Compare Constellations

Marinetti, Filippo Tommaso, 1876-1944. Marinetti correspondence and papers, 1886-1974.

Title: Marinetti correspondence and papers, 1886-1974.

The largest portion of Marinetti correspondence and papers consists of letters and submissions directed to Marinetti (Series I and II), first as editor of "Poesia" and later as the leader of the futurist movement and publisher of the book series "Edizioni futuriste di Poesia." These letters, together with those from Marinetti (Series III) to an often unnamed correspondent ("Mon ami"), demonstrate how Marinetti stimulated debate about his movement in part by sending queries to a broad range of international literary figures regarding free verse or the futurist manifestos. He also critiques the writing submitted to him according to futurist criteria, and warmly praises pieces that meet his idiosyncratic standards. His correspondents, in turn, praise or critique Marinetti's writing. Of particular interest are conflicted responses to the first futurist manifesto in 1909. Letters from fellow futurists, such as Carlo Carra,̀ Umberto Boccioni, Francesco Cangiullo, and Fortunato Depero, reveal wranglings internal to the movement, as well as the zeal with which they pursued their shared aims. After the First World War, letters are concerned with politics, and during the fascist years, many regard requests for government funding for individual futurist artists. Finally, following Marinetti's death, letters directed to Benedetta or Scrivo pertain to preservation of the futurist legacy, despite the stain of fascism, through retrospective exhibitions, anthologies, and conferences.

ArchivalResource: 8.5 linear ft. (16 boxes)

http://www.worldcat.org/oclc/82265403 View

Dorothy C. Miller papers

Title: Dorothy C. Miller papers

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of <emph render="italic">The Nelson A. Rockefeller Collection: Masterpieces of Modern Art.</emph> Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, <emph render="italic">Art At Work: Chase Manhattan Bank Collection</emph>. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art. Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing <emph render="italic">Edward Hicks: His Peaceable Kingdom and Other Paintings</emph>. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.

ArchivalResource:

https://n2t.net/ark:/65665/mw9f1ed6cb6-f194-4b76-a8dd-fce3352c09b8 View

Eugène and Maria Jolas Papers

Title: Eugène and Maria Jolas Papers

The Eugène and Maria Jolas Papers consist of manuscripts, letters, photographs, and printed materials relating to the work and lives of the two authors, to their publication, Transition magazine, and to their friend, James Joyce.

ArchivalResource: 31.75 Linear Feet (70 boxes)

http://hdl.handle.net/10079/fa/beinecke.jolas View

Oral history interview with Hedda Sterne

Title: Oral history interview with Hedda Sterne

An interview of Hedda Sterne conducted 1981 December 17, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.

OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 27 p.

https://n2t.net/ark:/65665/mw96ed824fe-2044-421c-ab59-29fba4b8d7c0 View

Grace Hartigan Papers, 1942-2006

Title: Grace Hartigan Papers 1942-2006

Correspondence, primarily incoming, 1942-1970; drawings by Alfred Leslie and Saul Steinberg; exhibition catalogs; a notebook containing recipes and sketches; photographs of Hartigan, her work, and various of her artist friends, including Mary Clyde, Willem de Kooning, Helen Frankenthaler, Alfred Leslie, Frank O'Hara, and Larry Rivers; and writings of Hartigan and others, including that of Ted Joans, Barbara Guest, and Frank O'Hara

ArchivalResource: 25 linear ft

http://library.syr.edu/digital/guides/h/hartigan_g.htm View

Oral history interview with Bernard J. Reis

Title: Oral history interview with Bernard J. Reis

An interview of Bernard Reis conducted 1976 June 3-1976 June 10, by Paul Cummings, for the Archives of American Art.

OralHistoryResource: Sound recording: 2 sound tape reels ; 5 in.Transcript: 64 p.

https://n2t.net/ark:/65665/mw9cbdc1da9-bb60-45c7-af14-ea01af3e0937 View

Fisher, M. F. K. (Mary Frances Kennedy), 1908-1992. Typed letter signed with initials : Last House [Glen Ellen, California], to David Pleydell-Bouverie, 1979 Oct. 19.

