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Information: The first column shows data points from Jolas, Eugène, 1894-1952 in red. The third column shows data points from Jolas, Eugene, 1894- in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Jolas, Eugène, 1894-1952
Shared
Jolas, Eugene, 1894-
Jolas, Eugène, 1894-1952
Name Components
Name :
Jolas, Eugène, 1894-1952
Dates
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- Jolas, Eugène, 1894-1952
Citation
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Jolas, Eugene
Name Components
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Jolas, Eugene
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Contributors from initial SNAC EAC-CPF ingest
Jolas, Eugène 1894-1952
Name Components
Name :
Jolas, Eugène 1894-1952
Dates
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- Jolas, Eugène 1894-1952
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Contributors from initial SNAC EAC-CPF ingest
Jolas, Eugene, 1894-1952.
Name Components
Name :
Jolas, Eugene, 1894-1952.
Dates
- Name Entry
- Jolas, Eugene, 1894-1952.
Citation
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- Jolas, Eugene, 1894-1952.
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Contributors from initial SNAC EAC-CPF ingest
Jolas, Eugene, writer
Name Components
Name :
Jolas, Eugene, writer
Dates
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Citation
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Contributors from initial SNAC EAC-CPF ingest
Jolas, Eugène
Name Components
Name :
Jolas, Eugène
Dates
- Name Entry
- Jolas, Eugène
Citation
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Contributors from initial SNAC EAC-CPF ingest
Jolas, Eugéne
Name Components
Name :
Jolas, Eugéne
Dates
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Citation
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Contributors from initial SNAC EAC-CPF ingest
Jolas, Eugene, 1894-
Name Components
Name :
Jolas, Eugene, 1894-
Dates
- Name Entry
- Jolas, Eugene, 1894-
Citation
- Name Entry
- Jolas, Eugene, 1894-
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Citation
- Exist Dates
- Exist Dates
Eugene Jolas (1894-1952), poet, journalist and translator, was the founding editor (with Elliot Paul) of transition . Maria Jolas (1893-1987), his wife, was a translator in her own right, as well as a school administrator and, along with Eugene, a confidant of James Joyce. More complete biographical sketches can be found in the finding aid for the Eugene and Maria Jolas Papers (GEN MSS 108).
Epithet: writer
Eugene Jolas, poet, author and editor of Transition magazine.
Maria Jolas, author and translator.
Eugene Jolas, poet, author and editor of Transition magazine.
Maria Jolas, author and translator.
Eugene Jolas, poet, author and editor of Transition magazine.
Maria Jolas, author and translator.
John George Eugene Jolas was born October 26, 1894, in Union Hill, New Jersey. His parents, Eugene Pierre and Christine (née Ambach) had immigrated to the United States from the Rhine borderland area between France and Germany several years earlier. The family would return to Europe, specifically Forbach in Lorraine, in 1897. Eugene spent his formative years in this part of Europe which had become part of Germany in 1871 following the Franco-Prussian War.
After basic schooling, Eugene decided to return alone to America in 1909. He attended classes in English at De Witt Clinton Evening High School while working a succession of menial delivery jobs. Eventually, he made contacts in the world of journalism and began writing for the Volksblatt und Freiheitsfreund, and The Pittsburg Sun in Pennsylvania. In 1917, he joined the U. S. Army Medical Corps and was stationed in Camp Lee, Virginia. During his tenure in the military, he continued his journalistic pursuits, editing small newspapers for enlisted men and veterans.
Shortly after being honorably discharged, Eugene went back and forth between North America and Europe for several years in pursuit of a career in journalism. While in America, he reported for The Savannah Morning News, The Waterbury Republican, and The New York Daily News . His visits to Paris in 1923 and 1924 influenced his decision to take a position with The Chicago Tribune Paris Edition. His work here as the city reporter and as a literary columnist (writing "Rambles Through Literary Paris") provided his first interaction with many artists and writers living in Paris.
During this period, Jolas passed a number of landmarks in his life. In 1924, his first book of poetry, Ink, was published by Rythmus Press in New York. This was followed by a second volume, Cinema, issued in 1926 by Adelphi Press, New York. On January 12, 1926, he returned to New York City where he married Maria MacDonald, whom he had met in Paris. His first daughter, Betsy MacDonald, was born August 5, 1926. In the early months of their marriage, Jolas and his wife lived in New Orleans, where he reported for the The Item Tribune .
In 1927, after his return with his family to Paris, Eugene Jolas embarked on a more ambitious literary task, the publication of transition . This now famous literary review was begun by Jolas with the assistance of his first co-editor, Elliot Paul. Transition, published initially over a period of eleven years became known as a major literary laboratory for modern writing. [See historical sketch of transition below for more detailed information].
Editing transition became Eugene Jolas's metier for over a decade. During the same period, however, he continued his own writing and published several works through different publishers. In 1927, in collaboration with his wife, Jolas published Le nègre qui chante, an anthology of spirituals and work-songs, which the two had become acquainted with while living in the American South. 1929 saw the publication of Secession in Astropolis as well as the birth of the Jolas's second daughter, Marie Christine Georgia Jolas (known as Tina). In nearly every year which followed, Eugene issued a new book of poetry. Among these were: Hypnolog des Scheitelauges (1931), Epivocables of 3 (1932), The Language of Night (1932), Mots Déluge (1933), Angels and Demons (1937), Vertical (1938), I Have Seen Monsters and Angels (1938), Planets and Angels (1940) and Words from the Deluge (1941).
During this same period, Eugene Jolas became more involved with the literary scene in Europe and came to develop strong relationships with a number of writers and artists. During his earliest years in Paris, he had made the acquaintance of James Joyce and was eventually able to secure Joyce's "Work in Progress" for the first issues of transition . Their association grew so that Eugene acted as an unofficial editor of much of Joyce's new writings as well as a confidant and friend. Among Eugene Jolas's other literary and artistic acquaintances in France were Harry and Caresse Crosby, Kay Boyle, André Breton, Padraic Colum, André Masson, Henri Matisse, Joan Miró, Georges Pelorson, Georges Ribemont-Dessaignes, and Philippe Soupault.
