Compare Constellations
Information: The first column shows data points from Rudge, Olga, 1895-1996 in red. The third column shows data points from Rudge, Olga, 1895- in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Rudge, Olga, 1895-1996
Shared
Rudge, Olga, 1895-
Rudge, Olga, 1895-1996
Name Components
Name :
Rudge, Olga, 1895-1996
Dates
- Name Entry
- Rudge, Olga, 1895-1996
Citation
- Name Entry
- Rudge, Olga, 1895-1996
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Contributors from initial SNAC EAC-CPF ingest
Rudge, Olga
Name Components
Name :
Rudge, Olga
Dates
- Name Entry
- Rudge, Olga
Citation
- Name Entry
- Rudge, Olga
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Contributors from initial SNAC EAC-CPF ingest
Rudge, Olga, b. 1895
Name Components
Name :
Rudge, Olga, b. 1895
Dates
- Name Entry
- Rudge, Olga, b. 1895
Citation
- Name Entry
- Rudge, Olga, b. 1895
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Contributors from initial SNAC EAC-CPF ingest
Rudge, Olga, 1895-
Name Components
Name :
Rudge, Olga, 1895-
Dates
- Name Entry
- Rudge, Olga, 1895-
Citation
- Name Entry
- Rudge, Olga, 1895-
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
Citation
- Exist Dates
- Exist Dates
Olga Rudge (1895-1996), musician and companion of Ezra Pound. Born in Ohio, educated in Europe, Rudge began her career as a concert violinist before World War I. She met Pound in Paris in 1923, and with George Antheil played in the debut performances of several of Pound's compositions. Their daughter was born in 1925. During the 1930s she became associated with the Accademia Musicale Chigiana, and she and Pound promoted the music of Antonio Vivaldi in a series of performances and publications. In 1962, Pound rejoined Olga Rudge in Venice, where they lived until his death in 1972. Rudge died in 1996 at the age of 101.
Olga Rudge (1895-1996), musician and friend of Ezra Pound.
Linda Melton was T. S. Eliot's secretary at Faber & Faber for several years before marrying the American art historian Jack Leonard Benson in 1954.
Olga Rudge was born in Youngstown, Ohio on April 13, 1895, the daughter of J. Edgar Rudge, a real estate investor, and Julia O'Connell Rudge, a singer. Around 1905, Julia Rudge moved to Europe with her three children, first to London and then to Paris, in pursuit of her singing career. Olga was educated at St. Anthony's Convent in Sherborne, England and began her musical training early, studying in Paris with the violinist Carambât.
At the outbreak of World War I both of her brothers, Arthur and Teddy, joined the R.A.F.: Arthur Rudge was killed in action in France in 1916. Olga's scrapbooks from the war are filled with notices of her playing at many war benefits and "war entertainments," some sponsored by Isodore de Lara. She also played at the Studio Meeting Society of Mrs. Katherine Dalliba-John, a patroness of Ildebrando Pizzetti who became a supporter of Rudge as well. Late in 1918, Rudge played modern Italian music with Pizzetti in a series of concerts in Italy.
During the war, she was often accompanied by the pianist Percy Kahn; but she began to appear increasingly with Renata Borgatti. Their concert at the Aeolian Hall in November 1920 was reviewed by Ezra Pound in the New Age : he praised the "delicate firmness of her fiddling" but objected to Borgatti's "piano whack."
Rudge continued to pursue her interest in modern Italian music, playing with Pizzetti and at the Sala Bach in Rome with Ernesto Consolo in 1921 and joining Renata Borgatti for a concert of Italian music at the Salle Pleyel in 1922.
Rudge met Ezra Pound in Paris in the summer of 1923. In an article in Il Mare ten years later Pound recalled "her delicate and unemphatic reserve" during their meeting at Natalie Barney's salon. Pound himself was highly interested in music at this time, attempting to compose an opera and promoting the work of American composer George Antheil. Pound and the young violinist soon began a professional collaboration and a personal relationship that was to endure for forty-nine years.
In December of that year Rudge and Antheil played at the Salle du Conservatoire. The program included pieces by Pound, Antheil, Mozart, and Bach. On July 7, 1924 Rudge and Antheil performed "Musique Americaine" at the Salle Pleyel, including two pieces by Pound and the Deuxième Sonate by Antheil, which he dedicated to Rudge.
