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Information: The first column shows data points from Hirschhorn, Joseph. in red. The third column shows data points from Hirshhorn, Joseph Herman, 1899-1981 in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.

Name Entries

Hirschhorn, Joseph.

Shared

Hirshhorn, Joseph Herman, 1899-1981

Hirschhorn, Joseph.

Computed Name Heading

Name Components

Name :

Hirschhorn, Joseph.

Rules

Hirshhorn, Joseph Herman, 1899-1981

Computed Name Heading

Name Components

Surname :

Hirshhorn

Forename :

Joseph Herman

Date :

1899-1981

Language

eng

Script

Latn

Rules

authorizedForm

rda

Joseph Herman Hirshhorn was born in 1899 in Mitau, Latvia. In 1905 his mother emigrated with her children to the United States and settled the family in Brooklyn, New York. To keep the family afloat, the children had to help, and Joseph left school at the age of twelve to sell newspapers. By the age of fourteen, he was an office boy for the firm that later became the American Stock Exchange. In a short time, he became a chartist, charting stocks for an editor on Wall Street. In 1916 he took a small sum he had saved and launched himself as a broker, earning $168,000 the first year.

In 1924 Hirshhorn became a broker's broker, dealing in bank stock and unlisted securities. He made his first million long before he reached the age of thirty. In 1929 he distrusted the booming stock market and pulled out completely with four million dollars just two months before the crash.

In the 1930s, he began to invest heavily in Canadian mining, discovering gold and then uranium. He secretly acquired mining rights to some 56,000 acres, which became two huge uranium mines. By the mid 1950s, his interests stretched across Canada and the United States, involving him in more than two dozen mining and oil companies. Shortly thereafter, he began to reduce his business interests. His fortune was once estimated at more than one hundred million dollars.

Joseph H. Hirshhorn with Smithsonian Regent and Vice-President Nelson Rockefeller, at the Museum's First Anniversary, December 9, 1975. When he began to make money, he began to buy art, both paintings and sculpture. Using only his own tastes as guidance, he bought and bought, until the size of his private collection had grown to some 5,600 pieces. In the 1950s, he hired an art dealer, Abram Lerner, to curate his collection. Even Lerner could not always keep track of the acquisitions. Hirshhorn would sweep into a gallery and make so many purchases that the dealer felt his head spinning. In 1966 President Lyndon B. Johnson announced that Hirshhorn would donate his entire collection to the United States along with one million dollars to supplement the collection. A new museum would be constructed on the Mall as part of the Smithsonian Institution and would be named the Joseph H. Hirshhorn Museum and Sculpture Garden. The new museum opened in 1974 with Abram Lerner as its first director. It was called the most important development in art for the Capital since the Andrew Mellon gift of the National Gallery of Art.

Hirshhorn was married four times, lastly to Olga Zatorsky Cunningham, who shared his passion for art. His marriages produced four children and two adopted ones. He died in 1981.

Language

eng

Script

Latn

Citation

Found Data

URI

http://www.worldcat.org/oclc/220217547

Language

Script

Descriptive Note

Citation

Wikipedia, viewed January 5, 2023

Found Data

Joseph Herman Hirshhorn (August 11, 1899 – August 31, 1981) was an entrepreneur, financier, and art collector.

Born in Mitau, Latvia, the twelfth of thirteen children, Hirshhorn emigrated to the United States with his widowed mother at the age of six.

Hirshhorn went to work as an office boy on Wall Street at age 14. Three years later, in 1916, he became a stockbroker and earned $168,000 that year.[3] A shrewd investor, he sold off his Wall Street investments two months before the collapse of 1929, realizing $4 million in cash.[3] Hirshhorn made his fortune in the mining and oil business. In the 1930s, he focused much of his attention on gold and uranium mining prospects in Canada, establishing an office in Toronto in 1933.[4][5]

In the 1950s, he and geologist Franc Joubin were primarily responsible for the "Big Z" uranium discovery in northeastern Ontario and the subsequent founding of the city of Elliot Lake. Hirshhorn Avenue, a residential street in that city, is named after him. By 1960, when he sold the last of his uranium stock, he had made over $100 million in cash from the uranium business.[6]

From 1961 to 1976, Hirshhorn lived in a three-story Norman chateau in a 22-acre (89,000 m2) estate at the summit of Round Hill, a 550-foot (170 m) rise in north-central Greenwich, Connecticut, with a view of the Manhattan skyline.[7]

When Hirshhorn began to make money, he began to buy art, both paintings and sculpture. He amassed a collection of paintings and sculptures from the 19th and 20th centuries. Applying himself seriously to the study of art, he would question dealers, critics, and curators, and visit artists in their studios. He made quick decisions on buying a piece. "If you've got to look at a picture a dozen times before you make up your mind", he once said, "there's something wrong with you or the picture".[8]

Hirshhorn graced his Greenwich mansion with paintings by Willem de Kooning, Raphael Soyer, Jackson Pollock, Larry Rivers, and Thomas Eakins, and the grounds outside with sculptures by Auguste Rodin, Pablo Picasso, Henri Matisse, Alberto Giacometti, Alexander Calder, Richard Bernstein (artist), and Henry Moore. He allowed many nonprofit groups to use tours of his sculpture garden for fundraising.[7]

In 1966 Hirshhorn donated much of his collection, consisting of 6,000 paintings and sculptures from the 19th and 20h centuries (and constituting one of the world's largest private art treasures), to the United States government, along with a $2 million endowment. The Smithsonian Institution established the Joseph H. Hirshhorn Museum and Sculpture Garden in Washington, D.C., in 1966 to hold the collection; the museum opened in 1974. At Hirshhorn's death in 1981, he willed an additional 6,000 works and a $5 million endowment to the museum.[7]

Controversy
His business dealings in Canada were not without controversy. He was investigated by the Ontario Securities Commission, convicted twice of breaking Canadian foreign exchange laws, deported from Canada for illegal stock manipulation (which he later appealed and won by having himself declared a landed immigrant), and fined for an illegal securities sale and illegally smuggling cash out of Canada.[9]