The 1930s were a fruitful time for Jolas in other ways, as well. In 1935, he took a sabbatical from his editorial duties to work in New York City for the Havas News Agency, principally translating news from America for transmission to French speaking countries. He also continued his work as a professional translator. He had begun translating submissions for transition, but eventually was asked to do outside work, such as the English language version of Alfred Doeblin's Berlin Alexanderplatz . He would eventually work on writings by André Breton, Gérard de Nerval, and Carl Sternheim.
In 1937, after returning to Paris, he resumed work on transition, which was publishing longer issues, though more infrequently. His energies were directed into publishing anthologies of many of the works that had appeared in transition . Transition Stories was issued in 1939, followed by an anthology, Vertical: A Yearbook for a Romantic-Mystic-Revolution in 1941 featuring work by Paul Claudel, Charles Péguy, and Léon-Paul Fargue. In 1938, Jolas was one of the founders of a new literary monthly, Volontés . Also on the board of editors were Pierre Guéguen, Frédéric Joliot, Georges Pelorson, and Raymond Queneau. Volontés disappeared at the outset of the Second World War. The poetry Jolas produced during this time exhibited his growing interest in religious themes, principally Catholic images from his youth. These themes would expand through the 1940s and 1950s to play an important role in Jolas's art and philosophy.
In 1939, Jolas officially suspended production of transition when he moved back again to New York to work as a free-lance literary writer. The increasing tensions in Europe convinced him to have his family join him in America after the fall of France in the summer of 1940.
In the early years of World War II, Eugene worked for the Office of War Information in New York. Chief among his duties were processing news in French for transmission to North Africa and providing hometown news for American soldiers stationed in Hawaii. His success as a news writer led to his transfer to London in March, 1944, where he continued to translate war news into French for the Allied forces. His tenure here was brief, as he went to France in July of that year to help reestablish journalistic communications in recently liberated towns and villages. He was finally able to reenter his Lorraine homeland in January, 1945. His mission was to set-up non-propagandistic newspapers in captured German towns and eradicate traces of Nazi idiom and ideology from the German journalistic vocabulary. His success in Aachen, with the Aachener Nachrichten, and in Heidelberg, with Die Heidelberger Mitteilungen, led to his being appointed Editor-in-Chief of the Deutsches Allgemeine Nachrichten-Agentur, DANA (later changed to DENA). The mission of this newly-formed agency was to continue the work in reestablishing newspapers in occupied Germany. Jolas expanded the scope of DANA to introduce a literary review, Die Wandlung, on which he worked with Karl Jaspers.
Eugene Jolas continued working with DANA, separated from his wife and daughters who had now moved to Paris, until February, 1947. He resigned his post and rejoined his family, compiling the Transition Anthology and assisting Georges Duthuit, who was working to revive transition under a new formula. He also completed a major part of his autobiography, Man From Babel, which he had been working on since 1939. In 1948, he returned to a career in journalism as news editor for the Neue Zeitung in Munich. As well, he took on the duties in the School of Journalists established by the occupational government's Information Services Divisions, eventually writing a textbook, Der Moderne Reporter . Between 1949 and 1950, Eugene contributed a weekly column, "Across Frontiers" to The New York Herald Tribune Paris Edition.
Jolas resigned his posts in Munich to return to Paris in April, 1950. He continued free-lance writing, but became very ill over the following two years. He died in Paris on May 26, 1952.
A chronology of events in Eugene Jolas's life, as well as a bibliography of his works, compiled by Maria Jolas, can be found in the original finding aid to this archives in box 1.
Maria McDonald Jolas was born in Louisville, Kentucky, on 12 January 1893. Her parents had moved to Kentucky from Virginia, where their English and Scottish forebears had settled in the seventeenth and eighteenth centuries. Her father, Donald McDonald, was head of the Louisville Gas and Electric Company. Maria McDonald was educated at Semple Collegiate School, a private school in Lousiville, where she majored in French, Latin, and Literature. On graduating, she was offered a scholarship at the University of Chicago which, to her lasting regret, her family turned down. Instead, she concentrated on her musical talents and for two years, from 1910-11, studied the piano at the Finch School in New York. In 1912, she went to Berlin to study singing and remained in Germany until the outbreak of the First World War. She spent the next four years in New York, where she took singing lessons with the soprano Giulia Valda, while working for Charles Scribner and Sons and the Western Union Telegraph Company. In 1919, she followed Giulia Valda who had returned to Paris, her home, to continue with her singing lessons. It was in Paris that she met Eugene Jolas, whom she married on January 12, 1926 at St. Patrick's Cathedral in New York. After six months in New Orleans, the Jolases returned to France, where they set up residence first in Paris, then in the village of Colombey-les-deux-Églises, in the Haute-Marne, in the house later acquired by General de Gaulle. Their daughter Betsy was born in 1926. In 1929, they had a second daughter, Marie-Christine. A third child, born in 1930, died shortly after her birth.
Maria Jolas collaborated actively with her husband on transition, first as secretary, then more and more as translator: her contributions include work by Léon-Paul Fargue, Philippe Soupault, Raymond Roussel, André Breton, Robert Desnos, Roger Vitrac, Bernard Faÿ, and Jean Paulhan. In 1928, the Jolases together published Le nègre qui chante, an anthology of spirituals, and in 1936-38, they translated Franz Kafka's Metamorphosis .
In 1932, in collaboration with the French linguist Hermine Priestman-Bréal (daughter of the French linguist Michel Bréal), Maria Jolas founded the École bilingue de Neuilly, which was an attempt at using the most advanced pedagogical methods for teaching in both English and French, while following the official French programs from nursery school through the Baccalauréat.
Throughout the 1930s, Maria Jolas became especially close to James Joyce, with whom she shared a strong interest in music and singing. In the summer of 1932, while the Jolases were on holiday in Feldkirch, in the Austrian Alps, and Joyce was visiting his eye doctor in Zurich, they agreed, at his request, to look after his daughter Lucia, who by that time had showed serious signs of mental deterioration. As Lucia's state worsened in the following years, Maria Jolas was one of the people Joyce turned to for advice and help.
At the outbreak of the Second World War, while her husband returned to the United States, Maria Jolas evacuated her school to La Chapelle, a hamlet near Saint-Gérand-Le Puy, a small village in the Allier, where the school functioned at a reduced level for another year before it was forced to close down. The Joyces, whose grandson Stephen attended the École bilingue, spent Christmas 1939 in Saint-Gérand, and they remained there until their departure for Switzerland in December 1940.
