Powers, Hiram, 1805-1873

American sculptor.

From the description of Horatio Nelson Powers letter to the Rev. W. Ware [manuscript], no year August 12. (University of Virginia). WorldCat record id: 647997942

From the description of Autograph letters signed (2) : Florence, to Bayard Taylor, 1845 Oct. 9 and 1846 Feb. 18. (Unknown). WorldCat record id: 270618884

Sculptor; United States and Italy.

From the description of Hiram Powers letters, 1852 Apr. 4-Dec. 30. (Unknown). WorldCat record id: 122370539

Hiram Powers (1805-1873) was an American sculptor.

From the description of Hiram Powers letter and photograph, circa 1850. (Unknown). WorldCat record id: 613316811

Hiram Powers was an American-born neoclassic sculptor. He began modelling wax figures for Dorfeuille's Western Museum in Cincinnati, later moving to Washington and completing plaster busts of prominent figures there. Powers moved to Florence, where he would spend the rest of his life, and began producing marble busts of notable American and European visitors. His best works were likely full-length marble sculptures, including The Greek Slave, an internationally acclaimed and much-copied work which is probably the most famous American sculpture of the century.

From the description of Hiram Powers letter to Professor Bezzuoli, 1849 Apr. 28. (Pennsylvania State University Libraries). WorldCat record id: 56559049

Sculptor; Washington, D.C. & Florence, Italy.

Powers' international success due to his work "Greek Slave," established him as the leading American sculptor of his day.

From the description of Hiram Powers and Powers family papers, 1819-1953, bulk 1835-1883. (Unknown). WorldCat record id: 301785448

Sculptor; Washington, D.C. & Florence, Italy.

Powers' international success due to his work "Greek Slave," established him as the leading American sculptor of his day.

From the description of Hiram Powers and Powers family papers, 1827-1953. (Unknown). WorldCat record id: 82099033

Sculptor Hiram Powers was born near Woodstock, VT in 1805, but spent most of his youth in Ohio. At age 17, Powers began work in a clock and organ factory in Cincinnati, OH. Around 1828, he took a position in Dorfeuille's Western Museum in Cincinnati where he made his first sculpted figures out of wax. His work attracted the attention of Nicholas Longworth, a wealthy patron who financed Powers' move to Washington, DC in 1834. There, Powers sculpted noted government officials including Daniel Webster and Andrew Jackson. Longworth's patronage enabled Powers and his family to move to Europe in 1837 where, after a few months stay in Paris, they relocated to Florence, Italy. Powers remained in Florence until his death in 1873.

Powers' first full length statue in marble was the nude "Eve" of 1838. His best known work, "The Greek Slave," came in 1843 and was so well received by both American and European audiences that almost overnight it established Powers as the leading American sculptor of the time.

From the description of Papers, [ca. 1855-1869]. (Winterthur Library). WorldCat record id: 122516633

Hiram Powers (1805-1873) was a sculptor from Washington, D.C. and Florence, Italy.

Powers' international success due to his work "Greek Slave," established him as the leading American sculptor of his day.

From the description of Hiram Powers papers, 1819-1953, bulk 1835-1883. (Unknown). WorldCat record id: 613313587

American sculptor Hiram Powers (1805-1873) was born in Woodstock, Vermont, and lived and worked briefly in Washington, D.C. and Boston, before settling permanently in Florence, Italy. Powers is known for portrait busts of prominent American politicians and his idealized neo-classical sculptures, most notably the Greek Slave .

The second youngest of nine children, Powers moved with his family to Cincinnati, Ohio in 1817. When he was 18 he began working in a factory that repaired watches and organs, and he later worked in the mechanical department of Dorfeuille's Western Museum. There, he developed his interest in sculpture and received a commission to create wax figures for a tableau of Dante's Inferno . In 1825 he studied with the Prussian sculptor Frederick Eckstein, who taught him how to model clay and make plaster casts. His early commissions for portrait busts caught the attention of Nicholas Longworth, who became his first patron and funded his travel to Washington, DC, in 1834. While in Washington, Powers completed portrait busts of several prominent politicians, including President Andrew Jackson. He also briefly worked on several commissions in Boston. In 1837, thanks to the patronage of Colonel John S. Preston, he and his family moved to Florence, Italy. He intended to live there for only a few years, but remained there for the rest of his life.

Powers set up a studio in Florence with several assistants, and continued to work on portrait bust commissions. He and his family were active members of the intellectual community of American and English émigrés, such as Robert and Elizabeth Barrett Browning, Horatio Greenough, the Trollope family, and many others. His studio was also a frequent stop on tourists' visits to Florence. In 1839 Powers began working on idealized sculptures in the Neo-classical style, based on history, mythology, and religion. Perhaps most famous of these are Greek Slave and Fisher Boy . Completed in 1845, Greek Slave was exhibited in London and toured the United States. The sculpture received wide attention from the press for its depiction of female nudity and its philosophical significance, and established Powers' international success as a sculptor.

During his career Powers received private and government commissions for portrait busts and ideal sculptures, and sold many replicas of his work. He also invented improved tools for use in his studio, which were patented in the United States, and he developed a special finishing process for marble from the Carrara quarry. He maintained friendships with many Americans through extensive correspondence, and openly expressed his views on the Civil War and the abolition of slavery. Powers' son Longworth had a photography and sculpture studio nearby, and his son Preston, also a sculptor, took over many of Hiram Powers' remaining projects at the time of his death in 1873.

From the guide to the Hiram Powers papers, 1819-1953, bulk 1835-1883, (Archives of American Art, Smithsonian Institution)