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Information: The first column shows data points from Rosenberg, Harold, 1906-1978 in red. The third column shows data points from Rosenberg, Harold, 1906- in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Rosenberg, Harold, 1906-1978
Shared
Rosenberg, Harold, 1906-
Rosenberg, Harold, 1906-1978
Name Components
Name :
Rosenberg, Harold, 1906-1978
Dates
- Name Entry
- Rosenberg, Harold, 1906-1978
Citation
- Name Entry
- Rosenberg, Harold, 1906-1978
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Contributors from initial SNAC EAC-CPF ingest
Rosenberg, Harold
Name Components
Name :
Rosenberg, Harold
Dates
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- Rosenberg, Harold
Citation
- Name Entry
- Rosenberg, Harold
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Contributors from initial SNAC EAC-CPF ingest
Rosenberg, Harold (American critic, writer, and teacher, 1906-1978)
Name Components
Name :
Rosenberg, Harold (American critic, writer, and teacher, 1906-1978)
Dates
- Name Entry
- Rosenberg, Harold (American critic, writer, and teacher, 1906-1978)
Citation
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- Rosenberg, Harold (American critic, writer, and teacher, 1906-1978)
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Contributors from initial SNAC EAC-CPF ingest
Harold Rosenberg
Name Components
Name :
Harold Rosenberg
Dates
- Name Entry
- Harold Rosenberg
Citation
- Name Entry
- Harold Rosenberg
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Contributors from initial SNAC EAC-CPF ingest
Rosenberg, Harold, 1906-
Name Components
Name :
Rosenberg, Harold, 1906-
Dates
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- Rosenberg, Harold, 1906-
Citation
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- Rosenberg, Harold, 1906-
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Contributors from initial SNAC EAC-CPF ingest
Citation
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- Exist Dates
Citation
- Exist Dates
- Exist Dates
Harold Rosenberg (1906-1978) was a writer and educator from New York, N.Y.
Writer, educator; New York, N.Y.
Harold Rosenberg (1906-1978) was a writer and art critic of New York, N.Y.
Harold Rosenberg, the American art critic who developed the concept of "action painting" to describe the work of New York School painters such as De Kooning and Pollock, wrote art reviews, literary reviews and political essays for little magazines from 1930 until 1960. In 1967 he became the regular art reviewer for The New Yorker.
Harold Rosenberg, b. 1906, d. 1978, art critic, author, lecturer, and teacher.
Rosenberg was a leading New York art intellectual of the Abstract Expressionist era; worked for New Yorker magazine; wrote books on De Kooning and art history; taught at University of Chicago, 1966-1978.
May Natalie Tabak Rosenberg, b. 1910, d. 1993, novelist, married Rosenberg in 1932
May Tabak Rosenberg wrote a book, "But Not For Love", inspired by the summer art colony of The Springs, Long Island; focused on writing about artists, writers, and musicians.
Harold Rosenberg, b. 1906, d. 1978, art critic, author, lecturer, and teacher.
Rosenberg was a leading New York art intellectual of the Abstract Expressionist era; worked for New Yorker magazine; wrote books on De Kooning and art history; taught at University of Chicago, 1966-1978.
May Natalie Tabak Rosenberg, b. 1910, d. 1993, novelist, married Rosenberg in 1932
May Tabak Rosenberg wrote a book, "But Not For Love", inspired by the summer art colony of The Springs, Long Island; focused on writing about artists, writers, and musicians.
