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Alan R. Solomon papers

Title: Alan R. Solomon papers

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

ArchivalResource: 9.9 Linear feet

https://n2t.net/ark:/65665/mw943b0f6a7-bfde-4a32-8bcc-4c9a200251d4 View

Barbara Rose papers, 1940-1993 (bulk 1960-1985).

Title: Barbara Rose papers, 1940-1993 (bulk 1960-1985).

The collection, a selected portion from the total Barbara Rose archive, documents Rose's research and writings about American art, especially the New York art world during the 1960s and 1970s. It contains correspondence, manuscripts, photographs, and audio and video tapes. About .5 linear ft. of correspondence from artists includes substantial files of letters from Anne and Avigdor Arikha, and Mark Di Suvero, plus copies of letters between Ad Reinhardt and Thomas Merton (1956-64), and two 1966 letters from Robert Motherwell in which he describes the post-war New York art scene. Correspondence with other artists, critics and dealers is scattered throughout the manuscript and research files. These latter files contain Rose's research and portions of manuscripts for published and unpublished works on Patrick Henry Bruce, Georgia O'Keefe, Andy Warhol, Lee Krasner and Jackson Pollock, the Fernando Vijande gallery in Spain, E.A.T. (Experiments in Art and Technology), and the Art and Technology program of the Los Angeles County Museum. Smaller files contain notes and portions of manuscripts about Clement Greenberg, Peggy Guggenheim, Alexander Liberman, Mark Di Suvero, and the Pier 35 project in New York City. One file contains Rose's student notes from a class with Meyer Schapiro. The Vijande Gallery material includes biographical and visual material (slides and photographs) about Spanish artists, most of whom were represented by the gallery. These include José Luis Alexanco, Frederic Amat, Francesc Artigua, Rafael Baixeras, Evaristo Bellotti, Juan Bordes, Carmen Calvo, Miguel Angel Camparo, Joan Cardells, Victoria Civera, Chema Cobo, Costus, Gerardo Delgado, Xavier Franquesa, Maria Gomez, Luis Gordillo, Miquel Navarro, Soledad Sevilla, José Maria Sicilia, Juan Uslé, and Zush.

ArchivalResource: 10 linear ft.147 sound cassettes : 1 5/16 ips ; 3 78/ c 21/2 in., 1/8 in. tape, originals.13 sound tape reels of 13 : 7.5 ips ; 5 in and 7 in., 1/8 in tape, originals.6 videocassettes (VHS, U-Matic, Beta) : sd. ; originals.

http://hdl.handle.net/10020/cifa930100 View

Oral history interview with Audrey Sabol

Title: Oral history interview with Audrey Sabol

An interview of Audrey Sabol conducted 1987 June 10, by Marina Pacini, for the Archives of American Art.

OralHistoryResource: Sound recording: 2 sound cassettes.Transcript: 48 p.

https://n2t.net/ark:/65665/mw9fdadf9b8-2b92-4041-9136-e187eebfbd79 View

Oral history interview with Roy Lichtenstein

Title: Oral history interview with Roy Lichtenstein

Interview of Roy Lichtenstein conducted 1963 November 15-1964 January 15, by Richard Brown Baker, for the Archives of American Art.

OralHistoryResource: Sound recording 3 sound tape reel ; 7 in.Transcript: 166 p.

https://n2t.net/ark:/65665/mw943207877-c424-4860-bc83-3510ba880aab View

Lichtenstein, Roy, 1923-1997. [Roy Lichtenstein] : artist file

Title: [Roy Lichtenstein] : artist file 1900-

Assembled file includes clippings, photographs, reproductions from books and auction catalogs, postcards, press releases, slides, resumes, reviews, exhibition ephemera.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/611233086 View

Dore Ashton papers

Title: Dore Ashton papers

The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.

ArchivalResource: 35.6 Linear feet

https://n2t.net/ark:/65665/mw96b23d022-d02d-4a06-ba62-e34c59ad25ae View

Saul Zalesch collection of artists' letters and documents

Title: Saul Zalesch collection of artists' letters and documents

Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.

