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Information: The first column shows data points from Breuer, Marcel, 1902-1981 in red. The third column shows data points from Breuer, Marcel, 1902- in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.

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Breuer, Marcel, 1902-1981

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Breuer, Marcel (American and Hungarian architect and furniture designer, 1902-1981)

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Marcel Lajos Breuer

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Breuer, Marcel L.

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ブロイヤー, マルセル

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Marcel Breuer

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Breuer Marcel Lájos 1902-1981

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German designer and Bauhaus teacher.

From the description of Photographs of furniture designed by Marcel Breuer and Gustav Hassenpflug, 1926-1933. (Getty Research Institute). WorldCat record id: 79881559

Marcel Lajos Breuer was born in Pécs, Hungary, on May 21, 1902. Marcel Breuer is known worldwide both as a designer of furniture and as an architect. Starting in 1920 he attended the Bauhaus at Weimar, headed by Walter Gropius. He graduated in 1924, and soon after Gropius appointed him as Bauhaus master and head of the carpentry workshop, where he stayed until 1928 (teaching both at Weimar and at Dessau). He emigrates to the United States in 1937 where he joins the faculty of Harvard's Graduate School of Design, where he will teach from 1938 to 1946. Marcel Breuer died on July 1, 1981, in New York City.

From the description of The Breuer Lectures Collection : An inventory. (Harvard University). WorldCat record id: 685183608

Modernist architect and designer, born in Pécs, Hungary. He became director of the furniture department at the Weimar Bauhaus in 1924, and invented a series of furniture-designs using structural frames of bent-steel tubes finished in chrome. In 1928 he set up an architectural practice in Berlin. Came to United States in 1937 to teach at Harvard, where students included students Philip Johnson and Paul Rudolph. In 1946 he moved his practice to New York City. Major projects included the UNESCO Headquarters in Paris (1952-8), the lecture-hall, New York University, the IBM Research Centre, La Gaude, Var, France (1961 with Robert F. Gatje ) and the Whitney Museum of American Art, New York (with H. Smith, 1963-6).

Source:

"Breuer, Marcel Lajos" A Dictionary of Architecture and Landscape Architecture. James Stevens Curl. Oxford University Press 2006. Oxford Reference Online. Oxford University Press. University of Houston. 14 September 2006 http://www.oxfordreference.com/views/ENTRY.html?subview=Main=t1.e673

For further information on Barnstone and Neuhaus:

Howard Barnstone Papers, Houston Metropolitan Research Center, Houston Public Library

Handbook of Texas Online, s.v. "Barnstone, Howard" http://www.tsha.utexas.edu/handbook/online/articles/BB/fbael.html (accessed September 13, 2006).

Handbook of Texas Online, s.v. " Neuhaus, Hugo Victor, Jr. (1915-1987).," http://www.tsha.utexas.edu/handbook/online/articles/NN/fne43.html (accessed September 14, 2006)

From the guide to the Marcel Breuer Letter, 1969-001., 1971, (Special Collections, University of Houston Libraries)

Marcel Breuer (1902-1981) was an architect and designer from New York, N.Y.

Born in Pecs, Hungary. Breuer received a master's degree from the Bauhaus in 1924. During the following year, he became a Bauhaus instructor and designed his first tubular steel chair. At the invitation of Walter Gropius, Breuer joined the faculty of Harvard University in 1937. He left Harvard in 1946 and established an architectural office in New York City. His reputation was enhanced in 1953, when he was commissioned to participate in the design of the U.N.E.S.C.O. Headquarters in Paris. During the following 20 years, Breuer's firm worked on many diverse projects ranging from private residences to government buildings. Due to ill health, Breuer retired in 1976.

From the description of Marcel Breuer papers, 1920-1986. (Unknown). WorldCat record id: 78094450

Marcel Lajos Breuer was born in Pécs, Hungary, on May 21, 1902. Starting in 1920 he attended the Bauhaus at Weimar, headed by Walter Gropius, and whose program would transform design education worldwide. Breuer graduated in 1924, and soon after Gropius appointed him as Bauhaus master and head of the carpentry workshop, where he stayed until 1928 (teaching both at Weimar and at Dessau). In 1931-1932 he travels throughout Italy, Spain, Greece and Morocco, and in 1933 he settles in Berlin to open his own architectural practice. He has to leave Germany, and from 1934 to 1937 he works in England, in partnership with F.R.S. Yorke. He emigrates to the United States in 1937 where he joins the faculty of Harvard’s Graduate School of Design, where he will teach from 1938 to 1946. At Harvard he was an admired teacher, where he succeeded in interpreting the new design to a new generation of architects. Together with Gropius they set up an architectural practice, a partnership that would last from 1938 to 1941, when a controversy over the role of architecture distances them (while Gropius had a program for social reform, Breuer’s interests were mainly formal and technical). When he leaves Harvard, he moves to New York, where he continued his successful practice. Marcel Breuer died on July 1, 1981, in New York City.

Marcel Breuer is known worldwide both as a designer of furniture and as an architect. He did not belong to the generation of the founders of modernism, including Walter Gropius and Le Corbusier, but to the generation that immediately followed them. He was among the pioneers of the invention of the tubular steel chair, and by 1923 his furniture design was known for its modern language of pure geometrical form and simplicity of design, with an emphasis on structure. Among his chairs is the Wassily Chair (1925), and the cane-backed Cesca Chair (1928). Although he is best known for his furniture design and early architectural projects of single-family houses of the 1930s and 1940s, he practiced through the mid-1970s and was commissioned several larger buildings with a diversity of architectural programs. His early European works include Haselhorst Housing (Spandau, Germany, 1928), Elberfeld Hospital (Elberfeld, Germany, 1928), Kharkov Theater (Kharkov, Ukraine, 1931), Harnischmacher House (Wiesbaden, Germany, 1932), Dolderthal Apartments (Zurich, Switzerland, 1934), and House at Angmering-on-Sea (Sussex, England, 1936; with F.R.S. Yorke).

In the United States he initially devoted himself to the design of single family houses. His work in association with Gropius reveals interests in standardization, mass production, construction techniques, typology, simple plans, free circulation, and interior walls reduced to light-weight partitions. The early houses include: Breuer House, (Lincoln, Massachusetts, 1939), Fischer House, (Newton, Pennsylvania, 1938), Haggerty House (Cohasset, Massachusetts, 1938), Ford House (Lincoln, Massachusetts, 1939). Among Breuer’s houses made of prefabricated elements, are the Yankee Portables and Plas-2-Point, that were capable of being disassembled. His later houses include Geller House, (Lawrence, Long Island, New York, 1945), Robinson House (Williamstown, Massachusetts, 1947), Tompkins House, (Hewlett Harbor Village, Long Island, New York 1946), Breuer House (New Canaan, Connecticut, 1947), Caesar House (Lakeville, Connecticut, 1951), Neumann House (Croton-on-Hudson, New York, 1953), and Hanson House (Lloyd Harbor, Huntington, Long Island, New York, 1950), among others. His later works include the Whitney Museum of American Art (New York, New York, 1963-1964) and the Department of Housing and Urban Development (Washington D.C., 1963-1968).

From the guide to the Breuer, Marcel, 1902-1981. The Breuer Lectures Collection: An Inventory., (Special Collections, Frances Loeb Library, Graduate School of Design, Harvard University)

Marcel Lajos Breuer (1902-1981) was a Hungarian-born American Modernist architect and designer.

