Compare Constellations

PEREIRA, I. RICE. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/78651027 View

Brooklyn Museum interviews of artists

Title: Brooklyn Museum interviews of artists

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.

ArchivalResource:

https://n2t.net/ark:/65665/mw9bdcd26e1-568c-4c81-8ba1-e07f5afbdfad View

Hy Cohen papers

Title: Hy Cohen papers

Correspondence, including letters from Irving Block, Phillip Evergood, Louise Nevelson, Elias Newman and Irene Rice Pereira; a photograph of Cohen and photographs of art work and Artists Equity Association of New York banquets, 1967 and 1968; exhibition catalogs and announcements; lecture notes; Artists Equity newsletters; and miscellany.

ArchivalResource:

https://n2t.net/ark:/65665/mw9e7f84afe-7f90-4206-8130-b89ee8dbbb31 View

Federal Art Project, Photographic Division collection

Title: Federal Art Project, Photographic Division collection

The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.

ArchivalResource: 12.4 Linear feet

https://n2t.net/ark:/65665/mw91f0216d7-ed8e-4482-8128-6def41dbe367 View

Oral history interview with George McNeil

Title: Oral history interview with George McNeil

An interview of George McNeil conducted 1968 Jan. 9-May 21, by Irving Sandler, for the Archives of American Art. McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting. He recalls Vaclav Vytlacil, Hans Hofmann; Arshile Gorky, John Graham, Jan Matulka, John Marin, Wassily Kandinsky, Mercedes Carles Matter, Albert Swinden, Fernand Léger, Stuart Davis, Burgoyne Diller, David Smith, Edgar Levy, Leo Manso, Irene Rice Pereira, Willem de Kooning, Ilya Bolotowsky, Mark Rothko, Adolph Gottlieb, Joan Miró, Robert Motherwell, George L.K. Morris, Albert Gallatin, Charles Shaw, John Ferrin, Ralph Rosenborg, Hananiah Harari, Agnes Lyall, Jean Helion, and many others.

OralHistoryResource: Sound recording: 2 sound tapes ; 5 in.Transcript: 18 p.

https://n2t.net/ark:/65665/mw9b3ee2e56-003f-4186-96f2-7f57e7bcd411 View

Jackson, Herrick. Irene Rice Pereira: the affirmation of man's spiritual values through art.

Title: Irene Rice Pereira: the affirmation of man's spiritual values through art.

Bound transcript (2 vols.) of Jackson's critical biography of artist Irene Rice Pereira, n.d.; includes list of her works.

ArchivalResource: .5 linear ft.

http://www.worldcat.org/oclc/232007590 View

Oral history interview with Irene Rice Pereira

Title: Oral history interview with Irene Rice Pereira

An interview of Irene Rice Pereira conducted 1968 August 26-27, by Forrest Selvig, for the Archives of American Art.

OralHistoryResource: 123 p. transcript.

https://n2t.net/ark:/65665/mw9296bec02-dff6-4d68-bae3-750f072015dd View

Dorothy C. Miller papers

Title: Dorothy C. Miller papers

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of <emph render="italic">The Nelson A. Rockefeller Collection: Masterpieces of Modern Art.</emph> Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, <emph render="italic">Art At Work: Chase Manhattan Bank Collection</emph>. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art. Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing <emph render="italic">Edward Hicks: His Peaceable Kingdom and Other Paintings</emph>. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.

ArchivalResource:

https://n2t.net/ark:/65665/mw9f1ed6cb6-f194-4b76-a8dd-fce3352c09b8 View

Irene Rice Pereira papers

Title: Irene Rice Pereira papers

Correspondence; writings and notes; scrapbooks; business material; biographical data; photographs; inventories; exhibition catalogs; and printed material.

ArchivalResource: 0.2 Linear feet (on 11 microfilm reels)

https://n2t.net/ark:/65665/mw96fb29955-70e4-4bb9-8a59-7c77d387d065 View

Dorothy C. Miller papers

Title: Dorothy C. Miller papers

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of <emph render="italic">The Nelson A. Rockefeller Collection: Masterpieces of Modern Art.</emph> Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, <emph render="italic">Art At Work: Chase Manhattan Bank Collection</emph>. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art. Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing <emph render="italic">Edward Hicks: His Peaceable Kingdom and Other Paintings</emph>. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the <emph render="italic">First Municipal Art Exhibition </emph>(1934) held at the RCA Building in Rockefeller Center. Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.