ArchivalResource: 58 items (portions microfilmed on 1 reel)

https://n2t.net/ark:/65665/mw944fc0c8c-cd38-4b95-87d2-9a809479294d View

Lichtenstein, Roy, 1923-1997. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/145524596 View

Ivan C. Karp papers and OK Harris Works of Art gallery records

Title: Ivan C. Karp papers and OK Harris Works of Art gallery records

The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artists' files, printed material, and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Also included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters. Correspondence, both professional and personal, is with museums, galleries, art dealers, art collectors, and graduate students. Artists John Baeder, Deborah Butterfield, John Clem Clarke, John DeAndrea, Jim Dine, Leonard Dufresne, Robert Ginder, Ralph Goings, Duane Hanson, Richard McLean and Tom Wesselmann are among the correspondents. Admininstrative files concern the daily operation of OK Harris Works of Art. Included are instructions regarding administrative functions and forms for routine activities to enable employees to conduct business in Ivan Karp's absence. Along with files about other items occasionally sold at the gallery, there are files about projects of interest to the Karps, sample announcements, invitations, and advertisements. Exhibition files document group shows, collectibles and antique exhibitions, summer invitationals, and special event exhibitions at OK Harris Works of Art. The files include photographs and slides, schedules, lists of titles and prices, artists' resumes, installation layouts, reviews and publicity materials, and other items. Artist files constitute the largest series in the collection at 34 linear feet, and document the gallery's relationships with artists throughout its 45 year history. Files are comprised of biographical information, correspondence, notes, publicity and other printed material (including a few items pre-dating the gallery). Among the many transactions recorded are arrangements for and documentation of solo exhibitions at OK Harris. There are photographs, slides and color transparencies of individual works, and some views of exhibition installations. John Baeder, Muriel Castanis, Don Celender, Ralph Goings, John Kacere, Richard McLean, Robert Rohm and John Salt are among the most extensively documented artists. Printed material produced by OK Harris Works of Art includes exhibition catalogs, exhibition announcements, invitations, checklists, price lists posters, and notices of gallery sponsored events and activities. Printed material from other sources consists of exhibition reviews, articles about Ivan and Marilynn Karp, OK Harris Works of Art, and the gallery's artists. These appeared in art and mainstream periodicals, newspapers, exhibition catalogs, and books. Also found are posters, reproductions of artwork, and miscellaneous printed items. Artwork consists of 40 prints by artists affiliated with OK Harris. Most are signed; 2 are black and white prints, the remainder are color lithographs. Included is <emph render="italic">Radical Realism I</emph>, a set of 6 prints issued by Mother Lode Editions, 1972. Thirty-two linear feet of photographs, negatives, slides, transparencies and digital images are of artwork by OK Harris artists, exhibition installation views, and miscellaneous subjects. Photographs of artwork by 59 OK Harris artists are found in binders called "Artists' Photo Books." Installation views of exhibitions held at OK Harris Works of Art during its 45 year history fill 61 binders. Miscellaneous subjects include OK Harris office space, galleries and staff. Also found are photographs of group shows, art fairs, and gallery artists' exhibitions at other venues. The Ivan C. Karp personal papers include obituaries from print and internet sources along with other biographical information, published versions of brief interviews conducted for various purposes, writings, a few materials relating to business and academic activities, and some personal photographs. Journals, 1950-2012 (bulk 1991-2012) record travel, daily activities, and reflections.

ArchivalResource: 80.3 Linear feet

https://n2t.net/ark:/65665/mw96a2748a9-b34e-44ba-9c6f-c4586b7960c9 View

Roy Lichtenstein sketches for "As I Opened Fire"

Title: Roy Lichtenstein sketches for "As I Opened Fire"

Preliminary sketch for the painting "As I Opened Fire" [1964] and the comic strip on which it was based.

ArchivalResource:

https://n2t.net/ark:/65665/mw9967231d5-2308-4d1a-908f-5ee4f9dae469 View

John Jones interviews with artists

Title: John Jones interviews with artists

Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.