Personal life
Hirshhorn's first wife was Jennie Berman. They were married in 1922 and separated in 1941 (19 years). They had four children, daughters Robin Gertrude (b. 1923), Gene Harriet (b. 1926), and Naomi Caryl (b. 1931), and son Gordon (b. 1929).[1] He was married to portraitist and book illustrator Lily Harmon from 1947–1956 (9 years).[1] The couple adopted two daughters, Amy (b. 1948) and Jo Ann (b. 1951).[10] Hirshhorn's third wife was Brenda Hawley Heide.[1] In 1964 he married his fourth wife, Olga Zatorsky. He remained married to her until his death in 1981[11]

Joseph Herman Hirshhorn (August 11, 1899 – August 31, 1981) was an entrepreneur, financier, and art collector. Born in Mitau, Latvia, the twelfth of thirteen children, Hirshhorn emigrated to the United States with his widowed mother at the age of six. Hirshhorn went to work as an office boy on Wall Street at age 14. Three years later, in 1916, he became a stockbroker and earned $168,000 that year.[3] A shrewd investor, he sold off his Wall Street investments two months before the collapse of 1929, realizing $4 million in cash.[3] Hirshhorn made his fortune in the mining and oil business. In the 1930s, he focused much of his attention on gold and uranium mining prospects in Canada, establishing an office in Toronto in 1933.[4][5] In the 1950s, he and geologist Franc Joubin were primarily responsible for the "Big Z" uranium discovery in northeastern Ontario and the subsequent founding of the city of Elliot Lake. Hirshhorn Avenue, a residential street in that city, is named after him. By 1960, when he sold the last of his uranium stock, he had made over $100 million in cash from the uranium business.[6] From 1961 to 1976, Hirshhorn lived in a three-story Norman chateau in a 22-acre (89,000 m2) estate at the summit of Round Hill, a 550-foot (170 m) rise in north-central Greenwich, Connecticut, with a view of the Manhattan skyline.[7] When Hirshhorn began to make money, he began to buy art, both paintings and sculpture. He amassed a collection of paintings and sculptures from the 19th and 20th centuries. Applying himself seriously to the study of art, he would question dealers, critics, and curators, and visit artists in their studios. He made quick decisions on buying a piece. "If you've got to look at a picture a dozen times before you make up your mind", he once said, "there's something wrong with you or the picture".[8] Hirshhorn graced his Greenwich mansion with paintings by Willem de Kooning, Raphael Soyer, Jackson Pollock, Larry Rivers, and Thomas Eakins, and the grounds outside with sculptures by Auguste Rodin, Pablo Picasso, Henri Matisse, Alberto Giacometti, Alexander Calder, Richard Bernstein (artist), and Henry Moore. He allowed many nonprofit groups to use tours of his sculpture garden for fundraising.[7] In 1966 Hirshhorn donated much of his collection, consisting of 6,000 paintings and sculptures from the 19th and 20h centuries (and constituting one of the world's largest private art treasures), to the United States government, along with a $2 million endowment. The Smithsonian Institution established the Joseph H. Hirshhorn Museum and Sculpture Garden in Washington, D.C., in 1966 to hold the collection; the museum opened in 1974. At Hirshhorn's death in 1981, he willed an additional 6,000 works and a $5 million endowment to the museum.[7] Controversy His business dealings in Canada were not without controversy. He was investigated by the Ontario Securities Commission, convicted twice of breaking Canadian foreign exchange laws, deported from Canada for illegal stock manipulation (which he later appealed and won by having himself declared a landed immigrant), and fined for an illegal securities sale and illegally smuggling cash out of Canada.[9] Personal life Hirshhorn's first wife was Jennie Berman. They were married in 1922 and separated in 1941 (19 years). They had four children, daughters Robin Gertrude (b. 1923), Gene Harriet (b. 1926), and Naomi Caryl (b. 1931), and son Gordon (b. 1929).[1] He was married to portraitist and book illustrator Lily Harmon from 1947–1956 (9 years).[1] The couple adopted two daughters, Amy (b. 1948) and Jo Ann (b. 1951).[10] Hirshhorn's third wife was Brenda Hawley Heide.[1] In 1964 he married his fourth wife, Olga Zatorsky. He remained married to her until his death in 1981[11]

URI

https://en.wikipedia.org/wiki/Joseph_Hirshhorn

Language

eng

Script

Latn

Descriptive Note

Citation

NY Times Obituary, published Sept. 1, 1981, viewed January 5, 2023

Found Data

Joseph Herman Hirshhorn, the wealthy stock speculator who was one of the country's great art collectors, died suddenly of a heart attack late last night after attending the theater in Washington. He was 82 years old. He was pronounced dead at 11:59 P.M. in the emergency room of George Washington Hospital, according to the night nursing supervisor, Mary Mailey.

URI

https://www.nytimes.com/1981/09/01/obituaries/joseph-h-hirshhorn-donor-of-art-museum-is-dead-at-82.html?searchResultPosition=1

Language

eng

Script

Latn

Descriptive Note

Citation

Finding Aid, Joseph H. Hirshhorn Papers, circa 1926-1982 and undated, Smithsonian Institution Archives, viewed January 5, 2023

Found Data

Although the grinding poverty of his childhood spurred Hirshhorn to create a fortune, he also credited it with his love of art. His mother managed to buy her children a piano, and an insurance policy with Prudential sent a yearly supply of calendars into the home. The calendars included reproductions of various art works, which Joseph pinned to his wall.

Hirshhorn relied solely on his own "feel" for each piece he bought. He once told a dealer who was advising a purchase for investment purposes, "Don't tell me how to make money. I don't collect art to make money. I do it because I love art." (From Art in America, summer 1958.)

In 1966 President Lyndon B. Johnson announced that Hirshhorn would donate his entire collection to the United States along with one million dollars to supplement the collection. A new museum would be constructed on the Mall as part of the Smithsonian Institution and would be named the Joseph H. Hirshhorn Museum and Sculpture Garden. The new museum opened in 1974 with Abram Lerner as its first director. It was called the most important development in art for the Capital since the Andrew Mellon gift of the National Gallery of Art.

Hirshhorn's collection includes an international range of sculpture, but its paintings are primarily modern American. The collection has paintings by Thomas Eakins, Jackson Pollock, and Stuart Davis, and sculpture by Henry Moore, Picasso, and many others.

Hirshhorn was married four times, lastly to Olga Zatorsky Cunningham, who shared his passion for art. His marriages produced four children and two adopted ones. He died in 1981.

