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Information: The first column shows data points from Morgan, Julia, 1872-1957 in red. The third column shows data points from Morgan, J., (architect) in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Morgan, Julia, 1872-1957
Shared
Morgan, J., (architect)
Morgan, Julia, 1872-1957
Name Components
Surname :
Morgan
Forename :
Julia
Date :
1872-1957
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Dates
- Name Entry
- Morgan, Julia, 1872-1957
Citation
- Name Entry
- Morgan, Julia, 1872-1957
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Morgan, J., (architect)
Name Components
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Morgan, J., (architect)
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- Morgan, J., (architect)
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https://viaf.org/viaf/77117542
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https://www.worldcat.org/identities/lccn-n77010132
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Finding Aid, Julia Morgan Papers, California Polytechnic State University, viewed May 17, 2024
Born in San Francisco, Julia Morgan (1872-1957) grew up in Oakland in a spacious Victorian house. Gifted in mathematics and encouraged in her studies by her mother, Morgan was influenced to become an architect by her mother's cousin, Pierre Le Brun, who designed an early skyscraper, the Metropolitan Life Insurance Tower in Manhattan. In 1890, she enrolled in the undergraduate civil engineering program at the University of California at Berkeley, in part because there were no architectural schools on the West coast at that time. After graduation, Berkeley instructor and architect Bernard Maybeck recommended further study at his alma mater, L'École des Beaux-Arts, where the curriculum was renowned for the scope and majesty of its assignments: apartment suites in palaces, art galleries, opera houses, and other opulent environments fit for lavish, if imaginary, clients. Once in Paris, Morgan failed the entrance exam twice. Morgan then learned that the faculty had failed her deliberately to discourage her admission. Eventually the faculty relented and Morgan went on to win medals for her work in mathematics, architecture, and design. She traveled throughout Europe in her free time, filling sketchbook after sketchbook with accomplished watercolors, pastels, and line drawings. In 1902, Morgan was certified by the Beaux-Arts in architecture.
https://oac.cdlib.org/findaid/ark:/13030/kt9s2030pj/
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Wikipedia, viewed May 17, 2024
Julia Morgan (January 20, 1872 – February 2, 1957) was an American architect and engineer.[1][2] She designed more than 700 buildings in California during a long and prolific career.[3] She is best known for her work on Hearst Castle in San Simeon, California.[4] Morgan was the first woman to be admitted to the architecture program at l'École nationale supérieure des Beaux-Arts[1] in Paris and the first woman architect licensed in California. She designed many edifices for institutions serving women and girls, including a number of buildings for the Young Women's Christian Association (YWCA) and Mills College. In many of her structures, Morgan pioneered the aesthetic use of reinforced concrete, a material that proved to have superior seismic performance in the 1906 and 1989 earthquakes.[5] She embraced the Arts and Crafts Movement and used various producers of California pottery to adorn her buildings. She sought to reconcile classical and Craftsman, scholarship and innovation, formalism and whimsy.[6] Julia Morgan was the first woman to receive the American Institute of Architects highest award, the AIA Gold Medal, posthumously in 2014.[7] Early life and education Childhood Morgan, the daughter of Charles Bill Morgan and Eliza Woodland Parmelee Morgan, was born on January 20, 1872, the second of five children. Her mother, Eliza, grew up as the indulged daughter of Albert O. Parmelee, a cotton trader and millionaire who financially supported the couple when they moved to San Francisco.[8] Two years after their daughter's birth, the Morgans moved to a home they had built in the suburb of Oakland. Though the Morgans resided on the West Coast, Eliza still kept close ties with her family. Upon the birth of each Morgan child, the Parmelees sent funds for the family to travel by the transcontinental railroad so that the infant could be christened in the traditional Parmelee family church in New York.[9] Morgan graduated from Oakland High School in 1890. She was dedicated to her education and a professional career in architecture. She enrolled in the University of California, Berkeley, where she studied Engineering,[13] as there was no architectural program.[14] At the university, she was a member of the Kappa Alpha Theta sorority and was often the only woman in her math, science, and engineering courses. She attended Berkeley during a time of growth for women's involvement which took place between 1889 and 1891, when women were founding clubs and gaining access to new spaces and extracurriculars. [15] Morgan helped to create a chapter of the YWCA during her time as an undergraduate student which made it possible for women to use the gymnasium.[12] She graduated in 1894 as the first woman with a B.S. degree in civil engineering at Berkeley with honors.[16][12] After her graduation, Morgan became a member of the Association of Collegiate Alumnae, now the American Association of University Women. Berkeley Women's City Club, at 2315 Durant Avenue, Berkeley, California One of the engineering lecturers of her senior year was Bernard Maybeck, an eccentrically dressed architect who designed buildings that Morgan admired for their respect for the surrounding topography and environment.[13] Maybeck mentored Morgan, along with her classmates Arthur Brown, Jr., Edward H. Bennett and Lewis P. Hobart, in architecture at his Berkeley home.[13] He encouraged Morgan to continue her studies at the prestigious École nationale supérieure des Beaux-Arts in Paris where he had distinguished himself. After graduating in 1894, Morgan gained a year of work experience building with Maybeck, then traveled to Paris in 1896 to prepare for the Beaux-Arts entrance exam. The school had never before allowed a woman to study architecture, but in 1897, it opened its entry process to women applicants, largely because of pressure from a union of French women artists, whom Morgan characterized as "bohemians."[12][17] In her time at the Beaux-Arts, Morgan interacted with members of the Union des femmes peintres et sculpteurs, a group focused on advancing women in art.[18] Morgan met with these women and was exposed to their feminist views; they discussed how to increase the influence of women in professional careers. In principle, the school admitted the top 30 candidates. It took Morgan three tries to get in: on the first try, she placed too low, while on her second try, in 1898, although she placed well into the top 30, the examiners "arbitrarily lowered" her marks.[17][19] After more than a year of further study, tutored by François-Benjamin Chaussemiche, a winner of the Prix de Rome, she finally passed the entrance exams in the Architecture Program, placing 13th out of 376 applicants, and was duly admitted.[17] However, she could study only until her 30th birthday, as the school prohibited older scholars. In early 1902, as her birthday approached, Morgan submitted an outstanding design for a palatial theater. This earned her a certificate in architecture, making her the first woman to receive one from the school; she did so in three years, although the usual time of completion was five years (that was how long Maybeck took, for example).