Marcel Breuer was born on May 21, 1902 in the southwestern Hungarian city of Pécs. His family home at 4 Irgalmasok Boulevard near Szechenyi square may have afforded a view of the nearby Pasha Qasim mosque (built from the ruins of a Gothic church), or the four landmark towers of the nearby Pécs Cathedral. Noted historically for its diverse ethnic population, Pécs had long been a regional cultural center and a university town (home of the 5th oldest university in Europe), as well as an important religious center. Breuer's father Jakab Breuer was a dental technician from Gyor, Hungary. Breuer's mother, Franciska Kann (sometimes given as "Kan") came originally from Budapest. Breuer had two older siblings, Alexander and Hermina Maria.

Always reticent about the facts of his early life, Breuer's formative years must have been marked by the profound political conflicts that defined the era. He would have been just twelve years old when Hungary entered World War I as part of the Austro-Hungarian/German alliance (incidentally, Breuer's subsequent architectural mentor and partner, Walter Gropius, was severely wounded in 1914 while serving as a German reservist on the Western Front). From 1918-1920, the Baranyi region surrounding Breuer's home town was heavily occupied by Serbian forces who, on the basis of ethnic nationalism, had made significant territorial claims there (tentatively resolved by the Treaty of Trianon in 1920). Against this backdrop, Breuer attended secondary school at Pécsi Allami Forealiskola where he excelled at art and mathematics, graduating summa cum laude and earning a scholarship to the Akademie der bildenden Kunst in Vienna.

Breuer arrived in Vienna in the late summer of 1920, but he quickly abandoned the academy, instead taking up an apprenticeship in the shop of a local cabinetmaker by the name of Bolek. It was during this brief respite that Breuer learned about an innovative new school in Weimar from a fellow Hungarian, the Pécs born architect Alfred Forbat. Within a few weeks, Breuer had assumed a place as one of the 143 students enrolled at the Bauhaus in only the second year of its formative existence.

While there is some uncertainty as to exactly when Breuer began his studies at the Bauhaus during the fall of 1920, it is very likely that he arrived about six weeks into the term and began in the Vorkurs, or Preliminary Course, then taught by Johannes Itten. Later that year, he would have done work in the carpentry workshop under Walter Gropius, the Master of Form for the shop at that time, and Josef Zachmann, the shop's first Master of Craft. While many of the personal relationships forged during these years were crucial for Breuer's artistic development, perhaps none more so than his career-defining linkage with Walter Gropius, it was quite possibly the painter Paul Klee who exerted the most formative influence (later in life, Breuer recollected that Klee had been one of the two most important teachers in his life, the other being his high school geometry teacher). As Franciscono contends, in his history of the school, his [Klee's] lessons were conceived in terms closely analogous to those of architecture…painting itself was understood as a construction built up or put together from repeatable, more or less geometric -- in effect modular -- units in ways generally comparable to the way architecture is put together (quoted in Hyman, p.61, n.73).

Breuer's architectural training at the Bauhaus came largely through apprentice work done in Walter Gropius' active practice, as the school offered no formalized program in architecture during those early years. As such, Breuer gained much hands-on experience on a number of projects -- contributing furniture and interior designs to the collaborative Sommerfeld House project (1921), the Haus am Horn exhibition house (1923), and the Bauhaussiedlung housing project (planned 1922, but not built).

After completing his apprentice work at the Bauhaus, Breuer headed to Paris, eventually landing a position in the office of Pierre Chareau in September of 1924. By the following year though, he was back in Weimar to accept a position as instructor and head of the furniture and carpentry shop at the Bauhaus, just prior to its official relocation to Dessau. In additional to involvement in furniture and interior design work for the new Bauhaus buildings in Dessau -- contributing to the design and furnishing of the canteen, theatre and several of the Master's Houses -- Breuer also developed innovative architectural schemes for a series of houses for junior faculty members, known as the BAMBOS houses (1927).

It was during this second period at the Bauhaus (1925-1928) that Breuer began to make the innovative experiments with bent tubular steel furniture for which he became so famous. The first version of his iconic "B3" club chair was developed around 1925, and many experiments with cantilevered steel constructions rapidly followed. In 1926, Breuer established the Standard Möbel company and began marketing a full line of steel furniture. Later that year, Breuer married fellow Bauhaus graduate Marta Erps, a talented artist who had studied in the weaving workshop and collaborated with Breuer on the Haus am Horm interiors. Their marriage seems to have been short lived, as Erps left Germany sometime around 1928-1929 for Brazil, where she later had a successful career as a biologist and illustrator at the University of São Paolo. Breuer and Erps were officially divorced in 1934.

As internal politics at the Bauhaus grew increasingly volatile in the late 1920s, Breuer joined a major exodus from the school, following Gropius, Moholy-Nagy, Josef Albers, Herbert Bayer and others out of Dessau. Breuer made his way to Berlin, officially joining the Bund Deutscher Architekten and setting up an architectural practice with a former student, Gustav Hassenpflug as his assistant. His commissions were small, primarily apartment and commercial interiors, but he also completed a number of formalized designs for competitions and was represented at many important exhibitions of the period, including the Weissenhof estate exhibition (1928), the Paris exposition of 1930 and the Berlin Building exhibition of 1931. In 1932, Breuer secured his first independent architectural commission to build a modern house in Weisbaden for Paul and Marianne Harnischmacher. During this period, Breuer also maintained a partnership in Budapest with Farkas Molnár and József Fischer and traveled extensively through southern Europe and North Africa. In 1935, with the assistance of Gropius, Breuer secured papers to relocate to London where he practiced for a short time in partnership with British architect F.R.S. Yorke, while independently developing a line of bent plywood furniture that was marketed through Jack Pritchard's Isokon Control Ltd.

Frustrated by the limited building prospects in England and always concerned about the possibility of political deportation, in 1937 Breuer was again on the move. The efforts of Gropius were once more instrumental, as he was able to help secure for Breuer a faculty position at Harvard University's Graduate School of Design. Aesthetically, Breuer was well suited to his new environment, sharing with his fellow Bauhaus émigrés a strong appreciation for the structural transparency and efficient design of American industrial buildings. The strong appeal of the traditional New England domestic architecture, though, with its reliance on native stone and balloon-frame construction proved an unexpected source of inspiration for many of the European Modernists, Breuer included. He spent roughly the next decade making his mark with a series of iconic modern houses spread across Massachusetts, Connecticut, Pennsylvania and New York (for more on the influence of American domestic architecture on Breuer's mid-century work, see Bergdall, Encountering America: Marcel Breuer and the Discourses of the Vernacular from Budapest to Boston, in Marcel Breuer: Design and Architecture ).

Initially, Breuer practiced in the U.S. in partnership with his long-time mentor under the official designation, "Walter Gropius and Marcel Breuer, Architects." The partnership was relatively fruitful during lean economic years, producing a series of now canonical houses, including the Frank House in Pittsburgh (1939), the Hagerty House in Cohasset (1938) and, the Ford (1939), Gropius (1938) and Breuer (1939) houses at the Woods End colony in Lincoln, Massachusetts. In 1940, Breuer married his second wife, Constance Crocker Leighton. Connie, a native New Englander, had grown up in Salem, Massachusetts and attended the Brimmer School. Originally a secretary for Gropius and Breuer, she played an important role in the formative years of Breuer's Cambridge practice (for a brief period, her father, O.S. Leighton, also served as a sort of business manager and accountant for Breuer). Their son, Tamas (Thomas) Breuer was born in 1943.

The Gropius-Breuer partnership ended in 1941, and Breuer set-up shop on his own in Cambridge with the assistance of several of his former Harvard design students. Although work came slowly at first -- building supply shortages during the war made new construction a difficult endeavor -- by the mid-1940s, the Breuer office was operating at a robust pace.