In September 1940, Maria Jolas left France to join her husband in New York with her two daughters. During the war years, she devoted her energy to the support of the Free French cause. In 1941, she joined the "France Forever" organization, and in 1943 founded the "Cantine La Marseillaise" at 789 Second Avenue, which she ran until 1946 for the benefit of soldiers, sailors, and aviators enlisted in the Free French forces. Meanwhile, she continued her work as a translator, and took over her husband's work for the Encyclopaedia Britannica . In March 1944, she joined the Office of War Information as Head of the French language section.
Returning to France in March 1946, Maria Jolas served for one year as director of the Information Service of the relief organization "Aide américaine à la France", visiting schools and orphanages, while actively pursuing her career as translator. In 1949, to benefit the Joyce family, she organized the first major Joyce exhibition at the Gallery La Hune in Paris. In the same year, she compiled the Joyce Yearbook which was published by Transition Press.
After the death of Eugene Jolas in May 1952, Maria Jolas became more involved in translation work: in particular, she translated all the work of Nathalie Sarraute, who became a close friend, and a large number of books and articles on art history and art criticism. An opponent to the Vietnam War, she was an active member of the Paris American Committee to Stop War from 1966 until its forced closure in 1970. (The part of her papers dealing with her involvement in PACS was donated to the Wisconsin Historical Society in Madison.) In 1970, her translation of Sarraute's Between Life and Death was awarded the Scott Moncrieff Prize by the Society of Authors in London.
Until the end of her life, Maria Jolas remained an important presence in the international community of Joyce scholars, taking part, in particular, in the celebrations of the centenary of Joyce's birth in 1982. She divided her time between Paris and the house she had purchased in 1950 in Chérence, near La Roche-Guyon, in Normandy.
Maria Jolas died in Paris in 1987 at the age of 94.
Founded in 1927 by Eugene Jolas and Elliot Paul, transition, an international literary review, became an immediate sensation for its promotion of modernist aesthetics in writing and art and its choice of memorable contributors. Eugene Jolas had made a number of acquaintances in the arts while writing a column for The Chicago Tribune Paris Edition. His friendship with a wide range of writers and artists became a starting point for the magazine's distinctive cadre of talent. The first issue alone was represented by original works by Kay Boyle, Gertrude Stein, Hart Crane, André Gide, and Archibald MacLeish. Installments of James Joyce's "Work in Progress" (later published as Finnegans Wake ) appeared in eleven of the first fourteen issues, setting the experimental tone for the review.
The magazine continued into the 1930s, despite the replacement, in 1929, of co-editor Elliot Paul by Robert Sage. Issues began to appear with less frequency, due to the monumental task of arranging for contributions and translating works into English, which was done principally by Eugene and Maria Jolas. Numbers of transition began to be focused on themes. Issue 13 was the "America Number"; Issue 16/17 highlighted "The Revolution of the Word." Issues from the mid-1930s began to reflect Eugene Jolas's theses about the interaction of language and artistic creation. Transition printed manifestoes that seemed to signal a change in the editorial policy of the magazine, which had initially set out to be an inclusive forum for modernist expression. In particular, Jolas made public his break with Gertrude Stein in a manifesto entitled "Testimony Against Gertrude Stein," cosigned by Henri Matisse, Tristan Tzara and Georges Braque which appeared in issue 23 (1934-1935).
The review, did however, continue to bring new voices to an appreciative audience. Writers such as James Agee, Dylan Thomas, Raymond Queneau and Muriel Rukeyser were published in later issues. Franz Kafka's Metamorphosis appeared in installments in issues 25-27. Coordinating with literary works were representations of other artistic media. Jolas regularly printed artwork and photographs by Hans Arp, Paul Klee, Laszlo Moholy-Nagy, Alberto Giacometti, Kurt Schwitters and Joan Miró. The final issues in the late 1930s also featured musical scores by Henry Cowell, Aaron Copland, Edgar Varèse, George Antheil and Chester MacKee, along with stills from motion pictures.
Publication of transition was suspended after issue 27 in 1938, and the following year, Jolas returned to the United States. In February, 1947, after resigning from a succession of military positions involving reestablishing newspapers in occupied Germany, Eugene Jolas attempted to revive transition with Georges Duthuit as principal collaborator. Duthuit eventually became editor, with Eugene Jolas acting as an advisory editor. The new, expanded Transition Press not only produced a new series of transition between 1948-50, but also issued, in 1949, the James Joyce Yearbook, edited by Maria Jolas, and a Transition Anthology of works which had appeared in the original review. The new review, which principally featured works of modern French writers such as Georges Bataille, Jean-Paul Sartre, Henri Pichette, Antonin Artaud, René Char, and André du Bouchet lasted for 6 issues before production was ceased in 1950.