During 1924, the Pounds were relocating from Paris to Rapallo, and Rudge visited Pound several times in Italy during the summer and fall. By early 1925 the optimistic Antheil was pressing Olga to join him on a musical tour in the United States, but she was unable to accept his invitations due to her pregnancy. She entered the Sanatoria della Cittá Bressanone in June 1925, where Mary Rudge was born on July 9. Pound joined her there at the end of the month, and their child was boarded with a family in the nearby village of Gais.
Rudge resumed her musical career. She played in the debut of Pound's opera, Paroles de Villon, at the Salle Pleyel in June 1926; rejoined Antheil for concerts in Budapest and Rome in 1927; and performed an all-Mozart program with Ernesto Consolo in Florence. With Daniel Amphitheatrow, Rudge played for Mussolini and received an audience with him. During the late 1920s, Rudge traveled constantly between Paris and various Italian cities, occasionally visiting friends and patrons in England as well. In the fall of 1928 she purchased a small house in Venice, 252 Calle Querini, with her father's assistance and began bringing Mary Rudge there for occasional visits, which often included Pound. Beginning in the summer of 1929 she also rented a small house in Sant'Ambrogio, above Rapallo; her yearly stays there gave her further opportunities to see Pound.
During the 1930s Rudge's concert career slackened, in part because the Depression had affected so many of the patrons who had previously sponsored musical performers. In 1933 she joined the Accademia Musicale Chigiana in Siena as its secretary-receptionist, and worked there for part of every year until World War II. Between 1933 and 1939 she also played a prominent part in the Concerti Tigulliani, an annual series of concerts organized and promoted by Pound, along with musicians such as Gerhart Münch and Tibor Serly, and other guest artists.
Rudge and Pound were involved in promoting the music of Antonio Vivaldi. The Concerti Tigulliani for 1936 were devoted to "Vivaldi study" and performances of relatively unknown pieces. Rudge journeyed to Turin to study unedited Vivaldi manuscripts, and Pound obtained microfilm of others from Dresden. Rudge and Pound were both interested in microfilm as an aid in the study of early music manuscripts and tried to promote its use. She attempted to organize a Vivaldi Society with David Nixon in Venice. This failed, but with S. A. Luciani and Antonio Bruers, Rudge founded the Centro di Studi Vivaldiani within the Accademia Chigiana in 1938. The Settimana Vivaldiana was held in Siena in the following year. Organized by Rudge and Luciani and featuring Alfredo Casella, the festival showcased many neglected concerti and the opera L'Olympiade. Rudge's thematic catalogue of the Turin manuscripts was published by the Accademia as part of its Vivaldi homage.
Rudge gradually stopped traveling outside of Italy as the political situation in Europe worsened; her last trip to England took place in the winter of 1935, during the Italian invasion of Ethiopia. She supported Pound in his radio broadcasts and sometimes suggested topics based on newspaper articles or other information. During 1941 she apparently considered accompanying Pound to America, but abandoned this idea when Pound decided not to go.
With the onset of World War II Rudge no longer worked at the Chigiana. Her house in Venice was sequestered after America's entry into the war, and she spent most of her time in San Ambrogio. For the first years of the war she was sometimes accompanied by her daughter Mary, who had been attending a convent school in Florence. Pound continued his series of talks on Italian radio. When the Pounds were ordered out of their seafront apartment in Rapallo late in 1943 as enemy aliens, they moved in with Rudge for the duration of the war, while Mary returned to her foster parents in Gais. The war brought hardship to all of them. Food was scarce, and in the last months of the war the household's only income was the fees Rudge received for giving language lessons.
On May 3, 1945, Pound was arrested by partisans and brought to American army headquarters in Genoa. Rudge accompanied him there, and was released after questioning. Several months passed before she was permitted to correspond with Pound, although she and Mary visited him at least once while he was in detention in Pisa.
At the end of the war, Rudge resumed her work at the Accademia Chigiana, and her house in Venice was restored to her. During Pound's 12-year confinement in St. Elizabeths, she approached his friends and acquaintances with ideas that she hoped might lead to his release. She circulated a petition in Rapallo testifying that Pound had never been a member of the Fascist Party, and suggested to Eliot that Pound might be allowed to retire to a monastery in America. She also dealt with the students and disciples whom Pound sent to her in search of information in the "archives" of his papers at Sant'Ambrogio. She visited Pound in America in 1952 and 1955; after the second visit their correspondence was infrequent for several years.
