchivalResource: 2.3 Linear feet
https://n2t.net/ark:/65665/mw991bcc982-7580-4d08-805d-03ea0cbed3dd View
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- Resource Relation
- Schwabacher, Ethel, 1903-1984. Ethel Schwabacher papers, 1940-1975.
Oral history interview with Kenzo Okada
Title:
Oral history interview with Kenzo Okada
Interview of Kenzo Okada conducted 1968 November 22, by Forrest Selvig, for the Archives of American Art.
OralHistoryResource: Transcript: 44 p.
https://n2t.net/ark:/65665/mw97c034c7f-2f0a-4325-9742-f4879fb4b75f View
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- Resource Relation
- Okada, Kenzō, 1902-. Oral history interview with Kenzo Okada, 1968 Nov. 22.
Wallace Putnam papers
Title:
Wallace Putnam papers
Correspondence is primarily between Putnam and his family and friends, including one letter from Clyfford Still. Photographs are of Putnam, his family and friends (mostly from his high school years), and of miscellaneous subjects.
ArchivalResource:
https://n2t.net/ark:/65665/mw9cde11f79-9ce2-42cd-ba98-36ef663adaed View
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- Resource Relation
- Putnam, Wallace, 1899-1989. Wallace Putnam papers, 1914-1983.
Oral history interview with Louis Kaufman
Title:
Oral history interview with Louis Kaufman
An interview of Louis Kaufman conducted 1985 Feb. 15, by Ruth Howard Cloudman, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 3 cassettes : analog.Transcript: 20 p.
https://n2t.net/ark:/65665/mw951bba5eb-84ac-49b3-9edf-e48351e80c0d View
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- Resource Relation
- Kaufman, Louis, 1905-. Oral history interview with Louis Kaufman, 1985 Feb. 15 [sound recording].
Oral history interview with William Ivey
Title:
Oral history interview with William Ivey
An interview of William Ivey conducted 1983 May 24-31, by Barbara Johns, for the Archives of American Art's Northwest Oral History Project,
OralHistoryResource: Sound recording: 6 sound cassettes.Transcript: 75 p.
https://n2t.net/ark:/65665/mw9bffe0a83-4c5c-4e7d-9378-242ec0e8edd7 View
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- Ivey, William, 1919-. Oral history interview with William Ivey, 1983 May 24 [sound recording].
Adja Yunkers papers
Title:
Adja Yunkers papers
A typescript (42 p.) address delivered at the Corcoran Museum of Art, 1967, by Yunkers describing his student years in Russia, and later years in Germany, France, and Mexico, ca. 1917-1928, and relating political, social, and cultural events to the development of modern art. He describes Russia before and during the Revolution and Germany during the Weimar Republic. Also included are a resume; a critical bibliography of Yunkers work; typescripts of 2 articles; and clippings. Printed material, 1941-1965, including newspaper clippings, magazine articles, reviews, exhibition catalogs and announcements, and press releases. "Prints in the Desert: New Mexico," 1950, a limited edition book of prints and poetry produced by a collaboration of artists under the leadership of Yunkers. Biographical material, including naturalization papers and a passport; files of letters from Mikael Bjornstjerna (1977-1983), Cheryl Bowers (1978-1983), Morton and Chris Grossman (1979-1982), Donna Haley (1982-1983), Denis Wood (1978-1983), Yunker's daughters, including Nina (1979-1983); business and personal correspondence, 1960-1983; files on galleries handling Yunkers' work, including Smith Andersen Gallery (Palo Alto, Calif.), Alice Simsar Gallery (Ann Arbor, Mich.), and Impressions Gallery (Boston, Mass.) containing correspondence, price lists and receipts; a few sketches and a collage; 2 portfolios, "Creation" (1941) and "Ars: Tidskrift for Konst Litterature Och Veteskap" (1942) containing original prints and collages by Yunkers; 2 appointment books, 1980-1983; notes and writings; photographs of Yunkers, Yunkers at work, his family, friends, studio, and art work; photograph albums, including 2 of Yunkers' studios in Stockholm, Sweden, New Mexico, and New York City (1942-1980) and one of exhibition installations, undated; photographs by Denis Hare of the making of Octavio Paz's book BLANCO, illustrated by Yunkers, and slides of prints included in BLANCO; and printed material, including exhibition announcements, clippings and miscellany.
