Compare Constellations

Oral history interview with Marjorie Phillips

Title: Oral history interview with Marjorie Phillips

An interview of Marjorie Phillips conducted 1974 June 27, by Paul Cummings, for the Archives of American Art. Phillips speaks of the Art Students League; marriage to Duncan Phillips and starting a gallery in the family house, exhibitions, purchases of art work; forming the collection; influence of the Phillips Collection; her book Duncan Phillips and His Collection; and her own painting and exhibition.

OralHistoryResource: Sound recording: 1 sound tape ; 5 in.Transcript: 36 p.

https://n2t.net/ark:/65665/mw9bc6a5420-f5db-4187-bedc-e6f452ff30b6 View

Karl Knaths papers

Title: Karl Knaths papers

The papers of cubist painter Karl Knaths measure 8.9 linear feet and date from 1890 to 1973, with the bulk of the materials dating from 1922 to 1971. The collection includes biographical material, personal and professional correspondence, four diaries, 22 notebooks and notes on theoretical color and compositional approaches to painting, published and draft copies of essays on art, miscellaneous printed material, 132 sketchbooks and other artwork.

ArchivalResource: 8.9 Linear feet

https://n2t.net/ark:/65665/mw9cf903b6a-d529-4267-91e3-c358928a643c View

William Meyerowitz and Theresa F. Bernstein papers

Title: William Meyerowitz and Theresa F. Bernstein papers

Biographical accounts, letters, notes, writings, art work, scrapbooks, printed material, and photographs document the careers of William Meyerowitz and his wife Theresa Bernstein, both painters and printmakers.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c59eed53-f14b-48a2-9d56-42dbb790064b View

Oral history interview with Dorothy C. Miller

Title: Oral history interview with Dorothy C. Miller

An interview of Dorothy Miller conducted 1970 May 26-1971 Sept. 28, by Paul Cummings, for the Archives of American Art. Miller speaks of her childhood and family background; the beginning of her career in museums; her first trip to Europe; the Depression and its effect on the art world; the establishment of the WPA Federal Art Project; the scandal over the Diego Rivera mural in Rockefeller Center; getting started with the Museum of Modern Art in its early years; working with Alfred Barr; early exhibitions at the MOMA; meeting Mark Tobey and Morris Graves; meeting Holger Cahill; Cahill's background; Cahill's involvement with the WPA Federal Art Project, and the Project's early years; post-war changes in American art and the post-war years at the MOMA; Shaker design; some of her colleagues at the MOMA. She recalls Duncan Phillips, Rene D'Harnoncourt, Jackson Pollock, Edward M.M. Warburg, Nelson Rockefeller, Mark Rothko, Louise Nevelson, Alexander Calder, Lyonel Feininger, Walker Evans, and Edwin Dickinson.

OralHistoryResource: 1 sound tape reel ; 7 in. and 9 sound tape reels ; 5 in. (19 hrs.); Transcript: 260 p.

https://n2t.net/ark:/65665/mw940c85ded-d241-4018-8248-4f24388f12e3 View

David E. Finley papers, 1921-1977

Title: David E. Finley papers, 1921-1977

Correspondence, subject files, financial papers, drafts of speeches and writings, family material, printed matter, and scrapbooks relating chiefly to Finley's duties as special assistant to Secretary of the Treasury, Andrew W. Mellon, his role in the founding and his subsequent service as director (1938-56) of the National Gallery of Art, and his activities with numerous artistic and cultural organizations, including the Commission on Fine Arts, the People-to-People program, the National Portrait Gallery, and the National Trust for Historic Preservation. Specific topics in the papers include the controversy between Mellon and Senator James Couzens over a tax reduction plan; the National Gallery's participation in the art program of UNESCO; architectural development of Washington, D.C.; the furnishing of the White House; and the preservation and restoraton of Cooper Union, Decatur House, and the Wayside Inn. Correspondents include Marie Beale, George Biddle, James Biddle, Helen Bullock, Huntington Cairns, Leonard Carmichael, Clement Conger, Royal Cortissoz, Chester Dale, Lewis W. Douglas, Harry F. du Pont, James Earle Fraser, Edgar W. Garbisch, Gordon Gray, Theodore Francis Green, Walker Hancock, Herbert Hoover, Lady Bird Johnson, Jacqueline Kennedy, John F. Kennedy, Lincoln Kirstein, Samuel H. Kress, Wilmarth S. Lewis, Paul Manship, Andrew W. Mellon, Richard K. Mellon, Charles Nagel, Duncan Phillips, S. Dillon Ripley, Eleanor Roosevelt, Lessing J. Rosenwald, Harlan F. Stone, Francis Henry Taylor, Harry S. Truman, Joseph E. Widener, and Andrew Wyeth.