Alexeïeff, Alexander - artist, illustrator, friend of Jolas family
Astafiew, M. - go-between for Jolas and Joyce families in 1940-41
Bernard, Kathleen - typist for Maria Jolas during 1970s
Chambers, Judy - niece of Maria Jolas
Chantalou, Simonne - instructor at École Bilingue de Neuilly
Dillenschneider, Célestin - brother-in-law of Eugene Jolas
Dillenschneider, Maria - sister of Eugene Jolas
Du Bouchet, André - divorced husband of Tina Jolas
Duthuit, Claude - son of Georges and Marguerite Duthuit
Duthuit, Marguerite - wife of George Duthuit, daughter of Henri Matisse
Gheerbrandt, Bernard - owner of La Hune Gallery
Greacan, Patricia - organizer of Joyce exposition at ICA, London, 1950
Gutovska, Maria - Member of Polish refugee association in contact with Maria Jolas 1939-40
Humphrey, Mar - close friend of Maria Jolas from Louisville
Irwin, Laetitia (and family) - sister (and relatives) of Maria Jolas
Jaryc, Augusta - sister-in-law of Camille Schuwer
Jolas, Armand - brother of Eugene Jolas
Jolas, Christine - mother of Eugene Jolas
Jolas, Emile - brother of Eugene Jolas
Jolas, Jacques - pianist, composer, brother of Eugene Jolas
Jolas, Helen - wife of Jacques Jolas
Jolas, Helène - daughter of Jacques and Helen Jolas
Jolas, Marie-Louise - unidentified cousin of Jolas family
Jolas, Pierre - unidentified cousin of Jolas family
Lainé, Stella - mother of Gabriel Illouz (husband of Betsy Jolas)
McDonald, Donald - brother of Maria Jolas
McDonald, Josie - wife of Donald McDonald
Noufflard, Berthe - painter Pemberton, Cornelia - sister of Maria Jolas
Phillips, Ewan - organizer of Joyce exhibition at ICA, London
Ponizowski, Eugénie - member of Polish refugee association in contact with Maria Jolas 1939-40
Rasquin, Marthe and Roger - acquaintances of Maria Jolas from the École Bilingue de Neuilly
Sprigge, Sylvia - author, translator
Therèse - cook for the Jolas family prior to World War II Tompkins,
Lionel - translator, friend of Maria Jolas
Vail, Sharon - daughter of Kay Boyle and Laurence Vail
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http://hdl.handle.net/10079/fa/beinecke.stein
Citation
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- http://hdl.handle.net/10079/fa/beinecke.stein
http://www.worldcat.org/oclc/27042009
Citation
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- http://www.worldcat.org/oclc/27042009
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http://id.lib.harvard.edu/ead/hou00899/catalog
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- http://id.lib.harvard.edu/ead/hou00899/catalog
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http://id.lib.harvard.edu/ead/hou00435/catalog
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- http://id.lib.harvard.edu/ead/hou00435/catalog
Jolas, Eugène, 1894-1952. Letter to Colley. Rebais, Seine et Marne, France. 1947 May 29.
Title:
Letter to Colley. Rebais, Seine et Marne, France. 1947 May 29.
Notifying Colley of his June 2 arrival in Paris; asking him to loan avolume to Mme. Duthuit.
ArchivalResource: 1 item (1 p.)
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- Jolas, Eugène, 1894-1952. Letter to Colley. Rebais, Seine et Marne, France. 1947 May 29.
Jessop, Norma R. Manuscripts, mainly letters, by and about James Joyce and his family, from the Constantine Curran collection, University College Dublin Library (Special Collections) / Listed by Norma Jessop.
Title:
Manuscripts, mainly letters, by and about James Joyce and his family, from the Constantine Curran collection, University College Dublin Library (Special Collections) / Listed by Norma Jessop.
ArchivalResource: 24 leaves.
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- Jessop, Norma R. Manuscripts, mainly letters, by and about James Joyce and his family, from the Constantine Curran collection, University College Dublin Library (Special Collections) / Listed by Norma Jessop.
Gertrude Stein and Alice B. Toklas papers, 1837-1961
Title:
Gertrude Stein and Alice B. Toklas papers 1837-1961
The Gertrude Stein and Alice B. Toklas Papers contain manuscripts of writings, letters, clippings, photographs, artworks, and personal papers relating to the life and work of Gertrude Stein and her companion, Alice B. Toklas, and to Gertrude's brother, Leo Stein, an artist and writer. As well as holding the bulk of Stein's literary output (often described as "experimental" or "cubist" writing), the materials document Stein and Toklas' involvement with the literary and art scene in Paris during the first half of the 20th century. Series I, Writings, contains holograph and typescript drafts of the majority of Gertrude Stein's writings, including "The Autobiography of Alice B. Toklas," "The Making of Americans" (complete with a quantity of notes, or "studies"), "Tender Buttons" and a group of unpublished fragments and carnets, notebooks kept by Stein with preliminary drafts of writings. Series II, Correspondence of Gertrude Stein, contains letters sent from a wide variety of Stein's friends: artists such as Georges Bracque, Jean Cocteau, and Pablo Picasso; writers such as Sherwood Anderson, Ernest Hemingway, and Thornton Wilder; and acquaintances through many years such as Mildred Aldrich, Etta and Claribel Cone, Robert Haas, Mabel Dodge Luhan,Sir Francis Rose, Virgil Thomson, and Carl Van Vechten. Series III, Third Party Letters and Series IV, Alice B. Toklas Correspondence, contain letters from many of the same people, the latter group containing Alice Toklas's correspondence following Gertrude Stein's death. Series V, Personal Papers, and Series VI, Clippings, gather together various personal affects of Stein and Toklas as well as documentation of Stein's life as reported during her lifetime. Series VII, Photographs, show Stein from early childhood through 1946, the year she died. Prints showing Alice Toklas, various friends, artworks, and locales are included in this series, as are several volumes of prints made by Carl Van Vechten. Series VIII and IX contain numerous artworks and objects given by Stein and Toklas. Included here are a painting by Pablo Picasso and a sketch by Henri Matisse.
ArchivalResource: Total Boxes: 173; Other Storage Formats: Oversize, artwork, objects, cold storage; Linear Feet: 93
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- Gertrude Stein and Alice B. Toklas papers, 1837-1961
New Directions Publishing records
Title:
New Directions Publishing records
Records of the New Directions Publishing Corporation largely from the Norfolk, Connecticut office of the founder, James Laughlin.
ArchivalResource: 344 linear feet (910 boxes and 4 volumes)
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- New Directions Publishing Corp. records, ca. 1933-1997.
Papers of the magazine Transition, 1933-1941.
Title:
Papers of the magazine Transition, 1933-1941.
Papers of the magazine Transition, an avant-garde literary magazine begun in Paris in1927 by Eugène Jolas and his wife Maria Jolas.
ArchivalResource: 5 boxes (1.67 linear ft.)
http://id.lib.harvard.edu/ead/hou00047/catalog View
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- Papers of the magazine Transition, 1933-1941.
Powell, Dawn. Dawn Powell Papers, 1910-1998.
Title:
Dawn Powell Papers, 1910-1998.
Personal and professional correspondence of Dawn Powell, including she received from publishers, agents, admirers of her work, friends, family and others. Among the cataloged correspondents are: Malcolm Cowley (4 letters); John Dos Passos (57 letters); Ernest Hemingway (1 letter); Gerald and Sara Murphy (23 letters); Mark Schorer (2 letters); Edmund Wilson (15 letters); and Powell's own letters to her family. There are drafts of her playscripts and drafts and related materials for her novel "The Golden Spur". There are 4 scrapbooks of her husband, Joseph R. Gousha, recording the plays he saw in Pittsburg from 1910 to 1914, and 4 journals of her son. Additional personal and professional papers of Dawn Powell (correspondence, manuscripts, diaries, and misc. materials) are on deposit with this library and will be added to the collection in the future.