ArchivalResource: 2.32 linear ft. (partially microfilmed on 3 reels)
https://n2t.net/ark:/65665/mw9ddbf2fbb-ff0e-4910-8bf2-70c282edc073 View
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- Yunkers, Adja, 1900-1983. Adja Yunkers letter to William McNaught, June 17, 1982.
Oral history interview with Rebecca Reis
Title:
Oral history interview with Rebecca Reis
An interview of Rebecca Reis conducted in 1980, by William McNaught, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 4 sound reels : analog ; 5 in.Transcript: 123 p.
https://n2t.net/ark:/65665/mw9602d8f55-af1a-4b50-b7d0-02ceb0d9976c View
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- Reis, Rebecca G., 1896-1988,. Oral history interview with Rebecca Reis, 1980 [sound recording].
Alice Yamin papers
Title:
Alice Yamin papers
The papers of painter, draftsperson, and art consultant Alice Yamin date from 1927-1998, and measure 2.0 linear feet. Found within the papers are letters from artists, writers, galleries, and CIGY-GEIGY Corporation for whom Yamin worked as an art consultant. The collection also contains exhibition files, printed material, and photographs of Yamin, family members, and colleagues.The most significant series consists of letter files, which also contain scattered printed material and photographs collected by Yamin, concerning specific individuals and organizations. Represented within the files are artists Herb Aach, Ilya Bolotowsky, Ernest Briggs, Lily Brody, Fritz Bultman, Elaine DeKooning, Sideo Fromboluti, Fritz Glarner, Adolph Gottlieb, John Grillo, Buffie Johnson, Alex Katz, William H. Littlefield, Alice Trumbull Mason, Elizabeth McFadden, Daphne Mumford, Barnett Newman, Philip Pavia, Mark Rothko, Elsa Schmid, and Jane Teller; curator Henry Ginsburg; writers Barbara Nimri Aziz, Georgine Oeri, Gertrud Oeri-Sarasin, and Leo Yamin; and galleries including the Ingber Gallery and the Landmark Gallery. There are also letter files concerning the CIGY-GEIGY Corporation; for Alice Yamin's brother, businessman Frank S. Bernard, and the town of Chilmark, Massachusetts, where the Yamins spent their summers. Even though Yamin's responses to the letters are not included in the collection, this series illustrates the wide range of her friendships and associates in the art business.Also found are exhibition files containing letters, prospectuses, business records such as loan agreements, clippings, and exhibition announcements and catalogs concerning the inclusion of Yamin's art work primarily in group exhibitions. Printed material consists of miscellaneous clippings, and exhibition announcements and catalogs that do not relate to the exhibition files, as well as miscellaneous booklets, brochures, and a copy of the book <emph render="italic">American Drawings, Watercolors, Pastels, and Collages</emph> published by the Corcoran Gallery of Art which contains a reproduction of Yamin's work. Photographs are of Yamin, family members, and colleagues including Bill and Maria Lipkind, and Aaron Siskind.
ArchivalResource: 2 linear feet
https://n2t.net/ark:/65665/mw9450adfab-29f0-4402-900d-5c3676da8b95 View
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- Alice Yamin papers, 1927-1998
Oral history interview with Leonard Bocour
Title:
Oral history interview with Leonard Bocour
An interview of Leonard Bocour conducted 1978 June 8, by Paul Cummings, for the Archives of American Art.
OralHistoryResource: Sound recording: 1 sound tape reel ; 5 in.Transcript: 60 p.
https://n2t.net/ark:/65665/mw9365c67f9-4d85-4502-bc08-89c30552bbf1 View
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- Bocour, Leonard, 1910-. Leonard Bocour interview, 1978 June 8.
Oral history interview with Salvatore Scarpitta
Title:
Oral history interview with Salvatore Scarpitta
Interview of Salvatore Scarpitta conducted 1975 January 31.-February 3, by Paul Cummings, for the Archives of American Art. Scarpitta speaks of his family's background; growing up and going to school in California; moving to Italy and going to art school at 17; attending the American Academy; his experiences in Europe after the war broke out in 1940; being arrested and interned for 18 months in Italy and escaping; joining the United States Navy; getting thrown out of the American Academy after being accused of being a Communist; his abstract paintings; moving back to America after Leo Castelli saw his work; his painting techniques; his thoughts on futurism and cubism; why he shifted from working on a canvas to tearing it apart and using it as materials; his use of color; how his interest in race cars influenced his art work; building race cars; living in New York and the art scene there; his successful art show on the Piazza San Marco in Venice; the reason for using belts in his paintings; how certain paintings led him to building sleds; his feelings about Leo Castelli; and teaching art. He recalls Phil Guston, Jack Levine, Franz Kline, Bill de Kooning, Jackson Pollack, Mark Rothko, and many others.