[12][17][20] She stayed in Paris long enough to collaborate with Chaussemiche on a project for Harriet Fearing, an ex–New Yorker who contracted for a "grand salon" design for her residence in Fontainebleau.[2] Career Upon her return from Paris, Morgan began working for San Francisco architect John Galen Howard, who was supervising the University of California Master Plan. Morgan worked on several buildings on the Berkeley campus, providing the decorative elements for the Hearst Mining Building and an early proposal for Sather Gate. She was the primary designer for the Hearst Greek Theatre, UC Berkeley's amphitheater that overlooks the San Francisco Bay.[12] Howard told a colleague that Morgan was "an excellent draftsman whom I have to pay almost nothing, as it is a woman."[2] She saved her money and made plans to work on her own, accepting important side projects.[12] In 1904, Morgan was the first woman to obtain an architecture license in California.[10][21][12] While living at the old family home in Oakland, she opened her own office in San Francisco, where the staff knew her as 'J.M.' After her first office was destroyed by the 1906 fire, she opened her office in 1907 on the 13th floor of the Merchants Exchange Building, 465 California Street, in the heart of San Francisco's financial district, where she worked for the rest of her career. In 1907 she partnered with Ira Hoover, former draftsman of Howard. Aptly named Morgan and Hoover, the two worked together until 1910.[22] Morgan reestablished an individual private practice in late 1910. In April 1904, Julia Morgan completed her first reinforced concrete structure, the 72-foot bell tower at Mills College, El Campanil,[23] which is located across the bay from San Francisco. Two years later, El Campanil survived the 1906 San Francisco earthquake unscathed, which helped build her reputation and launch her career.[24] Throughout her career, Julia Morgan was said to have completed approximately 800 buildings, most of which are located in California. The devastation of the San Francisco earthquake in 1906 provided her with the opportunity to design numerous homes, churches, offices, and educational facilities.[25] An important project was the redesign of the landmark Fairmont Hotel in San Francisco after its interior was severely damaged by fire after the earthquake of 1906. She was chosen because of her then-rare knowledge of earthquake-resistant, reinforced concrete construction. Her work on restoring the Fairmont in less than a year brought her a national reputation as "a superb engineer, an innovative designer and architect, and a dedicated professional."[17]: 20 The marked increase in commissions following the 1906 San Francisco earthquake brought her financial success.[2] ”My work here [Fairmont Hotel] has all been structural.” —Julia Morgan (1907) Greatly impressed by her work on the Fairmont, Phoebe Hearst recommended Morgan for several large construction projects, including Asilomar. Her son, William Randolph Hearst, was likewise greatly impressed and, after his mother's death, retained Morgan to design what would become the biggest and most famous project of her career, Hearst Castle.[17]: 22 Julia Morgan’s involvement with the Hearst family continued for three generations. Her first project was commissioned by the family in 1902, when she returned from the Ecole. Her first commission by the family was Phoebe Apperson Hearst's Hacienda at Pleasanton.[26] Morgan's most famous patron was the newspaper magnate and antiquities collector William Randolph Hearst, who had been introduced to Morgan by his mother Phoebe Apperson Hearst, the chief patron of the University of California at Berkeley. It is believed that this introduction led to Morgan's first downstate commission by Hearst for the design of the Los Angeles Examiner Building (circa 1914), a Mission revival style project that included contributions by Los Angeles architects William J. Dodd and J. Martyn Haenkel. It is located at the southwest corner of Broadway and 11th Streets on a city block in Downtown Los Angeles, awaiting adaptive reuse. In 1919, Hearst selected Morgan as the architect for La Cuesta Encantada, better known as Hearst Castle, which was built atop the family campsite overlooking San Simeon Harbor. Morgan employed tiles, designing many of them herself, from California Faience.[27] The project proved to be her largest and most complex, as Hearst's vision for his estate grew ever grander over the decades of planning and construction. The project included The Hacienda, a residence–private guest house complex built in hybrid Mission Revival, Spanish Colonial Revival (working with Hispanic experts Mildred Stapley and Arthur Byne), and Moorish Revival styles. It was located a day's horseback ride inland from Hearst Castle, next to the Mission San Antonio de Padua near Jolon, California. Her work on 'the Castle' and San Simeon Ranch continued until 1947, ended only by Hearst's declining health. Morgan became William Randolph Hearst's principal architect, producing the designs for dozens of buildings, such as Phoebe Apperson Hearst's Wyntoon, which he inherited. The estate includes a castle and "Bavarian village" of four villas, all on 50,000 acres (202 km2) of forest reserve that includes the McCloud River near Mount Shasta in Northern California. She also did studio and site work for the uncompleted Babicora, Hearst's 1,625,000-acre (6,580 km2) Chihuahua, Mexico, cattle rancho and retreat.[28] YWCA projects Oakland YWCA, now the Envision Academy of Arts & Technology Julia Morgan's affiliation with the YWCA began when Phoebe Apperson Hearst recommended her for the organization's Asilomar summer conference center, a project she began in 1913. The Asilomar Conference Center, no longer YWCA but State-run, is still in Pacific Grove near Monterey, California. Morgan also designed YWCAs in California, Utah, Arizona, and Hawaii. Five of the Southern California YWCA buildings were designed by Morgan.[29] The 1918 Harbor Area YWCA (San Pedro, CA) in a Craftsman building is still standing, as is the 1926 Hollywood Studio Club YWCA. Morgan's Riverside YWCA from 1929 still stands, but as the Riverside Art Museum. Her 1925 Long Beach Italian Renaissance branch has been demolished. The "gorgeous" Pasadena YWCA is being acquired by the City for restoration and public use after several decades of decay.[29] Morgan also designed YWCA buildings in Northern California, including those in Oakland and in San Francisco's Chinatown. The YWCA building in San Francisco reflects her understanding of traditional Chinese architecture. The building was restored in 2001 by the Chinese Historical Society of America (CHSA), and now houses the Chinese Historical Society of America Museum and Learning Center. Mills College Morgan made many architectural contributions to Mills College, a women's college in the East Bay foothills of Oakland, California. Like her work for the YWCA, they were done in the hopes of advancing opportunities for women. Mills president Susan Mills became interested in Morgan in 1904 because she wished to further the career of a female architect and because Morgan, who was early in her career, charged less than her male counterparts.[30] Morgan designed six buildings for the Mills campus, including El Campanil, believed to be the first bell tower on a United States college campus.[30] (El Campanil should not be confused with The Campanile, a nickname for Sather Tower, the bell tower of nearby UC Berkeley.) Morgan helped draft parts of the UC Berkeley campus under John Galen Howard, but the Sather Tower was not her design. Despite being chosen by Mills to design El Campanil and her academic credentials, coworkers like Bernard Ransome, son of Ernest Ransome, did not trust in her abilities as a true concrete expert.