ArchivalResource:

https://n2t.net/ark:/65665/mw9f1ed6cb6-f194-4b76-a8dd-fce3352c09b8 View

Harold M. Le Roy papers

Title: Harold M. Le Roy papers

General correspondence; biographical information; an original mock-up and a copy of ANATOMY OF THE MIND OF LE ROY; proof sheets, galley proofs and a copy of LE ROY AND THE WORLD OF ART; and original manuscript by Le Roy for an introduction to ARTISTS'S U.S.A., the 1976 Bicentennial edition; an original manuscript and first proof of a book by I. Rice Pereira, as well as biographical sketches about her; sketches and 2 oil paintings; postcard reproductions; photographs, both personal and of Le Roy's art; and printed material.

ArchivalResource:

https://n2t.net/ark:/65665/mw9676b0d64-7035-4a91-96d5-838bd2d286d0 View

Brooklyn Museum interviews of artists

Title: Brooklyn Museum interviews of artists

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.

ArchivalResource:

https://n2t.net/ark:/65665/mw9bdcd26e1-568c-4c81-8ba1-e07f5afbdfad View

Whitney Museum of American Art artists' files and records

Title: Whitney Museum of American Art artists' files and records

REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.

ArchivalResource:

https://n2t.net/ark:/65665/mw990da7b91-a3b8-4ace-b8ba-b5c08cfe3284 View

Klawan, Harry, 1893-1940. Harry Klawan papers, 1910-1950 and undated.

Title: Harry Klawan papers, 1910-1950 and undated.

Consists primarily of diaries and correspondence belonging to Harry Klawan. Series I contains correspondence, diaries, and other materials sent to or collected by Klawan. Correspondence is between Klawan and various friends and family including his cousin Samuel Schein, his sisters Rebecca and Jennie, artist friend Herman Maril, and other friends and family during Harry's time living in New York from 1923 to 1938. Correspondence is frequently between Harry and girlfriends and contains insights into his relationships. Also includes information about his medical condition, sexual dysfunction, a "vocational analysis," birthday and anniversary cards, telegrams, art reception brochures for I. Rice Pereira, and sketches and photographs by Klawan of various subjects in Baltimore and New York. Klawan's diaries were written during part of his time living in New York City from 1923 to 1930. Also includes a travel journal of Klawan detailing his trip with his sister Rose from New York to Baltimore in Apr. 1923, including stops in Jersey City and Newark, N.J.; Newark, Del.; and Havre de Grace and Bel Air, Md. The diary briefly describes the events of each day and their methods of transportation, accommodations, and evening entertainment. Series II includes materials collected by Klawan, that can be attributed to or may have belonged to someone else. Includes a sketch by Paul Braun, a social security card and hospital cards for Claire Klawan, a composition book belonging to Rebecca Klawan, and a scrapbook presumably belonging to his sister, Jennie. Series III consists of photographs.

ArchivalResource: 1 linear ft.

http://www.worldcat.org/oclc/71058916 View

Lillian Dochterman papers

Title: Lillian Dochterman papers

Research files, photographs and slides, notes, and writings relating mainly to her work on Charles Sheeler, her interest in abstract expressionism, artists Clyfford Still, Arshile Gorky, Robert Jay Wolff, George McNeil, Mark Tobey, Arthur Dove, G. L. K. Morris, Carl Holty, Irene Rice Pereira, Charles G. Shaw, and Georgio Cavallon, and to "emblem books." There are typescripts of her dissertation on Sheeler, on-representational Painting in the U.S., 1930-1945," on 1930's Formalism, "A History of American Abstract Artists Association," and "The Mythical Character of Contemporary Art History."

ArchivalResource:

https://n2t.net/ark:/65665/mw973b165ed-93b2-4e6e-9de7-a160b319f48e View

The ACA Galleries records

Title: The ACA Galleries records

The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.

ArchivalResource:

https://n2t.net/ark:/65665/mw97838f702-80fc-493a-940a-86b9373c8141 View

Pereira, I. Rice (Irene Rice), 1902-1971. Papers, 1929-1976 (inclusive).

Title: Papers, 1929-1976 (inclusive).

Correspondence, manuscripts of her writings, notebooks on philosophy, articles, poems, painting inventories, photos, both personal and of art work, exhibition catalogs, financial records, grant applications, and printed material pertain to Pereira's interests and career.

ArchivalResource: 10 linear ft.

http://www.worldcat.org/oclc/122565755 View

American Federation of Arts records

Title: American Federation of Arts records

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

ArchivalResource: 79.8 Linear feet

https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e View

Oral history interview with Jack Kufeld

Title: Oral history interview with Jack Kufeld

An interview of Jack Kufeld conducted 1981 Oct. 5, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.

OralHistoryResource: Sound recording: 2 cassettes : analog.Transcript: 28 p.

https://n2t.net/ark:/65665/mw9e5997e78-31e8-45a8-bbb3-5acd522fa3f9 View

Pereira, I.R. : Biographical file.

Title: Pereira, I.R. : Biographical file. [1900-9999]

May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.