OralHistoryResource: Sound recordings: 2 sound tape reels ; 5 in.Transcript: 67 p.
https://n2t.net/ark:/65665/mw95bac49d5-0671-41ab-b93a-f734a61ff344 View
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- Resource Relation
- Scarpitta, Salvatore, 1919-. Salvatore Scarpitta interview, 1975 Jan. 31.-Feb. 3 [sound recording].
Oral history interview with George McNeil
Title:
Oral history interview with George McNeil
An interview of George McNeil conducted 1968 Jan. 9-May 21, by Irving Sandler, for the Archives of American Art. McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting. He recalls Vaclav Vytlacil, Hans Hofmann; Arshile Gorky, John Graham, Jan Matulka, John Marin, Wassily Kandinsky, Mercedes Carles Matter, Albert Swinden, Fernand Léger, Stuart Davis, Burgoyne Diller, David Smith, Edgar Levy, Leo Manso, Irene Rice Pereira, Willem de Kooning, Ilya Bolotowsky, Mark Rothko, Adolph Gottlieb, Joan Miró, Robert Motherwell, George L.K. Morris, Albert Gallatin, Charles Shaw, John Ferrin, Ralph Rosenborg, Hananiah Harari, Agnes Lyall, Jean Helion, and many others.
OralHistoryResource: Sound recording: 2 sound tapes ; 5 in.Transcript: 18 p.
https://n2t.net/ark:/65665/mw9b3ee2e56-003f-4186-96f2-7f57e7bcd411 View
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- Resource Relation
- McNeil, George, 1908-1995,. Oral history interview with George McNeil, 1968 Jan. 9-1968 May 21 [sound recording].
James E. B. Breslin research archive on Mark Rothko, 1900-1994, 1940-1990
Title:
James E. B. Breslin research archive on Mark Rothko 1900-1994 1940-1990
Archive assembled by James Breslin, professor at the University of California, Berkeley, as he researched and wrote Mark Rothko: a biography. The Russian-born American painter's life and work are the central subjects of the collection, situated in broad historical and artistic contexts with particular emphasis on Abstract Expressionism and the New York art world from the 1920s through the 1960s. Materials include interview recordings and transcripts, correspondence, financial and legal documents, photographs, clippings, assorted printed materials, and extensive notes.
ArchivalResource: 18.7 linear ft.; (32 boxes, 1 flat file folder)
http://hdl.handle.net/10020/cifa2003m23 View
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- Resource Relation
- Breslin, James E. B., 1935-1996. James E. B. Breslin research archive on Mark Rothko, 1900-1994 (bulk 1940-1990).
Lawrence Calcagno papers
Title:
Lawrence Calcagno papers
Correspondence; biographical data; photographs; sketches; notes and writings; calendars; teaching materials; exhibition catalogs and announcements; and clippings.
ArchivalResource:
https://n2t.net/ark:/65665/mw98906bfcd-4cec-4b31-95a1-0541bb3b3498 View
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- Resource Relation
- Calcagno, Lawrence, 1913-1993. Lawrence Calcagno papers, 1934-1980.
Oral history interview with Aaron Siskind
Title:
Oral history interview with Aaron Siskind
An interview of Aaron Siskind conducted 1982 September 28-October 2, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 45 p.
https://n2t.net/ark:/65665/mw93b4bbb41-b11b-467e-93b5-df9352eb486d View
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- Resource Relation
- Siskind, Aaron. Aaron Siskind interview, 1982 Sept. 28 - Oct. 2.
Barnett Newman papers
Title:
Barnett Newman papers
REEL 3481: Six letters from Bradley Walker Tomlin, 1948-1952, and 15 from Mark Rothko, 1945-1950; catalogs with introductions by Newman, and other writings; catalogs, announcements and clippings on Newman, 1943-1971; a photograph of Newman at the opening of "The Intrasubjectives" at Kootz Gallery, 1949; and a photograph of Peggy Guggenheim with Polish artist Teresa Zarnower, ca. 1950.