On Pound's release from the asylum in 1958, he and Dorothy returned to Italy and moved in with his daughter Mary, who had married Boris de Rachewiltz and established residence at Brunnenberg castle in Tirolo. Pound's health deteriorated, and in 1962 he joined Olga Rudge permanently in Venice after almost a year in a clinic at Martinsbrunn. For the next ten years Rudge cared for the frail and almost silent Pound, arranging his schedule and dealing with the increasing numbers of scholars and admirers who wanted contact with him. In 1965 they journeyed to London for the funeral of T.S. Eliot; on their last extended trip, they came to the United States in 1969. Pound died on November 1, 1972, and Rudge took charge of the funeral arrangements in Venice.
Over the next decade and a half, Rudge continued to live in Venice. She had frequent contacts with Pound scholars, giving interviews, answering requests, and helping to organize several exhibits and tributes to Pound, while pursuing several possible plans for memorials in Idaho and Venice. One of these, the Ezra Pound Foundation, became a source of controversy and family distress in the later 1980s, and was eventually legally dissolved.
By 1990, Rudge's memory was obviously failing, and she could no longer live alone at 252 Calle Querini. She spent the last years of her life with her daughter Mary at Schloss Brunnenberg, where she died on March 15, 1996 at the age of 101.
eng
Latn
Citation
- BiogHist
- BiogHist
Olga Rudge was born in Youngstown, Ohio on April 13, 1895, the daughter of J. Edgar Rudge, a real estate investor, and Julia O'Connell Rudge, a singer. Around 1905, Julia Rudge moved to Europe with her three children, first to London and then to Paris, in pursuit of her singing career. Olga was educated at St. Anthony's Convent in Sherborne, England and began her musical training early, studying in Paris with the violinist Carambât.
At the outbreak of World War I both of her brothers, Arthur and Teddy, joined the R.A.F.: Arthur Rudge was killed in action in France in 1916. Olga's scrapbooks from the war are filled with notices of her playing at many war benefits and "war entertainments," some sponsored by Isodore de Lara. She also played at the Studio Meeting Society of Mrs. Katherine Dalliba-John, a patroness of Ildebrando Pizzetti who became a supporter of Rudge as well. Late in 1918, Rudge played modern Italian music with Pizzetti in a series of concerts in Italy.
During the war, she was often accompanied by the pianist Percy Kahn; but she began to appear increasingly with Renata Borgatti. Their concert at the Aeolian Hall in November 1920 was reviewed by Ezra Pound in the New Age : he praised the "delicate firmness of her fiddling" but objected to Borgatti's "piano whack."
Rudge continued to pursue her interest in modern Italian music, playing with Pizzetti and at the Sala Bach in Rome with Ernesto Consolo in 1921 and joining Renata Borgatti for a concert of Italian music at the Salle Pleyel in 1922.
Rudge met Ezra Pound in Paris in the summer of 1923. In an article in Il Mare ten years later Pound recalled "her delicate and unemphatic reserve" during their meeting at Natalie Barney's salon. Pound himself was highly interested in music at this time, attempting to compose an opera and promoting the work of American composer George Antheil. Pound and the young violinist soon began a professional collaboration and a personal relationship that was to endure for forty-nine years.
In December of that year Rudge and Antheil played at the Salle du Conservatoire. The program included pieces by Pound, Antheil, Mozart, and Bach. On July 7, 1924 Rudge and Antheil performed "Musique Americaine" at the Salle Pleyel, including two pieces by Pound and the Deuxième Sonate by Antheil, which he dedicated to Rudge.
During 1924, the Pounds were relocating from Paris to Rapallo, and Rudge visited Pound several times in Italy during the summer and fall. By early 1925 the optimistic Antheil was pressing Olga to join him on a musical tour in the United States, but she was unable to accept his invitations due to her pregnancy. She entered the Sanatoria della Cittá Bressanone in June 1925, where Mary Rudge was born on July 9. Pound joined her there at the end of the month, and the child was boarded with a family in the village of Gais.