ArchivalResource: 6.5 linear ft. (1,485 items in 14 boxes).
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- Powell, Dawn. Dawn Powell Papers, 1910-1998.
Hemingway, Ernest, 1899-1961. Papers: 1873-1993 (inclusive), 1899-1961 (bulk).
Title:
Papers: 1873-1993 (inclusive), 1899-1961 (bulk).
The collection includes literary manuscripts, correspondence, personal papers, books, periodicals, artifacts, and ephemera. Over 90% of extant Hemingway literary manuscripts are contained in this collection. Correspondence includes letters to and from family members, friends, and business associates (largely publishers, lawyers, and agents). Correspondents include many important mid-twentieth century writers and intellectuals. Many of the books and periodicals include Hemingway's own annotations. The Hemingway Collection also contains over 10,000 photographs of Hemingway, his family and friends, as well as various subjects of interest to Hemingway: Paris, Spain, Key West, bullfighting, hunting, Cuba, and Fishing. Artifacts include personal possesions and art objects, among these a number of paintings. Correspondents include: Jay Allen, Sherwood Anderson, George Antheil, Louis Aragon, Carlos Baker, Sylvia Beach, Bernard Berenson, William Bird, Baron Bror von Blixen-Finecke, John R. Bone, Harry Brague, Harvey Breit, T. Otto Bruce, Harry Burton, Alexander Calder, Erskine Caldwell, Morley Callaghan, Gregory Clark, Gary Cooper, Malcolm Cowley, Caresse Crosby, Harry Crosby, Rollin Dart, Marlene Dietrich, Eric Dorman-Smith, John Dos Passos, Clifton Fadiman, James Thomas Farrell, William Faulkner, Charles A. Fenton, F. Scott Fitzgerald, Ford Madox Ford, Carol Hemingway Gardner, Antonio Gattorno, Arnold Gingrich, Zane Grey, John Gunther, Leland Hayward, Nancy Hayward, Lillian Hellman, Anson T. Hemingway, Clarence E. Hemingway, Grace Hall Hemingway, Henrietta Hemingway, Leicester Hemingway, Mary Welsh Hemingway, Pauline Hemingway, Josephine Herbst, Guy Hickock, William D. Horne, A.E. Hotchner, Adriana Ivancich, Gianfranco Ivancich, Joris Ivens, Ursula Hemingway Jepson, Eugène Jolas, John Fitzgerald Kennedy, Charles Trueman Lanham, Helen Lerner, Michael Lerner, Sinclair Lewis, Wyndham Lewis, Harold Loeb, Joseph Losey, William Lowe, and Leonard Lyons. Correspondents also include: Archibald Macleish, Andrʹe Malraux, Robert Manning, Jane Mason, Andrʹe Masson, Robert McAlmon, Henry Louis Mencken, Madelaine Hemingway Miller, Joan Mirʹo, Hadley Hemingway Mowrer, Gerald Murphy, Sara Murphy, Morris McNeil Musselman, Joseph North, Sterling North, Antonio Ordʹoñez Araujo, Dorothy Parker, Waldo Peirce, Philip H. Percival, Maxwell Evarts Perkins, Gustavus Pfeiffer, Mary A. Pfeiffer, Paul M. Pfeiffer, Virginia Pfeiffer, George Plimpton, Ezra Pound, Junito Quintana, Luis Quintanilla, Marjorie Kinnan Rawlings, Quentin James Reynolds, Charles Ritz, Edwin Rolfe, Eleanor Roosevelt, Harold Ross, Lillian Ross, and Robert Chester Ruark. Correspondents also include: Jerome David Salinger, Lee Samuels, Arnold Samuelson, Marcelline Hemingway Sanford, H.J.J. Sargint, William Saroyan, Charles Scribner, Jr., Charles Scribner, Sr., George Seldes, Evan Shipman, William B. Smith, Maurice Speiser, Stephen Spender, Lincoln Steffens, Gertrude Stein, Donald Stewart, Henry Strater, Virgil Thomson, Gene Tunney, Louis Untermeyer, Peter Viertel, Agnes Von Kurowsky, William Walton, Glenway Wescott, John Neville Wheeler, Thornton Wilder, William Carlos Williams, Edmund Wilson, Ella Winter, Walter Winchell, Owen Wister, Philip Young, Lester Ziffren, Fred Zinneman, Charles Scribner's Sons, Curtis Brown Publishing Company, Jonathan Cape, Ltd., and Time-Life Books.
ArchivalResource: 107 linear feet.
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- Hemingway, Ernest, 1899-1961. Papers: 1873-1993 (inclusive), 1899-1961 (bulk).
Galantière, Lewis, 1895-1977. Lewis Galantière papers, 1920-1977.
Title:
Lewis Galantière papers, 1920-1977.
Writers represented in the correspondence files are Margaret Anderson, Sherwood Anderson, George Antheil, Djuna Barnes, Clive Bell, Malcolm Cowley, E.E. Cummings, John Dos Passos, Ford Madox Ford, Ernest Hemingway, Richard Hughes, Eugene Jolas, Archibald MacLeish, H.L. Mencken, Henry Miller, Adrienne Monnier, Man Ray, Elmer Rice, Jules Romains, Gertrude Stein, John Steinbeck, Allen Tate, Carl Van Vechten, Robert Penn Warren, and Edmund Wilson. Galantiere's best known work as a translator was that of the writings of Antoine de Saint-Exupéry, and the collection contains in addition to correspondence, twelve manuscripts, all bearing the author's and the translator's corrections. He also wrote extensively on economic subjects and current history, and these files and manuscripts are present in the collection. Galantiere wrote plays in his own name and adapted Jean Anouilh's ANTIGONE for Katharine Cornell in 1946, and there are materials relating to these works.
ArchivalResource: 36 boxes & 1 flat item.
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- Galantière, Lewis, 1895-1977. Lewis Galantière papers, 1920-1977.
Papers of the magazine Transition, 1933-1941.
Title:
Papers of the magazine Transition, 1933-1941.