Breuer took several of his Cambridge cohorts to New York in the spring of 1946, opening a practice there on 438 East Eighty-Eighth Street. The subsequent phase of work in the late 1940s marked the pinnacle of Breuer's domestic architectural production. Working from his fundamental conception of the bi-nuclear arrangement of living areas, Breuer progressively refined his design vocabulary into a popular signature style. Stand-out designs of this period include the Geller House I (1945), Robinson House (1948) and Thompson House (1949), as well and the House in the Museum Garden, constructed for a 1949 MoMA exhibition on the modern house.

The 1950s saw the exponential growth of Breuer's creative prospects and subsequent emergence internationally as a seminal figure of modern design (one of the canonical form-givers of the twentieth century, as dubbed in a 1956 Time magazine piece). In an astonishing creative outburst, encompassing roughly the ten year span from 1953-1963, Breuer saw the realization of the half-dozen or so masterworks most definitive of his major phase: the UNESCO headquarters in Paris (1953), Saint John's Abbey Church in Minnesota (1953-1958), the De Bijenkorf Department Store in Rotterdam (1953), the United States Embassy at the Hague (1956), the IBM Research Center in La Gaude, France (1960), and the Whitney Museum of American Art in New York (1963). Breuer's work during this period was largely defined by the transition from small-form, residential projects in wood and stone, to monumental sculptural forms rendered in patterned concrete and steel.

In 1956, in order to accommodate the rapid boom in large-project commissions coming into his office, Breuer sought to formalize a partnership agreement with several of the young and talented architects in his employ. Stipulating a formative ten year period under the designation associate, Breuer promised eventual full partnerships to his colleagues. Operating thereafter as Marcel Breuer and Associates, by 1967 Herbert Beckhard, Hamilton Smith and Robert Gatje had all achieved full partner status (former partner Murray Emslie had left the firm in 1965). Later, Tician Papachristou also achieved partner status in the firm.

By the mid-sixties, Breuer had settled his operations at 635 Madison Avenue in New York, and had opened a much needed European office on the Rue Chapon in the former garment district of Paris, an office established by Robert Gatje and later run by Mario Jossa to manage projects at Flaine, the ZUP development in Bayonne and elsewhere on the continent. During these years, Breuer's collaborative partnerships with Smith, Gatje, Beckhard and Papachristou reached their productive peak, yielding a formidable and diverse roster of works: the IBM France complex, the Flaine resort, the Armstrong Rubber Building with Robert F. Gatje; Annunciation Priory, the Whitney Museum of Art, the Grand Coulee Dam Project with Hamilton P. Smith; the HUD and HEW buildings in Washington, D.C. and the Church and Refectory of St. Francis de Sales with Herbert Beckhard; the Soriano House and Stillman House III, with Tician Papachristou.

The effects on Breuer of many years of incessant work and travel began to show by the early 1970s, and after a harrowing trip to Afghanistan that saw Breuer suffer a nearly fatal heart attack, his day-to-day working role in his firm significantly diminished. Breuer's declining health coincided with a difficult economic climate for building; regardless, Marcel Breuer and Associates continued to realize significant building projects throughout the seventies, including the Atlanta Public Library (1971-1980), the American Press Institute in Reston, Virginia (1971), and the Australian Embassy in Paris (1973, with Harry Seidler). These years also saw the realization of two late-phase minor masterpieces -- the third Stillman House (1972) and the stunning slate-roofed Chapel at Flaine (1974-1976). Despite his formal retirement on March 1, 1976, Breuer refused to abandon work altogether, characteristically vowing to his supervising architect at the Baldegg Convent site that he would remain on the project until it was done. The last decade of Breuer's life saw a number of prominent honors and exhibitions of his work. In addition to an honorary doctorate from the Budapest Technical University in 1970, there were major exhibitions at MoMA (1981) and at the Bauhaus-Archiv Museum in 1975 (the first exhibition of his work in Germany since his days at the Bauhaus), as well as a major retrospective exhibition at the Metropolitan Museum of Art in New York (1972-1973), the first ever one-man architectural show in the Met's history. Marcel Breuer died July 1, 1981.

[In addition to material from the collection, this account relied on: Isabelle Hyman, Marcel Breuer, Architect: The Career and the Buildings ; Christopher Wilk, Marcel Breuer: Furniture and Interiors ; Robert F. Gatje, Marcel Breuer: A Memoir .]

1928 1931 Marcel Breuer, Architekt, Berlin 1933 c. 1935 Marcel Breuer, Farkas Molnar and Joszef Fischer 1935 1937 Marcel Breuer and F.R.S. Yorke, Architects, London circa Oct 1937 Aug 1941 Walter Gropius and Marcel Breuer, Architects, Cambridge Aug 1941 c. May 1946 Marcel Breuer, Architect, Cambridge circa May 1946 Sep 1948 Marcel Breuer, Architect, 438 East Eighty-Eighth Street, NY Sep 1948 Aug 1956 Marcel Breuer, Architect, 113 East Thirty-Seventh Street, NY Aug 1956 Jun 1965 Marcel Breuer and Associates, Architects, 201 East Fifty-Seventh Street, NY established Nov 1964 Marcel Breuer, Architecte, Paris Jun 1965 Mar 1978 Marcel Breuer and Associates, Architects, 635 Madison Avenue, NY established Mar 1978 Marcel Breuer Associates (MBA), 635 Madison Avenue, NY From the guide to the Marcel Breuer Papers, 1921-2001, (Special Collections Research Center, Syracuse University Libraries)

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http://library.syr.edu/digital/guides/b/breuer_m.htm

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http://www.aaa.si.edu/collections/findingaids/amerfeda.xml

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http://www.oac.cdlib.org/ark:/13030/kt1r29n4zp

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http://id.lib.harvard.edu/ead/hou00397/catalog

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http://www.oac.cdlib.org/ark:/13030/kt4p3021rd

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<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/harvard/hou00044.xml</filename> <ead_entity en_type="persname">Breuer, Marcel, 1902-</ead_entity> </container> </objectXMLWrap>

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http://id.lib.harvard.edu/ead/hou00044/catalog

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<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/harvard/hou00818.xml</filename> <ead_entity en_type="persname">Breuer, Marcel, 1902-</ead_entity> </container> </objectXMLWrap>

URI

http://id.lib.harvard.edu/ead/hou00818/catalog

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<objectXMLWrap> <container xmlns=""> <filename>/data/source/findingAids/colu/nnc-a/ldpd_3464750_ead.xml</filename> <ead_entity en_type="persname" encodinganalog="700">Breuer, Marcel, 1902-</ead_entity> </container> </objectXMLWrap>

URI

http://findingaids.cul.columbia.edu/ead/nnc-a/ldpd_3464750

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Script

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Architectural and/or design elements : postage stamps, 1990-

Resource

Zimmermann, Dominikus, 1685-1766. Architectural and/or design elements : postage stamps, 1990-

Title: Architectural and/or design elements : postage stamps, 1990-

ArchivalResource: ca. 20 items : col. ill., ports.

http://www.worldcat.org/oclc/77791970 View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Breuer, Marcel, 1902-1981. The Breuer Lectures Collection: An Inventory.

Resource

Breuer, Marcel, 1902-1981. The Breuer Lectures Collection: An Inventory.

Title: Breuer, Marcel, 1902-1981. The Breuer Lectures Collection: An Inventory.

The collection is comprised of 17 lectures and writings by Marcel Breuer, both in manuscript and/or typescript form.

ArchivalResource: ca. 0.5 linear feet

http://id.lib.harvard.edu/ead/des00023/catalog View

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Breuer, Marcel, 1902-1981

referencedIn

Katharine Kuh papers

Resource

Katharine Kuh papers

Title: Katharine Kuh papers

The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and <emph render="italic">The Saturday Review</emph>. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, <emph render="italic">Technics and Creativity</emph>, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics. Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for <emph render="italic">The Saturday Review</emph>, exhibition announcements and catalogs, calendars of events, programs, brochures, books including <emph render="italic">Poems</emph> by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.