Rudge resumed her musical career. She played in the debut of Pound's opera, Paroles de Villon, at the Salle Pleyel in June 1926; rejoined Antheil for concerts in Budapest and Rome in 1927; and performed an all-Mozart program with Ernesto Consolo in Florence. With Daniel Amphitheatrow, Rudge played for Mussolini and received an audience with him. During the late 1920s, Rudge traveled constantly between Paris and various Italian cities, occasionally visiting friends and patrons in England as well. In the fall of 1928 she purchased a small house in Venice, 252 Calle Querini, with her father's assistance and began bringing Mary Rudge there for occasional visits, which often included Pound. Beginning in the summer of 1929 she also rented a small house in Sant'Ambrogio, above Rapallo; her yearly stays there gave her further opportunities to see Pound.
During the 1930s Rudge's concert career slackened, in part because the Depression had affected so many of the patrons who had previously sponsored musical performers. In 1933 she joined the Accademia Musicale Chigiana in Siena as its secretary-receptionist, and worked there for part of every year until World War II. Between 1933 and 1939 she also played a prominent part in the Concerti Tigulliani, an annual series of concerts organized and promoted by Pound, along with musicians such as Gerhart Münch and Tibor Serly, and other guest artists.
Rudge and Pound were involved in promoting the music of Antonio Vivaldi. The Concerti Tigulliani for 1936 were devoted to "Vivaldi study" and performances of relatively unknown pieces. Rudge journeyed to Turin to study unedited Vivaldi manuscripts, and Pound obtained microfilm of others from Dresden. Rudge and Pound were both interested in microfilm as an aid in the study of early music manuscripts and tried to promote its use. She attempted to organize a Vivaldi Society with David Nixon in Venice. This failed, but with S. A. Luciani and Antonio Bruers, Rudge founded the Centro di Studi Vivaldiani within the Accademia Chigiana in 1938. The Settimana Vivaldiana was held in Siena in the following year. Organized by Rudge and Luciani and featuring Alfredo Casella, the festival showcased many neglected concerti and the opera L'Olympiade. Rudge's thematic catalogue of the Turin manuscripts was published by the Accademia as part of its Vivaldi homage.
Rudge gradually stopped traveling outside of Italy as the political situation in Europe worsened; her last trip to England took place in the winter of 1935, during the Italian invasion of Ethiopia. She supported Pound in his radio broadcasts and sometimes suggested topics based on newspaper articles or other information. During 1941 she apparently considered accompanying Pound to America, but abandoned this idea when Pound decided not to go.
With the onset of World War II Rudge no longer worked at the Chigiana. Her house in Venice was sequestered after America's entry into the war, and she spent most of her time in San Ambrogio. For the first years of the war she was sometimes accompanied by her daughter Mary, who had been attending a convent school in Florence. Pound continued his series of talks on Italian radio. When the Pounds were ordered out of their seafront apartment in Rapallo late in 1943 as enemy aliens, they moved in with Rudge for the duration of the war, while Mary returned to her foster parents in Gais. The war brought hardship to all of them. Food was scarce, and in the last months of the war the household's only income was the fees Rudge received for giving language lessons.
On May 3, 1945, Pound was arrested by partisans and brought to American army headquarters in Genoa. Rudge accompanied him there, and was released after questioning. Several months passed before she was permitted to correspond with Pound, although she and Mary visited him at least once while he was in detention in Pisa.
At the end of the war, Rudge resumed her work at the Accademia Chigiana, and her house in Venice was restored to her. During Pound's 12-year confinement in St. Elizabeths, she approached his friends and acquaintances with ideas that she hoped might lead to his release. She circulated a petition in Rapallo testifying that Pound had never been a member of the Fascist Party, and suggested to Eliot that Pound might be allowed to retire to a monastery in America. She also dealt with the students and disciples whom Pound sent to her in search of information in the "archives" of his papers at Sant'Ambrogio. She visited Pound in America in 1952 and 1955; after the second visit their correspondence was infrequent for several years.