Papers of the magazine Transition, an avant-garde literary magazine begun in Paris in1927 by Eugène Jolas and his wife Maria Jolas.
ArchivalResource: 5 boxes (1.67 linear ft.)
http://id.lib.harvard.edu/ead/hou00047/catalog View
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- Papers of the magazine Transition, 1933-1941.
Matthew Josephson papers
Title:
Matthew Josephson papers
The Matthew Josephson Papers document the life and career of Matthew Josephson. The papers span the dates 1917-79, but the bulk of the material covers the years 1922-76.
ArchivalResource: 8.5 Linear Feet (21 boxes)
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- Matthew Josephson papers, 1917-1979 (inclusive)
Joyce, James, 1882-1941. Papers of James Joyce from the Harley K. Croessmann Collection, 1901-1959.
Title:
Papers of James Joyce from the Harley K. Croessmann Collection, 1901-1959.
The Croessmann Collection of James Joyce, assembled by Dr. Harley K. Croessmann, contains correspondence by and about Joyce and many manuscripts, notes, galley proofs, photographs, pictorial representations, sculpture, and ephemera, by Joyce and his friends, biographers, and critics. The collection is divided into four parts: the Herbert Gorman Papers, the Georg Goyert Papers, other Croessmann acquisitions, and Dr. Croessman's personal correspondence. The Herbert Gorman Papers contain materials relating to Gorman's 1924 biography of Joyce, including 330 original and transcribed letters, notes, drafts, typescripts, galley proofs, and manuscripts by Joyce and others. The correspondence consists of letters Gorman received from Joyce and others and transcriptions of Joyce letters for the biography. There are thirty letters and cards, dated 1925-1938, from Joyce to Gorman (and his wife), discussing corrections for the biography and for Joyce's manuscript "Sullivan." In addition, the correspondence contains letters from some of Joyce's friends and acquaintances, who helped Gorman by providing their recollections of Joyce and details about Dublin. These correspondents include: Alf Bergan, Harriet Weaver, T.S. Eliot, Arthur Symons, Oliver St. John Gogarty, Stanislaus Joyce, Eugene Jolas, James S. Starkey (Seumas O'Sullivan), and Padraic Colum. Many of the 150 transcriptions of Joyce letters were provided by Joyce's brother Stanislaus Joyce, and include letters from Joyce to his mother, his wife, and to Stanislaus. Though the originals of the Joyce-Stanislaus Joyce correspondence are housed in the Cornell Joyce Collection, some of the originals did not survive, making these transcriptions the only record of the contents of the missing letters. There are other transcribed letters, including some from John Quinn to Ezra Pound and Margaret Anderson about the Little Review--Ulysses obscenity proceedings. The collection contains valuable notes that Herbert Gorman took while reading Joyce's Paris Notebook (1902-1904), the original of which has not been found. The notes record Joyce's notes for Stephen Hero and Dubliners, as well as the author's aesthetic theories, among other material. Joyce's schema for Ulysses is here as are drafts of "From a Banned Writer to a Banned Singer" (originally titled "Sullivan") and "Epilogue to Ibsen's 'Ghosts'." The typescripts and galley proofs of Gorman's biography have autograph corrections by Gorman and suggested corrections by Joyce (in Paul Leon's hand).
ArchivalResource: 5.80 cu. ft.
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- Joyce, James, 1882-1941. Papers of James Joyce from the Harley K. Croessmann Collection, 1901-1959.
Eugène and Maria Jolas papers : addition, 1932-1986
Title:
Eugène and Maria Jolas papers : addition 1932-1986
This addition to the Eugene and Maria Jolas Papers consists of items which were separated from the printed component of the collection of Eugene and Maria Jolas when the books and serials were cataloged in 1998. The addition consists of letters, clippings, offprints, and other printed items.
ArchivalResource: Total Boxes: 3; Linear Feet: 0.80
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- Eugène and Maria Jolas papers : addition, 1932-1986
Transition. Papers of the magazine Transition, 1933-1941.
Title:
Papers of the magazine Transition, 1933-1941.
Compositions submitted for publication in Transition volumes 24-27 (1936-38), along with correspondence and other papers of the editors. Authors of compositions include James Agee, Denis Devlin, Randall Jarrell, Franz Kafka, László Moholy-Nagy, Piet Mondrian, J.M. Richards, William Saroyan, Margaret Shedd, and Dylan Thomas.
ArchivalResource: 5 boxes (1.67 linear ft.)
http://www.worldcat.org/oclc/84316113 View
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- Transition. Papers of the magazine Transition, 1933-1941.
Adamic, Louis, 1899-1951,. Letters to Alfred Kreymborg [manuscript], 1921-1956.
Title:
Letters to Alfred Kreymborg [manuscript], 1921-1956.