Joseph Herman Hirshhorn was born in 1899 in Mitau, Latvia, the twelfth of thirteen children. His father died when Joseph was still an infant. In 1905 his mother emigrated with her children to the United States and settled the family in Brooklyn, New York, where she found work in a purse factory, six days a week, twelve hours a day. To keep the family afloat, the children had to help, and Joseph left school at the age of twelve to sell newspapers. By the age of fourteen, he was an office boy for the firm that later became the American Stock Exchange. In a short time, he became a chartist, charting stocks for an editor on Wall Street. In 1916 he took a small sum he had saved and launched himself as a broker, earning $168,000 the first year. In 1924 Hirshhorn became a broker's broker, dealing in bank stock and unlisted securities. He made his first million long before he reached the age of thirty. In 1929 he distrusted the booming stock market and pulled out completely with four million dollars just two months before the crash. In the 1930s, he began to invest heavily in Canadian mining, discovering gold and then uranium. He secretly acquired mining rights to some 56,000 acres, which became two huge uranium mines. By the mid 1950s, his interests stretched across Canada and the United States, involving him in more than two dozen mining and oil companies. Shortly thereafter, he began to reduce his business interests. His fortune was once estimated at more than one hundred million dollars. Although the grinding poverty of his childhood spurred Hirshhorn to create a fortune, he also credited it with his love of art. His mother managed to buy her children a piano, and an insurance policy with Prudential sent a yearly supply of calendars into the home. The calendars included reproductions of various art works, which Joseph pinned to his wall. Joseph H. Hirshhorn with Smithsonian Regent and Vice-President Nelson Rockefeller, at the Museum's First Anniversary, December 9, 1975. When he began to make money, he began to buy art, both paintings and sculpture. Using only his own tastes as guidance, he bought and bought, until the size of his private collection had grown to some 5,600 pieces. In the 1950s, he hired an art dealer, Abram Lerner, to curate his collection. Even Lerner could not always keep track of the acquisitions. Hirshhorn would sweep into a gallery and make so many purchases that the dealer felt his head spinning. Hirshhorn relied solely on his own "feel" for each piece he bought. He once told a dealer who was advising a purchase for investment purposes, "Don't tell me how to make money. I don't collect art to make money. I do it because I love art." (From Art in America, summer 1958.) In 1966 President Lyndon B. Johnson announced that Hirshhorn would donate his entire collection to the United States along with one million dollars to supplement the collection. A new museum would be constructed on the Mall as part of the Smithsonian Institution and would be named the Joseph H. Hirshhorn Museum and Sculpture Garden. The new museum opened in 1974 with Abram Lerner as its first director. It was called the most important development in art for the Capital since the Andrew Mellon gift of the National Gallery of Art. Hirshhorn's collection includes an international range of sculpture, but its paintings are primarily modern American. The collection has paintings by Thomas Eakins, Jackson Pollock, and Stuart Davis, and sculpture by Henry Moore, Picasso, and many others. Hirshhorn was married four times, lastly to Olga Zatorsky Cunningham, who shared his passion for art. His marriages produced four children and two adopted ones. He died in 1981.

URI

https://siarchives.si.edu/collections/siris_arc_217603

Language

eng

Script

Latn

Descriptive Note

Hirschhorn, Joseph.

creatorOf

Adeline Herder papers, 1942-1999.

Resource

Herder, Addie. Adeline Herder papers, 1942-1999.

Title: Adeline Herder papers, 1942-1999.

The papers of collage artist Adeline Herder measure 4.3 linear feet and date from 1942-1999. The collection presents an overview of Herder's personal life and career as a collage artist. Her personal life is reflected through biographical material, correspondence including letters between Adeline and her husband Milton Herder, and writings and notes including appointment books. The collection offers a rich resource on Herder's artistic activity with correspondence that includes documentation of her relationship with Marjorie Jacobson and the purchase of her work by Roy Neuberger and Joseph Hirshhorn. Herder's career is further represented through exhibition files, printed material, writings and notes, and video recordings.

ArchivalResource: 4.3 linear ft.

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Hirshhorn, Joseph Herman, 1899-1981

creatorOf

General Correspondence G - H : 1959. 1959.

Resource

Peers, Diana (Margaret Helen Diana Gaherty). General Correspondence G - H : 1959.

Title: General Correspondence G - H : 1959. 1959.

ArchivalResource: Correspondence.

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Hirshhorn, Joseph Herman, 1899-1981

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Raphael Soyer papers

Resource

Raphael Soyer papers

Title: Raphael Soyer papers

The papers of realist painter Raphael Soyer date from 1933 to 1989 and measure 3.9 linear feet. They document Soyer's career as a painter, printmaker, and writer. Found within the papers are scattered biographical materials, including several transcripts of interviews with Soyer; extensive personal and professional correspondence; writings and notes by Soyer and others; scattered legal and financial records; exhibition materials, clippings and other printed material; and photographs of Soyer in his studio, with artists and friends, and at art events. Also found are one sketch and a facsimile of Soyer's 1968 sketchbook produced by Forum Gallery. Biographical materials include award certificates, including a 1975 certificate from the National Academy of Design, lists of artwork by Soyer, and several transcripts of interviews with Raphael Soyer in which he discusses topics such as his career as an artist, artists in New York City, and the inspiration for his artwork. Personal and professional correspondence is with numerous artists, writers, art historians, curators, gallery owners, arts organizations, museums, and universities. Correspondents include Lambro Ahlas, Rudolf Baranik, George Biddle, John Bratby, David Burliuk, Peter De Francia, Lloyd Goodrich, Joseph Hirsch, Joseph Hirshhorn, Edward Hopper, Joe Lasker, Henry Varnum Poor, Isaac Bashevis Singer, and many others. Additional correspondence is addressed to <emph render="italic">Reality</emph> magazine, for which Soyer was an editor.Writings and notes by Soyer include several drafts and notes for his four published books <emph render="italic">A Painter's Pilgrimage</emph> (1962), <emph render="italic">Homage to Thomas Eakins</emph> (1966), <emph render="italic">Self-Revealment: a Memoir</emph> (1969), and <emph render="italic">Diary of an Artist</emph> (1977). Also by Soyer are draft essays, lectures, and articles - many about social realism. Writings by others include essays and articles by artists and art scholars sent to Soyer for review.Scattered legal and financial records include bank statements, receipts, leases, and documents related to the publishing of his books. Printed material consists of exhibition catalogs and announcements, clippings, and other published items.Photographs depict Soyer in his studio, with other artists and friends such as Chaim Gross, Edward Hopper, and Jose De Creeft, and at art events, and include a few photographs of his artwork. Also found are one pencil sketch and a facsimile of Soyer's 1968 sketchbook produced by Forum Gallery.