Title: Typed letter signed with initials : Last House [Glen Ellen, California], to David Pleydell-Bouverie, 1979 Oct. 19.

Talking about Peggy Guggenheim and Margaret Thatcher; mentioning shared acquaintances and a memorial service for Albert Kahn.

ArchivalResource: 1 item (1 p.) ; 27.9 cm.

http://www.worldcat.org/oclc/591372965 View

Nell Blaine papers

Title: Nell Blaine papers

Biographical material, correspondence, business records, writings, art works, and printed material. Also included are papers of Blaine's friend, Howard Griffin. Correspondence; clippings, exhibition catalogs, and printed materials; two scrapbooks; and photographs of Blaine and her work. Among the photographs are: 8 of Blaine's studio, 1943-1961; 5 of Blaine, one each with E. Astor, Dilys Evans, Olga von Flotow, Margaret Harmsworth, Midi Garth and Denise Levertov; 2 of Larry Rivers, one with Blaine, 1950; 2 of Blaine, one with art collectors Mr.and Mrs. Henry Jason and the New York City ballet dancer, Gayle Young, 1959, the other with Constance Smith, Patricia H. Cooper, Jane Freilicher, Jane Watrous, Milton Klonsky, Albert Kresch. In addition there is a photograph of the dancer Eleanor Goff modeling a costume designed by Blaine, 1946. Correspondence with friends, dealers, collectors, writers, institutions and others,including Kit Barker, Peggy Guggenheim, Midi Garth, Carolyn Harris, Galway Kinnell, Larry Rivers, John Von Wicht, Beatrice Gazzolo and others; correspondence regarding the publication of Breakthrough by Daisy Aldan and Nell Blaine; a book, Love Aspects, by Howard Griffin, illustrated by Blaine and photographs of Blaine, her studio, Howard Griffin, and friends and relatives. Howard Griffin material includes research material on Joseph Cornell byGriffin, and letters to Griffin from W. H. Auden, Kit Barker, Jean Garrigue, Clarence John Laughlin, Marianne Moore, Frank O'Hara, Mark Tobey, Clifford Wright (over 100), and others. The collection also includes etchings by Alvin Ross.

ArchivalResource: 2.7 linear ft. (partially microfilmed on 1 reel)

https://n2t.net/ark:/65665/mw93f378bff-2465-43a6-a48b-3458d786cce4 View

Barnes, Djuna. Chester Page Collection.

Title: Chester Page Collection

Pianist and art connoisseur, Chester Page (1929-) was a close confidant to Modernist American author, Djuna Barnes (1892-1982) during the final decade of her life, as well as a friend to several other major literary figures such as Marianne Moore (1887-1972), Bryher (1894-1983), and Elizabeth Bishop (1911-1979). Barnes and Page shared a mutual friendship with Moore. In the spring of 1970 Page wrote to Barnes to introduce himself and to offer his assistance. He was invited to tea at Barnes's apartment at 5 Patchin Place in New York City on 19 May 1970, and from that moment forward, enjoyed a close friendship with the author until her death. After Barnes's death on 18 June 1982, Page became an invaluable source of information on the reclusive author during her final days. He had managed a closeness which Barnes bestowed on a select few. The Chester Page Collection contains correspondence between Barnes and several friends and literary figures, some ephemera and periodicals with Barnes writing collected by Page. The collection spans the period 1933 to 1992. Correspondence with Louise Crane (1913-1997) dating between 1970 and 1973 constitutes the bulk of the collection.

