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Information: The first column shows data points from Beal, Gifford, 1879-1956 in red. The third column shows data points from Beal Gifford Reynolds, 1879-1956. in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Beal, Gifford, 1879-1956
Shared
Beal Gifford Reynolds, 1879-1956.
Beal, Gifford, 1879-1956
Name Components
Name :
Beal, Gifford, 1879-1956
Dates
- Name Entry
- Beal, Gifford, 1879-1956
Citation
- Name Entry
- Beal, Gifford, 1879-1956
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Contributors from initial SNAC EAC-CPF ingest
Beal, Gifford
Name Components
Name :
Beal, Gifford
Dates
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Contributors from initial SNAC EAC-CPF ingest
Beal, Gifford Reynolds, 1879-1956.
Name Components
Name :
Beal, Gifford Reynolds, 1879-1956.
Dates
- Name Entry
- Beal, Gifford Reynolds, 1879-1956.
Citation
- Name Entry
- Beal, Gifford Reynolds, 1879-1956.
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Contributors from initial SNAC EAC-CPF ingest
Beal, Gifford Reynolds
Name Components
Name :
Beal, Gifford Reynolds
Dates
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- Beal, Gifford Reynolds
Citation
- Name Entry
- Beal, Gifford Reynolds
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Contributors from initial SNAC EAC-CPF ingest
Beal, Gifford Reynolds (American painter, 1879-1956)
Name Components
Name :
Beal, Gifford Reynolds (American painter, 1879-1956)
Dates
- Name Entry
- Beal, Gifford Reynolds (American painter, 1879-1956)
Citation
- Name Entry
- Beal, Gifford Reynolds (American painter, 1879-1956)
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Contributors from initial SNAC EAC-CPF ingest
Beal, Gifford R.
Name Components
Name :
Beal, Gifford R.
Dates
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- Beal, Gifford R.
Citation
- Name Entry
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Contributors from initial SNAC EAC-CPF ingest
Gifford Reynolds Beal
Name Components
Name :
Gifford Reynolds Beal
Dates
- Name Entry
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Citation
- Name Entry
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Contributors from initial SNAC EAC-CPF ingest
Beal, Clifford
Name Components
Name :
Beal, Clifford
Dates
- Name Entry
- Beal, Clifford
Citation
- Name Entry
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Contributors from initial SNAC EAC-CPF ingest
Gifford Beal
Name Components
Name :
Gifford Beal
Dates
- Name Entry
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Citation
- Name Entry
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Contributors from initial SNAC EAC-CPF ingest
Beal Gifford Reynolds, 1879-1956.
Name Components
Name :
Beal Gifford Reynolds, 1879-1956.
Dates
- Name Entry
- Beal Gifford Reynolds, 1879-1956.
Citation
- Name Entry
- Beal Gifford Reynolds, 1879-1956.
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Citation
- Exist Dates
- Exist Dates
The vertical files of the Whitney Library originated with the Museum's founding in 1930 and include research materials on 20th century American art. Central to the collection are the files of the American Art Research Council, an agency administered by the Whitney Museum between 1942 and 1948, in cooperation with thirty museums and university art departments, to document and authenticate American art. The library now serves as a repository for the AARC records. The Council compiled records of the works of leading American artists, including information as to medium, size, signature, date, history, owners, exhibitions, reproductions and auction sales.
Gifford Beal (1879-1956) was a painter from New York, N.Y.
Beal was born in Bronx, New York, and brought up in an artistic household. He was the younger brother of Reynolds Beal (1866-1951). Beal graduated from Princeton University in 1900. He studied at the Art Students League and later served as its president from 1916-1929. He was elected to the National Academy of Design in 1914. Beal's typical subjects were urban genre scenes of leisure in New York City, dramatic and humorous circus subjects, marine and coastal views, and landscapes surrounding Rockport, Mass. In later life, he often served as an advisor and juror to museum exhibitions.
Painter; New York, N.Y.
Beal was born in Bronx, New York, and brought up in an artistic household. He was the younger brother of Reynolds Beal (1866-1951). Beal graduated from Princeton University in 1900. He studied at the Art Students League and later served as its president from 1916-1929. He was elected to the National Academy of Design in 1914. Beal's typical subjects were urban genre scenes of leisure in New York City, dramatic and humorous circus subjects, marine and coastal views, and landscapes surrounding Rockport, Mass. In later life, he often served as an advisor and juror to museum exhibitions.
Painter and muralist Gifford Beal was born in New York City in 1879, the youngest of six children. Beal began his art training at 13, when he accompanied his older brother, Reynolds Beal, to the Shinnecock School of Art for classes with William Merritt Chase. Gifford Beal continued to study with Chase for ten years at Shinnecock, the Tenth Street Studio building in New York City, and the New York School of Art. Beal attended college at Princeton University from 1896 to 1900, and from 1901 to 1903 he also took classes at the Art Students League with George Bridgman and Frank Vincent DuMond. In 1908, Beal married Maud Ramsdell of Newburgh, New York, where the Beal family also had an estate. They had two sons, William (b. 1914) and Gifford, Jr. (b. 1917).