Biographical/Historical Note
Harold Rosenberg was born in Brooklyn, New York, in 1906. Like many of his generation of New York intellectuals, he was educated in the 1920s at City College, where debate about Marxism and its relationship to the arts flourished. The issues that concerned Rosenberg, and peers such as Irving Howe, Irving Kristol, Dwight MacDonald, Norman Podhoretz, and William Phillips, would generate influential journals such as Partisan Review, Dissent, and Commentary along with numerous other, often short-lived little magazines. It was in the little magazines that Rosenberg for many years found his readership. While working for the Works Progress Administration in the 1930s and for the Office of War Information in the 1940s and for the Advertising Council of America until 1973, he persistently published in these journals a prodigious number of poems, book reviews, art reviews, and theoretical essays. A selection of the essays were published as a book, The Tradition of the New, in 1959, when Rosenberg was fifty-three. The book reached a wider audience than the individual pieces had, and from that point on Rosenberg was in demand as a speaker, writer, and professor. In 1963 he gave the Gauss seminars at Princeton, and from 1966 until his death in 1978 he taught at University of Chicago as a member of the Committee on Social Thought. In 1962, he began publishing art reviews in The New Yorker, becoming, in 1967, their regular reviewer. These reviews, along with pieces he wrote for other prominent journals, were collected in the form of several books, including The Anxious Object (1964), Artworks and Packages (1969), The De-Definition of Art (1972), and Art On the Edge (1971). He also wrote books on individual artists he admired, such as William De Kooning, Saul Steinberg, and Barnett Newman.
Rosenberg's particular fusion of Marxist theory and modernism employed existentialism. In the late '40s and early '50s, he published in Les Temps Modernes and other French publications with the help of Maurice Merleau-Ponty and Simone de Beauvoir. Rosenberg's theoretical interests and critical observation of artists such as DeKooning and Pollock crystallized in his signature piece, "The American Action Painters," published in Art News in 1952. He argued that for these artists painting was a spontaneous event in the search for individual identity, and the resultant work on canvas was but a record of that search and not an object created for the purpose of aesthetic pleasure. This argument was ever afterward associated with Rosenberg, and he continued to revise and adapt it for the rest of his career as an art reviewer.
A brilliant polemicist who loved debate and discussion, Rosenberg had many enduring friendships among the intellectual elite of his day. The mutual animosity he and Clement Greenberg felt for each other, is also, however, an integral part of Rosenberg's personal history and the history of the New York School, whose work these critics so assiduously championed. From their early rivalry over a staff position at Partisan Review, to later mutual attacks in public and in print, Rosenberg and Greenberg, equally influential, came to represent two opposing approaches to the art of their day, even if, from the vantage point of the present day, they held many assumptions and judgements in common.
Rosenberg was married for more than forty years to the late May Natalie Tabak, a fiction writer who, like Rosenberg, published in The New Yorker . They had a daughter, Patia Rosenberg, who survives them.
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Oral history interview with Joseph Liss
Title:
Oral history interview with Joseph Liss
An interview of Joseph Liss conducted 1982 Aug. 10, by Dore Ashton, for the Archives of American Art's Mark Rothko and His Times oral history project.
OralHistoryResource: Sound recording: 1 cassette : analog.Transcript: 16 p. (on partial microfilm reel)
https://n2t.net/ark:/65665/mw97af29f2f-673d-4726-bf0b-e3b84eb3adb6 View
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- Resource Relation
- Liss, Joseph. Joseph Liss interview, 1982 Aug. 10.
Oral history interview with Milton Resnick
Title:
Oral history interview with Milton Resnick
An interview of Milton Resnick conducted 1988 July 13-Oct. 11, by Cynthia Nadelman, for the Archives of American Art. Resnick speaks of his life in Russia, New York, and Paris, his views on light and dark in painting; the development of his two paintings, NIGHT and DAY; his watercolors; his distrust of ideas; the influence of Soutine and Monet on him. He recalls Willem and Elaine de Kooning, the Club, Harold Rosenberg, Thomas B. Hess, Pat Passlof, Hans Hofmann, Lionel Abel, and others.
OralHistoryResource: Sound recording: 3 sound cassettes.Transcript: 172 p.
https://n2t.net/ark:/65665/mw9245a6ace-7ac8-475e-bf21-af94ba60db3d View
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- Resource Relation
- Resnick, Milton, 1917-2004. Milton Resnick interviews, 1988 July 13-Oct. 11.
Oral history interview with Judy Chicago
Title:
Oral history interview with Judy Chicago
An interview of Judy Chicago conducted 2009 August 7 and 8, by Judith Olch Richards, for the Archives of American Art, at Chicago's home and studio, in Belen, New Mexico.
OralHistoryResource: Sound recording, master: 4 memory cards (3 hr., 40 min.) secure digital; 1.25 in.Sound recording, duplicates: 4 compact discs (3 hr., 40 min.)Transcript: 74 p.