ArchivalResource: 31,000 items. 92 containers. 36 linear feet.

https://hdl.loc.gov/loc.mss/eadmss.ms014029 View

Robert Franklin Gates papers

Title: Robert Franklin Gates papers

The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department. Biographical material includes resumes, biographical accounts, award certificates, records for employment through a State Department Specialists Grant, address lists, teaching notes, writings about Gates, and a guest book signed by colleagues celebrating Gates' forty years at American University. There is a also a group of Navy Department records documenting Gates' employment designing three-dimensional photo-surfaced topography models for use by troops during World War II.Letters are primarily from the U.S. Treasury Department and the Federal Works Agency discussing commissions, including the painting of post office murals in Maryland and West Virginia, and from various museums and galleries discussing exhibitions and other art-related activities. There are one or two letters each from colleagues Alice Acheson, Adelyn Breeskin, Charles Burchfield, Alida Conover, John Gernand, Duncan Phillips, Henry Varnum Poor, and Prentiss Taylor. Some letters are Christmas cards decorated with original block prints.Business records primarily document Gates' interaction with the Jack Rasmussen Gallery in Washington, D.C., but also include miscellaneous sales records and pay stubs from American University.Artwork consists of scattered drawings of modern houses by Gates and abstract sketches by others, and small block prints by Joe Goethe and D. Neufeld. Two Scrapbooks contain clippings, exhibition announcements and catalogs, and scattered letters. Additional printed material includes clippings, exhibition announcements and catalogs for Gates and others, prospectuses for art exhibitions, press releases, calendars of events, booklets about color and lenses, brochures for art schools and books, and an unannotated calendar containing a reproduction of one of Gates' paintings.Photographs are of Robert Gates, various family members including Gates with his first wife photographed by Prentiss Taylor, models, artwork, and exhibition installations. There are two photograph albums and unbound photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department. Images of this trip are of Gates and colleagues including Mitchell Jamieson, the ship Doris Hamlin, the crew, markets, a cock fight, miscellaneous buildings, town squares, and the countryside of the Virgin Islands.

ArchivalResource:

https://n2t.net/ark:/65665/mw9d311e740-03de-4049-91d8-ab87870ebc27 View

John Barber papers

Title: John Barber papers

The microfilmed John Barber papers contain correspondence; sketches and 46 sketchbooks; a Jules Pascin sketchbook (1922); photogrpahs of Barber, Pascin, and Helen and John Sloan; personal documents; exhibition catalogs; and clippings. Among the correspondents are George Biddle, Stuart Davis, Maurice Becker, Morris Blackburn, Frederic Taubes, Robert Laurent, Emlen Etting, Duncan Phillips, Edith and Ira Glackens, Max Eastman, Robert Minor, Roland McKinney, Albert Werner, Will Durant, Art Young, H. L. Mencken, William B. Tholen, William C. Bullitt, and Ben Hecht.

ArchivalResource:

https://n2t.net/ark:/65665/mw9823c036e-e75e-4b1f-951e-96c6fe899d8f View

Arthur and Helen Torr Dove papers

Title: Arthur and Helen Torr Dove papers

The papers of Arthur and Helen Torr Dove measure 3 linear feet and date from 1905 to 1975, with the bulk of material dating from 1920 to 1946. Arthur Dove's life as an artist, and his life with the artist Helen Torr, are documented in biographical narratives, personal documents, an audio recording, correspondence, diaries, essays, poetry, notes, exhibition catalogs, clippings, magazine illustrations, pamphlets, receipts, an accounting ledger, tax records, sketches, and photographs.Biographical Materials include a last will and testament, biographical narratives, and other official documents, as well as an audio recording of an interview with William Dove made around 1961 by George Wolfer. Correspondence includes letters from friends, clients, other artists, and Dove's patron Duncan Phillips. There is also correspondence with family members Helen Torr and Paul Dove. Drafts of outgoing letters from Dove to various correspondents including Phillips and Alfred Stieglitz are found. Writings are extensive and include diaries, autobiographical essays, essays about art, artists, and other subjects, and poetry by Arthur Dove; as well as essays, reminiscences, and notes of Helen Torr. Printed Materials include exhibition catalogs for Dove's shows and the shows of other artists in the Stieglitz Circle, examples of Dove's early magazine illustration work, newspaper reviews of Dove's exhibitions, and various pamphlets related to modern art. Personal Business Records include an accounting ledger of the Doves' expenses, sales receipts, tax records, and an undated art inventory. Artwork consists of ten items, mostly sketches in pencil, watercolor, ink, and colored pencil. Photographs are undated and unidentified, but depict mostly family, homes, and coastal scenes.

ArchivalResource:

https://n2t.net/ark:/65665/mw903513152-b2fa-4bc4-b0fb-de7d7f0728be View

Lee Gatch [essay] to Duncan Phillips : typescript

Title: Lee Gatch [essay] to Duncan Phillips : typescript

An essay by Gatch musing on his artistic development and technique. A duplication of the essay [on Grace Borgenicht Gallery stationary] accompanies the typescript sent Phillips.