ArchivalResource:

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Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Katharine Kuh papers

Resource

Katharine Kuh papers

Title: Katharine Kuh papers

The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.

ArchivalResource: 12 linear feet

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Hirshhorn, Joseph Herman, 1899-1981

Photographs from Staff and Stringer Photographic Assignments Relating to U.S. Political Events and Social, Cultural, and Economic Life, 1964–1999

Resource

Photographs from Staff and Stringer Photographic Assignments Relating to U.S. Political Events and Social, Cultural, and Economic Life, 1964–1999

Title: Photographs from Staff and Stringer Photographic Assignments Relating to U.S. Political Events and Social, Cultural, and Economic Life, 1964–1999

This series consists of photographs taken by the International Communications Agency (ICA) and its predecessors staff and stringer photographers for use in press releases, feature packets, pamphlets, leaflets, magazines and other publications directed abroad as part of the ICA visual propaganda program. Coverage includes political, cultural, and economic events, personalities and subjects generally considered valuable for creating a favorable image of the U.S. among foreign audiences. Principal ICA staff photographers who contributed to this series include Lawrence J. Riordan, Oliver E. Pfeiffer, Joseph Pinto, George J. Szabo, Jack F. Lartz, Yuki King, Ronald Fett, Lee Battaglia, Barry Fitzgerald, Dwight Somers, Carol Hightower, Ken White and John Wicart. As a result of the sheer volume of picture requests, as well as the variety of locations across the U.S. that were sites for desired photographic coverages, staff contributions were frequently supplemented with work by numerous stringer photographers hired on an assignment-by-assignment basis. Some of the most frequent stringer photographers found in this series include George Knight, James Cayne, Robert Eckman, Suzanne Seed, Chad Slattery, Paul Conklin, Steve Eagle, Jay Leviton, Tommy Thompson, Christopher Springmann, Mel Larson, Brig Cabe, Ed Pierott, Dennis Galloway, Manuel Gomez, Judy Sloan, Randa Bishop, Ken Heinen, Heidi Goldstein, Peter Vaselopulos, Eric Poggenpohl, and Bob Severi. For some assignments, ICA made use of such well-established commercial photo agencies as Black Star, Wide World, Guild Photographers, and Photonetics, or, alternatively, photo-journalists affiliated with such newspapers and magazines as the "Los Angeles Times" and "U.S. News and World Report." Along with the photographs generated in the course of an assignment, each file in this series includes a formal or informal ICA assignment sheet, indicating requesting office, coverage purpose, visual strategy and publication intention. In some cases, there also appear notes, from the photographer to ICA Visual Materials/Visual Services officials, about the kinds of photographs generated, the atmosphere in which they were taken, and assorted challenges encountered in the process.

ArchivalResource: 93 linear feet, 7 linear inches

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Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Chaim Gross papers

Resource

Chaim Gross papers

Title: Chaim Gross papers

The papers of New York City sculptor and teacher Chaim Gross measure 21.1 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art. An unprocessed addition of three sketchbooks was donated in 2020.

ArchivalResource: 21.1 Linear feet

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Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Katharine Kuh papers

Resource

Katharine Kuh papers

Title: Katharine Kuh papers

ArchivalResource: 12 linear feet

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Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Oral history interview with Charles Alan

Resource

Oral history interview with Charles Alan

Title: Oral history interview with Charles Alan

An interview of Charles Alan conducted 1970 August 20-25, by Paul Cummings, for the Archives of American Art.

OralHistoryResource: Sound recordings: 2 sound tape reels ; 5 in.Transcript: 37 p.

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Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.

Resource

Smithsonian Institution. Libraries. Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.

Title: Hirshhorn Museum and Sculpture Garden Library audio archive collection, 1969-2004.

Searchable digital collection of Hirshhorn Museum and Sculpture Garden Library Audio Collection. Digital collection contains 306 digital audio files reformatted from audio cassettes containing recorded symposiums, lectures, interviews and events ranging in date from 1969 to 2004. The content of the audio collection includes: event recordings and interviews dating back to the founding days of the Hirshhorn Museum and Sculpture Garden, interviews of renowned modern and contemporary artists, lectures and symposium focusing on significant themes in 20th century art.

ArchivalResource: 306 audio files : digital.

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Correspondence with Colin B. Mackay : 1956. 1955 Dec. 4 - 1956 Dec. 26.

Resource

Mackay, Colin B., 1920-. Correspondence with Colin B. Mackay : 1956.

Title: Correspondence with Colin B. Mackay : 1956. 1955 Dec. 4 - 1956 Dec. 26.

Letters, soundscribers, telegrams, news clippings and memos relating primarily to university affairs. Subjects discussed: death of Sir James Dunn, the memorial service held at UNB and a plaque to be placed in his honor; social activities--Red and Black Revue, Drama Society, first Winter Carnival; sports, etc; finances; federal, provincial and municipal grants; fund raising; administration; appointment of William Ryan as first full-time Dean of Law, Gerard LaForest as Professor of Law and A.F. Trythall as bandmaster and Director of Music; increases to faculty salaries; construction of residences, chemistry building and art gallery; list of names for proposed Board of Governors for the art gallery; Beaverbrook's concern regarding the location of the art gallery re: the flooding waters of the St. John River; transfer of Winslow papers from the N.B. Museum to UNB: progress or lack thereof of Beaverbrook and UNB scholars; (CONTINUES). (CONTINUED) consideration of W.G. Constable, Lt.-Gov. MacLaren of British Columbia, Jean Cocteau, Frank MacKenzie Ross for honorary degrees; transfer of Law School from Saint John to Fredericton approved; Lord Lambton's gift of the Durham papers; Encaenia (1956) and recognition bestowed on Robert B. Woodward; Beaverbrook's gift of 43 paintings to New Brunswick; forestry fellowship; historical note on William Brydone Jack; Mackay's views on the feasibility of a proposed medical school in Saint John; shipment of an Emily Carr and 2 Homer Watson paintings to Fredericton; UNB coat-of-arms; Joseph P. Kennedy establishing the Lord Beaverbrook professorship at University of Notre Dame; redecorating Lady Beaverbrook Building; acquisition of band instruments; possibility of Massachusetts Institute of Technology doing some of their field work in New Brunswick; Beaverbrook's suggestion that UNB obtain a "nuclear library" offered by the U.S. Government; (CONTINUES). (CONTINUED) Beaverbrook's refusal to exhibit Churchill's paintings at the Bonar Law Bennett Library and the transfer of St. Thomas College from Chatham to Fredericton. The file contains a copy of Beaverbrook's original statement launching the residence campaign and his "last round-up" statement.