[10] Ransome's undermining of Morgan's ability led to less trust in her work and praise veiled in gendered rhetoric at the time. For example, a speaker at the dedication ceremony praised El Campanil for being "reared by the genius of a woman's brain."[10] Morgan's reputation grew when the tower was unscathed by the 1906 San Francisco earthquake.[30] The bells in the tower "were cast for the World's Columbian Exposition (Chicago-1893), and given to Mills by a trustee".[31] This success led to Morgan becoming the unofficial principal architect for Mills College for the next two decades.[10] Morgan also designed the Margaret Carnegie Library (1906), named after Andrew Carnegie's daughter,[30] and the Ming Quong Home for Chinese girls, built in 1924 and purchased for Mills in 1936.[31] It was eventually renamed Alderwood Hall, before becoming the Julia Morgan School for Girls in 2004[30] (independent of the College). Morgan designed the Mills College Student Union in 1916.[30] Morgan's Kapiolani Cottage has served as an infirmary, faculty housing, and administration offices.[30][31] Morgan also designed the original gymnasium and pool, since replaced by the Tea Shop and Suzanne Adams Plaza,[30] the first reinforced concrete structure on the west coast.[31] Heritage on the Marina Exterior of main building From 1922 to 1925, Julia Morgan was enlisted to design a nursing home to house elderly women in San Francisco. Today the building is home to Heritage on the Marina, San Francisco’s premier Life Plan Community. The beautiful Julia Morgan building is owned and operated by the San Francisco Ladies’ Protection and Relief Society, one of California’s first philanthropic organizations, established in 1853. Other projects The former St. John's Presbyterian Church, Berkeley, California Among her earliest works was the North Star House in Grass Valley, California, commissioned in 1904-5 by mining engineer Arthur De Wint Foote and his wife, the author and illustrator Mary Hallock Foote. She considered St. John's Presbyterian Church, in Berkeley, California, her finest Craftsman-style building.[32] It is now the Berkeley Playhouse.[33] Other projects include the Chapel of the Chimes in Oakland; the nearby brick multi-use building at 4021 Piedmont Avenue; the sanctuary of Ocean Avenue Presbyterian Church at 32 Ocean Avenue, San Francisco (where Mission Bay Community Church also meets); and the large Berkeley City Club adjacent to University of California. She designed the World War I YWCA Hostess House in Palo Alto, built in 1918 and later to become the site of the MacArthur Park Restaurant[34] Some of her residential projects, most of them located in the San Francisco Bay Area, are ultimate bungalows. The style is often associated with the work of Greene and Greene and some of Morgan's other contemporaries and teachers. The buildings represent the Arts and Crafts Movement and the American Craftsman style of architecture. Several houses are on San Francisco's Russian Hill. She lived further west in SF.[citation needed] One of Morgan’s first residential project was to remodel and complete Phoebe Hearst’s Hacienda del Pozo de Verona in Pleasanton, California, in Mediterranean and California Mission style. In 1908, Morgan designed the residence of James Henry Pierce at 1650 The Alameda in San Jose, which features rare California timber.[35] Morgan designed two houses in Monterey County, California. One, designed by Morgan in 1915, is the "Little Cottage of River Winds" at 26184 Carmelo Street at Carmel Point, outside the Carmel-by-the-Sea city limits.[36] The other is the "Dr. Emma W. Pope House" at 2981 Franciscan Way, on a hillside overlooking the Carmel Mission. It was built in 1940, in the Minimal Traditional architectural style for Dr. Emma Whitman Pope, who was a friend from Morgan's undergraduate years at the UC Berkeley.[37] Hearst Building, Market & 3rd, San Francisco, 1937 redesign by Morgan Personal life Although Morgan was highly respected as an architect, not much is known about her personal life. She was never married and had no known romantic relationships. She kept a low profile and lived modestly, in spite of her wealthy clientele. Colleagues and acquaintances were surprised by her modest sense of fashion, a coworker even went as far as saying that Morgan dressed like a "nobody."[10] Morgan gave few interviews and did not write about herself.[10] Early interviews used gendered rhetoric to speak about her accomplishments and early newspaper articles followed her progress at the École des Beaux Arts.[38][39] After that she mostly avoided interviews and only agreed to articles that focused on her work to advance her reputation.[10] She worked tirelessly on minimal sleep and food.[3] Morgan was very independent. During her transition to Paris she had a fund given to her by her parents for all of her first-year expenses. Even when her funds ran out, she never asked her family for any extra money, but instead learned to live on a tight budget. This experience gave her a concrete understanding of how to handle money efficiently, which helped make her a successful businesswoman after she opened her own practice, and helped her to focus on keeping her projects within her client's budgets.[40] One of the few public awards she accepted was the University of California, Berkeley, honorary Doctor of Laws degree, its highest award, conferred upon her on May 15, 1929, with the following personal tribute: “distinguished alumna of the University of California, artist and engineer; designer of simple dwellings and of stately homes, of great buildings nobly planned to further the centralized activities of her fellow citizens; architect in whose works harmony and admirable proportions bring pleasure to the eye and peace to the mind.”[10] Intrigued with the gaps in Julia Morgan's life story, Belinda Taylor, wrote Becoming Julia Morgan, a 2012 play in which Taylor imagines a plausible life story for Morgan.[41] Death and legacy My buildings will be my legacy... they will speak for me long after I'm gone. — Julia Morgan Julia Morgan died on February 2, 1957, in San Francisco, California, at age 85. Her body was buried in the Mountain View Cemetery in the hills of Oakland, California.[42] In 1995, the Julia Morgan Ballroom at the Merchants Exchange Building in San Francisco, where she had her office from 1907 to 1950, was named in her honor.[43] In 1999, a Mediterranean Revival residence originally built in 1918 for Charles Goethe of Sacramento was renamed the Julia Morgan House. It was earlier added to the National Register of Historic Places in 1982. In 2006, a children's picture book titled Julia Morgan Built a Castle was published and is available in many public libraries.[44] On May 28, 2008, California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced that Julia Morgan would be inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. The induction ceremony took place on December 15 and her great-niece accepted the honor in her place.[45] Julia Morgan was the 2014 recipient (posthumous) of the AIA Gold Medal, the highest award of the American Institute of Architects (AIA). She was the first female architect to receive this honor.[46]
https://en.wikipedia.org/wiki/Julia_Morgan
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- https://en.wikipedia.org/wiki/Julia_Morgan
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http://www.oac.cdlib.org/ark:/13030/tf0h4n986k
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- http://www.oac.cdlib.org/ark:/13030/tf0h4n986k
Walter T. Steilberg Collection, ca. 1910-1974
Title:
Walter T. Steilberg Collection, ca. 1910-1974
ArchivalResource:
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- Walter T. Steilberg Collection, ca. 1910-1974
Julia Morgan Collection, 1893-1980, (bulk 1893-1940)
Title:
Julia Morgan Collection, 1893-1980, (bulk 1893-1940)
The collection documents Julia Morgan's architectural education and career.