ArchivalResource:
https://n2t.net/ark:/65665/mw9a271ad29-77fb-4e53-be1f-50453a98a8d3 View
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- Resource Relation
- Newman, Barnett, 1905-1970. Barnett Newman papers, 1943-1971.
Oral history interview with Sidney Janis
Title:
Oral history interview with Sidney Janis
Interview of Sidney Janis, conducted on October 15 and November 18, 1981, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project, at Janis' gallery, in New York, N.Y. Janis speaks of Mark Rothko life, including those who he was friends with, such as Marcel Duchamp, Max Ersnt, Willem de Kooning, and Andre Breton. He recalls Rothko's work ethic and his decent into depression later in life.
OralHistoryResource: 3 sound cassettes : analog.
https://n2t.net/ark:/65665/mw99fb593ca-c519-437b-b3b3-529a2a63d599 View
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- Resource Relation
- Janis, Sidney, 1896-1989. Oral history interview with Sidney Janis, 1981 Oct. 15-Nov. 18.
Reis, Bernard. Bernard and Rebecca Reis papers, ca. 1924-1985.
Title:
Bernard and Rebecca Reis papers, ca. 1924-1985.
The papers contain correspondence, business and financial records, printed ephemera, and photographs. The two primary foci, 20th century artists and the art collection formed by Bernard and Rebecca Reis, are brought out through a substantial body of letters from major and minor figures of the American art world, written and visual documentation of the Reis collection of art and books, and ephemeral material relating to artists and patrons.
ArchivalResource: ca. 3.4 linear ft. (8 boxes)
http://www.worldcat.org/oclc/84266492 View
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- Reis, Bernard. Bernard and Rebecca Reis papers, ca. 1924-1985.
Herbert Matter papers, ca. 1937-1984
Title:
Herbert Matter papers ca. 1937-1984
Original artwork, photographs, letters, manuscripts, process materials, memorabilia, negatives, transparencies, film, printed material, and working equipment.
ArchivalResource: ca. 310 linear feet
http://www.oac.cdlib.org/ark:/13030/kt4p3021rd View
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- Herbert Matter papers, ca. 1937-1984
Rothko, Mark, 1903-1970. Mark Rothko manuscripts and sketchbook, circa 1935-1943.
Title:
Mark Rothko manuscripts and sketchbook, circa 1935-1943.
One cloth bound volume contains 79 pen and ink drawings by Rothko, and dates to the late 1930s. It is stamped in gold: "Marshall Jenkins" on the front, and "American Home Library" on the spine. The drawings in this sketchbook show Rothko's early artistic development and include pen and ink drawings depicting urban scenes, still lifes and figure studies. Another cloth bound book (entitled "Scribble book") contains 50 pages of handwritten notes and drafts for a manual (both theoretical and practical) on teaching children's art. Some critics view the Scribble book as the source of a Center Academy talk given by Rothko in 1938. 11 manuscript pages (in Rothko's hand) and one typed page, dated 7 June 1943, comprise drafts of a letter addressed to Edward Alden Jewell (critic at the New York Times) and jointly composed by Rothko, Adolf Gottlieb, and Barnett Newman.
ArchivalResource: 1.25 linear feet (3 boxes)
http://www.worldcat.org/oclc/81257215 View
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- Rothko, Mark, 1903-1970. Mark Rothko manuscripts and sketchbook, circa 1935-1943.
Gustave Harrow legal records relating to the Estate of Mark Rothko
Title:
Gustave Harrow legal records relating to the Estate of Mark Rothko
The Gustave Harrow legal records relating to the Estate of Mark Rothko measure 34.6 linear feet and date from 1957-1986. The records document the case brought by the New York State Attorney General's Office as cross-petitioner to the case brought by Rothko's daughter Kate, against the executors of Rothko's estate, Frank Lloyd and the Marlborough Gallery, for mismanagement and self-dealing. There are also records related to Harrow's writings about the case. Lastly, included in the collection are materials relating to art law issues in connection with the Metropolitan Museum of Art.