ArchivalResource:

https://n2t.net/ark:/65665/mw9ce618f4f-b19d-4b25-a700-f8d7b5ec5ad5 View

Fogg Art Museum. Archives of the Fogg Art Museum, 1895-1985 (inclusive).

Title: Archives of the Fogg Art Museum, 1895-1985 (inclusive).

Records consist of official correspondence files of former Museum directors Charles H. Moore, Edward W. Forbes, Paul J. Sachs, Arthur Pope, John P. Coolidge, Agnes Mongan, Daniel Robbins, and Seymour Slive; exhibition files, including exhibition catalogs and correspondence relating to past exhibitions at the Fogg; and correspondence files of assistant directors of the Museum and of Margaret Gilman, Secretary of the Fogg.

ArchivalResource: ca. 230 linear ft.

http://www.worldcat.org/oclc/234360132 View

Rockwell Kent papers

Title: Rockwell Kent papers

The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life). Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.

ArchivalResource:

https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a View

Oral history interview with Adele S. Brown and William H. Calfee

Title: Oral history interview with Adele S. Brown and William H. Calfee

An interview of Adele S. Brown and William H. Calfee conducted 1995 January 11, by Liza Kirwin, at Calfee's home in Chevy Chase, Maryland, for the Archives of American Art.

OralHistoryResource: Sound recording: 1 sound cassette (93 min.) : analog.Transcript: 33 p.

https://n2t.net/ark:/65665/mw932ff602c-f015-4be0-9458-41e8324b7eec View

Kraushaar Galleries records

Title: Kraushaar Galleries records

The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks. There is a 6.0 linear foot unprocessed addition to this collection donated in 2022 that includes correspondence with artists, galleries, organizations and individuals regarding works of art, filed alphabetically by year. Materials date from circa 1959-1999, with the bulk from 1990-1999.

ArchivalResource: 106.3 Linear feet; 0.181 Gigabytes

https://n2t.net/ark:/65665/mw9507d7d92-d503-4ed4-9ed6-12975adb8473 View

James Britton papers, 1913-1984.

Title: James Britton papers, 1913-1984.

The papers of painter and writer James Britton measure 4.5 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art.

ArchivalResource: 4.5 Linear feet

https://n2t.net/ark:/65665/mw9f420ee3e-6226-48ce-abe9-f7a901729070 View

Phillips Collection. Correspondence with Carl Zigrosser, 1920-1938.

Title: Correspondence with Carl Zigrosser, 1920-1938.

The Phillips Collection purchased works of art from the Weyhe Gallery. A pair of letters from 1927 by Duncan Phillips refer to the stir caused by a rumored price paid by the Phillips fro a work by John Marin. Letters are from Duncan and Marjorie Phillips.

ArchivalResource: 6 items (8 leaves).

http://www.worldcat.org/oclc/155902704 View

Marin, John, 1870-1953. Family papers, [1896?-1973?] (bulk 1920-1970).

Title: Family papers, [1896?-1973?] (bulk 1920-1970).

Section I, Parts I-II and IV (John Marin papers) contain correspondence by or from: Ansel Adams, Charles Bittinger, Jennie, Lelia, Lyda and Retta Currey, James Davis, Robert Freund, Edith Halpert, Bertram Hartman, MacKinley Helm, Martha Jackson, Marie Marin, Louis Kalonyme, John Marin Sr., John Marin Jr., Betty Marshall, Jerome Mellquist, Dorothy Norman, Clifford Odets, Georgia O'Keeffe, Duncan and Marjorie Phillips, Sheldon Reich, Herbert J. Seligmann, Alfred Stieglitz, Paul Strand, Susie and Bill Thompson, Harry, Leo and Roy Wass, E.C. Zoler. Additional correspondence from Cape Split, Addison, Maine; Taos, New Mexico; Cliffside Park, New Jersey. Section II, Parts I-III (John Marin Jr. papers) contain correspondence by or from: Charles Bittinger, James Davis, Georgia O'Keeffe, E.C. Zoler, Helen Dove, Edith Halpert, Duncan Phillips, Max Weber, the Downtown Gallery, Lyda and Retta Currey, Yale University Art Gallery (Lamont Moore), Currier Gallery of Art (Charles Buckley).

ArchivalResource: 5 linear ft. (8 boxes).

http://www.worldcat.org/oclc/122554202 View

Walter Quirt papers

Title: Walter Quirt papers

Ca. 600 letters from Romare Bearden, Stuart Davis, Eduard Franz, Abraham Rattner, Evelyn Scholl, William Steig, Robert Coates, Duncan Phillips and others; ca. 300 photographs of family, friends, and works of art; a sketchbook; notes and theoretical writings on art; catalogs; biographical information; clippings and other printed material.

