Ashbery, John, 1927-2017

American poet and editor of Art & Literature.

From the description of The Tennis Court Oath galley proof, 1961. (Harry Ransom Humanities Research Center (HRC); University of Texas at Austin). WorldCat record id: 122685058

The letters cover a span starting two days after Ashbery and Gregg graduated from Deerfield Academy, and continue through the following summers and during a period of time when Gregg was drafted into the Army and served in postwar Europe, while Ashbery was still a student at Harvard.

Gregg was a friend of Ashbery's at Deerfield Academy and a classmate his first year at Harvard.

From the description of John Ashbery letters to Richard A. "Sandy" Gregg and other papers, 1945-1947. (Harvard University). WorldCat record id: 612873384

John Lawrence Ashbery (28 July 1927 – 3 September 2017), was an American poet, art critic, and occasional film critic. He was born in Rochester, New York, and raised on a farm near Lake Ontario. Ashbery was educated at Deerfield Academy where he began writing poetry. His first ambition was to be a painter: from age 11 to 15, he took weekly classes at the art museum in Rochester.

Ashbery earned degrees from Harvard (1949) and Columbia. At Harvard, he began life-long friendships with fellow poets Frank O’Hara, Kenneth Koch, Barbara Guest, and Robert Creeley. He went to France as a Fulbright Scholar in 1955, living there for much of the next decade. He lived during this time with the French poet Pierre Martory whose books Ashbery translated. He also translated works of Arthur Rimbaud, Max Jacob, Pierre Reverdy, and many titles by Raymond Roussel. Ashbery worked with dozens of composers over the years including Elliott Carter, Ned Rorem, and Eric Salzman.

He was the issue editor of a double issue (numbers 3-4) of Locus Solus (1961-1962), served as executive editor of Art News (1966-1972), as art critic for New York magazine and Newsweek, and occasionally as a film critic. His collages are represented by Tibor de Nagy Gallery (New York). He taught for many years at Brooklyn College (CUNY) and Bard College, and in 1989-1990 delivered the Charles Eliot Norton lectures at Harvard (2000). He is a member of the American Academy of Arts and Letters (receiving its Gold Medal for Poetry in 1997) and the American Academy of Arts and Sciences, and he was a chancellor of the Academy of American Poets from 1988 to 1999.

The winner of many national and international prizes, appointments, and awards, he received two Guggenheim Fellowships and was a MacArthur Fellow from 1985 to 1990. He was awarded the Medal for Distinguished Contribution to American Letters from the National Book Foundation (2011), the National Humanities Medal presented by President Obama at the White House (2012), and the Bollingen Prize. Harvard, among a number of institutions, awarded Ashbery an honorary degree (2001); it also awarded him the Harvard Arts Medal (2009) and the Signet Society’s Medal for Achievement in the Arts. The Harvard Film Archive honored him in a 2009 series, “John Ashbery at the Movies”.

An early book by Ashbery, Some Trees (1956), was selected by W.H. Auden for the Yale Younger Poets Series. Self-Portrait in a Convex Mirror (1975) won three major American prizes: the Pulitzer, the National Book Award, and the National Book Critics Circle Award. Ashbery’s many collections of poetry include Commotion of the Birds (2016), Breezeway (2015), Quick Question (2012), Planisphere (2009) and Notes from the Air: Selected Later Poems (2007), which was awarded the 2008 International Griffin Poetry Prize. The Library of America published the first volume of his collected poems in 2008 and the second in 2017. A two-volume set of his collected translations from the French (poetry and prose) was published in 2014. His own work has been translated into more than twenty-five languages.

Ashbery lived in New York City and Hudson, New York, with his husband, David Kermani. He died of natural causes on September 3, 2017, at his home in Hudson.