Beal received all of his training in the United States at a time when European art training was the norm among his peers. Beal's earliest subject matter was taken from the familiar worlds of New York City and the Hudson River Valley, where he frequently spent his summers. Later work would depict other summer homes, including Provincetown, Rockport, and Gloucester, Massachusetts. Throughout his career he explored a variety of styles in his approach to these and other representational subjects such as garden parties, the circus, Central Park scenes, and coastal scenes in the Northeast and the Caribbean.
Beal exhibited at the National Academy of Design's annual exhibition almost continuously from 1901 to 1956, was a member of the Academy from 1914, and won at least seven awards given by the Academy over the course of his career. He won his first award in 1903 from the Worcester Art Museum. He exhibited regularly in major annual exhibitions and world expositions, including the Panama Pacific Exposition of 1915, where he won a gold medal.
Gifford and Reynolds Beal exhibited in a two-man show in 1907 at Clausen Galleries, and the two brothers were both eventually represented by Kraushaar Galleries, where Gifford Beal had his first one-man show in 1920. Beal served as president of the Art Students League from 1916 until 1930, the longest term of any president, and taught there in 1931 and 1932.
Beal was commissioned by the Section on Painting and Sculpture of the Works Progress Administration to paint ten murals for the Allentown, Pennsylvania post office in the late 1930s. The Allentown murals depicted American revolutionaries hiding the liberty bell at Allentown. In 1941, he completed two murals in the Department of the Interior building in Washington, DC: North Country, and Tropical Country, and he painted seven panels at Princeton University in 1943 depicting the life of the nineteenth-century engineer Joseph Henry. He was awarded an honorary Masters degree by Princeton in 1947.
Retrospective exhibitions were held at the Century Club, San Francisco Museum, Des Moines Art Center, and Butler Institute in the early 1950s. Upon his death in 1956, a memorial exhibition was held at the American Academy of Arts and Letters, where Beal became a member in 1943.
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Effie Seachrest papers
Title:
Effie Seachrest papers
Ten letters; an inscribed Robert Vonnoh catalog; a photograph of a portrait of Seachrest by Daniel MacMorris; and a clipping. Correspondents include Gifford Beal, Frederick Carl Frieseke, Ernest Lawson, John Noble, Mary Mears, sister of artist Helen Farnsworth Mears, journalist William Allen White, and Kansas governor, Henry J. Allen.
ArchivalResource:
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- Resource Relation
- Seachrest, Effie, 1867-1952. Effie Seachrest papers, 1921-1966.
Stanley Woodward papers
Title:
Stanley Woodward papers
The papers of marine painter, illustrator, writer and art instructor Stanley Woodward date from 1875-1970, bulk 1905-1970, and measure 6.6 linear feet. Found within the papers are biographical materials, artworks, family and personal correspondence, seventeen diaries, notes, notebooks and other writings, business records, a scrapbook and printed material including exhibition announcements and catalogs; and photographs of Woodward, members of his family, friends, and his studio. Files containing letters, clippings, and photographs concern actresses including Janis Carter, Linda Darnell, Bette Davis, and Eleanor Powell. Writings include drafts of Woodward's book <emph render="italic">Adventure in Marine Painting</emph>.Biographical material includes miscellaneous accounts of Woodward's life, cards and certificates of membership in various organizations including the Massachusetts Society of the Sons of the American Revolution, the Salmagundi Club, and the Academic Artist Association, military records of his service in both World Wars, and scattered artwork. A file concerning Woodward's portrait of Abraham Lincoln contains letters primarily discussing a reproduction of the portrait in <emph render="italic">The Boston Globe</emph> and the painting's eventual sale, in addition to notes, clippings, an ink drawing, and a photographic negative of the drawing.Correspondence is between various family members, but also includes letters to Woodward from colleagues including Harrison Cady, Eleanor Parke Custis, Ralph Fabri, Chauncey F. Ryder, and Howard E. Smith. There are also scattered letters from other artists including Gifford Beal, Mary Butler, Gordon Grant, Norman Kent, Hobart Nichols, Thornton Oakley, Edmund Tarbell, and Anthony Thieme. Correspondence primarily concern his painting career, and includes lists of art work and financial material. Artwork consists of a sketchbook and three sketches.Files concerning actresses reflect Woodward's life-long friendship with former teenaged neighbor Bette Davis, who later introduced Woodward and his art work to her show business friends. The files contain letters, clippings, and photographs of actresses Janis Carter, Linda Darnell, Bette Davis, Laraine Day, Madaline Lee, Ida Lupino, Eleanor Powell, and Alexis Smith.Seventeen diaries contain relatively detailed daily entries describing Woodward's art-related activities, experiences during World War II, and various travels, including a trip to Los Angeles to be a house guest of Bette Davis and visit her on the set of the motion picture <emph render="italic">Elizabeth and Essex</emph>. The 1905 diary contains photographs of Woodward's school friends.Notes, notebooks, and writings include lists of art works, exhibition guest books, and miscellaneous writings by Woodward including drafts of his book <emph render="italic">Adventure in Marine Painting</emph>.Business records include an auction catalog, account books for the sale of Woodward's book and art work, and miscellaneous receipts. Records of art classes taught by Woodward include lists of participants, accounts of fees paid, and printed advertisements.A scrapbook containing clippings and exhibition announcements and catalogs illustrates Woodward's early interests and art-related activities. Additional printed material consists of clippings, copies of the U. S. Air Corps Magazine <emph render="italic">The Rip Chord</emph> for which Woodward did the cover illustrations, prospectuses with annotations of titles and prices of art work, exhibition announcements and catalogs, reproductions of art work, a booklet, and brochures for books and for art schools. Miscellaneous printed material includes reproductions of a photograph of Woodward's father, Frank E. Woodward, and a program for an event honoring Dr. T. Tertius Noble.Photographs are of Woodward, family members, friends connected with the U. S. Army Air Force including Jack Dempsey, Woodward's studio, and art work. Three albums contain photographs of art classes and Woodward painting outdoors at various locations including Laguna Beach and Palm Springs, California, St. Augustine, Florida, and Rockport, Massachusetts. A third album also contains photographs of notable friends including Janis Carter, Jeanne Craine, Bette Davis, Rita Hayworth, and Gary Merrill.