ArchivalResource:

https://n2t.net/ark:/65665/mw9ad9f67a5-c377-4f05-bae7-6e5d83a481da View

Suzanne Mullett Smith papers

Title: Suzanne Mullett Smith papers

The papers of Suzanne Mullett Smith measure 3.3 linear feet and date from 1913 to 1992. The papers document her career as a painter and art historian through artist statements, a resume, correspondence, personal photographs, sketches and sketchbook, and other professional material; class and course notes, articles, and other writings; clippings, exhibition announcements and catalogs and other printed material; research material related to Arthur Dove conisting of correspondence, notes, Master's Thesis, exhibition announcements and catalogs on Dove, and photographs of Dove's works.Professional material includes artists statements and a resume, work with American University and the National Society ofArts and Letters, and correspondence including letters to her husband, Gordon H. Smith. Also included are some of her sketches and sketchbooks and photographs of Smith, Smith with family and friends, and Smith's wedding album.Writings consist of class notes from Smith's studies at American University and a number of articles written by her. Articles include "A Testimony of Healing," "Art and the War, " and "(Jose Clemente) Orozco Paints."Printed material consists of newspaper and magazine clippings, a scrapbook of clippings, and exhibition announcements and catalogs.Research material on Arthur Dove consist of Smith's thesis statement, draft and 1944 version of her Master's thesis, correspondence with Dove, research notes, newspaper and magazine clippings, exhibition announcements and catalogs, photographs of Dove's works, a catalog of Dove's artwork, and an index card inventory. Also included are a number of microfilm reels of material on Dove.

ArchivalResource:

https://n2t.net/ark:/65665/mw9d3d783cc-d18e-468a-b6ff-559853d88223 View

Harold Weston papers

Title: Harold Weston papers

The papers of modernist painter and activist Harold Weston (1894-1972) date from 1894 to 1978 and measure 24.3 linear feet. The papers focus on Weston's painting career and his involvement with humanitarian and artistic causes. Found are biographical materials, correspondence, personal business records, association and organization records, commission and project files, materials relating to Weston's book <emph render="italic">Freedom in the Wilds</emph>, writings, artwork, printed materials, two scrapbooks, and photographs. The papers document his involvement with the Committee to Defend America, Federation of Modern Painters and Sculptors, Food for Freedom, the International Association of the Plastic Arts, National Countil on the Arts and Government, National Endowment for the Arts, New York State Council for the Arts, Reconstruction Service Committee, and the YMCA in Baghdad. Biographical materials include biographical sketches and resumes, including a short biography written by Faith Weston in 1969. There are records from his school years at Exeter Academy and Harvard University that include yearbooks, report cards, scholarship information, <emph render="italic">Harvard Lampoon</emph> materials, and a diploma from Harvard. Also found are materials relating to Faith Weston, membership cards, memorials information, passports and travel papers, and wedding wishes. Correspondence from Harold Weston dates from his school years up until his death in 1972. In letters to his family, Weston discusses his education; his travel and activities in the Middle East during World War I; the Adirondacks; convalescense in France in the mid-1920s; his immediate family life; and exhibitions. Also found are holiday cards designed and printed by Weston. The majority of correspondence is with his father S. Burns Weston, mother Mary, sister Esther, brother Carl, Faith Weston and the Borton family, children Barbara, Bruce, and Haroldine, and others. Also found are letters between Weston and friend Theodore Sizer and Duncan Phillips of the Phillips Collection in Washington, D.C. Personal business and financial records relating to Weston's exhibitions include delivery receipts, agreements, hand-drawn gallery plans for exhibitions, lists of exhibitions, framing invoices, legal information, pricelists, records of sales, and lists of works of art. Galleries with which Weston held exhibitions, sold, or lent works of art include Boyer Galleries, Corcoran Gallery, the Gallery in Paoli, Montross Gallery, the Phillips Collection, and Studio House Galleries. Records relating to Harold Weston's memberships and involvement with professional associations and service organizations are from the Adirondack Trail Improvement Society, the Committee to Defend America, Federation of Modern Painters and Sculptors, Food for Freedom, International Association of the Plastic Arts/International Arts Association, National Countil on the Arts and Government, National Endowment for the Arts, New York State Council on the Arts, Reconstruction Service Committee, and the Young Men's Christian Association, Baghdad. The files include correspondence, financial records, meetings and membership information, notes, organizational history, photographs, printed materials, programs and activities records, speeches, and writings. Files that document Weston's <emph render="italic">Building the United Nations</emph> and the Treasury Relief Project sponsored "Procurement Building Murals" are found within the Commissions and Project files series. The files include correspondence, financial information, legal documents, photographs of the works of art and research photos, and printed materials. Correspondence of note includes letters written by Lewis Mumford, Duncan Phillips, Eleanor Roosevelt on behalf of Weston's <emph render="italic">Building of the United Nations</emph> and letters from Leonard Carmichael, Secretary of the Smithsonian Institution. Letters from Olin Dows of the Treasury Relief Art Project are within correspondence relating to the "Procurement Building Murals." Also found are preliminary sketches of the murals. The <emph render="italic">Freedom in the Wilds</emph> series contains materials relating to the book which combined Weston's autobiography with a history of the Adirondack Mountain Reserve. Additional writings and notes are by Harold Weston and others, and include articles, poetry, notes, speech notes and speeches, and lists. Harold Weston's articles include "Persian Caravan Sketches" published in 1921 discussing his travels throughout the Middle East. Other articles are written by Duncan Phillips, Paul Rosenfeld, Barbara Weston, and Faith Weston. Also found are postcards annoted with notes by Harold Weston about his travels. Artwork inlcudes sketches, etchings, copperplates, and woodcuts. There are copperplates entitled "Shroud" and of the series <emph render="italic">Building the United Nations</emph> for the Harvard Alumni bulletin in 1957; an untitled etching by Weston; sketches including those from Baghdad and watercolor sketches; a woodcut of the 1924 Weston holiday card; and scattered unsigned sketches probably not by Weston.Printed materials include calendars with notations; clippings; exhibition catalogs and announcements for Weston's exhibitions dating from 1922-1976 and for others; gallery tags or labels for paintings shown in exhibitions; reproductions of illustrations for the <emph render="italic">Harvard Lampoon</emph> and full issues from 1911-1916; materials relating to the Harvard production of <emph render="italic">Henry IV</emph>, for which Weston designed the sets; reproductions of works of art by Weston and by others; school seals; and various art related publications. There are two scrapbooks compiled by Faith Weston about her husband. The first contains materials relating to Weston's activity with the International Association of the Plastic Arts Conference of 1963, including a letter and photograph of President John F. Kennedy. The second scrapbook dates from 1977 and consists of general clippings relating to Weston's career, dating from 1917 to 1952 with additional materials added by Faith in 1977. Photographs are of Weston, family members, exhibitions and installations, and works of art by Weston and others. There are also numerous photographs of Weston's travel through the Adirondacks, the Middle East, Europe, and India. Also found are glass plate negatives of works of art painted in France between 1926-1930; scattered glass plate negatives of Baghdad and the Middle East; glass plates belonging to S. Burns Weston of the Adirondacks, circa 1900; and approximately 100 lantern slides of the various Middle Eastern cities and ruins - probably used by Weston to illustrate his talks given in the 1920s.