ArchivalResource:
http://www.oac.cdlib.org/ark:/13030/tf7b69n9k9 View
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- Julia Morgan Collection, 1893-1980, (bulk 1893-1940)
Julia Morgan/Forney Collection, 1907-1931 (bulk 1907-1917)
Title:
Julia Morgan/Forney Collection, 1907-1931 (bulk 1907-1917)
The collection documents Julia Morgan's early architectural career.
ArchivalResource:
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- Resource Relation
- Julia Morgan/Forney Collection, 1907-1931 (bulk 1907-1917)
Julia Morgan-Sara Holmes Boutelle Collection, 1877-1958 (bulk 1901-1940)
Title:
Julia Morgan-Sara Holmes Boutelle Collection, 1877-1958 (bulk 1901-1940)
Julia Morgan practiced architecture in California during the first half of the twentieth century. The architectural drawings and plans, office records, photographs, correspondence, project files, student work, and personal papers created by or belonging to Julia Morgan in this collection were gathered by Morgan's biographer, Sara Holmes Boutelle, in the course of her research on the architect over a period of more than 25 years. At Boutelle's death in 1999, her collection was given to California Polytechnic State University.
ArchivalResource: 21 boxes, 5 flat file drawers
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- Julia Morgan-Sara Holmes Boutelle Collection, 1877-1958 (bulk 1901-1940)
Trent, Milicent Patrick,. Camille Charles Rossi papers, 1931-1986.
Title:
Camille Charles Rossi papers, 1931-1986.
Photocopies of letters addressed to Milicent Trent by W.R. Hearst, Jr., Bjarne C. Dahl and others concerning her father, Camille Charles Rossi, an engineer and architect who worked as superintendent of construction uder Julia Morgan for the Hearst Castle at San Simeon.
ArchivalResource: 9 items (27 leaves) in 1 portfolio.
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- Trent, Milicent Patrick,. Camille Charles Rossi papers, 1931-1986.
Harriet Rochlin Collection of Material about Women Architects in the United States, 1887-1979
Title:
Harriet Rochlin Collection of Material about Women Architects in the United States, 1887-1979
Harriet Shapiro (b.1924) was a freelance writer and contributor of articles, feature stories, and reviews to magazines and scholarly journals. She also published the novel, (1981) and the photodocumentary, (1984). She married Fred Rochlin in 1947. The collection consists of articles, clippings, correspondence, and photographs collected by Harriet Rochlin about women architects. So far away Pioneer Jews: a new life in the far west
ArchivalResource: 12 boxes (6 linear ft.)
http://www.oac.cdlib.org/ark:/13030/kt9p3023kb View
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- Harriet Rochlin Collection of Material about Women Architects in the United States, 1887-1979
Aurelia Henry Reinhardt letters
Title:
Aurelia Henry Reinhardt letters
Correspondence with architect Julia Morgan.
ArchivalResource:
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- Reinhardt, Aurelia Henry, 1877-1948. Aurelia Henry Reinhardt letters, 1917-1929.
Morgan, Julia, 1872- : [miscellaneous ephemeral material].
Title:
Morgan, Julia, 1872- : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199189003 View
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- Morgan, Julia, 1872- : [miscellaneous ephemeral material].
Edward Bright Hussey Collection, 1915-1975
Title:
Edward Bright Hussey Collection, 1915-1975
The collection documents the architectural work of Edward Hussey in Japan and Hawaii. The bulk of the collection is the Principia College project in Elsah, Illinois.
ArchivalResource: 6 boxes, 2 flat boxes, 1 flat file drawer, 46 tubes
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- Edward Bright Hussey Collection, 1915-1975
Morgan, Julia, 1872-1957. Julia Morgan architectural drawings, 1907-1929.
Title:
Julia Morgan architectural drawings, 1907-1929.
Consists of Morgan's drawings, chiefly from her partnership with Ira Wilson Hoover and records from her own firm, for the years 1907-1929. Contains pencil sketches, along with blueprints, linens, and one specification for Morgan's commissions, primarily residential, in San Francisco, the East Bay, including Berkeley, Oakland, and Piedmont, as well as other California communities.
ArchivalResource: 91 oversize folders, 8 tubes, and 1 portfolio (18.7 linear ft.)Selections of drawings for 84 projects : 4 microfilm reels : negatives (MNEG 00-181, 00-182, 00-183, 00-186) and positive.
http://www.worldcat.org/oclc/79699677 View
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- Morgan, Julia, 1872-1957. Julia Morgan architectural drawings, 1907-1929.
Steilberg, Walter T., d. 1974. Material relating to Julia Morgan, 1928-1988 (bulk 1928-1947).
Title:
Material relating to Julia Morgan, 1928-1988 (bulk 1928-1947).
Miscellaneous materials relating to Julia Morgan, including one letter written by her to Walter Steilberg, Oct. 7, l928, and a photocopy of a diary from her trip to South America. Includes copies of three letters written by Edward B. Hussey, discussing Morgan's project with Bernard Maybeck, as well as a photocopy of a paper by Richard W. Longstreth about Morgan. With these are some clippings, programs, articles, and other papers concerning Morgan.
ArchivalResource: 1 box (.2 linear ft.)
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- Steilberg, Walter T., d. 1974. Material relating to Julia Morgan, 1928-1988 (bulk 1928-1947).
Ebell Club of Los Angeles. Collection of Ebell Club of Los Angeles, 1894-1983 (bulk 1894-1903)
Title:
Collection of Ebell Club of Los Angeles, 1894-1983 (bulk 1894-1903)
The manuscripts section contains 17 items. There is a list of the charter members of the Ebell club, including comments regarding the members, the minute books for the first six years of the club, an essay describing the mission of the club, and the architectural specifications for the Rest Cottage by architect Julia Morgan. The ephemera section contains event programs, monthly club schedules, pamphlets regarding the activities of the club, a Ebell Magazine from 1930, an itemized survey of documents and ephemera in the Ebell Club's possession in 1959, and a program for the Seventh Annual Meeting Los Angeles District C.F.W.C. There is also a scrapbook created by Mrs. Hazel Smith with Ebell Magazine clippings featuring key members from the late 1920s. The scrapbook also contains short notes regarding a few of the members and club events.
ArchivalResource: 42 items.1 box, plus one oversize folder.
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- Ebell Club of Los Angeles. Collection of Ebell Club of Los Angeles, 1894-1983 (bulk 1894-1903)
Boyter, Elizabeth M. Elizabeth M. Boyter papers, [ca. 1886-1935].
Title:
Elizabeth M. Boyter papers, [ca. 1886-1935].
Some letters by Julia Morgan included.
ArchivalResource: 1 box.
http://www.worldcat.org/oclc/26178373 View
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- Boyter, Elizabeth M. Elizabeth M. Boyter papers, [ca. 1886-1935].