ArchivalResource: 6.6 linear feet
https://n2t.net/ark:/65665/mw9816d92be-2c37-4830-86b8-26608c86eaec View
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- Resource Relation
- Stanley Woodward papers, 1875-1970, bulk 1905-1970
Leon Kroll papers
Title:
Leon Kroll papers
The papers of realist painter, muralist, and art instructor Leon Kroll date from circa 1900 to 1988 and measure 8.7 linear feet. The collection documents Kroll's painting career, teaching, and active participation in numerous art organizations. Over one-half of the collection is correspondence with artists, schools, galleries, museums, patrons, arts organizations, family members, and others. Also found are scattered biographical material, writings and notes, legal and financial records, exhibition catalogs, clippings, other printed material, photographs of Kroll and colleagues, loose drawings, and nine sketchbooks.Biographical material contains chronologies, biographical essays, awards, price lists, interview transcripts, and a file about the Committee on Government and Art. More than one-half of the collection consists of Kroll's personal and professional correspondence with artists such as Gifford Beal, George Biddle, Isabel Bishop, Barry Faulkner, William Glackens, Robert Henri, Paul Manship, Hobart Nichols, Eugene Speicher, Maurice Stern, Esther Williams, and many others. Additional correspondence is with art critics, curators, dealers, students, patrons, schools, museums, and numerous arts organizations. There is also extensive correspondence with arts administrators regarding government art projects, especially his friend and fellow artist Edward Bruce, Director of the U. S. Treasury Department's Section for Fine Arts. Writings and notes by Leon Kroll including autobiographical essays, drafts of lectures and speeches, lists, and other scattered notes. Also found is a small amount of writings by others, including an essay by Julia Langsam describing her experience as an artist's model for Kroll. Legal and financial records include contracts, loan agreements, art sales receipts, and several ledgers recording consignments and monthly receipts and expenditures. One ledger specifically documents financial transactions for Kroll's mural commissions for the Justice Department and the Worcester War Memorial. Printed material contains numerous news clippings about Kroll and his work and includes several articles written by Kroll. Also found are exhibition announcements and catalogs for Kroll's solo exhibitions, material about the Worcester War memorial, and miscellaneous printed items. Photographs include one of Kroll with his family, Kroll in his studio and working on murals, and several of him with other artists as jurors for art exhibitions. Artists pictured include Isabel Bishop, Reginal Marsh, John Sloan, Raphael Soyer, Eugene Speicher, and others. Also found are photographs of Edward Bruce, as well as photographs of exhibitions, artwork by Leon Kroll, and artwork by others. All of the original artwork in this collection is by Leon Kroll and includes loose drawings and ten sketchbooks containing drawings of landscapes, figures, portraits, and animals.
ArchivalResource:
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- Resource Relation
- Kroll, Leon, 1884-1974. Leon Kroll papers, 1905-1974.
Beal, Gifford Reynolds. [Gifford Reynolds Beal] : artist file
Title:
[Gifford Reynolds Beal] : artist file 1900-
Assembled file includes clippings, photographs, reproductions from books and auction catalogs, postcards, press releases, slides, resumes, reviews, exhibition ephemera.