ArchivalResource:

https://n2t.net/ark:/65665/mw912c19da0-1e91-45ea-b15f-b3d423b2a075 View

Frank K. M. Rehn Galleries records

Title: Frank K. M. Rehn Galleries records

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehn's personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York art gallery devoted to American painting.Series 1: Correspondence contains correspondence with artists, museums and arts organizations, collectors, colleagues, and others documents the workings of Rehn Galleries from its earliest days through 1968. A small amount of Frank K. M. Rehn's personal correspondence and a few scattered personal papers of individual artists are interfiled with the business correspondence.Series 2: Financial Records includes banking, insurance, and investment records, tax returns and related documentation, miscellaneous financial records and paid bills. Among the insurance records are detailed monthly schedules listing paintings with titles, artists, and insurance values. Miscellaneous financial records include inventories of gallery stock, notes regarding business expenses and income, and receipt books recording incoming paintings. Also included are a small number of items concerning the personal business of Frank Rehn and John Clancy.Five volumes of Scrapbooks (Series 3) contain clippings and a small number of exhibition catalogs documenting the activities of Rehn Galleries and many of its associated artists. Additional Printed Matter in Series 4 includes material relating to Rehn Galleries and its artists, as well as publications produced by Rehn Galleries. General, art-related printed matter consists of articles, auction catalogs, advertisements, and publications of various museums, arts organizations, and schools. There is also material about artists not affiliated with Rehn Galleries. Additional printed items concern miscellaneous subjects that are not art-related. Series 5: Miscellaneous Records, includes artwork, lists and notes, and writings. Photographs in Series 6 are of people including artists represented by Rehn as well as several not affiliated with the gallery. Noticeably absent are likenesses of Frank Rehn and John Clancy. Photographs of works of art are by Rehn Galleries' artists and others. Reginald Marsh's photographs consist of family and personal photographs that were either given to Rehn Galleries or perhaps loaned for research use, and include views of Marsh from early childhood through later life, photographs of family and friends, and a small family album. Also included are photographs are of Marsh's childhood drawings.

ArchivalResource:

https://n2t.net/ark:/65665/mw9b5275f6d-e2b7-4f51-a515-53b316671902 View

Pietro Lazzari papers

Title: Pietro Lazzari papers

The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The collection documents Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.Biographical material includes biographical sketches and various identification documents. Correspondence comprises letters exchanged between Lazzari, family members, and colleagues and includes about a hundred letters concerning post office murals in several states.Notebooks contain drawings and annotated diagrams in addition to notes on artwork and designs for inventions. Writings are both by and about Lazzari and include autobiographical material. Artwork includes sketchbooks, loose sketches, prints, and paintings.Almost a quarter of the collection consists of photographs which include images of Lazzari, his family and colleagues, and gallery installations. Also found are photographs of several notable individuals.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c1076b1d-cfcb-4c35-82b7-058eb79dc787 View

Kraushaar Galleries records

Title: Kraushaar Galleries records

The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks. There is a 6.0 linear foot unprocessed addition to this collection donated in 2022 that includes correspondence with artists, galleries, organizations and individuals regarding works of art, filed alphabetically by year. Materials date from circa 1959-1999, with the bulk from 1990-1999.