On Pound's release from the asylum in 1958, he and Dorothy returned to Italy and moved in with his daughter Mary, who had married Boris de Rachewiltz and established residence at Brunnenberg castle in Tirolo. Pound's health deteriorated, and in 1962 he joined Olga Rudge permanently after almost a year in a clinic at Martinsbrunn. For the next ten years Rudge cared for Pound, arranging his schedule and dealing with the increasing numbers of scholars and admirers who wanted contact with him. In 1965 they journeyed to London for the funeral of T. S. Eliot; on their last extended trip, they came to the United States in 1969. Pound died on November 1, 1972, and Rudge took charge of the funeral arrangements in Venice.
Over the next decade Rudge continued to have contact with Pound scholars; she helped organize several exhibits and tributes to Pound and pursued several possible plans for memorials in Idaho and Venice.
eng
Latn
Citation
- BiogHist
- BiogHist
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Caico, Lina. Lina Caico papers, 1935-1950.
Title:
Lina Caico papers, 1935-1950.
Letters to Caico from Ezra Pound commenting on aspects of the Cantos and his political and economic theories, and suggesting topics for newspaper articles and books for her to read. Letters from Dorothy Pound thank Caico for her support and send news of Pound during his confinement in St. Elizabeth's Hospital; a note from Olga Rudge concerns a possible appeal for release by Pound.
ArchivalResource: 0.42 linear ft. (2 boxes)
http://www.worldcat.org/oclc/702171414 View
View in SNACreferencedIn
Citation
- Resource Relation
- Caico, Lina. Lina Caico papers, 1935-1950.
Pound, Ezra, 1885-1972. Ezra Pound Collection, 1905-1975, (bulk 1930-1960).
Title:
Ezra Pound Collection, 1905-1975, (bulk 1930-1960).
Manuscripts and correspondence reflecting portions of his artistic and political life make up the bulk of the Ezra Pound Collection, 1905 to 1975. The Works Series consists of typescripts, galley proofs, page proofs, printed pages, notes, and fragments of poems, articles, essays, broadcasts, and books which trace the course of Pound's artistic and political development. The small amount of poetry by Pound represented in this collection includes Cantos 112 to 117, undated; Hilda's Book (1905-1907); Canzoni (1911); Cathay (1915); Lustra of Ezra Pound (1916); Quia Pauper Amavi (1918); The Fifth Decad of Cantos, Cantos 42 to 52 (1937), and a few single poems. Manuscripts for pamphlets include Social Credit: An Impact (1935); An Introduction to the Economic Nature of the U.S.A. (1950); America, Roosevelt, and the Causes of the Present War (1951); and Gold and Labour (1952). In this series also are Guide to Kulchur (1938) with handwritten corrections; A Visiting Card (1952); Impact: Essays on Ignorance and the Decline of American Civilization (1960); and three of his translations. The collection also contains copies of transcriptions of Pound's shortwave broadcasts from Rome, 1941-1943. The outgoing section of the Correspondence Series consists chiefly of letters from Pound to various authors, artists, editors, friends, and publishers of books and literary magazines during the years he lived in London, Paris, Rapallo, and Washington, D.C. Chief among the recipients of his letters are Richard Aldington, Josef Bard, Montgomery Butchart, Nancy Cunard, Ingrid Davies, Ronald Duncan, Denis Goacher, Stanley Nott, Brigit Patmore, Virginia Risse, Peter Russell, Dallam Simpson, Noel Stock, and Max Wykes-Joyce. The smaller group of incoming correspondence contains letters from Josef Bard, Wyndham Lewis, H.L. Mencken, his mother, and his daughter, Mary de Rachewiltz. The Miscellaneous Series contains extensive third-party correspondence and manuscripts concerning Pound's internment at St. Elizabeths Hospital. There are several manuscripts concerning a variety of subjects relating to Pound written by John Fitzgerald, Denis Goacher, R. McNair-Willson, Saturno Montanari, Hugh MacDiarmid, Mary de Rachewiltz, Noel Stock, Henry S. Swabey, and S.V. Yankowski. Throughout the series are poems by individual authors such as R.L. Cook, Norman Davis, Ronald Duncan, Martin Dworkin, Geoffrey Johnson, Lori Petri, and Omar Pound. Letters in this series include correspondence by T.S. Eliot, D.D. Paige, Dorothy Pound, Mary de Rachewiltz, Olga Rudge, Peter Russell, and William Carlos Williams. Notes, correspondence, and other material on Ezra Pound from Noel Stock include his letters re the Pound Festschrift.