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- Chicago, Judy, 1939-. Oral history interview with Judy Chicago, 2009 Aug. 7-8.
Oral history interview with Harold Rosenberg
Title:
Oral history interview with Harold Rosenberg
An interview of Harold Rosenberg conducted 1968 July 8-1967 June 28, by Dorothy Seckler, for the Archives of American Art.
OralHistoryResource: Sound recording: 4 sound cassettes.Transcript: 51 p.
https://n2t.net/ark:/65665/mw92bfc2155-1ee4-4620-b842-d7cb3004115b View
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- Resource Relation
- Rosenberg, Harold, 1906-1978. Oral history interview with Harold Rosenberg, 1970 Dec. 17-1973 Jan. 28.
Harold Rosenberg papers, 1923-1984
Title:
Harold Rosenberg papers 1923-1984
American art critic who developed the concept of "action painting" to describe the work of New York School painters such as De Kooning and Pollock. In 1967 Rosenberg became the regular art reviewer for . The papers offer a comprehensive view of his professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and 1970s. The New Yorker
ArchivalResource: ca. 30 linear ft.; (64 boxes, 8 flat file folders)
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- Resource Relation
- Harold Rosenberg papers, 1923-1984
Alfred Kazin collection of papers, 1933-1990, 1933-1978
Title:
Alfred Kazin collection of papers 1933-1990 1933-1978
This is a synthetic collection consisting of manuscripts and typescripts, correspondence, journals kept from 1933 to 1990, and portrait photographs.
ArchivalResource: 1,207 items
http://archives.nypl.org/brg/19192 View
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- Resource Relation
- Alfred Kazin collection of papers, 1933-1990, 1933-1978
Harold and May Tabak Rosenberg papers
Title:
Harold and May Tabak Rosenberg papers
The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.
ArchivalResource: 4 Linear feet
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- Resource Relation
- Rosenberg, Harold, 1906-1978. Harold and May Tabak Rosenberg papers, [ca. 1950-1985].
Oral history interview with Max Spivak
Title:
Oral history interview with Max Spivak
An interview of Max Spivak conducted circa 1963, by Harlan Phillips, for the Archives of American Art.
OralHistoryResource: Sound recordings: 1 sound tape reel ; 7 in.Transcript: 58 p.
https://n2t.net/ark:/65665/mw9d17d1166-7313-4ab7-a9c8-2168d12a4378 View
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- Spivak, Max, 1906-1981,. Oral history interview with Max Spivak, [circa 1963] [sound recording].
Rosenberg, Harold, 1906-1978. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 1 folder.
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- Rosenberg, Harold, 1906-1978. Artist file : miscellaneous uncataloged material.
Oral history interview with Harold Lehman
Title:
Oral history interview with Harold Lehman
An interview of Harold Lehman conducted 1997 Mar. 28, by Stephen Polcari, for the Archives of American Art. Lehman speaks of his early educational and artistic experiences in New York; taking sculpture classes; moving to California; going to school at Manual Arts; going to Ojai and learning the religious philosophy of Krishnamurti; participating in literary discussion groups and the books he read; his years at Otis Art Institute; working with Sisqueiros, and how the frescoes they created were destroyed by the Red Squad; when he became interested in painting; working with Lorser Feitelson; working with the Public Works of Art Project; moving back to New York and working with the Federal Arts Project; his experiences with Sisqueiros and the artist workshop they set up; his thoughts on the Molotov-Ribbentrop Pact, Stalin and Trotsky; his thoughts on social realism; the project he did on Rikers Island; doing mural art; breaking both his arms two months before the attack on Pearl Harbor and how he managed to stay out of the army; working on his mural in Woodstock; working on war bond painting for the government; his art work during the war years; recollections of Jackson Pollack and his interest in Indian Art; going to see the Picasso show; his artistic influences; his thoughts on America's involvement in World War II; his life after the war and what inspired him; his memories of Phil Guston; thoughts on Harold Rosenberg and Clement Greenberg; his life after the war, and other recollections about his life and friends. He recalls Max Maikowski, Jean de Laffiere, Rutolo, Frederick J. Schwankovsky, Phil Guston, Jackson Pollack, Manuel Tolegian, Rueben Kadish, George Stanley, Roger Noble Vernon, D.A. Siqueiros, Luis Arenal, Lorser Feitelson, Helen Lundberg, Leo Katz, Merle Armiduke, Stanley McCoy, Axel Horr (Horn), Carla Mahl (Clara Moore), Louie Serstadt, Diego Rivera, Jose Orozco, Arnold Blanch, Harold Rosenberg, Clement Greenberg, Arnold Blanch, and many others.