Julia Morgan Papers, 1835-1958 (bulk 1896-1945)
Title:
Julia Morgan Papers 1835-1958 (bulk 1896-1945)
This collection contains architectural drawings and plans, office records, photographs, correspondence, project files, student work, family correspondence, and personal papers from the estate of California architect Julia Morgan, who practiced in San Francisco during the first half of the twentieth century. The bulk of the collection extends from 1896, when Morgan left for Paris to study architecture at the Beaux-Arts, to 1945 when her practice began to wind down. A persistent misperception exists that she destroyed records from her fifty-year practice when she retired in 1951. In fact, she carefully preserved many original architectural drawings and other business records, which were given to California Polytechnic State University by her heirs. The National Board of the YWCA; Earl and Wright, Consulting Engineers; Mr. and Mrs. William Randolph Hearst, Jr.; and other donors who wish to remain anonymous have made significant additional donations to the collection, which are also included in this guide.
ArchivalResource: 99 boxes, 25 flat file drawers, 12 tubes, 7 artifacts
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- Julia Morgan Papers, 1835-1958 (bulk 1896-1945)
Steilberg, Walter T., d. 1974. Walter T. Steilberg collection, [ca.1910-1974].
Title:
Walter T. Steilberg collection, [ca.1910-1974].
Contains Steilberg's student drawings, correspondence, product literature, research materials and project files. Photographs, clippings and notes documenting the structural effects of earthquakes throughout California, and in other states, form a large part of Steilberg's research papers. Project records include drawings and textual records of consulting and construction projects, including the Sather Tower renovation and other University of California projects. Project records also contain information on Steilberg's work with Julia Morgan and correspondence with architect Gardner Dailey, regarding projects on which Steilberg was a consultant. Of particular interest are two folders of correspondence, clippings and photographs relating to the 1923 Berkeley fire.
ArchivalResource: 12 boxes, 5 card file boxes, 10 flat file drawers, ca. 50 tubes.
http://www.worldcat.org/oclc/84299313 View
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- Steilberg, Walter T., d. 1974. Walter T. Steilberg collection, [ca.1910-1974].
St. Francis Wood virtual collection, 1912-1946
Title:
St. Francis Wood virtual collection 1912-1946
Located in the southwestern corner of San Francisco, St. Francis Wood is a prime example of the "Garden City" ideals of neighborhood planning popular at the turn of the 20th century. The St. Francis Wood Virtual collection contains digital images of drawings, photographs, correspondence and other historical documents relating to the architecture and landscape architecture of the St. Francis Wood neighborhood of San Francisco, California. All items in this virtual collection are assembled from existing collections in the Environmental Design Archives
ArchivalResource: 197 items; 197 digital objects
http://www.oac.cdlib.org/ark:/13030/kt787023c0 View
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- St. Francis Wood virtual collection, 1912-1946
Hearst, William Randolph, 1863-1951. William Randolph Hearst papers, 1874-1951 (bulk 1927-1947).
Title:
William Randolph Hearst papers, 1874-1951 (bulk 1927-1947).
Consists of a portion of William Randolph Hearst's business and personal office files primarily for the years 1927-1929, 1937-1938, and 1944-1947. The papers present an overview of of Hearst's newspaper empire and his management and editorial styles; provide a glimpse into his filmmaking; and an incomplete picture of his acquisitions of antiques, art, and property. Also includes a small amount of correspondence with architect Julia Morgan and builder George Loorz about the construction of Hearst Castle. The bulk of the collection concerns the editorial management of his newspapers, magazines, and related companies.
ArchivalResource: 14 boxes, 46 cartons, 8 oversize folders, 9 oversize boxes (67 linear ft.)
http://www.worldcat.org/oclc/26643556 View
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- Hearst, William Randolph, 1863-1951. William Randolph Hearst papers, 1874-1951 (bulk 1927-1947).
Morgan, Julia, 1872-1957. Julia Morgan/Forney collection, 1907-1931 (bulk 1907-1917)
Title:
Julia Morgan/Forney collection, 1907-1931 (bulk 1907-1917)
Contains architectural drawings primarily of residential projects arranged alphabetically by client name or project name.
ArchivalResource: 4 flat file drawers.Selections of drawings for 55 projects : 4 microfilm reels : Negatives (MNEG 00-181, 00-182, 00-183, 00-186) and positive.
http://www.worldcat.org/oclc/80219979 View
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- Morgan, Julia, 1872-1957. Julia Morgan/Forney collection, 1907-1931 (bulk 1907-1917)
Monterey Public Library. California History Room. Artists clippings : "M" [surname] folder 1943-1993.
Title:
Artists clippings : "M" [surname] folder 1943-1993.
ArchivalResource: 3 folders.
http://www.worldcat.org/oclc/123082314 View
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- Monterey Public Library. California History Room. Artists clippings : "M" [surname] folder 1943-1993.
Fox, Mary Beatrice, 1876-1976. Papers of Mary Beatrice Fox, 1789-1961 (bulk 1880-1900).
Title:
Papers of Mary Beatrice Fox, 1789-1961 (bulk 1880-1900).
The collection consists of maps, land papers, diaries, correspondence, and documents related to the Fox family and the greater Pasadena, Calif., area during the late 19th and early 20th centuries.
ArchivalResource: 166 pieces.4 boxes.1 oversize folder.
http://www.worldcat.org/oclc/122354178 View
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- Fox, Mary Beatrice, 1876-1976. Papers of Mary Beatrice Fox, 1789-1961 (bulk 1880-1900).
Albert M. Bender papers
Title:
Albert M. Bender papers
The microfilmed Albert M. Bender papers contain single letters from Joseph Danysh, Maynard Dixon, Julia Morgan, and Georgia O'Keeffe; letters from Gelett Burgess, Judah Leon and Beatrice L. Magnes, Roi and Marian Partridge, Ralph Stackpole, Dorothy Wright Liebes, Oliver St. John Gogarty, and Ansel and Virginia Adams; correspondence with John Henry Nash; letters from Consuela Kanaga and her husband Barry McCarthy, with an album of her photos of Africa; and correspondence with Beniamino Benvenuto Bufano and Virginia Bufano, including financial and printed material. Also included are correspondence with Diego and Frieda Kahlo Rivera, including customs declarations, and photos; correspondence with Joseph and Johanna Raphael, including photos, and miscellany; and letters from Bender's cousin, Anne Bremer, as well as biographical material, writings, photos, sketches, and printed material.
ArchivalResource:
https://n2t.net/ark:/65665/mw9cd49bd3c-3356-4080-ab8b-6c1c9264e5eb View
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- Bender, Albert M. (Albert Maurice), 1866-1941. Albert M. Bender papers, 1909-1941.