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/655262376 View
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- Beal, Gifford Reynolds. [Gifford Reynolds Beal] : artist file
Leon Kroll papers
Title:
Leon Kroll papers
The papers of realist painter, muralist, and art instructor Leon Kroll date from circa 1900 to 1988 and measure 8.7 linear feet. The collection documents Kroll's painting career, teaching, and active participation in numerous art organizations. Over one-half of the collection is correspondence with artists, schools, galleries, museums, patrons, arts organizations, family members, and others. Also found are scattered biographical material, writings and notes, legal and financial records, exhibition catalogs, clippings, other printed material, photographs of Kroll and colleagues, loose drawings, and nine sketchbooks.Biographical material contains chronologies, biographical essays, awards, price lists, interview transcripts, and a file about the Committee on Government and Art. More than one-half of the collection consists of Kroll's personal and professional correspondence with artists such as Gifford Beal, George Biddle, Isabel Bishop, Barry Faulkner, William Glackens, Robert Henri, Paul Manship, Hobart Nichols, Eugene Speicher, Maurice Stern, Esther Williams, and many others. Additional correspondence is with art critics, curators, dealers, students, patrons, schools, museums, and numerous arts organizations. There is also extensive correspondence with arts administrators regarding government art projects, especially his friend and fellow artist Edward Bruce, Director of the U. S. Treasury Department's Section for Fine Arts. Writings and notes by Leon Kroll including autobiographical essays, drafts of lectures and speeches, lists, and other scattered notes. Also found is a small amount of writings by others, including an essay by Julia Langsam describing her experience as an artist's model for Kroll. Legal and financial records include contracts, loan agreements, art sales receipts, and several ledgers recording consignments and monthly receipts and expenditures. One ledger specifically documents financial transactions for Kroll's mural commissions for the Justice Department and the Worcester War Memorial. Printed material contains numerous news clippings about Kroll and his work and includes several articles written by Kroll. Also found are exhibition announcements and catalogs for Kroll's solo exhibitions, material about the Worcester War memorial, and miscellaneous printed items. Photographs include one of Kroll with his family, Kroll in his studio and working on murals, and several of him with other artists as jurors for art exhibitions. Artists pictured include Isabel Bishop, Reginal Marsh, John Sloan, Raphael Soyer, Eugene Speicher, and others. Also found are photographs of Edward Bruce, as well as photographs of exhibitions, artwork by Leon Kroll, and artwork by others. All of the original artwork in this collection is by Leon Kroll and includes loose drawings and ten sketchbooks containing drawings of landscapes, figures, portraits, and animals.
ArchivalResource:
https://n2t.net/ark:/65665/mw9795a1261-7717-4f72-baff-b0ec0f55b003 View
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Citation
- Resource Relation
- Leon Kroll papers, 1905-1974
Beal, Gifford : Biographical file.
Title:
Beal, Gifford : Biographical file. [1900-9999]
May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.
ArchivalResource: 1 envelope : manila ; 13 x 10 in.
http://www.worldcat.org/oclc/43395683 View
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- Beal, Gifford : Biographical file.
Charles Dana Gibson papers
Title:
Charles Dana Gibson papers
Correspondence, exhibition announcements, and photographs.
ArchivalResource:
https://n2t.net/ark:/65665/mw9712d16e8-2af8-4fae-a56e-376184572018 View
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- Resource Relation
- Gibson, Charles Dana, 1867-1944. Charles Dana Gibson papers, 1902-1965.
Alger Beal papers relating to Reynolds and Gifford Beal
Title:
Alger Beal papers relating to Reynolds and Gifford Beal
Reynolds Beal material includes a sketchbook containing sketches of ships, entitled "Cruising Aboard U.S.S. School Ship St. Mary's," 1901, scrapbook pages of marine etchings and photographs, a Christmas card, personal photographs, exhibition catalogs, and clippings. Gifford Beal material includes: photographs of him and one of his work, exhibition catalogs, and clippings. Also included are a photograph of the Beal family, ca. 1890, writings about the the family, selected photographs of the Beals from albums kept by Mrs. Thaddeus Beal, including some of Wilellyn, the William Beal family's summer home in Newburgh, N.Y. with gardens designed by sons Gifford and Reynolds, and Echo Lawn, home of Thaddeus Beal; and miscellaneous printed material.
ArchivalResource:
https://n2t.net/ark:/65665/mw9bab3cd31-f0eb-42bb-8bb0-0829b6ce2d37 View
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- Beal, Alger. Alger Beal papers relating to Reynolds and Gifford Beal, [ca. 1890-1965].
Salmagundi Club records
Title:
Salmagundi Club records
Photographs, club history, and artists' biographical notes.
ArchivalResource:
https://n2t.net/ark:/65665/mw96a6f4194-3973-4d55-8173-3e6e20dbda7e View
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- Resource Relation
- Salmagundi Club. Salmagundi Club records, 1878-1947.
Gifford Beal sketches, sketchbooks, and papers
Title:
Gifford Beal sketches, sketchbooks, and papers
The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.