ArchivalResource: 0.4 linear feet

https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91 View

Lenore Seroka photographs

Title: Lenore Seroka photographs

Photographs of artists taken by Seroka.

ArchivalResource:

https://n2t.net/ark:/65665/mw9858136e9-6ce3-4d39-89c7-2264e3bf284f View

Giuseppe Panza papers, 1956-1990.

Title: Giuseppe Panza papers, 1956-1990.

The Giuseppe Panza papers document the Italian businessman's considerable activities in collecting Contemporary art. Panza collected works by some of the seminal American artists involved with Abstract Expressionist, Pop, Minimal, Conceptual, Environmental, and Light and Space art. The archive contains material from the time when he began collecting in 1956 up to the sale of the second part of his collection to the Guggenheim Museum, New York in 1990.

ArchivalResource: 117 lin. ft. (310 boxes, 58 rolls, 3 flat file folders)

http://hdl.handle.net/10020/cifa940004 View

Matthew Baigell papers

Title: Matthew Baigell papers

Correspondence, writings and research material concerning Thomas Hart Benton and Baigell's other writings. Also included is a ca. 1965 interview with Hoyt Sherman conducted by Baigell.

ArchivalResource:

https://n2t.net/ark:/65665/mw94d4cf4fb-79e9-4295-aa94-38cab9c55b0f View

Morris Louis and Morris Louis Estate papers

Title: Morris Louis and Morris Louis Estate papers

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis’ papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis’ artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz. Within the Morris Louis papers (circa 3 linear feet) are scattered biographical materials for Morris Louis and Marcella Brenner. Correspondence is with family friends, artists, and galleries, the bulk of which consists of photocopies. Of note are letters from Helen Frankenthaler, Clement Greenberg, Leonard Bocour, Kenneth Noland, and Anne Truitt. Business records include lists of artwork, receipts for art supplies, and scattered tax records. Six notebooks belonging to Morris Louis contain miscellaneous notes about students, studio rental payments, addresses, travel expenses, and a short list of paintings. There is one notebook of Marcella Brenner’s containing notes about expenses and addresses. Also found are printed materials, one canvas sample, and one embossing stamp. Photographs are of Morris Louis, Marcella Brenner, and the Bernstein family. The majority of the collection (circa 15 linear feet) consists of records created and maintained by Marcella Brenner in the course of managing Louis’ estate and posthumous exhibitions and projects. There are numerous gallery exhibition records for many posthumous and retrospective exhibitions between 1965 through 2002, including those held at the Andre Emmerich Gallery, the Hirshhorn Museum, and numerous other U.S. and international galleries and museums. Louis' artwork is documented in highly detailed inventory lists and cards. Legal records document the lawsuit brought by the Bernstein family against Marcella Brenner which began in 1964 and ended in 1970 in favor of Brenner. Financial records document sales. Printed materials include clippings, exhibition catalogs and announcements, and other miscellaneous materials. Writings include essays about Louis and manuscript copies of the book <emph render="italic">Trustee for the Human Race: Litigation over the Morris Louis Paintings</emph> written by Ruth S. Blau under contract for Marcella Brenner. Photographs are primarily of artwork depicted in exhibition installations. Project files are found for several posthumous documentary film projects and a catalog raisonne, and include a series of audio recordings of interviews of 27 artists conducted by Anita Faatz in 1970-1971. Artists interviewed include Clement Greenberg, Leonard Bocour, Andre Emmerich, Helen Frankenthaler, Kenneth Noland, and many others.

OralHistoryResource: 23 sound cassettes.K.Noland: 1 transcript (no tape exists)

https://n2t.net/ark:/65665/mw9ecc509be-66ed-4df5-9632-537bc9cf40ed View

Lichtenstein, Roy, 1923-1997. Roy F. Lichtenstein : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].

Title: Roy F. Lichtenstein : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990

File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.

ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.

http://www.worldcat.org/oclc/662606546 View