Steilberg, Walter T., d. 1974. Interviews with Walter Steilberg : oral history transcript, including an address delivered by Walter Steilberg to the Historical Guide Association of California (1969), and interviews conducted by Leslie Freudenheim and Elizabeth Sussman (Ca. 1971), Harold B. Lyman (1972) and Sally woodbridge (1972). Regional Oral History Office, The Bancroft Library, University of California, Berkeley, California, 1976.
Title:
Interviews with Walter Steilberg : oral history transcript, including an address delivered by Walter Steilberg to the Historical Guide Association of California (1969), and interviews conducted by Leslie Freudenheim and Elizabeth Sussman (Ca. 1971), Harold B. Lyman (1972) and Sally woodbridge (1972). Regional Oral History Office, The Bancroft Library, University of California, Berkeley, California, 1976.
Comments on various architects, including Julia Morgan, Bernard Maybeck, etc.; his own work; student days at University of California, etc. Also included: photocopy of his address to the Historical Guide Association of California, Aug. 1969. (19 l.).
ArchivalResource: Transcript : [136] leaves ; 28 cm.Phonotape : 1 sound tape reel : analog, 3 3/4 ips, 2 track ; 5 in.
http://www.worldcat.org/oclc/122551487 View
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- Steilberg, Walter T., d. 1974. Interviews with Walter Steilberg : oral history transcript, including an address delivered by Walter Steilberg to the Historical Guide Association of California (1969), and interviews conducted by Leslie Freudenheim and Elizabeth Sussman (Ca. 1971), Harold B. Lyman (1972) and Sally woodbridge (1972). Regional Oral History Office, The Bancroft Library, University of California, Berkeley, California, 1976.
Rochlin, Harriet, 1924-. Harriet Rochlin collection of material about women architects in the United States, 1887-1979.
Title:
Harriet Rochlin collection of material about women architects in the United States, 1887-1979.
Collection consists of articles, clippings, correspondence, and photographs collected by Harriet Rochlin about women architects. Architects in the collection include: Julia Morgan, Margaret Young, Beverly Willis, Lutha Maria Riggs, Lilian J. Rice, Gertrude C. Morrow, Edla Muir, Cloethiel Woodard Smith, Hazel Wood Waterman, Judy Edelman, Lynne Paxton, Patricia Swan, and the Open Design Office.
ArchivalResource: 12 boxes (6 linear ft.)
http://www.worldcat.org/oclc/38272711 View
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- Rochlin, Harriet, 1924-. Harriet Rochlin collection of material about women architects in the United States, 1887-1979.
Maybeck, Bernard R. Bernard Maybeck collection, 1897-1956 (bulk 1902-1939)
Title:
Bernard Maybeck collection, 1897-1956 (bulk 1902-1939)
Consists of correspondence, office records, project records, photographs, drawings, and artifacts documenting the design work of Bernard Maybeck. Includes residences for Phoebe Hearst, Charles Keeler, Guy Chick, Leon Roos, Earle Anthony, and many others. Also contains records of his work on larger projects, such as Packard dealerships for Earle Anthony, the Panama Pacific International Exposition's Palace of Fine Arts, the University of California, Berkeley's Phoebe Hearst Memorial Complex, the campus plan for Principia College, Elsah, Illinois, First Church of Christ Scientist, Berkeley, and the Golden Gate International Exposition.
ArchivalResource: 32.5 boxes, 5 flat boxes, 1 card file box, 1 oversize volume, 34 flat file drawers, 157 tubes, 8 large framed drawings, table, carved panel, plaster ornament.Selections of materials for 211 projects, personal, professional, and office records; and University of California projects, Exposition projects, and Principia College projects : 16 microfilm reels : negative (MNEG 00-341) and positive.
http://www.worldcat.org/oclc/82959514 View
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- Maybeck, Bernard R. Bernard Maybeck collection, 1897-1956 (bulk 1902-1939)
James Rankin & Sons. James Rankin & Sons records, 1921-1991 (bulk 1921-1958).
Title:
James Rankin & Sons records, 1921-1991 (bulk 1921-1958).
Materials relating to the plumbing work done by James Rankin & Sons for William Randolph Hearst and Julia Morgan for the Hearst estates at Wyntoon and San Simeon, including correspondence with Julia Morgan and William Randolph Hearst, contracts, and a large original drawing of the plumbing layout for the poultry farm at San Simeon. Contains additional family papers, as well as James Rankin's autograph memoir (16 p.) of his work on the Hearst estates.
ArchivalResource: 3 boxes, 1 portfolio, 1 oversize folder (1.7 linear ft.)
http://www.worldcat.org/oclc/84653095 View
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- James Rankin & Sons. James Rankin & Sons records, 1921-1991 (bulk 1921-1958).
Women of California [sound recording] / recorded by Harry Gray, 1973-1974.
Title:
Women of California [sound recording] / recorded by Harry Gray, 1973-1974.
Includes lectures on Harriet Lane Levy, Julia Morgan, Ina Coolbrith, Lola Montez, Kathleen Norris, Lillie Hitchcock Coit, Mammy Pleasant, Mary Austin, Phoebe Apperson Hearst, Jessie Benton Fremont, Theodora Kroeber, and others.
ArchivalResource: 2 sound tape reels : analog, 3 3/4 ips, 2 track ; 7 in.
https://search.library.berkeley.edu/permalink/01UCS_BER/10rhv18/alma991039013489706532 View
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- Gray, Harry. Women of California [sound recording] / recorded by Harry Gray, 1973-1974.
Steilbert, Walter T., 1886-1974. Julia Morgan-Walter T. Steilberg Collection, 1908-1974 1918-1935.
Title:
Julia Morgan-Walter T. Steilberg Collection, 1908-1974 1918-1935.
Contains photographs and correspondence that belonged to architect and engineer Walter T. Steilberg relating to commissions by California architect Julia Morgan. Steilberg worked for Morgan's firm in the 1920s and 1930s and the collection also includes his published and unpublished recollections of Morgan and her practice.
ArchivalResource: 1 box.
http://www.worldcat.org/oclc/123571137 View
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- Steilbert, Walter T., 1886-1974. Julia Morgan-Walter T. Steilberg Collection, 1908-1974 1918-1935.
Julia Morgan Records at the University of California Berkeley, 1893-1988 (bulk 1901-1940)
Title:
Julia Morgan Records at the University of California Berkeley, 1893-1988 (bulk 1901-1940)
ArchivalResource: 6.5 boxes, 1 flat box, 13 flat file drawers, 34 tubes, 1 oversize volume, 1 portfolio, l model; (77 linear feet)
http://www.oac.cdlib.org/ark:/13030/tf7r29p0df View
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- Julia Morgan Records at the University of California Berkeley, 1893-1988 (bulk 1901-1940)
Didion, Joan. The California Woman : typescript, 1978 June.