OralHistoryResource: Sound recording: 7 sound cassettes (560 min.): analog.Transcript: 144 p.
https://n2t.net/ark:/65665/mw9f4e9efd8-1e65-4972-bd49-6e277168e3f2 View
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- Lehman, Harold, 1913-. Oral history interview with Harold Lehman, 1997 Mar. 28.
Rosenberg, Harold, 1906-1978. Harold Rosenberg Papers, 1923-1984.
Title:
Harold Rosenberg Papers, 1923-1984.
The papers offer a comprehensive view of Harold Rosenberg's professional life from the early 1930s until his death in 1978, with the greatest portion of material from the 1960s and '70s. One highlight is the editorial correspondence with Irving Howe, William Phillips, Irving Kristol, Norman Podhoretz, Thomas Hess and Ben Raeburn. Also interesting are letters from French intellectuals such as Simone de Beauvoir and Maurice Merleau-Ponty, whose work presumably grounded Rosenberg's theory of "action painting." There is ample, rich correspondence with writers and artists such as Saul Bellow, Kenneth Burke, Donald Barthelme, Robert Motherwell, Philip Guston, Ad Reinhardt, and Allan Kaprow. Manuscripts show the range of topics Rosenberg's thoughtful writings encompassed in the little magazines that embraced him for more than three decades. They also show the maturation of his style as a reviewer for The New Yorker. The evolution of a given manuscript is often discernible through notes, drafts, corrected typescripts and galleys. Interviews and teaching files give a glimpse of the way Rosenberg presented his ideas as a public speaker, a facet of him that the audiotape also preserves. There is a relatively small amount of personal material, such as letters from Rosenberg's wife, May Natalie Tabak, and journals and photographs, which convey the quality of his family life. Clippings and printed matter, including 20 propaganda posters from the second World War, evoke the social and intellectual era in which Rosenberg lived and worked.
ArchivalResource: ca. 33 linear ft. (65 boxes)
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- Rosenberg, Harold, 1906-1978. Harold Rosenberg Papers, 1923-1984.
Vera Klement papers
Title:
Vera Klement papers
The papers of painter and educator Vera Klement measure 3.3 linear feet and 1.36 GB and date from 1950 to circa 2016. The papers include scattered correspondence with Franz Schulze and others, writings and notes including digital copies of a memoir, an interview, and a film, personal business records, printed and digital material, fourteen sketchbooks and other works of art, and photographs, including a photo of the MacDowell Colony in 1957.
ArchivalResource: 3.3 Linear feet; 1.36 Gigabytes
https://n2t.net/ark:/65665/mw96e173e2a-4a76-43d3-a2da-234c952b61f8 View
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- Resource Relation
- Klement, Vera. Vera Klement papers, 1946-2001.
Cummings, E. E. (Edward Estlin), 1894-1962. Papers, 1870-1969
Title:
E. E. Cummings papers, 1870-1969
Correspondence and working drafts of poems and other writings by American poet E. E. Cummings.
ArchivalResource: 116 boxes (18 linear ft.)
http://id.lib.harvard.edu/ead/hou00946/catalog View
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- E. E. Cummings papers, 1870-1969.
Cummings, E. E. (Edward Estlin), 1894-1962. Additional papers, 1870-1969.
Title:
E. E. Cummings additional papers, 1870-1969
Correspondence, poems, prose, notes, and drawings by American poet Edward Estlin Cummings. Also includes papers of his third wife Marion Morehouse Cummings.
ArchivalResource: 156 boxes (78 linear ft.)
http://id.lib.harvard.edu/ead/hou01075/catalog View
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- E. E. Cummings additional papers, 1870-1969.
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- Barthelme, Donald
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- Barthelme, Donald.