ArchivalResource: 1.0 linear feet

http://hdl.handle.net/1903.1/1542 View

Lydia Winston Malbin papers, 1891-1997, 1938-1997

Title: Lydia Winston Malbin papers 1891-1997 1938-1997

The collection consists primarily of files relating to individual works of art in the Malbin art collection, in addition to correspondence with artists, curators, dealers, museums and galleries; photographs; documentation regarding gifts and loans; material relating to Lydia Winston Malbin's collecting activities and related projects; a small amount of papers of Malbin's father, Albert Kahn; scrapbooks; and card files. The papers provide extensive documentation of a major twentieth-century collection which is no more and of individual works within the collection; as well as insight into some of the leading artists of this century, and particularly of the Italian Futurists, such as Umberto Boccioni. They also illustrate in detail the practice of art collecting as carried out by Malbin, one of the great American practitioners of that avocation.

ArchivalResource: 100 boxes (incl. 2 oversize boxes); 45 linear feet

http://hdl.handle.net/10079/fa/beinecke.malbin View

Eleanor Howland Bunce papers

Title: Eleanor Howland Bunce papers

The papers of arts administrator Eleanor Howland Bunce measure 0.7 linear feet and date from 1936 to 1987. Found are general correspondence and greeting cards, and subject files on artists, art collectors, and galleries.

ArchivalResource: 0.7 Linear feet

https://n2t.net/ark:/65665/mw92f80b428-f6e1-4a97-b014-ee3e06ca53f1 View

Barnes, Djuna. Chester Page Collection.

Title: Chester Page Collection

Pianist and art connoisseur, Chester Page (1929-) was a close confidant to Modernist American author, Djuna Barnes (1892-1982) during the final decade of her life, as well as a friend to several other major literary figures such as Marianne Moore (1887-1972), Bryher (1894-1983), and Elizabeth Bishop (1911-1979). Barnes and Page shared a mutual friendship with Moore. In the spring of 1970 Page wrote to Barnes to introduce himself and to offer his assistance. He was invited to tea at Barnes's apartment at 5 Patchin Place in New York City on 19 May 1970, and from that moment forward, enjoyed a close friendship with the author until her death. After Barnes's death on 18 June 1982, Page became an invaluable source of information on the reclusive author during her final days. He had managed a closeness which Barnes bestowed on a select few. The Chester Page Collection contains correspondence between Barnes and several friends and literary figures, some ephemera and periodicals with Barnes writing collected by Page. The collection spans the period 1933 to 1992. Correspondence with Louise Crane (1913-1997) dating between 1970 and 1973 constitutes the bulk of the collection.

ArchivalResource: 1.0 linear feet

http://hdl.handle.net/1903.1/1542 View

Freytag-Loringhoven, Elsa von, 1874-1927. Papers.

Title: Elsa von Freytag-Loringhoven papers

Elsa von Freytag-Loringhoven (1874-1927) was an avant-garde artist and poet associated with Djuna Barnes and the Dada movement. Her papers consist of correspondence, poetry, and biographical and autobiographical notes and manuscripts documenting her life and literary career. Among the significant correspondents are Djuna Barnes, Peggy Guggenheim, and Berenice Abbott.

ArchivalResource: 4.00 linear feet

http://hdl.handle.net/1903.1/1501 View

Robertson, Lanie. Woman before a glass : a triptych in four parts / by Lanie Robertson.

Title: Woman before a glass : a triptych in four parts / by Lanie Robertson.

One-woman show about the life of art patron and collector Peggy Guggenheim (1898-1979). Typescript, dated Apr. 7, 2005.

ArchivalResource: 66 leaves ; 28 cm.

http://www.worldcat.org/oclc/692794640 View

Guggenheim, Peggy, 1898-1979. Letters, 1939-1940.

Title: Letters, 1939-1940.

Two letters to Naum Gabo, one forwarding a portion of a letter from Emma Goldman (Feb. 22, 1939), containing her address and office hours, to which Guggenheim has added a brief note mentioning that she hopes to acquire one of Gabo's works for her museum. In the second letter (1940), Guggenheim discusses her method for purchasing works vis-à-vis negotiations for the acquisition of Gabo's work.