ArchivalResource: 12 linear feet

https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Papers, ca. 1928-1963.

Resource

Hassenpflug, Gustav, 1907-1977. Papers, ca. 1928-1963.

Title: Papers, ca. 1928-1963.

Collection contains a minor portion of Hassenpflugs correspondence, 1945-1963, manuscript writings on the Bauhaus (illustrated with 40 pictures), his architectural work in the Soviet Union and Soviet land use. Collection also contains some printed material, mostly relating to the Bauhaus and Hassenpflug's architectural work, ca. 100 photographs of wood and steel furniture and architectural drawings, partially designed in collaboration with Marcel Breuer and ca 60 drawings and blueprints of buildings and furniture designed by Hassenpflug, 1934-1935.

ArchivalResource: ca. 400 items.

http://www.worldcat.org/oclc/80343256 View

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Breuer, Marcel, 1902-1981

creatorOf

Herbert Matter papers, circa 1937-1984.

Resource

Matter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.

Title: Herbert Matter papers, circa 1937-1984.

The collection represents the photography and graphic design career of Herbert Matter, his commercial and personal work. This includes original artwork (collages, sketches), photographs (predominately black and white prints, contact prints, working prints), manuscripts, process materials (paste-ups, proof sheets), memorabilia, negatives, transparencies, slides, 16mm motion picture film, printed material, and working equipment. There is considerable correspondence with particularly noteworthy letters from Gregory Ain, John Cage, John Entenza, Walter Gropius, Gyorgy Kepes, Isamu Noguchi, Irving Penn, and Brett Weston among others.

ArchivalResource: circa 350 linear feet (467 containers)

http://www.worldcat.org/oclc/754863387 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Joseph W. Molitor architectural photographs, 1935-1985 (bulk 1946-1980).

Resource

Molitor, Joseph W. Joseph W. Molitor architectural photographs, 1935-1985 (bulk 1946-1980).

Title: Joseph W. Molitor architectural photographs, 1935-1985 (bulk 1946-1980).

The bulk of this collection consists of more than 22,000 black and white photographic negatives and more than 10,600 black and white photographic prints documenting commercial, institutional, religious, and residential architecture throughout the United States, with particular emphasis on sites in the mid-Atlantic region. These images date from the mid-1930s to Molitor's retirement in the mid-1980s, with the great majority of images created between 1946 and 1980. Also included in the collection are images of landscapes, industrial design, portraits, and events of personal significance to Molitor. In some select cases, color prints, color negatives, color transparencies, and 35mm slides are also available in addition to or instead of the black and white negatives and prints. Researchers are also advised that documents in this collection indicate that when faced with a lack of storage space in 1973, Molitor contacted clients to return inactive negatives that they had comissioned before 1955. In at least some cases, those clients declined to accept their negatives and Molitor subsequently destroyed the images. Thus, this collection has lacunae in the negatives series.

ArchivalResource: approx. 22,000 photonegatives.approx. 10,600 photoprints.

http://www.worldcat.org/oclc/269257229 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Breuer, Marcel, 1902-1981 : [miscellaneous ephemeral material].

Resource

Breuer, Marcel, 1902-1981 : [miscellaneous ephemeral material].

Title: Breuer, Marcel, 1902-1981 : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/197588042 View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Marcel Breuer Papers 1921-2001

Resource

Marcel Breuer Papers, 1921-2001

Title: Marcel Breuer Papers 1921-2001

Papers of the Modernist architect and designer, includes architectural drawings, photographs and slides, project files, writings, correspondence and other materials related to every phase of Marcel Breuer's career.

ArchivalResource: 684 linear feet

http://library.syr.edu/digital/guides/b/breuer_m.htm View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Oral history interview with Nelson Aldrich

Resource

Oral history interview with Nelson Aldrich

Title: Oral history interview with Nelson Aldrich

An interview of Nelson Aldrich conducted 1982 January 22-1985 April 4 at Marablehead, Massachusetts, by Robert Brown, for the Archives of American Art.

OralHistoryResource: Sound recording: 5 sound cassettes (ca. 8 hrs. total): analog.

https://n2t.net/ark:/65665/mw9138259d6-ee33-4a40-b197-892006391b2b View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Two sheets from the Bauhaus prospectus for wooden furniture, [1926-1927].

Resource

Both, Katt. Two sheets from the Bauhaus prospectus for wooden furniture, [1926-1927].

Title: Two sheets from the Bauhaus prospectus for wooden furniture, [1926-1927].

Two printed sheets issued individually as part of the Max Bayer designed Bauhaus prospectus for wooden furniture. The sheets illustrate pieces of furniture designed by Max Bayer (wardrobe), Marcel Breuer (chairs and cupboard) and Erich Dieckmann (chairs). One card is stamped with the name of Bauhaus student Katt Both and the year 1926.

ArchivalResource: 2 items ; 15 x 21 cm., on card 35 x 26 cm.

http://www.worldcat.org/oclc/84214358 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Letters and manuscript writings, 1918-1963.

Resource

Gropius, Walter, 1883-1969. Letters and manuscript writings, 1918-1963.

Title: Letters and manuscript writings, 1918-1963.

ArchivalResource: 7 items.

http://www.worldcat.org/oclc/81478202 View

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referencedIn

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Oral history interview with Herbert Bayer

Resource

Oral history interview with Herbert Bayer

Title: Oral history interview with Herbert Bayer

An interview of Herbert Bayer conducted 1981 November 3-1982 March 10, by Arthur Cohen, for the Archives of American Art.

OralHistoryResource: Sound recording: 5 sound cassettes.Transcript: 105 p.

https://n2t.net/ark:/65665/mw94151790f-47fb-4c33-bd6d-792097522b0d View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Whitney Museum of American Art [model]. [1996?]

Resource

Breuer, Marcel, 1902-1981. Whitney Museum of American Art [model].

Title: Whitney Museum of American Art [model]. [1996?]

ArchivalResource: 1 model : pewter ; 65 x 70 x 71 mm.

http://www.worldcat.org/oclc/84343961 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Portraits of Bauhaus students and teachers. 1923-1925.

Resource

Portraits of Bauhaus students and teachers.

Title: Portraits of Bauhaus students and teachers. 1923-1925.

Includes a group portrait of Bauhaus Hungarian artists dressed for Faschingsfest in Weimar, 1923, identified on verso as Karl Schlemmer, A. Weininger (outside left), Max Burchartz and wife, Kielmannsegg and Bortnyik (standing at right wearing hat). A second group portrait, as inscribed on verso, depicts Forbát and his wife, Marcel Breuer, Andor Weininger and Sandor Bortnyik in Bortnyik's Weimar studio, dated August 25, 1925. The third photograph is a double exposure self-portrait of Sándor Bortnyik, ca. 1924, depicting himself seated inside a glass jar.

ArchivalResource: 3 photographic prints : silver gelatin ; 9 x 14 cm. or smaller.

http://www.worldcat.org/oclc/406843466 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

George Goodwin Collection Relating to Marcel Breuer 1993

Resource

George Goodwin Collection Relating to Marcel Breuer, 1993

Title: George Goodwin Collection Relating to Marcel Breuer 1993

Audio tapes and notes of oral histories related to Marcel Breuer from I. M. Pei, Edward L. Barnes and Max Abramovitz. Includes CDs with digitized versions of tapes.

ArchivalResource: 0.25 linear ft.

http://library.syr.edu/digital/guides/g/goodwin_breuer.htm View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Serge Chermayeff architectural records and papers, 1909-1980.