Hundreds of letters from over 200 individuals to Alfred Kreymborg, including correspondence from the poets Ezra Pound, Wallace Stevens, Marianne Moore, Carl Sandburg, Robert Frost and T.S. Eliot, as well as playwright Eugene O'Neill. Also included are some assorted business papers, theater programs, examinations, resumes, and magazine clippings. Correspondents include Louis Adamic, Franklin P. Adams, Conrad Aiken, Richard Aldington, Maxwell Anderson, Sherwood Anderson, Brooks Atkinson, W.. H. Auden, Joseph Auslander, Stringfellow Barr, Emjo Basshe, Joseph Warren Beach, Charles Beard, John [J.?] Becker, Norman Gel Geddes, Emile Beliveau, William Rose Benét, Maxwell Bodenheim, Hal Borland, Julian Boyd, Kay Boyle, Millen Braand, Bessie Brewer, Herschel Brickell, Van Wyck Brooks, Robert Carlton Brown, Stanley Burnshaw, and Richard Burton. Also Erskine Caldwell, Melville Cane, Robert Cantwell, Carl L. Carmer, Bennett Cert, Katherine Chapin, Michael Chekhov, John Ciardi, Cyril Clemens, Robert P. Tristram Coffin, Mary Maguire Coffin, Padraic Colum, Hilda Conkling, Florence Converse, Aaron Copland, Norman Corwin, John Cournos, Malcolm Cowley, Gordon Craig, e e cummings, James Daly, S. F. Damon, Donald Davidson, Katharine Day, Benjamin De Casseres, Robert De Lany, Babetter Deutsch, David Diamond, John Dos Passos, Richard Eberhart, Manyel Eisenberg, Paul Eldridge, and Paul Engle. Also Clifton Fadiman, Howard Fast, Kenneth Fearing, Vincent Ferrini, Mahlon Fisher, Robert Fitzgerald, Kimball Flaccus, Hallie flanagan, Charles Henri Ford, Waldoo Frank, Robert Frost, Henry Blake Fuller, John Gassner, Virgil Geddes, Wilfred Gibson, Wallace Gould , Arthur Guiterman, Emanuel Haldeman-Julius, Edith Hamilton, Harry Hansen, Roy Harris, Marsden Hartley, Theresa Helburn, Lillian Hellman, DuBose Heyward, Hamilton Holt, Paul Horgan, Langston Hughes, Richard Hughes, Fannie Hurst and Robert Hutchins. Also Jeremy Ingalls, Josephine Jacobsen, Robinson Jeffers, Eugène Jolas, Margo Jones, Alan Kapelner, Helen Keller, Rockwell Kent, Harry Kemp, Fiske Kimball, Manuel Komroff, William Kozlenko, Aaron Kramer, Raymond Larsson, James Lauglin, David Lawson, Henry G. Leach, Clair Leonard, Wyndham Lewis, Elias Lieberman, Vachel Lindsay, Harriet Long, John R. McCarthy, Kenneth Macgowan, Percy MacKaye, Archibald MacLeish, Norman MacLeod, Albert Maltz, Sherry Mangan, Edwin Markham, don Marquis, André Maurois, Margaret Mayorga, Hughes Mearnes, H. L. Mencken, Josephine Miles, Henry Miller, Harold Monro, Harriet Monroe, Merrill Moore, Henry Morgenthau, Lloyd Morris, David Morton and Lewis Mumford. Also Yone Noguchi, Alex North, Edward O'Brien, James Oppenheim,Gil Orlovita, Leo Ornstein, Shaemas O'Sheel, Kenneth Patchen, Claude Pepper, Pablo Picasso, John Crowe Ransom, Burton Rascoe, Harry Raymond, Cale Young Rice, Elmer Rice, Lola Ridge, Paul Rosenfield, Norman Rosten, Selden Rodman, Lew Sarrett, Aaron Schmuller, Delmore Schwartz, Clinton Scollard, Evelyn Scott, Winfield Townley Scott, Martin, Secker, Margorie Seiffert, Roger Sessions, Karl Shapiro, Elsie Singmaster, Wilbert Snow, Lawrence Spingarn, André Spire, William Steig, Alfred Stieglitz, and A. M. Sullivan. Also Allen Tate, Deems Taylor, Scofield Thayer, Virgil Thomson, Boris Todrin, Ridgely Torrence, Louis Untermeyer, Carl Van Doren, Hendrik Willem Van Loon, Edgar Varèse, Byron Vazakas, George S. Viereck, Peter Viereck, Harold Vinal, Christopher Ward, Alec Waugh, Brom Weber, Margaret Webster, Harry Weinberger, Glenway Wescott, John Brooks Wheelwritht, Clement Wood, and Art Young.
ArchivalResource: 5 boxes.
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- Adamic, Louis, 1899-1951,. Letters to Alfred Kreymborg [manuscript], 1921-1956.
James Oppenheim papers, 1898-1932
Title:
James Oppenheim papers 1898-1932
James Oppenheim (1882-1932), an American poet, novelist and editor, was a member of the bohemian circle of poets, artists and intellectuals that flourished in Greenwich Village, New York, during the 1910s. He began his career writing short stories and poetry for popular magazines and established himself as one of the leading younger poets with the publication of his verse collection Songs for the New Age (1914). In 1916 he founded the literary magazine The Seven Arts with Waldo Frank and Paul Rosenfeld; the magazine folded the next year because of the editorial policy attacking U.S. participation in World War I. Oppenheim became an adherent of psychoanalysis, in particular the theories of Carl Jung, and devoted most of his later poetic work to psychoanalytic investigations. Collection consists of correspondence, writings, editorial materials, financial and legal papers, drawings, photographs, and ephemera documenting Oppenheim's literary career and personal life. Correspondence, 1899-1932, with family friends and literary associates concerns literary, personal and business matters. Writings, 1898-1932, include poetry, dramatic works, novels, stories, articles, and notes as well as his "Dream Diaries" in which he recorded his dreams and self-analysis. Seven Arts materials, 1916-1917, consist of drafts of letters, fiscal and legal records, and printed matter. Also, Oppenheim's financial and legal papers, 1922-1932; personal ephemera; and ink drawings, ca. 1920-1925, by Oppenheim and his companion Gertrude Smith.
ArchivalResource: 5.6 linear feet (8 boxes)
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- James Oppenheim papers, 1898-1932
Eugène and Maria Jolas Papers
Title:
Eugène and Maria Jolas Papers
The Eugène and Maria Jolas Papers consist of manuscripts, letters, photographs, and printed materials relating to the work and lives of the two authors, to their publication, Transition magazine, and to their friend, James Joyce.
ArchivalResource: 31.75 Linear Feet (70 boxes)
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- Jolas, Eugène, 1894-1952. Eugène and Maria Jolas Papers, 1879-1986.
Peter Neagoe Papers, 1928-1967
Title:
Peter Neagoe Papers 1928-1967
Papers of the Romanian American artist, novelist, short short writer (1881-1960). Correspondence, diaries, drawings, manuscripts, photographs, sketches, memorabilia, and material relating to Neagoe's wife, painter and muralist, Anna Neagoe.
ArchivalResource: 7.0 linear ft.
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- Peter Neagoe Papers, 1928-1967
Jolas, Eugène, 1894-1952. Letters : N.Y., to Richard Huelsenbeck, 1936 July 27-Aug. 14.
Title:
Letters : N.Y., to Richard Huelsenbeck, 1936 July 27-Aug. 14.
On the stationery of the journal Transition, Jolas discusses George Grosz and Hugo Ball, the whereabouts of Dada artists, and the destruction of the movement by political events in Germany.
ArchivalResource: 3 items.
http://www.worldcat.org/oclc/82151786 View
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- Jolas, Eugène, 1894-1952. Letters : N.Y., to Richard Huelsenbeck, 1936 July 27-Aug. 14.