ArchivalResource: 106.3 Linear feet; 0.181 Gigabytes

https://n2t.net/ark:/65665/mw9507d7d92-d503-4ed4-9ed6-12975adb8473 View

William Schack papers

Title: William Schack papers

Research materials for Schack's books on Albert C. Barnes and Louis Michel Eilshemius, ART AND ARGYROL: THE LIFE AND CAREER OF DR. ALBERT C. BARNES and AND HE SAT AMONG ASHES.

ArchivalResource:

https://n2t.net/ark:/65665/mw95b058525-18d8-4022-818e-f15a70225111 View

Harold Weston papers

Title: Harold Weston papers

The papers of modernist painter and activist Harold Weston (1894-1972) date from 1894 to 1978 and measure 24.3 linear feet. The papers focus on Weston's painting career and his involvement with humanitarian and artistic causes. Found are biographical materials, correspondence, personal business records, association and organization records, commission and project files, materials relating to Weston's book <emph render="italic">Freedom in the Wilds</emph>, writings, artwork, printed materials, two scrapbooks, and photographs. The papers document his involvement with the Committee to Defend America, Federation of Modern Painters and Sculptors, Food for Freedom, the International Association of the Plastic Arts, National Countil on the Arts and Government, National Endowment for the Arts, New York State Council for the Arts, Reconstruction Service Committee, and the YMCA in Baghdad. Biographical materials include biographical sketches and resumes, including a short biography written by Faith Weston in 1969. There are records from his school years at Exeter Academy and Harvard University that include yearbooks, report cards, scholarship information, <emph render="italic">Harvard Lampoon</emph> materials, and a diploma from Harvard. Also found are materials relating to Faith Weston, membership cards, memorials information, passports and travel papers, and wedding wishes. Correspondence from Harold Weston dates from his school years up until his death in 1972. In letters to his family, Weston discusses his education; his travel and activities in the Middle East during World War I; the Adirondacks; convalescense in France in the mid-1920s; his immediate family life; and exhibitions. Also found are holiday cards designed and printed by Weston. The majority of correspondence is with his father S. Burns Weston, mother Mary, sister Esther, brother Carl, Faith Weston and the Borton family, children Barbara, Bruce, and Haroldine, and others. Also found are letters between Weston and friend Theodore Sizer and Duncan Phillips of the Phillips Collection in Washington, D.C. Personal business and financial records relating to Weston's exhibitions include delivery receipts, agreements, hand-drawn gallery plans for exhibitions, lists of exhibitions, framing invoices, legal information, pricelists, records of sales, and lists of works of art. Galleries with which Weston held exhibitions, sold, or lent works of art include Boyer Galleries, Corcoran Gallery, the Gallery in Paoli, Montross Gallery, the Phillips Collection, and Studio House Galleries. Records relating to Harold Weston's memberships and involvement with professional associations and service organizations are from the Adirondack Trail Improvement Society, the Committee to Defend America, Federation of Modern Painters and Sculptors, Food for Freedom, International Association of the Plastic Arts/International Arts Association, National Countil on the Arts and Government, National Endowment for the Arts, New York State Council on the Arts, Reconstruction Service Committee, and the Young Men's Christian Association, Baghdad. The files include correspondence, financial records, meetings and membership information, notes, organizational history, photographs, printed materials, programs and activities records, speeches, and writings. Files that document Weston's <emph render="italic">Building the United Nations</emph> and the Treasury Relief Project sponsored "Procurement Building Murals" are found within the Commissions and Project files series. The files include correspondence, financial information, legal documents, photographs of the works of art and research photos, and printed materials. Correspondence of note includes letters written by Lewis Mumford, Duncan Phillips, Eleanor Roosevelt on behalf of Weston's <emph render="italic">Building of the United Nations</emph> and letters from Leonard Carmichael, Secretary of the Smithsonian Institution. Letters from Olin Dows of the Treasury Relief Art Project are within correspondence relating to the "Procurement Building Murals." Also found are preliminary sketches of the murals. The <emph render="italic">Freedom in the Wilds</emph> series contains materials relating to the book which combined Weston's autobiography with a history of the Adirondack Mountain Reserve. Additional writings and notes are by Harold Weston and others, and include articles, poetry, notes, speech notes and speeches, and lists. Harold Weston's articles include "Persian Caravan Sketches" published in 1921 discussing his travels throughout the Middle East. Other articles are written by Duncan Phillips, Paul Rosenfeld, Barbara Weston, and Faith Weston. Also found are postcards annoted with notes by Harold Weston about his travels. Artwork inlcudes sketches, etchings, copperplates, and woodcuts. There are copperplates entitled "Shroud" and of the series <emph render="italic">Building the United Nations</emph> for the Harvard Alumni bulletin in 1957; an untitled etching by Weston; sketches including those from Baghdad and watercolor sketches; a woodcut of the 1924 Weston holiday card; and scattered unsigned sketches probably not by Weston.Printed materials include calendars with notations; clippings; exhibition catalogs and announcements for Weston's exhibitions dating from 1922-1976 and for others; gallery tags or labels for paintings shown in exhibitions; reproductions of illustrations for the <emph render="italic">Harvard Lampoon</emph> and full issues from 1911-1916; materials relating to the Harvard production of <emph render="italic">Henry IV</emph>, for which Weston designed the sets; reproductions of works of art by Weston and by others; school seals; and various art related publications. There are two scrapbooks compiled by Faith Weston about her husband. The first contains materials relating to Weston's activity with the International Association of the Plastic Arts Conference of 1963, including a letter and photograph of President John F. Kennedy. The second scrapbook dates from 1977 and consists of general clippings relating to Weston's career, dating from 1917 to 1952 with additional materials added by Faith in 1977. Photographs are of Weston, family members, exhibitions and installations, and works of art by Weston and others. There are also numerous photographs of Weston's travel through the Adirondacks, the Middle East, Europe, and India. Also found are glass plate negatives of works of art painted in France between 1926-1930; scattered glass plate negatives of Baghdad and the Middle East; glass plates belonging to S. Burns Weston of the Adirondacks, circa 1900; and approximately 100 lantern slides of the various Middle Eastern cities and ruins - probably used by Weston to illustrate his talks given in the 1920s.