ArchivalResource: 16 boxes (6.66 linear feet), 7 galley folders.
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- Pound, Ezra, 1885-1972. Ezra Pound Collection, 1905-1975, (bulk 1930-1960).
Wykes-Joyce, Max. Max Wykes-Joyce papers relating to Ezra Pound, 1949-1991.
Title:
Max Wykes-Joyce papers relating to Ezra Pound, 1949-1991.
The collection consists of letters to and notes and notebooks written by Max Wykes-Joyce during his research on Ezra Pound's poetics and politics in the 1950s. Correspondents include Olivia Rossetti Agresti; William Cookson; John Drummond; Dallam Flynn; D. D. Paige; Omar Pound; Mary de Rachewiltz; Peter Russell; and Henry Swabey. Subjects include Pound's life in confinement at St. Elizabeth's Hospital and efforts to secure his release; Pound's political theories and poetics; answers to specific questions from Wykes-Joyce on the interpretation of poems by Pound and autobiographical details; and news of the activities and publications of the letter-writers. There are also three brief notes from Ezra and Dorothy Pound. The notes and notebooks, both manuscript and typescript, contain many bibliographic and interpretive notes on Pound's works.
ArchivalResource: 0.63 linear ft. (2 boxes)
http://www.worldcat.org/oclc/702171893 View
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- Wykes-Joyce, Max. Max Wykes-Joyce papers relating to Ezra Pound, 1949-1991.
Benington, Walter, b. 1872,. Ezra Pound Collection.
Title:
Ezra Pound Collection. [ca. 1890s-1965].
Collection consists of images of Ezra Pound from his youth to old age, including a portrait from his college yearbook and scenes from his 80th birthday celebration. Among the works are photographs of Pound with such notable figures as William Butler Yeats, James Joyce, Dorothy Pound, Ford Madox Ford, John Quinn, and Oloff de Wet. The photographs were taken in various locales including Washington, D.C., Wyncote (Pa.), London, Italy, and Paris. Several images are signed by Pound. The collection contains a number of copy prints of works of art, many of which are held by the HRHRC.
ArchivalResource: 86 items (photographic prints, photomechanical prints, negatives) : gelatin silver, photogravure, col. ; 30.3 x 23.4 cm. or smaller.
http://www.worldcat.org/oclc/86168059 View
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- Benington, Walter, b. 1872,. Ezra Pound Collection.
Pound, Ezra, 1885-1972. Ezra Pound and Dorothy Pound letters to D. D. Paige, 1947-1953.
Title:
Ezra Pound and Dorothy Pound letters to D. D. Paige, 1947-1953.
Letters from Ezra Pound and Dorothy Pound to Douglas Duncan Paige, many concerning Paige's work on Letters of Ezra Pound, 1907-1941. Subjects include possible sources for letters, such as Wyndham Lewis, William Carlos Williams, and T. S. Eliot; negotiations with New Directions and Faber & Faber; arrangements for Paige's research travel to Italy and other locations; and the selection of letters for inclusion. Pound's letters also contain his pointed comments on current literary criticism and culture; literary reviews and journals; his relations with libraries and librarians; his work on Confucius and other Chinese authors; and social and political matters including Mussolini, the Israeli-Palestinian conflict, anti-Semitism, and the British and American governments. Letters by both Pounds contain comments on his life at and visitors to St. Elizabeth's and send messages for Olga Rudge, still living in Venice, and Pound's daughter, Mary Rudge de Rachewiltz. Dorothy Pound's letters also include news of her son, Omar Pound.
ArchivalResource: 1.25 linear ft. (4 boxes)
http://www.worldcat.org/oclc/702180554 View
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- Pound, Ezra, 1885-1972. Ezra Pound and Dorothy Pound letters to D. D. Paige, 1947-1953.
Antheil, George, 1900-1959. [Miscellaneous uncataloged materials]
Title:
[Miscellaneous uncataloged materials] [1923-1926]
Memoribilia for concerts in France and England of the American composer and pianist George Antheil from the years 1923 and 1926. Several concerts are with the violinist Olga Rudge, who performs among others some violin works of Ezra Pound.