ArchivalResource: 7.7 Linear feet
https://n2t.net/ark:/65665/mw98a8f006f-eed4-4440-a7f2-661e8073d4f6 View
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- Gifford Beal sketches, sketchbooks, and papers, 1889-1954
Timothy Cole papers
Title:
Timothy Cole papers
The papers of Timothy Cole measure 0.5 linear feet and date from 1883 to 1936. Found within the papers are letters primarily written by Timothy Cole to the editors of <emph render="italic">Century Magazine</emph> including A. W. Drake, W. Lewis Fraser, Richard Watson Gilder, Robert Underwood Johnson, and George Howes Whittle, discussing Cole's production of wood engraved copies of European master paintings for the magazine, and details of the wood engraving process. There are scattered letters to Cole from <emph render="italic">Century Magazine</emph> editors and colleagues Gifford Beal, Alice Brown (discussing Cole's wood engraved portrait of Louise Imogen Guiney for Brown's biography of her), George de Forest Brush, Kenyon Cox, David Finney, Helen C. Frick (concerning a bookplate), Joseph Pennell, Caroline Powell, John Singer Sargent, and Helen M. Turner.Also found are miscellaneous writings including a notebook of poems by Cole, essays about Louise Imogen Guiney and Joseph Pennell, and an autobiographical essay, artwork consisting of wood engravings executed by Cole of works by the master painters of Europe and America, and two printing plates used by <emph render="italic">Century Magazine</emph> to reproduce Cole's wood engravings. Several clippings concern Cole, his work, and the publication of the book <emph render="italic">Timothy Cole: Wood Engraver</emph> by Alphaeus P. Cole and Margaret Ward Cole in 1936. There is also a photograph of Cole cutting a wood engraving block as his wife reads nearby.
ArchivalResource:
https://n2t.net/ark:/65665/mw961315ad2-155e-4a9a-bae6-a6198be021c3 View
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- Resource Relation
- Timothy Cole papers, 1883-1936
Olaf Brauner letters
Title:
Olaf Brauner letters
Letters to Brauner, mainly from artists invited to participate in exhibitions arranged by Brauner at Cornell University. Prominent correspondents include: Giffford Beal, George Bellows, Frank Benson, Karl Bitter, Edith Burroughs, Emil Carlson, John Carlson, Charles Caffin, Arthur Crisp, Randall Davey, Paul Dougherty, Daniel Garber, Lillian Genth, William Glackens, Childe Hassam, Robert Henri, Charles Hopkinson, Henry Hubbell, John Johansen, William Sargent Kendall; Leon Kroll, Jonas Lie, William Macbeth, William Mason, Gari Melchers, Willard Metcalf, Leonard Ochtman, Bela Lyon Pratt, Maurice Prendergast, A. Phimister Proctor, Edward Redfield, William Ritschel, Walter Sargent, Eugene Speicher, Robert Spencer, D. W. Tryon, C. Howard Walker, Booker T. Washington, Frederick Judd Waugh, and others.
ArchivalResource:
https://n2t.net/ark:/65665/mw91cefe275-d9a4-4690-910d-57c29748a23d View
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- Resource Relation
- Brauner, Olaf M., 1869-1947. Olaf Brauner letters, 1895-1938 [microform].
Vose Galleries of Boston records
Title:
Vose Galleries of Boston records
The records of Vose Galleries of Boston measure 26.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
ArchivalResource:
https://n2t.net/ark:/65665/mw9b560897e-b32f-45cc-9f36-548879006396 View
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- Resource Relation
- Vose Galleries of Boston. Vose Galleries of Boston records, 1871-1993.
Denys Wortman papers
Title:
Denys Wortman papers
The papers of cartoonist Denys Wortman measure 2.0 linear feet and date from 1887 to 1980. The collection includes biographical material, correspondence, personal business records, writings, interviews, artwork, printed material, and photographs.
ArchivalResource: 2 Linear feet
https://n2t.net/ark:/65665/mw931bb60b3-9520-4198-ac82-bb66cff49088 View
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- Resource Relation
- Wortman, Denys, 1887-1958. Denys Wortman papers, 1887-1980.
Beal, Gifford, 1879-1956. Correspondence to Van Wyck Brooks, 1953.
Title:
Correspondence to Van Wyck Brooks, 1953.
ArchivalResource: 1 item (1 leaf)
http://www.worldcat.org/oclc/173352126 View
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- Beal, Gifford, 1879-1956. Correspondence to Van Wyck Brooks, 1953.
John Weichsel papers concerning the People's Art Guild
Title:
John Weichsel papers concerning the People's Art Guild
The John Weichsel papers concerning the People's Art Guild measure 0.6 linear feet and date from 1905-1965 with the bulk of the material dating from 1905-1929. The papers consist almost entirely of the records of the People's Art Guild, founded by Weichsel, and include administrative records, correspondence, writings and notes, business and financial records, printed material, and artwork.
ArchivalResource: 0.6 Linear feet
https://n2t.net/ark:/65665/mw917b43082-daa9-4767-8acf-cc680c9c1b5e View
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- Weichsel, John, 1870-1946. John Weichsel papers, 1905-1922.