ArchivalResource:

https://n2t.net/ark:/65665/mw912c19da0-1e91-45ea-b15f-b3d423b2a075 View

Rockwell Kent papers

Title: Rockwell Kent papers

The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life). Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.

ArchivalResource:

https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a View

New Directions Publishing records

Title: New Directions Publishing records

Records of the New Directions Publishing Corporation largely from the Norfolk, Connecticut office of the founder, James Laughlin.

ArchivalResource: 344 linear feet (910 boxes and 4 volumes)

http://id.lib.harvard.edu/ead/hou00077/catalog View

Oral history interview with John Gernand

Title: Oral history interview with John Gernand

An interview of John Gernand conducted 1979 Jan. 18-Feb. 14, by Julia Haifley, for the Archives of American Art.

OralHistoryResource: Sound recordings: 2 sound cassettes.

https://n2t.net/ark:/65665/mw971796a15-d1e0-48d2-a535-497f3a3ed271 View

Pietro Lazzari papers

Title: Pietro Lazzari papers

The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The collection documents Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.Biographical material includes biographical sketches and various identification documents. Correspondence comprises letters exchanged between Lazzari, family members, and colleagues and includes about a hundred letters concerning post office murals in several states.Notebooks contain drawings and annotated diagrams in addition to notes on artwork and designs for inventions. Writings are both by and about Lazzari and include autobiographical material. Artwork includes sketchbooks, loose sketches, prints, and paintings.Almost a quarter of the collection consists of photographs which include images of Lazzari, his family and colleagues, and gallery installations. Also found are photographs of several notable individuals.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c1076b1d-cfcb-4c35-82b7-058eb79dc787 View

Tonkin, John, 1866-1946. John Tonkin papers, 1903-1930.

Title: John Tonkin papers, 1903-1930.

Tonkin's "Massage and Swedish Movements" certificate, 1904, and financial account book, 1907-1918, related to his work as a masseur in Washington, D.C.; together with his daughter Elizabeth's autobiographical notes, a newspaper clipping, and a travel diary from a European trip (1930); and family photographs.

ArchivalResource: 0.65 cubic ft. (1 oversize container)

http://www.worldcat.org/oclc/71014344 View

Rosenbach Company. Correspondence, 1903-1953

Title: Correspondence

ArchivalResource: 186 boxes (ca. 153,750 items)

http://www.worldcat.org/oclc/122633728 View

Phillips, Marjorie, 1895-. Collection, 1897-1984.

Title: Collection, 1897-1984.

Collection of papers and photographs relating to "Dunmarlin," the home of Marjorie and Duncan Phillips, in Washington, D.C., as well as photographs of their summer home in Ebensburg, Pennsylvania, and some personal papers. Highlights of the collection include four colored sketches of fireplace equipment done by Lally-Rohlander Co., Inc.; two colored drawings of room layouts for a ladies dressing room and a formal living room, showing how each wall would look, plus a colored sketch of the furniture layout in the living room; a picture of one wing of Dunmarlin painted by Gifford Beal (uncle of Marjorie Phillips); blueprints for landscaping plans, a basement play room, and plans for a garage; a drawing for a light fixture, possibly a porch light, done by Horn & Drannen Mfg. Co.; and a drawing of a colonial revival home, not "Dunmarlin," but no indication of who did the drawing, when it was done, or where the house was located. As well, the collection includes an inventory of the estate of Eliza Irwin Laughlin Phillips (Duncan's mother); a partial inventory of Marjorie Phillips' estate; part of a script for a tour of "Dunmarlin"; some correspondence and bills of Major and Mrs. Phillips, as well as of Marjorie and Duncan Phillips; a few advertising brochures for furniture, silver, and other products; and fabric and wallpaper samples.