Title:
The California Woman : typescript, 1978 June.
Address delivered at annual meeting of the Friends of the Bancroft Library. Included is information on members of her family and on Julia Morgan.
ArchivalResource: 21 leaves ; 28 cm.
http://www.worldcat.org/oclc/26573903 View
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- Didion, Joan. The California Woman : typescript, 1978 June.
Julia Morgan Architectural Drawings, 1907-1929
Title:
Julia Morgan Architectural Drawings, 1907-1929
ArchivalResource: 106 oversize folders, 8 tubes, 1 portfolio (18.7 linear ft.); 33 digital objects
http://www.oac.cdlib.org/ark:/13030/tf7t1nb2q1 View
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- Julia Morgan Architectural Drawings, 1907-1929
Morgan, Julia, 1872-1957. Julia Morgan Collection, 1836-1980.
Title:
Julia Morgan Collection, 1836-1980.
Personal and professional papers reflecting family life and friendship; office records, photographic materials, and architectural drawings and blueprints from her practice. Includes correspondence with William R. Hearst (3 boxes), Phoebe Apperson Hearst, Pierre and Lucy LeBrun, Bernard Maybeck, Bernard and Agnes Chaussemiche, Arthur Byne, and Mildred Stapley Byne, Marion Davies, Walter Steilberg, Charles Cassou, George Loorz, Herbert Washburn, Dorothy Coblentz, Thaddeus Joy, Bjarne Dahl, Charlotte Knapp, Sachi Oka, Jules Suppo, Albert O. Parmelee, Elizabeth Woodland Parmelee Morgan, Charles Morgan, Avery Morgan, Emma Morgan North, Gardner Morgan, Parmelee Morgan, Morgan North, Flora d'Ille North, Orrin Peck, Ed Trinkkeller, and John Van der Loo. Papers discuss International Studio Art Corporation, Mills College, Ecole National Supérieure des Beaux-Arts, YWCA, and Los Angeles Examiner.
ArchivalResource: 30 boxes (57 linear ft.) 15 oversize file drawers (60 cubic ft.)
http://www.worldcat.org/oclc/29927303 View
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- Morgan, Julia, 1872-1957. Julia Morgan Collection, 1836-1980.
Morgan, Julia, 1872-1957. Hayfield House construction records, 1919-1922.
Title:
Hayfield House construction records, 1919-1922.
Consists of correspondence of Julia Morgan, with Chauncey Goodrich and Henriette Goodrich, the contract and notes on building of Hayfield House.
ArchivalResource: 1 box (.2 linear ft.)
http://www.worldcat.org/oclc/51621168 View
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- Morgan, Julia, 1872-1957. Hayfield House construction records, 1919-1922.
Steilberg, Walter. Address delivered before the Historical Guide Association of California : typed transcript of tape recording, 1966.
Title:
Address delivered before the Historical Guide Association of California : typed transcript of tape recording, 1966.
Comments on his association with Julia Morgan in the construction of the castle at San Simeon for William Randolph Hearst.
ArchivalResource: 19 leaves ; 28 cm.
http://www.worldcat.org/oclc/26863559 View
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- Steilberg, Walter. Address delivered before the Historical Guide Association of California : typed transcript of tape recording, 1966.
Trinkkeller, Edward G. (Edward Gustaf), 1872-1945. Edward G. Trinkkeller Papers, 1896-1999 1905-1945.
Title:
Edward G. Trinkkeller Papers, 1896-1999 1905-1945.
Contains the family papers, office records, and photographs of wrought ironwork artisan Gustaf Edward Trinkkeller, who used the name Edward G. Trinkkeller after immigrating to the United States. The most extensive portion of the collection is 3. Office Records and 4. Project Files.
ArchivalResource: 8 boxes (3.5 linear ft.)
http://www.worldcat.org/oclc/123423851 View
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- Trinkkeller, Edward G. (Edward Gustaf), 1872-1945. Edward G. Trinkkeller Papers, 1896-1999 1905-1945.
Boutelle, Sara Holmes. Sara Holmes Boutelle Papers, 1972-1999 1983-1995.
Title:
Sara Holmes Boutelle Papers, 1972-1999 1983-1995.
Contains the papers of architectural historian Sara Holmes Boutelle (1909-1999) biographer of California architect, Julia Morgan. Includes extensive correspondence, research notes, photographs, interview notes, book drafts, articles, book reviews, presentation notes, and newspaper clippings, primarily relating to Julia Morgan, women in American architecture, and historic preservation in the Bay Area. Boutelle published the illustrated biography, Julia Morgan, Architect.
ArchivalResource: 78 boxes, 1 flat file drawer.
http://www.worldcat.org/oclc/123571119 View
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- Boutelle, Sara Holmes. Sara Holmes Boutelle Papers, 1972-1999 1983-1995.
Hill, Claiborne M. Claiborne M. Hill collection, 1884-1940.
Title:
Claiborne M. Hill collection, 1884-1940.
The collection contains Hill's administrative correspondence as President of the seminary and sermons preached where he served as pastor. Correspondents include, among others, pastors, missionaries, prospective students, alumni, administrators, faculty, and donors. Specfic correspondents include Sanford Fleming, BBDS faculty, BBDS Trustees Charles H. Hobart, John G. Hoyt, and Oliver M. Johnston, Frank W. Padelford from the Baptist Missionary Society, Ernest Clutterbuck, Baptist pastor, Lucien H. Sly, San Francisco businessman, and Julia Morgan, architect for the BBDS building.
ArchivalResource: 25 boxes (10 linear ft.)
http://www.worldcat.org/oclc/61763005 View
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- Hill, Claiborne M. Claiborne M. Hill collection, 1884-1940.
Julia Morgan : vertical file.
Title:
Julia Morgan : vertical file.
ArchivalResource:
http://www.worldcat.org/oclc/82577982 View
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- Julia Morgan : vertical file.
Morgan, Julia, 1872-1957. Julia Morgan collection, 1893-1980 (bulk 1893-1940)
Title:
Julia Morgan collection, 1893-1980 (bulk 1893-1940)
Comprised of project records, sketches, and drawings for the residential, educational, humanitarian, and commercial buildings Morgan designed. Includes commissions from William Randolph Hearst and designs for Young Women's Christian Association buildings. Contains records of her many residential designs as well as other projects including St. John's Presbyterian Church, the Berkeley Women's City Club, and the Phoebe Hearst Memorial Gymnasium at the University of California, Berkeley.