Barry Faulkner papers
Title:
Barry Faulkner papers
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of <emph render="italic">Sketches From an Artist's Life</emph>. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney. Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir <emph render="italic">Sketches From an Artist's Life</emph>, and an unpublished manuscript titled <emph render="italic">A Neighborhood of Artists</emph> about the history and culture of the Connecticut River Valley. Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
ArchivalResource:
https://n2t.net/ark:/65665/mw99b300c09-9ef0-4fb6-a81d-7d8098df7fc7 View
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- Resource Relation
- Barry Faulkner papers, circa 1858-1973
Kraushaar Galleries records
Title:
Kraushaar Galleries records
The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks. There is a 6.0 linear foot unprocessed addition to this collection donated in 2022 that includes correspondence with artists, galleries, organizations and individuals regarding works of art, filed alphabetically by year. Materials date from circa 1959-1999, with the bulk from 1990-1999.
ArchivalResource: 106.3 Linear feet; 0.181 Gigabytes
https://n2t.net/ark:/65665/mw9507d7d92-d503-4ed4-9ed6-12975adb8473 View
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- Resource Relation
- Kraushaar Galleries. Kraushaar Galleries records, 1885-2006.
Beal, Gifford, 1879-1956. Gifford Beal : artist file.
Title:
Gifford Beal : artist file.
The Library continues to add material to its files, including articles, biographies, bibliographies, photographs, reviews, small catalogs, invitations, and correspondence.
ArchivalResource: 4 folders.
http://www.worldcat.org/oclc/122469616 View
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- Resource Relation
- Beal, Gifford, 1879-1956. Gifford Beal : artist file.
Henry Ernest Schnakenberg papers
Title:
Henry Ernest Schnakenberg papers
Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters.
ArchivalResource:
https://n2t.net/ark:/65665/mw9324de55d-c4b7-4bbe-9ff3-d60db8786f14 View
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- Resource Relation
- Schnakenberg, H. E. (Henry Ernest), 1892-1970. Henry Ernest Schnakenberg papers, 1905-1969.
Beal, Gifford, 1879-1956. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/122395119 View
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- Resource Relation
- Beal, Gifford, 1879-1956. Artist file.
Selections from the Philadelphia Museum of Art's Archives of American Art collection
Title:
Selections from the Philadelphia Museum of Art's Archives of American Art collection
Correspondence, printed material, writings, and other personal papers collected by Carl Zigrosser and Leila Mechlin and later added to by others, all relating to American art.
ArchivalResource:
https://n2t.net/ark:/65665/mw9a2730a20-b93d-4840-8872-6bd20fe24b55 View
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- Resource Relation
- Philadelphia Museum of Art. Selections from the Philadelphia Museum of Art's Archives of American Art collection, 1866-1968.
Stanley Woodward papers
Title:
Stanley Woodward papers
The papers of marine painter, illustrator, writer and art instructor Stanley Woodward date from 1875-1970, bulk 1905-1970, and measure 6.6 linear feet. Found within the papers are biographical materials, artworks, family and personal correspondence, seventeen diaries, notes, notebooks and other writings, business records, a scrapbook and printed material including exhibition announcements and catalogs; and photographs of Woodward, members of his family, friends, and his studio. Files containing letters, clippings, and photographs concern actresses including Janis Carter, Linda Darnell, Bette Davis, and Eleanor Powell. Writings include drafts of Woodward's book <emph render="italic">Adventure in Marine Painting</emph>.Biographical material includes miscellaneous accounts of Woodward's life, cards and certificates of membership in various organizations including the Massachusetts Society of the Sons of the American Revolution, the Salmagundi Club, and the Academic Artist Association, military records of his service in both World Wars, and scattered artwork. A file concerning Woodward's portrait of Abraham Lincoln contains letters primarily discussing a reproduction of the portrait in <emph render="italic">The Boston Globe</emph> and the painting's eventual sale, in addition to notes, clippings, an ink drawing, and a photographic negative of the drawing.Correspondence is between various family members, but also includes letters to Woodward from colleagues including Harrison Cady, Eleanor Parke Custis, Ralph Fabri, Chauncey F. Ryder, and Howard E. Smith. There are also scattered letters from other artists including Gifford Beal, Mary Butler, Gordon Grant, Norman Kent, Hobart Nichols, Thornton Oakley, Edmund Tarbell, and Anthony Thieme. Correspondence primarily concern his painting career, and includes lists of art work and financial material. Artwork consists of a sketchbook and three sketches.Files concerning actresses reflect Woodward's life-long friendship with former teenaged neighbor Bette Davis, who later introduced Woodward and his art work to her show business friends. The files contain letters, clippings, and photographs of actresses Janis Carter, Linda Darnell, Bette Davis, Laraine Day, Madaline Lee, Ida