ArchivalResource: 10 items.
http://www.worldcat.org/oclc/287238615 View
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- Resource Relation
- Antheil, George, 1900-1959. [Miscellaneous uncataloged materials]
Bridson, Douglas Geoffrey, 1910-1980. Mss., 1934-1980
Title:
Bridson mss. 1934-1980
The Bridson mss., 1934-1980, consists of correspondence and writings of Douglas Geoffrey Bridson, 1910-1980, producer and author.
ArchivalResource: 657 items
http://webapp1.dlib.indiana.edu/findingaids/view?doc.view=entire_text&docId=InU-Li-VAA9375 View
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- Resource Relation
- Bridson mss., 1934-1980
Robert Lowell papers, 1861-1976 (inclusive) 1935-1970 (bulk).
Title:
Robert Lowell papers, 1861-1976 (inclusive) 1935-1970 (bulk).
Compositions, letters, and other papers of the American writer Robert Lowell.
ArchivalResource: 33 boxes (8.5 linear ft.)
http://id.lib.harvard.edu/ead/hou00658/catalog View
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- Resource Relation
- Robert Lowell papers, 1861-1976 (inclusive) 1935-1970 (bulk).
Cummings, E. E. (Edward Estlin), 1894-1962. Additional papers, 1870-1969.
Title:
E. E. Cummings additional papers, 1870-1969
Correspondence, poems, prose, notes, and drawings by American poet Edward Estlin Cummings. Also includes papers of his third wife Marion Morehouse Cummings.
ArchivalResource: 156 boxes (78 linear ft.)
http://id.lib.harvard.edu/ead/hou01075/catalog View
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- E. E. Cummings additional papers, 1870-1969.
Olga Rudge Papers, 1887-1989
Title:
Olga Rudge Papers 1887-1989
The Olga Rudge Papers document many aspects of Rudge's personal life and professional activities. There are 32 boxes of letters between Ezra Pound and Rudge. Other major correspondents include Mary de Rachewiltz, James Laughlin, George Antheil, Renata Borgatti, conte Guido Chigi Saracini, Cyril Connolly, T. S. Eliot, Egerton Grey, Desmond O'Grady, D. D. Paige, Ildebrando Pizzetti, Dorothy Pound, and Adrian Stokes. The papers also contain daily notebooks kept by Rudge from 1966 on; a variety of personal and financial papers; printed material collected by Rudge; and documentation of her musical career, including autograph scores by George Antheil, Tibor Serly, and Julia Perry.
ArchivalResource: Total Boxes: 163; Linear Feet: 87.5
http://hdl.handle.net/10079/fa/beinecke.olga View
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- Rudge, Olga, 1895-1996. Olga Rudge papers, 1887-1989.
Pound, Ezra, 1885-1972. Ezra Pound letters to Donald Pearce, 1952-1957.
Title:
Ezra Pound letters to Donald Pearce, 1952-1957.
Letters to Pearce contain Pound's opinions of current American literature, scholarship and politics; news of and comments on mutual acquaintances including Hugh Kenner, Noel Stock, and John Edwards; extensive suggestions for Pearce's reading and research, including works by Pound himself; and criticism of American periodicals and publishers. Also included are an ANS and a TLS from Pound to Hugh Kenner; a TLS from Hugh Kenner to Pearce; 2 ALS from Dorothy Pound to Pearce; and notes on Noh drama in the hand of Olga Rudge.
ArchivalResource: 0.40 linear ft. (1 box)
http://www.worldcat.org/oclc/79142322 View
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- Pound, Ezra, 1885-1972. Ezra Pound letters to Donald Pearce, 1952-1957.
Olga Rudge papers : addition, 1819-1996
Title:
Olga Rudge papers : addition 1819-1996
Manuscripts.
ArchivalResource: 23.65 linear feet (53 boxes, including 3 oversize boxes) + 3 broadside folders
http://hdl.handle.net/10079/fa/beinecke.olgafin View
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- Resource Relation
- Olga Rudge papers : addition, 1819-1996
Cummings, E. E. (Edward Estlin), 1894-1962. Papers, 1870-1969
Title:
E. E. Cummings papers, 1870-1969
Correspondence and working drafts of poems and other writings by American poet E. E. Cummings.
ArchivalResource: 116 boxes (18 linear ft.)
http://id.lib.harvard.edu/ead/hou00946/catalog View
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- E. E. Cummings papers, 1870-1969.