ArchivalResource: 2 boxes and 1 folder : ill.

http://www.worldcat.org/oclc/261233298 View

Lee Gatch papers

Title: Lee Gatch papers

Correspondence, notebooks, writings, photographs, catalogs and other publications.

ArchivalResource:

https://n2t.net/ark:/65665/mw91b1caefc-4e3f-4add-a8fb-7014fae324cc View

Alfred Stieglitz / Georgia O'Keeffe archive, 1728-1986

Title: Alfred Stieglitz / Georgia O'Keeffe archive 1728-1986

The Alfred Stieglitz/Georgia O'Keeffe Archive contains correspondence files, manuscripts, documentary ephemera, photographs, art and realia related to the lives and careers of Alfred Stieglitz and Georgia O'Keeffe, his second wife, and to other members of Stieglitz's family. The first subgroup, Alfred Stieglitz Papers, consists of material documenting Stieglitz's life's work: correspondence with artists, photographers, and writers; manuscripts by Stieglitz and others describing the art movements of the early twentieth century; scrapbooks; an autograph collection; prints of photographs by Stieglitz and other noted photographers; awards given to Stieglitz for his work; several works of art such as four poster portraits by Charles Demuth; and notebooks assembled posthumously to record the contents of Stieglitz's extensive art collection before it was dispersed following his death. The second subgroup, Georgia O'Keeffe Papers, consists primarily of correspondence from O'Keeffe's friends and family along with a number of fan letters, subject files, and business correspondence addressing rights and reproductions of O'Keeffe's works. This subgroup also includes files of documentary ephemera and a number of awards and medals given to O'Keeffe. The third subgroup, Stieglitz Family Papers, consists of correspondence, documentary ephemera, and drawings from Stieglitz family members, principally Alfred's parents, Edward and Hedwig.

ArchivalResource: 168 linear ft. (260 boxes, including 39 oversize boxes) + 2 broadside folders + 10 art objects

http://hdl.handle.net/10079/fa/beinecke.sok View

James Britton papers, 1913-1984.

Title: James Britton papers, 1913-1984.

The papers of painter and writer James Britton measure 4.5 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art.

ArchivalResource: 4.5 Linear feet

https://n2t.net/ark:/65665/mw9f420ee3e-6226-48ce-abe9-f7a901729070 View

Frank K. M. Rehn Galleries records

Title: Frank K. M. Rehn Galleries records

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehn's personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York art gallery devoted to American painting.Series 1: Correspondence contains correspondence with artists, museums and arts organizations, collectors, colleagues, and others documents the workings of Rehn Galleries from its earliest days through 1968. A small amount of Frank K. M. Rehn's personal correspondence and a few scattered personal papers of individual artists are interfiled with the business correspondence.Series 2: Financial Records includes banking, insurance, and investment records, tax returns and related documentation, miscellaneous financial records and paid bills. Among the insurance records are detailed monthly schedules listing paintings with titles, artists, and insurance values. Miscellaneous financial records include inventories of gallery stock, notes regarding business expenses and income, and receipt books recording incoming paintings. Also included are a small number of items concerning the personal business of Frank Rehn and John Clancy.Five volumes of Scrapbooks (Series 3) contain clippings and a small number of exhibition catalogs documenting the activities of Rehn Galleries and many of its associated artists. Additional Printed Matter in Series 4 includes material relating to Rehn Galleries and its artists, as well as publications produced by Rehn Galleries. General, art-related printed matter consists of articles, auction catalogs, advertisements, and publications of various museums, arts organizations, and schools. There is also material about artists not affiliated with Rehn Galleries. Additional printed items concern miscellaneous subjects that are not art-related. Series 5: Miscellaneous Records, includes artwork, lists and notes, and writings. Photographs in Series 6 are of people including artists represented by Rehn as well as several not affiliated with the gallery. Noticeably absent are likenesses of Frank Rehn and John Clancy. Photographs of works of art are by Rehn Galleries' artists and others. Reginald Marsh's photographs consist of family and personal photographs that were either given to Rehn Galleries or perhaps loaned for research use, and include views of Marsh from early childhood through later life, photographs of family and friends, and a small family album. Also included are photographs are of Marsh's childhood drawings.

ArchivalResource:

https://n2t.net/ark:/65665/mw9b5275f6d-e2b7-4f51-a515-53b316671902 View