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- Baumbach, Harold, 1903-
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- Beauvoir, Simone de, 1908-
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- Beauvoir, Simone de, 1908-1986.
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- Bellow, Saul
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- Constellation Relation
- Bellow, Saul.
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- Blume, Peter, 1906-1992.
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- Breton, André, 1896-1966.
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- Burke, Kenneth, 1897-1993.
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- Chicago, Judy, 1939-
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- Constellation Relation
- Club (New York, N.Y.)
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- Club (New York, N.Y.)
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- Commentary (New York, N.Y. : 1945)
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- Constellation Relation
- Cummings, Paul
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- Davis, Stuart, 1892-1964.
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- De Kooning, Willem, 1904-
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- Constellation Relation
- Dissent (New York, N.Y. : 1954)
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- Constellation Relation
- Dostoyevsky, Fyodor, 1821-1881.
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- Gorky, Arshile, 1904-1948.
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- Constellation Relation
- Guston, Philip, 1913-1980.
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- Constellation Relation
- Hess, Thomas B.
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- Constellation Relation
- Howe, Irving
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- Howe, Irving.
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- Inverarity, Robert Bruce, 1909-1999.
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- Constellation Relation
- Kaprow, Allan.
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- Constellation Relation
- Kazin, Alfred, 1915-1998
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- Constellation Relation
- Klement, Vera.
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- Krasner, Lee, 1908-1984.
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- Constellation Relation
- Kristol, Irving
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- Kristol, Irving.
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- Constellation Relation
- Léger, Fernand, 1881-1955.
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- Constellation Relation
- Lehman, Harold, 1913-
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- Constellation Relation
- Liss, Joseph
Location (New York, N.Y. : Longview Foundation, Inc., 1963)
http://n2t.net/ark:/99166/w6j50wzt
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- Constellation Relation
- Location (New York, N.Y. : Longview Foundation, Inc., 1963)
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- Constellation Relation
- Lundeberg, Helen, 1908-1999.
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- Constellation Relation
- Matta Echaurren, Roberto Sebastián, 1911-
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- Merleau-Ponty, Maurice, 1908-1961.
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- Constellation Relation
- Miró, Joan, 1893-
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- Constellation Relation
- Motherwell, Robert.
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- Constellation Relation
- Nation (New York, N.Y. : 1865)
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- Constellation Relation
- Newman, Barnett, 1905-1970.
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- Constellation Relation
- New Yorker (New York, N.Y. : 1925)
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- Constellation Relation
- New York School of Art
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- Constellation Relation
- Office of War Information. Washington, D.C.
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- Constellation Relation
- Office of War Information. Washington, D.C.
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- Constellation Relation
- Partisan review (New York, N.Y. : 1936)
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- Constellation Relation
- Phillips, William, 1907 Nov. 14-
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- Constellation Relation
- Phillips, William, 1907 Nov. 14-
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- Podhoretz, Norman
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- Constellation Relation
- Podhoretz, Norman.
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- Pollock, Jackson, 1912-1956.
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- Constellation Relation
- Prestopino, Gregorio.
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- Raeburn, Ben
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- Raeburn, Ben.
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- Constellation Relation
- Reinhardt, Ad, 1913-1967.
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- Constellation Relation
- Resnick, Milton, 1917-
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- Constellation Relation
- Rosenberg, May Tabak, 1910-1993.
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- Constellation Relation
- Rothko, Mark, 1903-1970.
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Abstract expressionism
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Art, American
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Art
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- Art
Art
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- Art
Art
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- Art
Art
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- Art
Art and literature
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- Subject
- Art and literature
Art criticism
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- Subject
- Art criticism
Art critics
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- Subject
- Art critics
Art critics
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- Art critics
Authors
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Avant-garde (Aesthetics)
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- Avant-garde (Aesthetics)
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Existentialism
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- Existentialism
New York school of art
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- New York school of art
Surrealism
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- Subject
- Surrealism
World War, 1939-1945
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- Subject
- World War, 1939-1945
Americans
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New York (State)--New York
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New York (State)--New York
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New York (State)--New York
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- Place
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New York (State)--New York
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- Place
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New York (State)--New York
Parsed from SNAC EAC-CPF.
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- Convention Declaration
- Convention Declaration 154