ArchivalResource: 34.6 Linear feet
https://n2t.net/ark:/65665/mw9b2d2a1ca-8e8e-4843-bf0a-e61993f39378 View
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- Resource Relation
- Harrow, Gustave. Legal records relating to the Estate of Mark Rothko, 1968-1986.
Oral history interview with Rhys Caparn
Title:
Oral history interview with Rhys Caparn
An interview of Rhys Caparn conducted 1983 November 23, by Tom Wolf, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 2 sound cassettes : analog.Transcript: 46 p.
https://n2t.net/ark:/65665/mw9aaf6764b-ff5e-41d9-9e2a-682e646c2ea2 View
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- Caparn, Rhys, 1909-. Rhys Caparn interview, 1983 Nov. 23 [sound recording].
Adja Yunkers letter to William McNaught relating to Mark Rothko
Title:
Adja Yunkers letter to William McNaught relating to Mark Rothko
A handwritten letter from Adja Yunkers to William McNaught of the Archives of American Art, in which Yunkers describes his encounters with Mark Rothko shortly before Rothko's suicide.
ArchivalResource: 3 p.
https://n2t.net/ark:/65665/mw9ca3520e9-862d-4aa2-883d-756f8659ff1d View
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- Yunkers, Adja, 1900-1983. Adja Yunkers letter to William McNaught regarding Mark Rothko, 1982 June 17.
Gladys Kashdin papers
Title:
Gladys Kashdin papers
The scattered papers of Gladys Kashdin measure 1.2 linear feet and date from 1942 to 1978. Found are research files and interviews focusing on Abstract Expressionism and abstract expressionist artists including sound recordings of interviews with H. Harvard Arnason, James Brooks, Adolph Gottlieb, Philip Guston, Conrad Marca-Relli, and Robert Motherwell.
ArchivalResource:
https://n2t.net/ark:/65665/mw96123e703-466d-4c4a-8766-8b455057ee85 View
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- Kashdin, Gladys Shafran, 1921-. Gladys Kashdin papers, [ca. 1948-1974].
Theodoros Stamos papers
Title:
Theodoros Stamos papers
The papers of Theodoros Stamos measure 3.1 linear feet and date from circa 1922-2008. Stamos was a painter primarily associated with the first generation of Abstract Expressionists. Biographical materials, correspondence, writings, business and legal records, printed materials, and photographs document Stamos' career as a painter. Also included are materials relating to the Rothko estate controversy compiled by Stamos' sister, Georgianna Savas, as well as her papers concerning arrangements for Stamos' funeral and posthumous exhibition plans.Biographical material includes birth and death certificates and interview transcripts. Personal correspondence is with friends and family; professional correspondence pertains to gallery transactions, including a falling out with gallery owner Louis K. Meisel. Among the printed materials are exhibition announcements and clippings of articles in English and Greek concerning his career and personal life. Photographs include views of family and friends, portraits of Stamos by Hans Namuth, Nina Leen and other photographers, as well as images of artwork by Stamos and other artists.
ArchivalResource:
https://n2t.net/ark:/65665/mw9d3faf8b2-068c-469c-8527-3840f6cc81e3 View
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- Resource Relation
- Theodoros Stamos papers, circa 1922-2008
Oral history interview with Peter Howard Selz
Title:
Oral history interview with Peter Howard Selz
An interview of Peter Howard Selz conducted 1982 July 28-1982 October 12, by Paul J. Karlstrom, for the Archives of American Art.
OralHistoryResource: 6 sound cassettes. Transcript: 80 p. (on one microfilm reel)
https://n2t.net/ark:/65665/mw9d8aff536-2ef2-4d25-a13d-5b926da0b0f8 View
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- Resource Relation
- Selz, Peter Howard, 1919-. Oral history interview with Peter Howard Selz, 1982 July 28-Oct. 12.
Rothko, Mark, 1903-1970 : [miscellaneous ephemeral material].
Title:
Rothko, Mark, 1903-1970 : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199281006 View
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- Rothko, Mark, 1903-1970 : [miscellaneous ephemeral material].
Katharine Kuh papers
Title:
Katharine Kuh papers
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
ArchivalResource: 12 linear feet
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- Resource Relation
- Katharine Kuh papers, 1875-1994, bulk 1930-1994
Clay Spohn papers
Title:
Clay Spohn papers
The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, art work, printed material, and photographs which reflect the life and career of painter and educator Clay Spohn.