Lupino, Eleanor Powell, and Alexis Smith.Seventeen diaries contain relatively detailed daily entries describing Woodward's art-related activities, experiences during World War II, and various travels, including a trip to Los Angeles to be a house guest of Bette Davis and visit her on the set of the motion picture <emph render="italic">Elizabeth and Essex</emph>. The 1905 diary contains photographs of Woodward's school friends.Notes, notebooks, and writings include lists of art works, exhibition guest books, and miscellaneous writings by Woodward including drafts of his book <emph render="italic">Adventure in Marine Painting</emph>.Business records include an auction catalog, account books for the sale of Woodward's book and art work, and miscellaneous receipts. Records of art classes taught by Woodward include lists of participants, accounts of fees paid, and printed advertisements.A scrapbook containing clippings and exhibition announcements and catalogs illustrates Woodward's early interests and art-related activities. Additional printed material consists of clippings, copies of the U. S. Air Corps Magazine <emph render="italic">The Rip Chord</emph> for which Woodward did the cover illustrations, prospectuses with annotations of titles and prices of art work, exhibition announcements and catalogs, reproductions of art work, a booklet, and brochures for books and for art schools. Miscellaneous printed material includes reproductions of a photograph of Woodward's father, Frank E. Woodward, and a program for an event honoring Dr. T. Tertius Noble.Photographs are of Woodward, family members, friends connected with the U. S. Army Air Force including Jack Dempsey, Woodward's studio, and art work. Three albums contain photographs of art classes and Woodward painting outdoors at various locations including Laguna Beach and Palm Springs, California, St. Augustine, Florida, and Rockport, Massachusetts. A third album also contains photographs of notable friends including Janis Carter, Jeanne Craine, Bette Davis, Rita Hayworth, and Gary Merrill.
ArchivalResource: 6.6 linear feet
https://n2t.net/ark:/65665/mw9816d92be-2c37-4830-86b8-26608c86eaec View
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- Resource Relation
- Woodward, Stanley Wingate, 1890-1970. Stanley Woodward papers, 1875-1970 (bulk 1905-1970).
Gifford Beal sketches, sketchbooks, and papers
Title:
Gifford Beal sketches, sketchbooks, and papers
The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.
ArchivalResource: 7.7 Linear feet
https://n2t.net/ark:/65665/mw98a8f006f-eed4-4440-a7f2-661e8073d4f6 View
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- Resource Relation
- Beal, Gifford, 1879-1956. Gifford Beal sketches, sketchbooks and papers, 1902-1953.
Forbes Watson papers
Title:
Forbes Watson papers
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.5 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
ArchivalResource: 13.92 Linear feet
https://n2t.net/ark:/65665/mw9b62b4c1c-aa40-4979-bbf3-d90fa4e127b6 View
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- Resource Relation
- Forbes Watson papers, 1840-1967, bulk 1900-1960
Timothy Cole papers
Title:
Timothy Cole papers
The papers of Timothy Cole measure 0.5 linear feet and date from 1883 to 1936. Found within the papers are letters primarily written by Timothy Cole to the editors of <emph render="italic">Century Magazine</emph> including A. W. Drake, W. Lewis Fraser, Richard Watson Gilder, Robert Underwood Johnson, and George Howes Whittle, discussing Cole's production of wood engraved copies of European master paintings for the magazine, and details of the wood engraving process. There are scattered letters to Cole from <emph render="italic">Century Magazine</emph> editors and colleagues Gifford Beal, Alice Brown (discussing Cole's wood engraved portrait of Louise Imogen Guiney for Brown's biography of her), George de Forest Brush, Kenyon Cox, David Finney, Helen C. Frick (concerning a bookplate), Joseph Pennell, Caroline Powell, John Singer Sargent, and Helen M. Turner.Also found are miscellaneous writings including a notebook of poems by Cole, essays about Louise Imogen Guiney and Joseph Pennell, and an autobiographical essay, artwork consisting of wood engravings executed by Cole of works by the master painters of Europe and America, and two printing plates used by <emph render="italic">Century Magazine</emph> to reproduce Cole's wood engravings. Several clippings concern Cole, his work, and the publication of the book <emph render="italic">Timothy Cole: Wood Engraver</emph> by Alphaeus P. Cole and Margaret Ward Cole in 1936. There is also a photograph of Cole cutting a wood engraving block as his wife reads nearby.
ArchivalResource:
https://n2t.net/ark:/65665/mw961315ad2-155e-4a9a-bae6-a6198be021c3 View
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- Resource Relation
- Cole, Timothy, 1852-1931. Timothy Cole papers, 1883-1936.
Artists for Victory, Inc. records
Title:
Artists for Victory, Inc. records
Minutes of board meetings, correspondence, committee papers, financial records, etc. Correspondents include John Taylor Arms, Gifford Beal, A. F. Brinckerhoff, Cornelia Chapin, Allyn Cox, Arthur Crisp, Alfred Geiffert, Jr., Hugo Gellert, Nils Hogner, Jan Juta, Joseph Leboit, Julian Clarence Levi, Paul Manship, Hobart Nichols, Nathaniel Pousette-Dart, Edward Steese, Bianca Todd, and Ralph T. Walker.