Resource

Chermayeff, Serge, 1900-1996. Serge Chermayeff architectural records and papers, 1909-1980.

Title: Serge Chermayeff architectural records and papers, 1909-1980.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues. The archive also contains significant papers and images related to publication of "The Shape of Community," "Community and Privacy," and Design and the Public Good," including manuscripts, images, and some production records. Lastly, the collection includes a large number of reference files relating to architecture, design, urbanism, technology, sociology, anthropology, and current events, compiled throughout Chermayeff's professional life.

ArchivalResource: 17 linear feet of papers.1508 photographs.915 drawings.(38 manuscript boxes, 35 rolls, 6 portfolio boxes, 2 flatfile drawers, 2 film reel boxes)

http://www.worldcat.org/oclc/505729803 View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Letters to Bernard and Rebecca Reis, 1957 May 10-June 26.

Resource

Gabo, Naum, 1890-1977. Letters to Bernard and Rebecca Reis, 1957 May 10-June 26.

Title: Letters to Bernard and Rebecca Reis, 1957 May 10-June 26.

Letters about a project done in Rotterdam in conjunction with Marcel Breuer. Gabo made a bas-relief for Breuer's building and includes a lengthy account of his work on the project from inception to completion.

ArchivalResource: 2 items.

http://www.worldcat.org/oclc/79758242 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Photographs of Bauhaus faculty and students, ca. 1928-ca. 1934.

Resource

Bayer, Irene. Photographs of Bauhaus faculty and students, ca. 1928-ca. 1934.

Title: Photographs of Bauhaus faculty and students, ca. 1928-ca. 1934.

Most of the photographs are beach scenes taken of faculty and students during group vacations in the south of France (1928) and Italy (Ascona, ca. 1929). Some scenes are of student life at the Bauhaus. A few scenes (the only early photographs printed later or copied) are of theatrical productions (stamped "Herbert Bayer"). Others depict Walter Gropius at Lincoln, Massachusetts (1957). The best represented individual is Marcel Breuer (including a student portrait and a portrait taken in Greece in 1934). Gropius is also well represented. Other individuals (mostly part of group scenes) include Ise Gropius, Herbert Bayer, Alexander (Xanti) Schawinsky, Florence Henry, Laszlo Moholy-Nagy, Max Bayer, Josef Albers, and Josef (Sepp) Maltan.

ArchivalResource: ca. 125 items.

http://www.worldcat.org/oclc/83780940 View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

The Breuer Lectures Collection : An inventory.

Resource

Breuer, Marcel, 1902-1981. The Breuer Lectures Collection : An inventory.

Title: The Breuer Lectures Collection : An inventory.

The Breuer Lectures Collection is comprised of 17 lectures and writings by Marcel Breuer, both in manuscript and/or typescript form. The arrangement of the collection follows the original order of files received. Lectures have been included in a single series, and are numbered A001 through A017.

ArchivalResource: 0.5 Linear ft.

http://www.worldcat.org/oclc/685183608 View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Walter Gropius papers, 1925-1969 (inclusive), 1937-1969 (bulk).

Resource

Gropius, Walter, 1883-1969. Walter Gropius papers, 1925-1969 (inclusive), 1937-1969 (bulk).

Title: Walter Gropius papers, 1925-1969 (inclusive), 1937-1969 (bulk).

Contains correspondence and compositions (in English and German) relating to Gropius' career after 1937. Chiefly correspondence with noted European, American, and Japanese architects, including Mies van der Rohe and Alvar Aalto; designers and artists, including Lyonel Feininger; colleagues from Bauhaus (Dessau), Black Mountain College, and Harvard, such as Joost Schmidt, Josef Albers, Joseph Hudnut; family (including Ise Gropius' correspondence during Walter Gropius' lifetime), friends, and former students; publishers; and persons in planning and building professions. Significant amounts of correpondence exist from the following: Albers, Marcel Breuer, Gerhard Marcks, Alexander Dorner, Hudnut, and Lásló Moholy-Nagy. Also considerable correspondence with other political refugees from Germany, such as the architect Sigfried Giedion, and friends and relatives who described conditions in wartime Germany as well as their postwar experiences, such as Joachim Rolfes. Other materials include notes and drafts reflecting Gropius' teaching and curriculum planning at Harvard; his writings on architectural education, city planning, design and industry, history of Bauhaus, architect in society, etc.; speeches and round-tables; correspondence, itineraries, etc. concerning his trip to Japan in 1954; reports by Harvard Graduate School of Design on housing projects in South Boston; and compositions by others, such as Alexander Dorner.

ArchivalResource: 40 boxes (15 linear ft.)

http://www.worldcat.org/oclc/612370261 View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

[Studies for site plans A, B, and C, for the Lincoln Center for the Performing Arts, New York, N.Y.] [graphic] / [Wallace K. Harrison, coordinating architect]. [195-?].

Resource

Harrison, Wallace K. (Wallace Kirkman), 1895-1981. [Studies for site plans A, B, and C, for the Lincoln Center for the Performing Arts, New York, N.Y.] [graphic] / [Wallace K. Harrison, coordinating architect].

Title: [Studies for site plans A, B, and C, for the Lincoln Center for the Performing Arts, New York, N.Y.] [graphic] / [Wallace K. Harrison, coordinating architect]. [195-?].

ArchivalResource: 3 sheets : felt-tip marker on paper ; 28 x 28 cm. (11 x 11 in.) or smaller.

http://www.worldcat.org/oclc/77837849 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

St. Luke's Church Building Committee Records 1965-1968

Resource

St. Luke's Church Building Committee Records, 1965-1968

Title: St. Luke's Church Building Committee Records 1965-1968

Records collected by Committee Chairman, Thomas Nesbit. Meeting minutes, financial reports, committee correspondence, architect correspondence, construction specifications, architectural drawings and other material related to the design and construction of a proposed new Episcopal church in Fairport, N.Y.

ArchivalResource: 0.5 linear feet

http://library.syr.edu/digital/guides/s/st_lukes_ch.htm View

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Descriptive Note

Breuer, Marcel, 1902-1981

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Douglas Putnam Haskell papers, Series I: Pending correspondence, 1949-1964.

Resource

Haskell, Douglas Putnam, 1899-1979. Douglas Putnam Haskell papers, Series I: Pending correspondence, 1949-1964.

Title: Douglas Putnam Haskell papers, Series I: Pending correspondence, 1949-1964.

This series contains Architectural Forum-related correspondence between Douglas Haskell and hundreds of architects. Haskell also corresponded with numerous people in fields related to architecture, as well as those in the architectural press, politicians, and many others. The bulk of the correspondence revolves around Douglas Haskell's position as editor of Architectural Forum.

ArchivalResource: 10 linear feet.

http://www.worldcat.org/oclc/309716023 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

The House in the Museum Garden. 1949 : Archives pamphlet file : miscellaneous uncataloged material.

Resource

Museum of Modern Art (New York, N.Y.). The House in the Museum Garden. 1949 : Archives pamphlet file : miscellaneous uncataloged material.

Title: The House in the Museum Garden. 1949 : Archives pamphlet file : miscellaneous uncataloged material.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122311853 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Research files on architecture, ca. 1940-1970.

Resource

Proskauer, Henry G., 1915-. Research files on architecture, ca. 1940-1970.

Title: Research files on architecture, ca. 1940-1970.

For more than three decades Proskauer saved articles from American and European periodicals on major architects and their work, buildings types and the modern architecture in various countries. The periodicals represented include Architectural Forum, Progressive Architecture, House Beautiful, the New York Times, Look and Domus.