ArchivalResource: 20.4 Linear feet
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- Resource Relation
- Clay Spohn papers, circa 1862-1985, bulk 1890-1985
Giuseppe Panza papers, 1956-1990.
Title:
Giuseppe Panza papers, 1956-1990.
The Giuseppe Panza papers document the Italian businessman's considerable activities in collecting Contemporary art. Panza collected works by some of the seminal American artists involved with Abstract Expressionist, Pop, Minimal, Conceptual, Environmental, and Light and Space art. The archive contains material from the time when he began collecting in 1956 up to the sale of the second part of his collection to the Guggenheim Museum, New York in 1990.
ArchivalResource: 117 lin. ft. (310 boxes, 58 rolls, 3 flat file folders)
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- Panza, Giuseppe. Giuseppe Panza papers, 1956-1990.
Katharine Kuh papers
Title:
Katharine Kuh papers
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
ArchivalResource: 12 linear feet
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- Kuh, Katharine. Katharine Kuh papers, 1875-1994, bulk, 1930-1994.
Leen, Nina, 1909-. [The Irascibles] [graphic] / Nina Leen.
Title:
[The Irascibles] [graphic] / Nina Leen. 1950. Nov. 24.
Pictured from left rear: Willem De Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne; next row: Richard Pousette-Dart, William Baziotes, Jimmy Ernst, Jackson Pollock, James Brooks, Clyfford Still, Robert Motherwell, Bradley Walker Tomlin; foreground: Theodoros Stamos, Barnett Newman and Mark Rothko. Missing from photo: Weldon Kees, Fritz Bultman and Hans Hofmann. Photographed by Nina Leen for Time/Life, 1951.
ArchivalResource: 1 photographic print : b&w ; 26 x 21 cm.
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- Leen, Nina, 1909-. [The Irascibles] [graphic] / Nina Leen.
Mark Rothko papers
Title:
Mark Rothko papers
Two letters, 1943, to Edward Alden Jewell, art editor of the New York Times, written in response to a published editorial in which Rothko attempts to explain modern art; handwritten notes and notebook with entries about art and the creative process; and 8 undated sketches. Microfilm title: Carson family papers.
ArchivalResource:
https://n2t.net/ark:/65665/mw9e1a3b8cf-faa0-405d-81ec-93ee14ede789 View
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- Resource Relation
- Rothko, Mark, 1903-1970. Mark Rothko papers, [undated] and 1943.
Bernard and Rebecca Reis papers, ca. 1924-1985
Title:
Bernard and Rebecca Reis papers ca. 1924-1985
Accountant who served as a financial advisor and patron to many artists; wife Rebecca Reis (b. 1900) was an art collector. The papers contain correspondence, business and financial records, printed ephemera, photographs, a substantial body of letters from major and minor figures of the American art world, written and visual documentation of the Reis collection of art and books, and ephemeral material relating to artists and patrons.
ArchivalResource: 3.4 linear ft.; (8 boxes)
http://hdl.handle.net/10020/cifa900184 View
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- Bernard and Rebecca Reis papers, ca. 1924-1985
Logan, John, 1961-. Red / by John Logan, 2010.
Title:
Red / by John Logan, 2010.
Typescript, undated.
ArchivalResource: 56 leaves ; 28 cm.
http://www.worldcat.org/oclc/680879605 View
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- Logan, John, 1961-. Red / by John Logan, 2010.
Browne, Maurice, 1881-1955. Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
Title:
Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
ArchivalResource: ca. 5 linear ft.
http://www.worldcat.org/oclc/68796459 View
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- Browne, Maurice, 1881-1955. Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
Browne, Maurice, 1881-1955. Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
Title:
Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
ArchivalResource: ca. 5 linear ft.
http://www.worldcat.org/oclc/34370095 View
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- Resource Relation
- Browne, Maurice, 1881-1955. Ellen Van Volkenburg-Maurice Browne general correspondence, 1911-
Citation
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- Admiral, Virginia, 1915-2000.
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- Allen, Sonia, d. 1984 or 5
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- Asher, Elise, 1914-
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- Ashton, Dore
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- Avery, Milton, 1885-1965.
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- Avery, Sally
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- Ben-Zion
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- Ben-Zion.
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- Berman, Avis.
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- Blesh, Rudi, 1899-1985.