ArchivalResource: Correspondence : 211 (236 leaves)

http://www.worldcat.org/oclc/270533045 View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Oral history interview with Joan Ankrum

Resource

Oral history interview with Joan Ankrum

Title: Oral history interview with Joan Ankrum

An interview of Joan Ankrum conducted 1997 November 5-1998 February 4, by Paul Karlstrom, for the Archives of American Art, in Pasadena, California.

OralHistoryResource: Sound recording: 6 sound cassettes (60 min. each) : analog.Transcript: 195 p.

https://n2t.net/ark:/65665/mw977864658-a763-4f66-a3c3-5d0321352cd1 View

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Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Armory Show (International Exhibition of Modern Art) memorabilia

Resource

Armory Show (International Exhibition of Modern Art) memorabilia

Title: Armory Show (International Exhibition of Modern Art) memorabilia

Memorabilia from the International Exhibition of Modern Art in 1913, commonly known as the Armory Show, measures 0.02 linear feet and includes one button, two invitations, and 54 postcards primarily from the New York installation and also a few from the installations in Boston, Massachusetts and Chicago, Illinois.

ArchivalResource: 0.02 Linear feet

https://n2t.net/ark:/65665/mw91c4cabdb-bbb6-4483-bd96-86dfcb4f0bad View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Papers, 1929-1976

Resource

Papers, 1929-1976

Title: Papers, 1929-1976

Correspondence, manuscripts, notebook, etc., of I. Rice (Irene Rice) Pereira, abstract painter, poet, and philosopher.

ArchivalResource: 10 cartons, 32 folio, 25 folio+, 11 oversize folders, 1 supersize folder, photographs, and slides

http://id.lib.harvard.edu/ead/sch00849/catalog View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Philip Evergood papers

Resource

Philip Evergood papers

Title: Philip Evergood papers

The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.

ArchivalResource: 11.61 Linear feet

https://n2t.net/ark:/65665/mw90fd247d3-1a9d-4af8-a185-38e866a5b436 View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Papers, 1929-1976 (inclusive).

Resource

Pereira, I. Rice (Irene Rice), 1902-1971. Papers, 1929-1976 (inclusive).

Title: Papers, 1929-1976 (inclusive).

Correspondence, manuscripts of her writings, notebooks on philosophy, articles, poems, painting inventories, photos, both personal and of art work, exhibition catalogs, financial records, grant applications, and printed material pertain to Pereira's interests and career.

ArchivalResource: 10 linear ft.

http://www.worldcat.org/oclc/122565755 View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

General correspondence G - H : Nov. 1959 - Feb. 1960. 1959 - 1960.

Resource

Gaherty, G. A. (Geoffrey A.). General correspondence G - H : Nov. 1959 - Feb. 1960.

Title: General correspondence G - H : Nov. 1959 - Feb. 1960. 1959 - 1960.

ArchivalResource: Correspondence.

http://www.worldcat.org/oclc/270526684 View

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Role

creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Joseph Hirshhorn letter

Resource

Joseph Hirshhorn letter

Title: Joseph Hirshhorn letter

Letter to Joseph Hirshhorn from Jacques Lipchitz, Feb. 2, 1958 concerning the establishment of the Archives of American Art.

ArchivalResource: 1 items

https://n2t.net/ark:/65665/mw9e8542054-7394-4e25-8065-db38d07b169e View

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Role

creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Hirshhorn, Joseph: Art World Personality Files.

Resource

Hirshhorn, Joseph. Hirshhorn, Joseph: Art World Personality Files.

Title: Hirshhorn, Joseph: Art World Personality Files.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/228431543 View

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Role

creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Emily Nathan papers

Resource

Emily Nathan papers

Title: Emily Nathan papers

The papers of public relations consultant and journalist Emily Nathan measure 5.0 linear feet and date from circa 1943-1985. Included are files on clients, among them Towle Manufacturing and its gallery; the Smithsonian Institution, including the Archives of American Art, Radio Smithsonian and the National Portrait Gallery.

ArchivalResource: 6.0 Linear feet

https://n2t.net/ark:/65665/mw9630e4aee-2164-448c-a093-eae54416f3df View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Artist file : miscellaneous uncataloged material.

Resource

HIRSHHORN, JOSEPH H. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122344668 View

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creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Otto and Ilse Gerson papers

Resource

Otto and Ilse Gerson papers

Title: Otto and Ilse Gerson papers

The papers of New York art dealers and gallery owners Otto and Ilse Gerson measure 3 linear feet and date from 1933 to 1980. This collection includes biographical materials, correspondence, exhibition files, artists' files, collectors' files, business records, inventory and stock records, printed materials, and photographs.

ArchivalResource: 3 Linear feet

https://n2t.net/ark:/65665/mw9cbc935ee-c361-4837-a3d5-de249250bb2a View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Correspondence regarding purchase of paintings : 1957 Mar.-1958 Nov., A-L. 1957 Mar. - 1958 Nov.

Resource

Bassett, David. Correspondence regarding purchase of paintings : 1957 Mar.-1958 Nov., A-L.

Title: Correspondence regarding purchase of paintings : 1957 Mar.-1958 Nov., A-L. 1957 Mar. - 1958 Nov.

