John Henry Bradley Storrs papers

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John Henry Bradley Storrs papers

1790-2007

https://n2t.net/ark:/65665/mw97fbb0f90-38d0-4f9d-8293-83eb4d3dbe07

The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790 to 2007, with the bulk of the papers dating from 1900 to 1956. The collection documents Storrs' career as an artist and his personal life through biographical material, correspondence with family, friends, and colleagues, personal business records, forty-eight diaries and other writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. There is also a substantial amount of Marguerite Storr's correspondence as well as scattered correspondence of other members of the Storr's family. Biographical material consists of chronologies detailing the life of John Storrs, identification records, certificates, Storrs family documents, and records of John and Monique Storrs' French resistance activities during World War II. Correspondence within this collection is divided into John Storrs Correspondence, Marguerite Storrs Correspondence, and Storrs Family Correspondence. The bulk of correspondence is John Storrs with friends, colleagues, art critics, patrons, art organizations and galleries. Correspondents of note include artists, architects, and writers such as Hendrick Andersen, Sherwood Anderson, Edward Bennett, George Biddle, Jerome Blum, Georges Braque, Louise Bryant, William Bullitt, Alexander Calder, Walter Cole, Paul Phillippe Cret, Katherine Dreier, Marcel Duchamp, Max Eastman, R. Buckminster Fuller, Marsden Hartley, Jane Heap, Jean Helion, Fernand Leger, Jacques Lipchitz, Man Ray, Charles Sheeler, Gertrude Stein, Joseph Stella, Maurice Sterne, Alfred Stieglitz, Leopold Survage, and William and Marguerite Zorach. There are also many letters to his wife Marguerite. Marguerite Storrs' correspondence is with friends, family, colleagues, and others, including many letters to her husband. The letters are about general and family news, social activities and invitations, her work as a writer, and her husband's career. Storrs' family correspondence includes John and Marguerite's extensive correspondence with their daughter Monique as well as Monique's correspondence with others. Additional family correspondence is between John, his sister Mary ("Mae") and their parents David William and Hannah Storrs, much of it dating from 1900 to 1913. Personal business records include address books, records regarding the sale and loan of Storrs' artwork, commission files regarding major public sculptures by Storrs, contracts, appraisals, financial records, and other documents regarding his professional activities. Of note are several files documenting Downtown Gallery's representation of Storrs' work during the 1960s, including correspondence between Edith Halpert and Monique Storrs. Various other documents include records of the Ecole de la Loire artists group (all in French.) Additionally there are records relating to Chateau de Chantecaille, an estate purchased by Storrs in the early 1920s as his primary residence and studio. Forty-eight diaries contain scattered documentation of John Storrs' daily activities. Other writings by Storrs include four volumes of his memoirs that detail family history and his life from birth to 1906, notebooks, poetry, and personal accounts including the death of Auguste Rodin. Writings by others include poetry by Jessie Dismorr, essays by Zoltan Hecht and Maurice Raynal, and notebooks belonging to Storrs family members. Printed material consists of books, art bulletins, brochures, invitations, announcements, and programs for art and social events. Also found are catalogs for exhibitions of Storrs' work and work by other artists; magazines, including a bound volume of the first ten issues of <emph render="italic">The Liberator</emph>; and clippings which include news about Storrs, his family, and friends. Photographs depict John Storrs, his family, friends such as Arthur Bock and Gertrude Lambert, travels, and residences. Included are photographs of Storrs in his studio and in art classes. Also found are four photograph albums, primarily documenting his time in Europe from 1905 to 1907, exhibition photographs, and numerous photographs of his artwork. Original artwork includes a portfolio of artwork created by Storrs as a youth, loose sketches, one sketchbook, 31 lithographs, and drawings for mural projects. Four scrapbooks and a portfolio kept by John and Marguerite Storrs contain newspaper and magazine clippings of articles and illustrations as well as printed material from exhibitions, social events, and professional activities. Also found is a portfolio containing scattered items regarding the publication of <emph render="italic">Song of Myself</emph> with original wood engravings by John Storrs. One additional scrapbook was created by John Storrs around 1945 for his daughter, Monique Storrs, to document her service as a nurse in World War II.This collection also includes records of John Storrs' estate immediately following his death in 1956, as well as records of several galleries that represented the estate in managing Storrs' artwork from the 1970s to 2002.Three videocassettes, transferred from an unknown reel format, contain footage of Storrs' family life at Chantecaille and in Chicago, Illinois, in the 1930s.

Archives of American Art

Information

SNAC Resource ID: 6630741

Archives of American Art

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Storrs, Marguerite Deville Chabrol

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French-born author and wife of sculptor John Henry Bradley Storrs. Marguerite Deville Chabrol Storrs was born June 2, 1881 in Saint-Jean-de-la-Ruelle, in the Loiret department of central France near the city of Orléans. Her parents, Paul Henri and Emma Deville Chabrol, married in 1877 and had one other daughter, Jenny Deville Chabrol. Paul Henri Deville Chabrol came from a military family, and served in the Franco-Prussian War before settling down in Orléans to work in...

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Léger, Fernand, 1881-1955

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Storrs, John Henry Bradley, 1885-1956

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John Storrs, born in Chicago, decided to become a sculptor while abroad in 1907-1908. After his return, he studied with Lorado Taft at the Chicago Art Institute and with Charles Grafly at the Pennsylvania Academy of Fine Arts. He returned to France in 1912, where he was a favorite pupil of Rodin. Storrs turned from traditional representation to Cubist and machinelike forms in 1920. His many colleagues included Louise Bryant and Jacques Lipschitz. After 1921, he and his wife, French writer Margue...

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Art gallery; New York, N.Y.; Owned by Edith Gregor Halpert. Established as Our Gallery in 1926 by Edith Gregor Halpert and Berthe Kroll Goldsmith for the purpose of promoting modern American art. Downtown Gallery was an early promoter of American folk art. The gallery name changed to Downtown Gallery in 1927, and Halpert became its sole owner in 1935. Subsidiary galleries operated by Downtown Gallery on its premises were: The Daylight Gallery (opened 1930), American Folk...