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- Breslin, James E. B., 1935-1996.
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- Briggs, Ernest, 1923-
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- Calcagno, Lawrence, 1913-1993.
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- Caparn, Rhys, 1909-
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- Carson, Edith.
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- Conant, Howard Somers, 1921-
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- De Kooning, Elaine
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- Elise Asher
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- Ferber, Herbert, 1906-
Getty Research Institute. Contemporary Programs and Research.
http://n2t.net/ark:/99166/w6480pnm
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associatedWith
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- Constellation Relation
- Getty Research Institute. Contemporary Programs and Research.
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- Gottlieb, Adolph, 1903-1974
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- Gottlieb, Esther Dick
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- Gottlieb, Esther Dick.
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- Greenberg, Clement, 1909-1994.
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- Harrow, Gustave.
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- Hays, Juliette
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- Ivey, William, 1919-
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- Janis, Sidney, 1896-1989
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- Jewell, Edward Alden, 1888-1947.
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- Johnson, Buffie
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- Kainen, Jacob
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- Kashdin, Gladys Shafran, 1921-
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- Kaufman, Louis, 1905-
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- Kohlmeyer, Ida, 1912-1997,
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- Krasner, Lee, 1908-1984.
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- Kufeld, Jack.
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- Kuh, Katharine
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- Constellation Relation
- Kuh, Katharine.
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- Kunitz, Stanley, 1905-
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- Leen, Nina, 1909-
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- Lefkowitz, David S.
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- Liberman, Alexander, 1912-1999.
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- Lippold, Richard, 1915-
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- Liss, Joseph
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- Logan, John, 1961-
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- Mark Rothko Foundation.
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- Martin, Fred, 1927-
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- Matter, Herbert, 1907-1984.
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- McChesney, Mary Fuller.
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- McNaught, William.
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- McNeil, George, 1908-
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- Mijangos, Alberto, 1925-
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- Miller, Dorothy Canning
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- Miller, Dorothy Canning, 1904-2003
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- Museum of Modern Art (New York, N.Y.)
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- Myers, John Bernard
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- Myers, John Bernard.
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- Namuth, Hans.
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- Nathan, Emily.
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- Newman, Barnett, 1905-1970.
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- Okada, Kenzō, 1902-
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- Panza, Giuseppe.
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- Panza, Giuseppe—Art collections
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- Parsons, Betty.
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- Porter, David, 1912-
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- Porter, Edwin David, 1912-
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- Putnam, Wallace, 1899-1989.
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- Reis, Bernard
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- Reis, Bernard.
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- Reis, Bernard J., 1895-1978.
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- Reis, Rebecca
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- Reis, Rebecca G., 1896-1988,
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- Reynal, Eugene, Mrs., 1905-1977.
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- Rosenberg, Harold, 1906-1978.
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- Roth, Maurice, 1892-1983,
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- Roth, Maurice, b. 1892.
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- Scarpitta, Salvatore, 1919-2007,
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- Schwabacher, Ethel, 1903-1984.
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- Schwarcz, June, 1918-
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- Selz, Peter Howard, 1919-
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- Siskind, Aaron
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- Solman, Joseph, 1909-
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- Spohn, Clay
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- Spohn, Clay Edgar, 1898-1977.
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- Stamos, Theodoros, 1922-
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- Stamos, Theodoros and Savas, Georgianna
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- Sterne, Hedda, 1910-
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- Sterne, Hedda, 1916-
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- Tworkov, Jack
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- Vicente, Esteban, 1903-
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- Vicente, Esteban, 1903-
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- Wechsler, Judith,
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- Weinstein, Ed,
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- Whitney Museum of American Art.
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- Yamin, Alice.
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- Yunkers, Adja, 1900-1983.
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- Constellation Relation
- Browne, Maurice, 1881-1955.
eng
Zyyy
Citation
- Language
- eng
Abstract expressionism
Citation
- Subject
- Abstract expressionism
Art, American
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- Subject
- Art, American
Art
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- Subject
- Art
Artists
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- Subject
- Artists
Painters
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- Subject
- Painters
Painting
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- Subject
- Painting
Americans
Citation
- Nationality
- Americans
Citation
- Place
- New York (State)--New York
New York (State)--New York
Parsed from SNAC EAC-CPF.
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>
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- Convention Declaration
- Convention Declaration 441