Letters, soundscriber tapes, telegrams, photographs of paintings, notices of various exhibitions, descriptive notes on the Beaverbrook art collection, lists of paintings. Correspondence concerning the acquisition of paintings for the Beaverbrook Art Gallery.

ArchivalResource: Correspondence : 421 (471 leaves)Photographs : 12 : b&w.

http://www.worldcat.org/oclc/270525546 View

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creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Emily Nathan papers

Resource

Emily Nathan papers

Title: Emily Nathan papers

ArchivalResource: 6.0 Linear feet

https://n2t.net/ark:/65665/mw9630e4aee-2164-448c-a093-eae54416f3df View

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Role

creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Oral history interview with Philip Evergood

Resource

Oral history interview with Philip Evergood

Title: Oral history interview with Philip Evergood

An interview of Philip Evergood conducted 1968 Dec. 3, by Forrest Selvig, for the Archives of American Art, in the artist's home, in Bridgewater, Conn.

OralHistoryResource: Sound recordings: 1 sound tape reel ; 7 in.Transcript: 51 p.

https://n2t.net/ark:/65665/mw9432c5475-33d6-460b-bf33-8f296f82e185 View

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referencedIn

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

The ACA Galleries records

Resource

The ACA Galleries records

Title: The ACA Galleries records

The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.

ArchivalResource:

https://n2t.net/ark:/65665/mw97838f702-80fc-493a-940a-86b9373c8141 View

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referencedIn

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Joseph Ternbach papers

Resource

Joseph Ternbach papers

Title: Joseph Ternbach papers

The papers of sculpture conservator and restorer Joseph Ternbach measure 1.0 linear feet and date from 1915-1985. The papers include biographical material, correspondence, financial records, and printed material.

ArchivalResource: 1 Linear foot

https://n2t.net/ark:/65665/mw99b4657fc-79bd-4a31-a16b-760944094444 View

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Role

referencedIn

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Ben Shahn letter

Resource

Ben Shahn letter

Title: Ben Shahn letter

A letter, October 4, 1958, from Edith Halpert, to the Archives of American Art New York Archivist, signed "Miss Smith". Halpert describes her general impressions of Shahn and writes that he was in "this moring when he brought in some new silkscreens". She also writes about Shahn asking her if she has seen the sets he did for a ballet in Spoleto.

ArchivalResource: 1 item

https://n2t.net/ark:/65665/mw9e18645da-913e-48d2-9ac4-9e1bb5993639 View

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creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Subject Files, 1965–1968

Resource

Subject Files, 1965–1968

Title: Subject Files, 1965–1968

The series includes material accumulated by McPherson in his role as Special Assistant to the President and, after 1966, his role as Special Counsel to the President. The files cover a broad legal issues and topics related to McPherson’s work, including appointments to positions in the Executive Branch, agriculture, the arts and humanities, preservation of Egyptian temples, banking, business and industry, anti-trust cases, labor issues, tax policy, trade, the United States economy, the balance of payments, the national budget, consumer protection, national defense, education and training, youth and opportunities for youth, the East-West Center in Hawaii, civil rights and discrimination, human rights, domestic disturbances and violence, crime and delinquency, urban affairs, housing, urban and rural poverty, humane treatment of animals, communications, transportation, international air travel, the airlines, natural resources, beautification, national parks, drought, flood control, national politics, the 1968 campaign, polls, election reform, government reorganization, the District of Columbia, veterans, legislation and the legislative process, Presidential powers, use of executive privilege, Presidential speeches and messages, the development of the Lyndon B. Johnson Library and Lyndon B. Johnson School of Public Affairs, the White House Fellows program, and McPherson’s contacts with the press. The series also includes material relating to actions by a variety of federal departments, agencies, and governmental bodies, including the Civil Aeronautics Board; the Atomic Energy Commission; the Agriculture Department; the Justice Department; the National Council on the Arts and the National Endowments on the Arts and Humanities; Bureau of Educational and Cultural Affairs; the Smithsonian Institution; the Office of Economic Opportunity; the Council of Economic Advisers, the Equal Employment Opportunity Commission; the Federal Power Commission; the Interstate Commerce Commission; the General Services Administration; the Department of Health, Education and Welfare; the Department of the Interior; the Corps of Engineers; the Peace Corps; the Post Office Department; the United State Information Agency, the State Department; the Agency for International Development; the Department of Housing and Urban Development; the Veterans Administration; and the President’s Commission on the Causes and Prevention of Violence. The series includes material on the exhibitions Hemisfair and Interama, The series also contains material related to Robert F. Kennedy, Hubert Humphrey, Eliot Janeway, Eugene McCarthy, and many others. The series includes material related to United States territories, including Puerto Rico, Guam, Saipan, the Virgin Islands, and the Ryukyu Islands. It covers a broad range of foreign policy topics and countries, including foreign aid, Food for Freedom, Africa, Latin America, the Middle East, the Panama Canal, the Philippines, Russia and the Soviet Union, Vietnam and the Vietnam War, world law, the Asian Development Bank, Human Rights Conventions, international youth programs, and International Cooperation Year. The series contains a large volume of correspondence, including letters, memorandums, telegrams, and a variety of attachments to the correspondence. The series also contains reports; statements and speeches; drafts, strategy and position papers; copies of legislation; publications, including articles, clippings, booklets, pamphlets, and information packets; press releases; event programs; schedules; statistical information; lists; resumes; forms; and photographs.

ArchivalResource: 17 linear feet, 3 linear inches

https://catalog.archives.gov/id/38222805 View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Gordon Bunshaft architectural drawings and papers, 1909-1990 (bulk 1950-1979).

Resource

Bunshaft, Gordon, 1909-1990. Gordon Bunshaft architectural drawings and papers, 1909-1990 (bulk 1950-1979).

Title: Gordon Bunshaft architectural drawings and papers, 1909-1990 (bulk 1950-1979).