ArchivalResource: 1 envelope : manila ; 13 x 10 in.

http://www.worldcat.org/oclc/54541844 View

Burden, Carter,. Statement in behalf of a poet : copy of a typed statement in support of Tennessee Williams's play Camino Real, [1957].

Title: Statement in behalf of a poet : copy of a typed statement in support of Tennessee Williams's play Camino Real, [1957].

The statement begins: "The undersigned group of artists, on their own volition and with no vested interest, are making this appeal to urge support for a beautiful play, CAMINO REAL by Tennessee Williams ... like Alice in Wonderland or Ubu Roi, it is a work of the imagination--romantic, intensely poetic and modern." The typed names that appear below are: Jane Bowles, Paul Bowles, George Davis, Elaine de Kooning, Willem de Kooning, Lotta Lenya, John Latouche, Herbert Machiz, John Myers, Betty Parsons, I. Rice Pereira, and Gore Vidal.

ArchivalResource: 1 item (1 p.)

http://www.worldcat.org/oclc/270932669 View

Philip Evergood papers

Title: Philip Evergood papers

The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.

ArchivalResource: 11.61 Linear feet

https://n2t.net/ark:/65665/mw90fd247d3-1a9d-4af8-a185-38e866a5b436 View

Pereira, Irene Rice, 1907- : [miscellaneous ephemeral material].

Title: Pereira, Irene Rice, 1907- : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/199282776 View

Ralph M. Rosenborg papers

Title: Ralph M. Rosenborg papers

Untranscribed interviews and recordings; four albums of photographs of Rosenborg's paintings, 1938-1980; and 9 scrapbooks, 1935-1991, containing clippings, letters, publicity, and photographs of Rosenborg.

ArchivalResource:

https://n2t.net/ark:/65665/mw9301a2fd6-fe5a-4df2-85ca-1330857df62f View

Pereira, I. Rice (Irene Rice), 1902-1971. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122402433 View

Pereira, I. Rice (Irene Rice), 1902-1971. Irene Rice Pereira : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].

Title: Irene Rice Pereira : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990

File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.

ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.

http://www.worldcat.org/oclc/662602280 View

Oral history interview with George McNeil

Title: Oral history interview with George McNeil

An interview of George McNeil conducted by Dorothy Seckler for the Archives of American Art. McNeil speaks of his childhood and his family; becoming interested in art during high school; attending Pratt Institute, and not being satisfied there; deciding to drop out of Pratt after attending a lecture from Vaclav Vytlacil; going to the Metropolitan Museum every day drawing and analyzing paintings; meeting Arshile Gorky while at the Metropolitan Museum; attending the Art Students League; studying with Hans Hofmann; the start of the American Abstract Artists; his involvement in the WPA's mural project; attending Teachers College at Columbia before joining the Navy; re-entering the New York art scene during the forties and liking it very much; meeting and being influenced by Pollock; his views on the state of painting; how his work has evolved; the various stages in the way a painting developed for him; how The Club and the Eighth Street Club has influenced him; the ideas discussed at The Club, and how he feels surrealism was not a big influence on them; Jackson Pollock's influence on abstract expressionism; artists he admires or has admired; and his thoughts on the contemporary art scene. He recalls Vaclav Vytlacil, Arshile Gorky, Jan Matulka, David Smith, Dorothy Dehner, Edgar Levy, Leo Manso, Burgoyne Diller, Irene Rice Pereira, Hans Hofmann, Jo Hopper, Giorgio Cavallon, Linda Lindaberg (Cavallon), Mercedes Kahls, George Byron Brown, Albert Swinden, Willem de Kooning, Jackson Pollack, Franz Kline, Jack Tworkov, Ad Reinhardt, Mark Rothko, and many others.

OralHistoryResource: Sound recording: 2 sound tapes ; 5 in.Transcript: 18 p.

https://n2t.net/ark:/65665/mw94b6fc63b-c3c0-47b0-b1df-174fd019ac4e View

Roy R. Neuberger papers

Title: Roy R. Neuberger papers

Correspondence, printed material, photographs; and "birthday books" containing drawings and writings by artists sent to Neuberger on his 50th and 75th birthdays.

ArchivalResource:

https://n2t.net/ark:/65665/mw9ed9bd2bc-13f3-4cf8-83fa-08ac83e43104 View

Brooklyn Museum. Listening to pictures : interviews.

Title: Listening to pictures : interviews.

The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kusama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton. Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Elbert Weinberg, and William and Marguerite Zorach. Tony Smith was part of the Listening to Pictures exhibition, but no Tony Smith interview transcript is held.

ArchivalResource: 3 document boxes.

https://www.brooklynmuseum.org/opencollection/exhibitions/2724 View