ArchivalResource: ca. 6 lin. ft. (15 boxes)

http://www.worldcat.org/oclc/83264885 View

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Descriptive Note

Breuer, Marcel, 1902-1981

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Douglas Putnam Haskell papers, Series II: Personal correspondence, 1922-1979 (bulk 1940-1970).

Resource

Haskell, Douglas Putnam, 1899-1979. Douglas Putnam Haskell papers, Series II: Personal correspondence, 1922-1979 (bulk 1940-1970).

Title: Douglas Putnam Haskell papers, Series II: Personal correspondence, 1922-1979 (bulk 1940-1970).

This series mainly contains correspondence related to Douglas Haskell's personal friends and interests, as well as correspondence related to Architectural Forum. It is more subject-oriented than the Pending correspondence, but also includes correspondence with a number of specific people.

ArchivalResource: 9 linear feet.

http://www.worldcat.org/oclc/309716283 View

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Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Marcel Breuer, furniture and interiors. 1981: Archives pamphlet file : miscellaneous uncataloged material.

Resource

Museum of Modern Art (New York, N.Y.). Marcel Breuer, furniture and interiors. 1981: Archives pamphlet file : miscellaneous uncataloged material.

Title: Marcel Breuer, furniture and interiors. 1981: Archives pamphlet file : miscellaneous uncataloged material.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/86163048 View

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Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Photographs of furniture designed by Marcel Breuer and Gustav Hassenpflug, 1926-1933.

Resource

Breuer, Marcel, 1902-1981. Photographs of furniture designed by Marcel Breuer and Gustav Hassenpflug, 1926-1933.

Title: Photographs of furniture designed by Marcel Breuer and Gustav Hassenpflug, 1926-1933.

Collection consists of fifteen photographs of furniture and interiors designed by Marcel Breuer, partially in collaboration with Gustav Hassenpflug.

ArchivalResource: 15 items.

http://www.worldcat.org/oclc/79881559 View

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creatorOf

Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Val Michelson papers, 1954-1986.

Resource

Michelson, Val. Val Michelson papers, 1954-1986.

Title: Val Michelson papers, 1954-1986.

Included in this collection are mylars and bluelines of two phases of the Itasca Community College facility expansions (Grand Rapids MN, 1986-88, Sandberg-Michelson Team). Plans (including bluelines or blueprints) of the La Madrid residence (1968), the Muller residence (St. Paul, 1972), the Newman Center (Oshkosh WI, 1966-67), Pool residence (Ridgefield CT, 1968), Smyth Residence (Glencoe MN, 1981), the St. Therese Home (New Hope MN, 1966-67),the First National Bank building (Denison IA, 1975), Stewart Hall Auditorium remodeling (St. Cloud State University (St. Cloud MN, 1976), the Thomas residence (St. Paul MN, 1969) and Women's Community Housing (St. Paul MN) are by Michelson and Associates. Work for the St. John's Abbey Church (Collegeville MN, 1959-61) and St. John's Prep School (Collegeville MN, 1954-67) is by Michelson and Marcel Breuer. The St. Paul Priory (Maplewood MN, 1962-69) is by Edward Hanson and Val Michelson.

ArchivalResource: 18 cu. ft.

http://www.worldcat.org/oclc/63300683 View

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creatorOf

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Herbert Beckhard Papers 1954-2003 1982-1998

Resource

Herbert Beckhard Papers, 1954-2003, 1982-1998

Title: Herbert Beckhard Papers 1954-2003 1982-1998

American architect. Office records, project files, photographs, architectural drawings, architectural models and project presentation materials.

ArchivalResource: circa 120 linear ft.

http://library.syr.edu/digital/guides/b/beckhard_h.htm View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Costantino Nivola papers

Resource

Costantino Nivola papers

Title: Costantino Nivola papers

The papers of sculptor and design teacher Costantino Nivola measure 2.1 linear feet and 12.18 GB and date from circa 1938 to 2009, bulk 1950 to 1980. The papers document Nivola's career in Italy and New York through biographical material, correspondence, writings, professional activities, project files, printed material, photographs, and audio-visual recordings in digital format.

ArchivalResource: 2.1 Linear feet; 12.18 Gigabytes

https://n2t.net/ark:/65665/mw99f94e605-0792-407a-a46d-694a9e198acf View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

[Letter] 1955 June 3, New York [to] Malvin [sic] Halverson, New York / Marcel Breuer.

Resource

Breuer, Marcel, 1902-1981. [Letter] 1955 June 3, New York [to] Malvin [sic] Halverson, New York / Marcel Breuer.

Title: [Letter] 1955 June 3, New York [to] Malvin [sic] Halverson, New York / Marcel Breuer.

Discusses appointment.

ArchivalResource: 1 p. ; 28 cm.

http://www.worldcat.org/oclc/8403800 View

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creatorOf

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

James S. Plaut papers

Resource

James S. Plaut papers

Title: James S. Plaut papers

Correspondence, business files, academic papers, photographs, clippings, sketchbook, sketches, and miscellaneous notes.

ArchivalResource:

https://n2t.net/ark:/65665/mw9200dfcc5-4152-4511-ac15-312e1d323e18 View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Marcel Breuer papers

Resource

Marcel Breuer papers

Title: Marcel Breuer papers

The Marcel Breuer papers span the years 1920 to 1986 and measure 37.6 linear feet and 0.14 gigabytes. They consist of biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document Breuer's career as an architect and designer. This material reflects the prolificacy and diversity of his creations, from tubular steel chairs to private residences, college campuses, factories, department stores, and international, municipal, and corporate headquarters and complexes.The Biographical Material Series contains documents that list or certify significant events or associations attained by Breuer during his career, such as résumés, licenses, and certificates. The number of awards contained in this series attest to the esteem in which he was held by his colleagues.Breuer's Correspondence Series illustrates the interaction of his various colleagues and the operation of his architectural offices in the execution of their projects, many of which were in progress simultaneously. This series includes letters from Joseph Albers, Jean Arp, Herbert Bayer, Alexander Calder, Serge Chermayeff, Naum Gabo, Sigfried Giedion, Walter and Ise Gropius, Louis I. Kahn, György Kepes, László Moholy-Nagy, Henry Moore, Eero Saarinen, and José Luis Sert.The Business and Financial Records Series contains documents which reflect Breuer's commercial transactions that do not directly relate to one specific project. Two project books pertain to 36 architectural projects and record their basic physical and financial details, such as site measurements and cost projections. There are also miscellaneous invoices and receipts, and one of Breuer's personal income tax returns.The Interviews Series contains typescripts of interviews. Of particular interest is the audiotape interview of Breuer, who discusses his early years as a student and his first impressions of the Bauhaus. There are also untranscribed audiotape interviews of his colleagues György Kepes and Harry Seidler, and his patrons Mr. A. Elzas, and the Koerfers, who discuss their business relationships with Breuer.There are address lists of colleagues and patrons and résumés from architects contained within the series on Notes, while the Writings Series contains typescripts of lectures and articles written by Breuer concerning architecture and its history. Writings by others are about Breuer and his work, including typescripts, galleys, and photographs of architectural and design projects used in the publication of the book Marcel Breuer Buildings and Projects, 1921-1961 by Cranston Jones.The Sketches Series consists of 3 small, hand-drawn depictions of unidentified floor plans.The largest and most comprehensive series houses the Project Files, which consist of approximately 300 project files containing letters, legal documents, and photographs that record the planning and execution of many of Breuer's most important architectural projects. These include the UNESCO Headquarters Building (Paris, France), St. John's Abbey and University (Collegeville, Minnesota), the IBM Corporation Research Center (La Gaude, France), the HUD Headquarters Building (Washington, D.C.), the De Bijenkorf Department Store (Rotterdam, The Netherlands), and the third power plant and forebay dam for the Grand Coulee Dam (Washington state). The file for the Whitney Museum of American Art in New York contains an interesting set of photographs of Breuer showing Jacqueline Kennedy through the construction site.Of equal importance are the additional Project Files for the 100 residences designed by Breuer, including prefabricated houses such as Kleinmetalhaus and Yankee Portables, and commissioned residences such as the two Gagarin Houses (Litchfield, Connecticut), the two Harnischmacher Houses (Wiesbaden, Germany), Koerfer House (Moscia, Switzerland), the Neumann House (Croton-on-Hudson, New York), the Saier House (Glanville-Calvados, France), the Staehelin House (Feldmeilen, Switzerland), the Starkey House (Duluth, Minnesota), and the three Rufus Stillman Houses (Litchfield, Connecticut). There are also files concerning the four houses Breuer designed for himself in Lincoln and Wellfleet, Massachusetts, and in New Canaan, Connecticut.The Project Files for Breuer's furniture designs are not as comprehensive as those for his architectural creations but contain many photographs of his early conceptions for chairs, tables, desks, cabinets, rugs, and tapestries.The Exhibition Files Series contains primarily photographs of exhibitions in which Breuer participated. The extent of his participation is sometimes difficult to determine, because it ranged from designing a single chair, designing rooms for an apartment or an entire house specifically to be shown in an exhibition, to designing an exhibition building. Breuer was also the subject of a retrospective exhibition sponsored by the Metropolitan Museum of Art. This traveling exhibition was seen in New York City, Chicago, Paris, and Berlin.Images contained in the Photographs Series are of Breuer, including one of him in Philip Johnson's house, Breuer family members, and colleagues, including Herbert Bayer, Alexander Calder, Serge Chermayeff, Walter and Ise Gropius, and Matta. Three photograph albums in this series contain more than 1,000 photographs of 59 architectural projects.The Printed Material Series houses general clippings that concern groups of projects, rather than one specific project. There is also a scrapbook of tearsheets concerning architectural projects, exhibition announcements, and catalogs for others, and miscellaneous press releases and brochures.