This collection contains correspondence, photographs, clippings, postcards, newsletters, student and architectural drawings, and other materials mainly related to Gordon Bunshaft's projects and activities while employed as a partner in the architectural firm Skidmore, Owings & Merrill. The dates of the material span 1909-1990, with bulk dates of 1950-1979. Most of the information regarding Bunshaft's architectural projects is in the form of photographs and clippings. A portion of the collection documents Gordon and Nina Bunshaft's residences in Manhattan and East Hampton, New York. In addition to documenting his projects, the collection contains photographs and correspondence between Bunshaft, his wife Nina, and family and friends, including artists Jean Dubuffet and Henry Moore.The bulk of the drawings in the collection consists of sketches, rubbings and watercolors that Bunshaft created while he was a Rotch Travelling Scholar in Europe from 1935 to 1936. Additionally there are drawings by Bunshaft for his residences in Manhattan and East Hampton, New York. Lastly, drawings that are not related to Bunshaft's student work include an abstract drawing, two drawings for a radio cabinet, and a sketch plan of a bungalow. All of these drawings are cataloged at the item-level in Columbia's Library Online Catalog (CLIO) and can be found by searching by the accession numbers as given in this finding aid.

ArchivalResource: Papers, 8 linear ft.Drawings, 144 sheets.

http://www.worldcat.org/oclc/505724648 View

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referencedIn

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Oral history interview with Raymond J. Horowitz

Resource

Oral history interview with Raymond J. Horowitz

Title: Oral history interview with Raymond J. Horowitz

An interview of Raymond Horowitz conducted 2004 Oct.20-Nov. 5, by Avis Berman, for the Archives of American Art, in New York, N.Y.

OralHistoryResource: Sound recording: 3 sound cassettes (4 hr. 30 min.) : analog.Transcript 56 p.

https://n2t.net/ark:/65665/mw9e03ce7be-26ab-4650-8e70-b186b080cd3b View

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referencedIn

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Oral history interview with Joseph H. Hirshhorn

Resource

Oral history interview with Joseph H. Hirshhorn

Title: Oral history interview with Joseph H. Hirshhorn

An interview of Joseph H. Hirshhorn conducted 1976 Dec. 16, by Paul Cummings, for the Archives of American Art.

OralHistoryResource: Sound recording: 2 sound tape reels ; 5 in.Transcript: 48 p.

https://n2t.net/ark:/65665/mw91ea51a56-99ac-4474-abdf-2285d89cddc8 View

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Role

creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

General Correspondence G - H : 1957. 1956 - 1957.

Resource

Ganong, R. W. (R. Whidden). General Correspondence G - H : 1957.

Title: General Correspondence G - H : 1957. 1956 - 1957.

ArchivalResource: Correspondence.

http://www.worldcat.org/oclc/270529323 View

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Role

creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Joseph H. Hirshhorn archival audio collection, 1969-1984.

Resource

Hirshhorn, Joseph H. Joseph H. Hirshhorn archival audio collection, 1969-1984.

Title: Joseph H. Hirshhorn archival audio collection, 1969-1984.

Collection consists of sound recordings that relate to Joseph H. Hirshhorn, the founding donor of the Hirshhorn Museum and Sculpture Garden, and his life as an art collector and patron. Speakers include Joseph H. Hirshhorn; his wife, Olga Hirshhorn; and Abram Lerner (1913-2007), founding director of the museum. Also includes interviews of artists, Alice Neel and Friedel Dzubas, who speak about their lives and careers.

ArchivalResource: approximately 20 sound cassettes and sound tape reels.

http://www.worldcat.org/oclc/301751921 View

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creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Oral history interview with Abram Lerner

Resource

Oral history interview with Abram Lerner

Title: Oral history interview with Abram Lerner

An interview of Abram Lerner conducted 1975 Dec. 9-1976 Jan. 27, by Paul Cummings, for the Archives of American Art.

OralHistoryResource: Sound recording: 3 sound tape reels ; 5 in.Transcript: 179 p.

https://n2t.net/ark:/65665/mw926db7c58-2b93-4ad1-8f49-9a7f47551850 View

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referencedIn

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Dorothy C. Miller papers

Resource

Dorothy C. Miller papers

Title: Dorothy C. Miller papers

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of <emph render="italic">The Nelson A. Rockefeller Collection: Masterpieces of Modern Art.</emph> Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, <emph render="italic">Art At Work: Chase Manhattan Bank Collection</emph>. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art. Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing <emph render="italic">Edward Hicks: His Peaceable Kingdom and Other Paintings</emph>. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.

ArchivalResource:

https://n2t.net/ark:/65665/mw9f1ed6cb6-f194-4b76-a8dd-fce3352c09b8 View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Adeline Herder papers

Resource

Adeline Herder papers

Title: Adeline Herder papers

ArchivalResource:

https://n2t.net/ark:/65665/mw91b3c8fc9-4751-4388-9648-455318ad362c View

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Role

referencedIn

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Joseph Hirshhorn letter

Resource

Joseph Hirshhorn letter

Title: Joseph Hirshhorn letter

Letter to Joseph Hirshhorn from Jacques Lipchitz, Feb. 2, 1958 concerning the establishment of the Archives of American Art.

ArchivalResource: 1 items

https://n2t.net/ark:/65665/mw9e8542054-7394-4e25-8065-db38d07b169e View

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Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

creatorOf

Artist file.

Resource

Hirshhorn, Joseph H. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/457790411 View

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Role

creatorOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

referencedIn

Raphael Soyer papers

Resource

Raphael Soyer papers

Title: Raphael Soyer papers

ArchivalResource:

https://n2t.net/ark:/65665/mw96469b32a-ef8d-447d-b47e-533ea348dfaa View

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Role

referencedIn

Descriptive Note

Hirschhorn, Joseph.

associatedWith

Herder, Addie.

Target

Herder, Addie.
http://n2t.net/ark:/99166/w6ng6m42 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

ACA Galleries.

Target

ACA Galleries.
http://n2t.net/ark:/99166/w6dj9qks View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Affee, Mikey.

Target

Affee, Mikey.
http://n2t.net/ark:/99166/w6t16z9h View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Alan, Charles, 1908?-1975,

Target

Alan, Charles, 1908?-1975,
http://n2t.net/ark:/99166/w6pc4h9k View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Ankrum, Joan

Target

Ankrum, Joan
http://n2t.net/ark:/99166/w6bk1h62 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Archives of American Art.

Target

Archives of American Art.
http://n2t.net/ark:/99166/w62r7dw9 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Armory Show (1913 : New York, N.Y.)

Target

Armory Show (1913 : New York, N.Y.)
http://n2t.net/ark:/99166/w6cv8p4z View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Avery, Milton, 1885-1965.