ArchivalResource: 4 boxes, 1 flat box, 4 flat file drawers, 26 tubes, 1 model.Selections of records for 47 projects : 4 microfilm reels : Negatives (MNEG 00-181, 00-182, 00-183, 00-186) and positive.
http://www.worldcat.org/oclc/80856262 View
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- Morgan, Julia, 1872-1957. Julia Morgan collection, 1893-1980 (bulk 1893-1940)
Lyons, Ernest H. Ernest H. Lyons papers, bulk 1957.
Title:
Ernest H. Lyons papers, bulk 1957.
Appraisal report of the fair market value of land and improvements at San Simeon, known as La Cuesta Encantada, May 20, 1957. Includes photographs, copies of Julia Morgan's plot and building plans, and maps. With this: related correspondence, brief history of the Piedra Blanca Ranch at San Simeon, copies of accounts, and of additional maps, etc.
ArchivalResource: 1 box (.4 linear ft.).
http://www.worldcat.org/oclc/79260747 View
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- Lyons, Ernest H. Ernest H. Lyons papers, bulk 1957.
Maybeck, Bernard R. Bernard R. Maybeck architectural drawings, 1939-1940.
Title:
Bernard R. Maybeck architectural drawings, 1939-1940.
Contains copies of architectural drawings by Maybeck, done in collaboration with Julia Morgan for Mrs. A.H. Darbee. Consists principally of site plans developed for Western Hills (under Memorial City Corporation), a proposed cemetery in San Mateo County. Also contains undated drawings for the Panama Pacific International Exposition lagoon and a plan for the Palace of Fine Arts drawn in pastel.
ArchivalResource: 3 oversize folders, 4 tubes (5.5 linear ft.)Selection of 3 drawings for Western Hills Cemetary : negatives (MNEG 00-181, 00-182, 00-183, 00-186) and positive.
http://www.worldcat.org/oclc/81162092 View
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- Maybeck, Bernard R. Bernard R. Maybeck architectural drawings, 1939-1940.
Hussey, Edward Bright. Edward Bright Hussey collection, 1916-1975.
Title:
Edward Bright Hussey collection, 1916-1975.
Primarily contains correspondence, specifications, reports, photographs, and drawings, documenting projects in Japan, Hawaii, and California. Bulk of the collection consists of drawings relating to Principia College. Personal and professional papers are minimal and include student work, correspondence, and clippings.
ArchivalResource: 3 boxes, 2 flat boxes, 2 flat file drawers, ca. 80 tubes.Selected manuscript material for YWCA project : 4 microfilm reels : negatives (MNEG 00-181, 00-182, 00-183, 00-186) and positive. Selected drawings for Principia College : 2 microfilm reels : negatives (MNEG 00-341 Reels 14, 16) and positive.
http://www.worldcat.org/oclc/85182415 View
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- Hussey, Edward Bright. Edward Bright Hussey collection, 1916-1975.
Julia Morgan Architectural History Project (Bancroft Library). Julia Morgan, her office and a house, 1976.
Title:
Julia Morgan, her office and a house, 1976.
Interviews (mostly by Suzanne B. Riess) re: architect Julia Morgan with Mary Grace Barron, Dorothy Wormser Coblentz, Bjarne Dahl, Bjarne Dahl, Jr., Edward Hussey, Hettie Belle Marcus, Polly Lawrence McNaught, Catherine Freeman Nimitz, Flora and Morgan North, Kirk O. Rowlands, Norma Willer, Quintilla Williams. Volume two of a two-volume set.
ArchivalResource: 1v. (v, 247 p.)
http://www.worldcat.org/oclc/232007858 View
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- Julia Morgan Architectural History Project (Bancroft Library). Julia Morgan, her office and a house, 1976.
Morgan, Julia, 1872-1957. Julia Morgan-Sara Holmes Boutelle Collection, 1877-1958 1901-1940.
Title:
Julia Morgan-Sara Holmes Boutelle Collection, 1877-1958 1901-1940.
Contains architectural drawings and plans, office records, photographs, correspondence, project files, student work, personal papers, and artifacts belonging to Julia Morgan, which were collected by her biographer, Sara Holmes Boutelle, over a 27-year period.
ArchivalResource: 21 boxes, 5 flat file drawers.
http://www.worldcat.org/oclc/123571133 View
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- Morgan, Julia, 1872-1957. Julia Morgan-Sara Holmes Boutelle Collection, 1877-1958 1901-1940.
Bernard Maybeck Collection, 1897-1956 (bulk 1902-1939)
Title:
Bernard Maybeck Collection, 1897-1956 (bulk 1902-1939)
Contains records relating to all aspects of architect Bernard Maybeck's life. The contents include personal papers, correspondence, office files, project files, drawings, and photographs. The records describe the unique vision of Maybeck's designs, including his use of unusual materials and color schemes. The collection is useful for researching Bay Regional style, the use of industrial materials in architecture, the use of cement and other earthquake and fire resistant materials, and the planning of campuses or town spaces.
ArchivalResource: 32.5 boxes, 5 flat boxes, 1 card file box, 1 volume scrapbook, 34 flat file drawers, 157 tubes, 8 large framed drawings, a table, a carved panel, and a plaster ornament
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- Bernard Maybeck Collection, 1897-1956 (bulk 1902-1939)
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- Allen, J. Edgar
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- Allen, W. S.
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- Alpha Chi Delta
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- Atkins, David
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- Ayer, Richard B.
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- Bancroft Library
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- Barnard, Grace
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- Baylor, Margaret
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- Beaver, Mrs. F. H.
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- Beaver, Mrs. F. H., cottage
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- Bell, George L.
Bender, Albert M. (Albert Maurice), 1866-1941.
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- Constellation Relation
- Bender, Albert M. (Albert Maurice), 1866-1941.
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- Berkeley Women's City Club
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- Bertola, Mariana
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- Boutelle, Sara Holmes.
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- Brewer, J. H.
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- Buckley, M. G.
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- Bucknall, Mrs. G. A.
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- Burke, Kathrine D., school
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- Campbell, G. L.
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- Carruthers, Miss J. H.
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- Chickering, Allan L.
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- Claremont Country Club, kitchen addition
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- Clarke, Mrs. Warren T.
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- Clark, Mrs. Fred
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- Clark, Richard A.
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- Colby, W. E., alterations
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- Darbee, Annie H.
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- Darbee, Annie H. see Western Hills Cemetary
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- Davies, Marion (Hearst, William Randolph)
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- Dibert, Philip
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- Didion, Joan.
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- Dinsmore, W. V.
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- Dobbins, H. T.
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- Donaldson, Reverend Robert S.
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- Drown, Miss N.
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- Durney, Mrs. A. A.
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- Ebell Club of Los Angeles.
École nationale supérieure des beaux-arts (France)
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- École nationale supérieure des beaux-arts (France)
École nationale supérieure des beaux-arts (France)
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associatedWith
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- Constellation Relation
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Ecole nationale supérieure des beaux-arts (France)
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