ArchivalResource:

https://n2t.net/ark:/65665/mw90f838117-b953-44c2-9743-0454d1f99e70 View

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Role

creatorOf

Descriptive Note

Breuer, Marcel, 1902-1981

creatorOf

Marcel Breuer Letter, 1971

Resource

Marcel Breuer Letter, 1969-001., 1971

Title: Marcel Breuer Letter, 1971

Letter from Marcel Breuer, written from New York City to University of Houston Professor of Architecture Howard Barnstone. October 12, 1971. Regards letter from Barnstone asking for support in Hugo V. Neuhaus Jr.'s nomination to the AIA College of Fellows.

ArchivalResource:

http://www.lib.utexas.edu/taro/uhsc/00065/00065-P.html View

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Role

creatorOf

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

American Federation of Arts records

Resource

American Federation of Arts records

Title: American Federation of Arts records

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

ArchivalResource: 79.8 Linear feet

https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Walter and Ise Gropius papers

Resource

Walter and Ise Gropius papers

Title: Walter and Ise Gropius papers

Biographical material, correspondence with architects and artists (1903-1978), writings (1923-1969), a diary, an autograph book, subject files, printed material, photographs (1883-1979) and 5 photograph albums reflect the career of Walter Gropius, the activities of his wife Ise, and her recollections of the Bauhaus. Also included are 5 cassette tapes, untranscribed and unmicrofilmed.

ArchivalResource: 0.4 linear ft. (on 24 microfilm reels)

https://n2t.net/ark:/65665/mw9d2bbaa43-9f9f-4122-be42-6062c8c9a297 View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-1981

referencedIn

Marcel Breuer : vertical file.

Resource

Marcel Breuer : vertical file.

Title: Marcel Breuer : vertical file.

ArchivalResource:

http://www.worldcat.org/oclc/80790665 View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

Katharine Kuh papers

Resource

Katharine Kuh papers

Title: Katharine Kuh papers

ArchivalResource: 12 linear feet

https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

Serge Chermayeff architectural records and papers, 1909-1980 1930s-1970s

Resource

Serge Chermayeff architectural records and papers, 1909-1980, 1930s-1970s

Title: Serge Chermayeff architectural records and papers, 1909-1980 1930s-1970s

ArchivalResource: 17 linear feet of papers, 1,508 photographs, 915 drawings (38 manuscript boxes, 35 rolls, 6 portfolio boxes, 2 flatfile drawers, and 2 film reel boxes)

http://findingaids.cul.columbia.edu/ead/nnc-a/ldpd_3464750 View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

Herbert Matter papers ca. 1937-1984

Resource

Herbert Matter papers, ca. 1937-1984

Title: Herbert Matter papers ca. 1937-1984

Original artwork, photographs, letters, manuscripts, process materials, memorabilia, negatives, transparencies, film, printed material, and working equipment.

ArchivalResource: ca. 310 linear feet

http://www.oac.cdlib.org/ark:/13030/kt4p3021rd View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

Walter Gropius papers, 1925-1969 (inclusive), 1937-1969 (bulk).

Resource

Gropius, Walter, 1883-1969. Papers, 1925-1969 (bulk: 1937-1969)

Title: Walter Gropius papers, 1925-1969 (inclusive), 1937-1969 (bulk).

Papers of German-born architect and Harvard professor Walter Gropius.

ArchivalResource: 40 boxes (15 linear ft.)

http://id.lib.harvard.edu/ead/hou00397/catalog View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

American Federation of Arts records

Resource

American Federation of Arts records

Title: American Federation of Arts records

ArchivalResource: 79.8 Linear feet

https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

Lyonel Feininger papers, 1883-1960.

Resource

Lyonel Feininger papers, 1883-1960.

Title: Lyonel Feininger papers, 1883-1960.

Correspondence between American born German artist Lyonel Feininger and his family and other correspondents, as well as musical compositions by him and his father Karl Feininger.

ArchivalResource: 32 boxes and 5 volumes (16 linear ft.)

http://id.lib.harvard.edu/ead/hou00818/catalog View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

Walter Gropius papers in the Bauhaus-Archiv, ca. 1919-1937.

Resource

Walter Gropius papers in the Bauhaus-Archiv, ca. 1919-1937.

Title: Walter Gropius papers in the Bauhaus-Archiv, ca. 1919-1937.

Photographs of the early papers of Walter Gropius at the Bauhaus-Archiv in Berlin,Germany.

ArchivalResource: 24 boxes (10 linear ft.)

http://id.lib.harvard.edu/ead/hou00044/catalog View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-

referencedIn

Wassily Kandinsky papers 1911-1940 1921-1937

Resource

Wassily Kandinsky papers, 1911-1940, 1921-1937

Title: Wassily Kandinsky papers 1911-1940 1921-1937

Russian-born artist considered to be one of the creators of abstract painting. Papers document Kandinsky's teachings at the Bauhaus, his writings, his involvement with the Russian Academy of Artistic Sciences (RAKhN) in Moscow, and his professional contacts with art dealers, artists, collectors, and publishers.

ArchivalResource: ca. 2 linear ft.; (3 boxes, 1 flat file folder)

http://www.oac.cdlib.org/ark:/13030/kt1r29n4zp View

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Role

referencedIn

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Aldrich, Nelson W.

Target

Aldrich, Nelson W.
http://n2t.net/ark:/99166/w60g5x4h View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

American Federation of Arts.

Target

American Federation of Arts.
http://n2t.net/ark:/99166/w6tx74pv View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

American Institute of Architects. College of Fellows.

Target

American Institute of Architects. College of Fellows.
http://n2t.net/ark:/99166/w6741pv7 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Barnstone, Howard.