Oppenheim, James, 1882-1932. James Oppenheim papers, 1898-1932.
Title:
James Oppenheim papers, 1898-1932.
Collection consists of correspondence, writings, editorial materials, financial and legal papers, drawings, photographs, and ephemera documenting Oppenheim's literary career and personal life.
ArchivalResource: 5.6 linear feet (8 boxes)
http://www.worldcat.org/oclc/122571261 View
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- Oppenheim, James, 1882-1932. James Oppenheim papers, 1898-1932.
Church, Ralph Withington. Ralph Withington Church papers, [ca. 1926-1955]
Title:
Ralph Withington Church papers, [ca. 1926-1955]
Letters written to him while a student and later professor of philosophy, by Sherwood Anderson, William R. Dennes, Eugène Jolas, Roger B. Merriman, Laura Riding, Gertrude Stein, Pavel Tchelitchew, Alice B. Toklas and Clement C.J. Webb. Also included: letter written by Henri Matisse to unknown correspondent; and clippings and miscellaneous papers.
ArchivalResource: 2 boxes.Letters from Alice B. Toklas, 1928-1955 : partial microfilm reel : negative (Rich. 627:9) and positive.
http://www.worldcat.org/oclc/27042009 View
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- Church, Ralph Withington. Ralph Withington Church papers, [ca. 1926-1955]
New Directions Publishing records
Title:
New Directions Publishing records
Records of the New Directions Publishing Corporation largely from the Norfolk, Connecticut office of the founder, James Laughlin.
ArchivalResource: 344 linear feet (910 boxes and 4 volumes)
http://id.lib.harvard.edu/ead/hou00077/catalog View
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- New Directions Publishing Corp. records, ca. 1933-1997.
Vol. XXV. (ff.) Jolas-Kennedy.James Stern, writer: Weldon Kees, writer and artist: Letter to James Stern from Weldon Kees: circa 1947.James Stern, writer: Mary Nesta Keane n e Skrine, writer: Letters to James Stern from Mary Nesta Keane: 1981-1985....
Title:
Vol. XXV. (ff.) Jolas-Kennedy.James Stern, writer: Weldon Kees, writer and artist: Letter to James Stern from Weldon Kees: circa 1947.James Stern, writer: Mary Nesta Keane n e Skrine, writer: Letters to James Stern from Mary Nesta Keane: 1981-1985.... Unspecified
ArchivalResource: 1 item
http://searcharchives.bl.uk/primo_library/libweb/action/search.do?srt=rank&ct=search&mode=Basic&indx=1&vl(freeText0)=040-001986324&fn=search&vid=IAMS_VU2 View
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- Vol. XXV. (ff.) Jolas-Kennedy.James Stern, writer: Weldon Kees, writer and artist: Letter to James Stern from Weldon Kees: circa 1947.James Stern, writer: Mary Nesta Keane n e Skrine, writer: Letters to James Stern from Mary Nesta Keane: 1981-1985....
Eugène and Maria Jolas Papers
Title:
Eugène and Maria Jolas Papers
The Eugène and Maria Jolas Papers consist of manuscripts, letters, photographs, and printed materials relating to the work and lives of the two authors, to their publication, Transition magazine, and to their friend, James Joyce.
ArchivalResource: 31.75 Linear Feet (70 boxes)
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- Eugène and Maria Jolas Papers, 1879-1986
Horace Mason Reynolds papers, 1895-1965.
Title:
Horace Mason Reynolds papers, 1895-1965.
Papers of Irish literature scholar Horace Mason Reynolds.
ArchivalResource: 16 boxes (4 linear ft.)
http://id.lib.harvard.edu/ead/hou00899/catalog View
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- Horace Mason Reynolds papers, 1895-1965.
Wisdom, William B. William B. Wisdom collection of Thomas Wolfe. 1909-1959.
Title:
William B. Wisdom collection of Thomas Wolfe
Papers of American novelist Thomas Wolfe.
ArchivalResource: 156 boxes (78 linear ft.)
http://id.lib.harvard.edu/ead/hou00435/catalog View
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- William B. Wisdom collection of Thomas Wolfe, 1909-1959.
Citation
- Constellation Relation
- Alexeieff, Alexandre, 1901-
Citation
- Constellation Relation
- Aubert, Jacques.
Citation
- Constellation Relation
- Aubert, Jacques.
Citation
- Constellation Relation
- Bachelard, Gaston, 1884-1962.
Citation
- Constellation Relation
- Ball, Hugo, 1886-1927.
Citation
- Constellation Relation
- Bataille, Georges, 1897-1962.
Citation
- Constellation Relation
- Bayet, Albert, 1880-1961.
Citation
- Constellation Relation
- Beach, Sylvia.
Citation
- Constellation Relation
- Beach, Sylvia.
Citation
- Constellation Relation
- Beckett, Samuel, 1906-1989.
Citation
- Constellation Relation
- Benstock, Bernard.
Citation
- Constellation Relation
- Benstock, Shari, 1944-
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- Constellation Relation
- Boyle, Kay, 1902-1992.
Citation
- Constellation Relation
- Breton, André, 1896-1966.
Citation
- Constellation Relation
- Cain, Julien, 1887-1974.
Citation
- Constellation Relation
- Calder, Alexander, 1898-1976.
Citation
- Constellation Relation
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eng
Zyyy
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- Language
- eng
fre
Zyyy
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- Language
- fre
ger
Zyyy
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- Language
- ger
Atlantica
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- Subject
- Atlantica
Authors, French
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- Subject
- Authors, French
Dadaism
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- Subject
- Dadaism
Modernism (Literature)
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- Subject
- Modernism (Literature)
National socialism and art
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- Subject
- National socialism and art
French
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- Nationality
- French
Authors
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- Occupation
- Authors
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- Place
- Paris (France)
Paris (France)
Parsed from SNAC EAC-CPF.
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- Place
- Paris (France)
Paris (France)
Parsed from SNAC EAC-CPF.
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- Place
- Paris (France)
Paris (France)
Parsed from SNAC EAC-CPF.
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- Place
- Paris (France)
Paris (France)
Parsed from SNAC EAC-CPF.
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- Place
- Paris (France)
Paris (France)
Parsed from SNAC EAC-CPF.
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- Convention Declaration
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