ArchivalResource: 2 items.

http://www.worldcat.org/oclc/84546768 View

Dillon, Millicent. Papers, 1905-1990 (bulk 1935-1986).

Title: Papers, 1905-1990 (bulk 1935-1986).

The collection consists of Millicent Dillon's notebooks, index cards, typescripts, correspondence, photographs, cassette tapes, and clippings, as well as materials by Paul and Jane Bowles she collected, including Jane Bowles's notebooks, typescripts, correspondence, photographs, and legal documents, and Paul Bowles's correspondence and clippings. The collection centers around Dillon's writings about Jane Bowles's life and works. While writing a biography about Jane Bowles, A Little Original Sin: The Life and Works of Jane Bowles, Dillon contacted Jane Bowles's husband, writer-composer Paul Bowles, as well as Jane's relatives, friends, and acquaintances. The resulting correspondence and interview notes are a highlight of the collection. Among the correspondence are 170 letters between Dillon and Paul Bowles from 1976-1990 and one or more letters by Brion Gysin, Patricia Highsmith, Dione Lewis, Miriam Levy, Gordon Sager, Virgil Thomson, and others. Dillon also obtained original letters and photocopies of letters written by Jane Bowles, some of Bowles's notebooks and typescripts, and numerous photographs. Dillon also gathered Jane Bowles's birth and death certificates, as well as other documents relating to Jane Bowles and her family, and was given some of Paul Bowles's correspondence.

ArchivalResource: 15 boxes (7.5 linear feet)

http://www.worldcat.org/oclc/122640490 View

Guggenheim, Peggy, 1898-1979. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/236164801 View

Peter Neagoe Papers, 1928-1967

Title: Peter Neagoe Papers 1928-1967

Papers of the Romanian American artist, novelist, short short writer (1881-1960). Correspondence, diaries, drawings, manuscripts, photographs, sketches, memorabilia, and material relating to Neagoe's wife, painter and muralist, Anna Neagoe.

ArchivalResource: 7.0 linear ft.

http://library.syr.edu/digital/guides/n/neagoe_p.htm View

Guggenheim, Peggy : [miscellaneous ephemeral material].

Title: Guggenheim, Peggy : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, advertisements, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/201497058 View

Katharine Kuh papers

Title: Katharine Kuh papers

The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.

ArchivalResource: 12 linear feet

https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a View

Oral history interview with David Hare

Title: Oral history interview with David Hare

An interview of David Hare conducted 1968 Jan. 17, by Dorothy Seckler, for the Archives of American Art.

OralHistoryResource: Sound recording: 3 sound cassettes.Transcript: 83 p.

https://n2t.net/ark:/65665/mw98104066f-2d4c-4058-b410-dbbd844ec20f View

Oral history interview with Hedda Sterne

Title: Oral history interview with Hedda Sterne

An interview of Hedda Sterne conducted 1981 December 17, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.

OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 27 p.

https://n2t.net/ark:/65665/mw96ed824fe-2044-421c-ab59-29fba4b8d7c0 View

Hermine Benhaim Freed papers relating to Howard Putzel

Title: Hermine Benhaim Freed papers relating to Howard Putzel

The papers of Hermine Benhaim Freed measure 0.01 linear feet (7 items) and date from 1945 to 1966. The collection mostly consists of material Freed gathered about New York gallery owner Howard Putzel, such as Benhaim's paper on Howard Putzel, "Howard Putzel and the Beginnings of Abstract Expressionism," written for a Modern Art Seminar at New York University. Also included are letters to Freed, 1966, about Putzel from Joseph Allen, Peggy Guggenheim, Kenneth MacPherson and Gordon Onslow-Ford; and a typescript and a clipping of reviews of the exhibition "A Problem for Critics," 1945, organized by Putzel.

ArchivalResource: 0.01 Linear feet

https://n2t.net/ark:/65665/mw94bf840e1-82ca-4e2f-9abb-8b6b7b21dba8 View