Target

Barnstone, Howard.
http://n2t.net/ark:/99166/w6rd3jk5 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Bauhaus.

Target

Bauhaus.
http://n2t.net/ark:/99166/w6jq4qdm View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Bayer, Herbert, 1900-

Target

Bayer, Herbert, 1900-
http://n2t.net/ark:/99166/w6154q1h View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Bayer, Irene.

Target

Bayer, Irene.
http://n2t.net/ark:/99166/w6gj7902 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Beckhard, Herbert.

Target

Beckhard, Herbert.
http://n2t.net/ark:/99166/w6w69r3t View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Chermayeff, Serge, 1900-1996.

Target

Chermayeff, Serge, 1900-1996.
http://n2t.net/ark:/99166/w6gh9kb8 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

De Rivera, José Ruiz, 1904-

Target

De Rivera, José Ruiz, 1904-
http://n2t.net/ark:/99166/w6kd2zdz View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Gabo, Naum, 1890-1977.

Target

Gabo, Naum, 1890-1977.
http://n2t.net/ark:/99166/w6ns0xcr View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Gatje, Robert F.

Target

Gatje, Robert F.
http://n2t.net/ark:/99166/w63w473g View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Goodwin, George M.

Target

Goodwin, George M.
http://n2t.net/ark:/99166/w6s47hwv View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Gropius, Walter, 1883-1969.

Target

Gropius, Walter, 1883-1969.
http://n2t.net/ark:/99166/w65h7dhw View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Harrison, Wallace K. (Wallace Kirkman), 1895-1981.

Target

Harrison, Wallace K. (Wallace Kirkman), 1895-1981.
http://n2t.net/ark:/99166/w67p91g0 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Haskell, Douglas Putnam, 1899-1979.

Target

Haskell, Douglas Putnam, 1899-1979.
http://n2t.net/ark:/99166/w6x06rxp View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Hassenpflug, Gustav, 1907-1977.

Target

Hassenpflug, Gustav, 1907-1977.
http://n2t.net/ark:/99166/w6mw319z View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Jossa, Mario.

Target

Jossa, Mario.
http://n2t.net/ark:/99166/w6tv9fq3 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Kepes, Gyorgy, 1906-2001.

Target

Kepes, Gyorgy, 1906-2001.
http://n2t.net/ark:/99166/w6d79crs View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Kuh, Katharine.

Target

Kuh, Katharine.
http://n2t.net/ark:/99166/w60k2tqs View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Marcel Breuer and Associates

Target

Marcel Breuer and Associates
http://n2t.net/ark:/99166/w6293k4h View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Marcel Breuer Associates/Architects and Planners

Target

Marcel Breuer Associates/Architects and Planners
http://n2t.net/ark:/99166/w6nw5gf6 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Matter, Herbert, 1907-1984.

Target

Matter, Herbert, 1907-1984.
http://n2t.net/ark:/99166/w6xh0htb View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

MBA (Marcel Breuer Associates)

Target

MBA (Marcel Breuer Associates)
http://n2t.net/ark:/99166/w6pm3spv View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Michelson, Val.

Target

Michelson, Val.
http://n2t.net/ark:/99166/w68361bh View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Molitor, Joseph W.

Target

Molitor, Joseph W.
http://n2t.net/ark:/99166/w6ms4rkk View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Museum of Modern Art (New York, N.Y.)

Target

Museum of Modern Art (New York, N.Y.)
http://n2t.net/ark:/99166/w6mw68zh View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Neuhaus, Hugo Victor, Jr., 1915-1987

Target

Neuhaus, Hugo Victor, Jr., 1915-1987
http://n2t.net/ark:/99166/w64j347h View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Nivola, Costantino, 1911-1988.

Target

Nivola, Costantino, 1911-1988.
http://n2t.net/ark:/99166/w6ww7th5 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Papachristou, Tician.

Target

Papachristou, Tician.
http://n2t.net/ark:/99166/w68t9dpx View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Plaut, James S. (James Sachs), 1912-1996.

Target

Plaut, James S. (James Sachs), 1912-1996.
http://n2t.net/ark:/99166/w6b86kwn View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Proskauer, Henry G., 1915-

Target

Proskauer, Henry G., 1915-
http://n2t.net/ark:/99166/w6xh2k1m View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Smith, Hamilton P.

Target

Smith, Hamilton P.
http://n2t.net/ark:/99166/w69b2xqd View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

St. Luke's Episcopal Church (Fairport, N.Y.)

Target

St. Luke's Episcopal Church (Fairport, N.Y.)
http://n2t.net/ark:/99166/w6kj3zzw View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

University of Houston. College of Architecture

Target

University of Houston. College of Architecture
http://n2t.net/ark:/99166/w6c29cq9 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-1981

associatedWith

Yorke, F. R. S. (Francis Reginald Stevens)

Target

Yorke, F. R. S. (Francis Reginald Stevens)
http://n2t.net/ark:/99166/w69j08pd View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-

associatedWith

American Federation of Arts

Target

American Federation of Arts
http://n2t.net/ark:/99166/w6tx74pv View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-

associatedWith

Chermayeff, Serge, 1900-

Target

Chermayeff, Serge, 1900-
http://n2t.net/ark:/99166/w6gh9kb8 View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-

correspondedWith

Feininger, Lyonel, 1871-1956

Target

Feininger, Lyonel, 1871-1956
http://n2t.net/ark:/99166/w6t72jnk View

Type

correspondedWith

Descriptive Note

Breuer, Marcel, 1902-

correspondedWith

Gropius, Walter, 1883-1969

Target

Gropius, Walter, 1883-1969
http://n2t.net/ark:/99166/w65h7dhw View

Type

correspondedWith

Descriptive Note

Breuer, Marcel, 1902-

associatedWith

Kandinsky, Wassily, 1866-1944

Target

Kandinsky, Wassily, 1866-1944
http://n2t.net/ark:/99166/w6x92dkn View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-

associatedWith

Kuh, Katharine

Target

Kuh, Katharine
http://n2t.net/ark:/99166/w60k2tqs View

Type

associatedWith

Descriptive Note

Breuer, Marcel, 1902-

associatedWith

Matter, Herbert.

Target

Matter, Herbert.
http://n2t.net/ark:/99166/w6xh0htb View

Type

associatedWith

Descriptive Note

Germany

as recorded (not vetted)

View GeoPlace

Type

AssociatedPlace

Role

Address

Descriptive Note

Germany--Munich

as recorded (not vetted)

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Type

AssociatedPlace

Role

Address

Descriptive Note

United States

as recorded (not vetted)

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Type

AssociatedPlace

Role

Address

Descriptive Note

United States

as recorded (not vetted)

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AssociatedPlace

Role

Address

Descriptive Note

Germany

as recorded (not vetted)

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Address

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Compare Constellations

Name Entries

Breuer, Marcel, 1902-1981

Shared

Breuer, Marcel, 1902-

Breuer, Marcel, 1902-1981

Breuer, Marcel

Breuer, Marcel (American and Hungarian architect and furniture designer, 1902-1981)

Breuer, Marcel, 1902-

Breuer, Marcel Lájos, 1902-1981

Breuer, Marcel (Marcel Lajos), 1902-1981

Marcel Lajos Breuer

Breuer, Marcell, 1902-1981

Breuer, Lajkó 1902-1981

Breuer, Marcel L.

Breuer, Marcel Lajos

Breuer, Marcel Lajos, 1902-1981

ブロイヤー, マルセル

Breuer, Lajkó, 1902-1981

Marcel Breuer

Breuer Marcel Lájos 1902-1981

Breuer, Marcel, 1902-

Germany

Germany--Munich

United States

United States

Germany

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