ArchivalResource:
https://n2t.net/ark:/65665/mw95f28a8a9-b85c-4634-ae22-ec82ae74e68e View
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- Resource Relation
- Artists for Victory, Inc. Artists for Victory, Inc. records, 1942-1946.
Kraushaar Galleries records
Title:
Kraushaar Galleries records
The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks. There is a 6.0 linear foot unprocessed addition to this collection donated in 2022 that includes correspondence with artists, galleries, organizations and individuals regarding works of art, filed alphabetically by year. Materials date from circa 1959-1999, with the bulk from 1990-1999.
ArchivalResource: 106.3 Linear feet; 0.181 Gigabytes
https://n2t.net/ark:/65665/mw9507d7d92-d503-4ed4-9ed6-12975adb8473 View
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- Resource Relation
- Kraushaar Galleries records, 1885-2006
Delano, William Adams, 1874-1960. William Adams Delano papers, 1902-1960 (inclusive), 1939-1960 (bulk).
Title:
William Adams Delano papers, 1902-1960 (inclusive), 1939-1960 (bulk).
The papers consist almost entirely of social and professional correspondence. They also include an unpublished autobiography, The Reminiscences of William Adams Delano; printed matter; and a drawing made for the 46th anniversary of The Record.
ArchivalResource: 6.5 linear ft. (16 boxes, 1 folio)
http://www.worldcat.org/oclc/702153425 View
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- Resource Relation
- Delano, William Adams, 1874-1960. William Adams Delano papers, 1902-1960 (inclusive), 1939-1960 (bulk).
Beal, Gifford, 1879-1956. Gifford Beal : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Title:
Gifford Beal : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990
File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.
ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.
http://www.worldcat.org/oclc/662624740 View
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- Resource Relation
- Beal, Gifford, 1879-1956. Gifford Beal : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Beal, Gifford, 1879-1956 : [miscellaneous ephemeral material].
Title:
Beal, Gifford, 1879-1956 : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199438311 View
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- Resource Relation
- Beal, Gifford, 1879-1956 : [miscellaneous ephemeral material].
Mary Turlay Robinson papers
Title:
Mary Turlay Robinson papers
Letters, printed material, and bills.
ArchivalResource:
https://n2t.net/ark:/65665/mw94ed28682-4a40-48f1-b28a-9c2fe4286f72 View
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- Resource Relation
- Robinson, Mary Turlay, 1887 or 8-1971. Mary Turlay Robinson papers, 1923-1971.
Beal Gifford Reynolds, 1879-1956. Correspondence with Carl Zigrosser, 1928.
Title:
Correspondence with Carl Zigrosser, 1928.
ArchivalResource: 1 item (1 leaf).
http://www.worldcat.org/oclc/155900120 View
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- Resource Relation
- Beal Gifford Reynolds, 1879-1956. Correspondence with Carl Zigrosser, 1928.
Citation
- Constellation Relation
- American Art Research Council.
Citation
- Constellation Relation
- Artists for Victory, Inc.
Citation
- Constellation Relation
- Beal, Alger.
Citation
- Constellation Relation
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- Constellation Relation
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- Constellation Relation
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Citation
- Constellation Relation
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- Federal Art Project.
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- Constellation Relation
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- Constellation Relation
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Citation
- Constellation Relation
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Citation
- Constellation Relation
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- Constellation Relation
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- Constellation Relation
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Schnakenberg, H. E. (Henry Ernest), 1892-1970.
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Citation
- Constellation Relation
- Schnakenberg, H. E. (Henry Ernest), 1892-1970.
Citation
- Constellation Relation
- Seachrest, Effie, 1867-1952.
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Art, American
Citation
- Subject
- Art, American
Art
Citation
- Subject
- Art
Artists
Citation
- Subject
- Artists
Drawing
Citation
- Subject
- Drawing
Muralists
Citation
- Subject
- Muralists
Muralists
Citation
- Subject
- Muralists
Mural painting and decoration
Citation
- Subject
- Mural painting and decoration
Mural painting and decoration
Citation
- Subject
- Mural painting and decoration
Painters
Citation
- Subject
- Painters
Painters
Citation
- Subject
- Painters
Americans
Citation
- Nationality
- Americans
Citation
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- Pennsylvania--Allentown
Pennsylvania--Allentown
Parsed from SNAC EAC-CPF.
Citation
- Place
- New York (State)
New York (State)
Parsed from SNAC EAC-CPF.
Citation
- Place
- United States
United States
Parsed from SNAC EAC-CPF.
Citation
- Place
- Pennsylvania--Allentown
Pennsylvania--Allentown
Parsed from SNAC EAC-CPF.
Citation
- Place
- New York (State)
New York (State)
Parsed from SNAC EAC-CPF.
Citation
- Place
- New York (State)--New York
New York (State)--New York
Parsed from SNAC EAC-CPF.
Citation
- Place
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New York (State)--New York
Parsed from SNAC EAC-CPF.
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Citation
- Convention Declaration
- Convention Declaration 153