Target

Avery, Milton, 1885-1965.
http://n2t.net/ark:/99166/w6bc41gx View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Banker, Stephen.

Target

Banker, Stephen.
http://n2t.net/ark:/99166/w6rr3swj View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Bunshaft, Gordon, 1909-1990.

Target

Bunshaft, Gordon, 1909-1990.
http://n2t.net/ark:/99166/w6pc3sgr View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Burliuk, David, 1882-1967.

Target

Burliuk, David, 1882-1967.
http://n2t.net/ark:/99166/w6x63ptf View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Cooper, E. J.

Target

Cooper, E. J.
http://n2t.net/ark:/99166/w60p2tt5 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Cummings, Paul

Target

Cummings, Paul
http://n2t.net/ark:/99166/w66m39mt View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

De Kooning, Willem, 1904-

Target

De Kooning, Willem, 1904-
http://n2t.net/ark:/99166/w6xp768t View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Dzubas, Friedel, 1915-

Target

Dzubas, Friedel, 1915-
http://n2t.net/ark:/99166/w6ks7h37 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Eilshemius, Louis M. (Louis Michel), 1864-1941.

Target

Eilshemius, Louis M. (Louis Michel), 1864-1941.
http://n2t.net/ark:/99166/w6pz5bq4 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Evergood, Philip, 1901-1973

Target

Evergood, Philip, 1901-1973
http://n2t.net/ark:/99166/w6cr5wpf View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Gerson, Otto, 1902-1962.

Target

Gerson, Otto, 1902-1962.
http://n2t.net/ark:/99166/w6p05vt1 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Gross, Chaim, 1904-1991.

Target

Gross, Chaim, 1904-1991.
http://n2t.net/ark:/99166/w6b56m45 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Herder, Adeline

Target

Herder, Adeline
http://n2t.net/ark:/99166/w63g7q8h View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

spouseOf

Hirshhorn, Brenda.

Target

Hirshhorn, Brenda.
http://n2t.net/ark:/99166/w6f5516k View

Type

spouseOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

founderOf

Hirshhorn Museum and Sculpture Garden

Target

Hirshhorn Museum and Sculpture Garden
http://n2t.net/ark:/99166/w6033s5r View

Type

founderOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Hirshhorn Museum and Sculpture Garden. Office of the Director.

Target

Hirshhorn Museum and Sculpture Garden. Office of the Director.
http://n2t.net/ark:/99166/w6vk1nk9 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Hirshhorn Museum and Sculpture Garden. Office of the Registrar.

Target

Hirshhorn Museum and Sculpture Garden. Office of the Registrar.
http://n2t.net/ark:/99166/w6mb68bx View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

spouseOf

Hirshhorn, Olga

Target

Hirshhorn, Olga
http://n2t.net/ark:/99166/w67094x5 View

Type

spouseOf

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Horowitz, Raymond J.,

Target

Horowitz, Raymond J.,
http://n2t.net/ark:/99166/w66x0s2d View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Irene Rice Pereira, 1902-1971

Target

Irene Rice Pereira, 1902-1971
http://n2t.net/ark:/99166/w6682292 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Kuh, Katharine

Target

Kuh, Katharine
http://n2t.net/ark:/99166/w60k2tqs View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Kuh, Katharine.

Target

Kuh, Katharine.
http://n2t.net/ark:/99166/w60k2tqs View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Lerner, Abram.

Target

Lerner, Abram.
http://n2t.net/ark:/99166/w6rj5b40 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Lipchitz, Jacques, 1891-1973.

Target

Lipchitz, Jacques, 1891-1973.
http://n2t.net/ark:/99166/w63n2432 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Mackay, Colin B., 1920-

Target

Mackay, Colin B., 1920-
http://n2t.net/ark:/99166/w6fr77bg View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Miller, Dorothy Canning, 1904-2003.

Target

Miller, Dorothy Canning, 1904-2003.
http://n2t.net/ark:/99166/w6nv9p01 View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Nathan, Emily

Target

Nathan, Emily
http://n2t.net/ark:/99166/w6sj1pqj View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Neel, Alice, 1900-1984

Target

Neel, Alice, 1900-1984
http://n2t.net/ark:/99166/w6ff3z1h View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Percival, John.

Target

Percival, John.
http://n2t.net/ark:/99166/w6pz74tr View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Pereira, I. Rice (Irene Rice), 1902-1971.

Target

Pereira, I. Rice (Irene Rice), 1902-1971.
http://n2t.net/ark:/99166/w6r795ph View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Shahn, Ben, 1898-1969.

Target

Shahn, Ben, 1898-1969.
http://n2t.net/ark:/99166/w6q240xn View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Smithsonian Institution.

Target

Smithsonian Institution.
http://n2t.net/ark:/99166/w6d25qtk View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Soyer, Raphael

Target

Soyer, Raphael
http://n2t.net/ark:/99166/w6z60mfv View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Soyer, Raphael, 1899-1987.

Target

Soyer, Raphael, 1899-1987.
http://n2t.net/ark:/99166/w6z60mfv View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Ternbach, Joseph, d. 1982.

Target

Ternbach, Joseph, d. 1982.
http://n2t.net/ark:/99166/w69s69jq View

Type

associatedWith

Descriptive Note

Hirshhorn, Joseph Herman, 1899-1981

associatedWith

Whitney Museum of American Art.

Target

Whitney Museum of American Art.
http://n2t.net/ark:/99166/w6mh1jgv View

Type

associatedWith

Descriptive Note

District of Columbia

DC, US

View GeoPlace

Type

AssociatedPlace

Role

Death

Address

Descriptive Note

Canada

00, CA

View GeoPlace

Type

AssociatedPlace

Role

Address

Descriptive Note

Jelgava (Latvia)

, LT

View GeoPlace

Type

AssociatedPlace

Role

Birth

Address

Descriptive Note

New York

NY, US

View GeoPlace

Type

AssociatedPlace

Role

Address

Descriptive Note

Compare Constellations

Name Entries

Hirschhorn, Joseph.

Shared

Hirshhorn, Joseph Herman, 1899-1981

Hirschhorn, Joseph.

Hirshhorn, Joseph Herman, 1899-1981

District of Columbia

Canada

Jelgava (Latvia)

New York

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