Quinn, Mary Bernetta. Sister Mary Bernetta Quinn papers, 1948-1981.
Title:
Sister Mary Bernetta Quinn papers, 1948-1981.
The papers contain correspondence, writings and notes, photographs, and newspaper clippings relating to Sister Bernetta Quinn's scholarly work on the poetry of Ezra Pound and other modern poets. Correspondents include Robert Bly, Guy Davenport, Caroline Gordon, James Laughlin, Denise Levertov, Robert Lowell, Mary de Rachewiltz, Olga Rudge, Holly Stevens, Allen Tate, and Robert Penn Warren. Subjects include Sister Bernetta's scholarly work; writing and American poetry in general; conference and symposia plans; and personal news. The Writings and Notes series contains notes and drafts on the Cantos by Sister Bernetta and typescripts of works by Robert Penn Warren, Robert Bly, and James Wright. Personal Papers includes photographs of Pound-related sites and persons in Brunnenberg and Venice.
ArchivalResource: 1.46 linear ft. (4 boxes)
http://www.worldcat.org/oclc/702171605 View
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- Quinn, Mary Bernetta. Sister Mary Bernetta Quinn papers, 1948-1981.
Julien Cornell papers relating to Ezra Pound, 1945-1965
Title:
Julien Cornell papers relating to Ezra Pound 1945-1965
The collection contains correspondence and professional files relating to Cornell's representation of Ezra Pound in the initial stages of the U.S. government's case against him for treason. In addition to Ezra and Dorothy Pound, correspondents include T. S. Eliot, Ernest Hemingway, James Laughlin, Arthur Moore, Omar Pound, Mary de Rachewiltz, and Olga Rudge. Topics include Pound's physical and mental condition in 1945-46; the treason charge against him; the efforts to have him declared mentally incompetent to stand trial; his court appearances; the use of the Alien Property Act against Dorothy Pound; and conditions at St. Elizabeth's Hospital. The collection also contains legal documents relating to the Pound case, including psychiatric evaluation reports; notices of court dates; material relating to a writ of habeas corpus prepared by Cornell in 1948; and transcripts of Pound's radio broadcasts from Rome.
ArchivalResource: Total Boxes: 5; Linear Feet: 1.88'
http://hdl.handle.net/10079/fa/beinecke.cornell View
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- Cornell, Julien D., 1910-. Julien Cornell papers relating to Ezra Pound, 1945-1965.
Allen Ginsberg papers
Title:
Allen Ginsberg papers
Correspondence of Allen Ginsberg with his father, Louis Ginsberg, his family, and friends, concerning his poetry and his travels. Some major correspondents are Neal Cassady, Gregory Corso, Jack Kerouac, William Burroughs, Robert Creeley, Michael McClure, and Lawrence Ferlinghetti. Several manuscripts of his poetry, and miscellaneous printed materials. The typescript of his journals kept while in India, edited and published as INDIAN JOURNALS MARCH 1962-MAY 1963: NOTEBOOKS, DIARY, BLANK PAGES, WRITINGS (San Francisco, Dave Haselwood Books, 1970), with galley proofs, page proofs, photographs, and correspondence with publisher Dave Haselwood. Also, memoranda, notes, and miscellaneous correspondence accumulated by Barry Miles who produced several series of tape recordings by Ginsberg; and manuscript; and proof materials for ALLEN VERBATIM: LECTURES ON POETRY, POLITICS, CONSCIOUSNESS, 1974, edited by Gordon Ball. 1987 Addition: Letters from Allen Ginsberg to Imamu Amiri Baraka. 1991 Addition: Two tape recordings on the subject of William Blake. 1993 Addition: Books & periodicals. 1998 Addition: Letters from Allen Ginsberg to Arthur Knight.
ArchivalResource: 11.25 linear feet (26 boxes, 1 oversized document box)
http://findingaids.cul.columbia.edu/ead/nnc-rb/ldpd_4078809/ View
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- Ginsberg, Allen, 1926-1997. Allen Ginsberg papers, 1944-1991.
Arrizabalaga, Ramon. Ramon Arrizabalaga collection of Ezra Pound, 1945-1996.
Title:
Ramon Arrizabalaga collection of Ezra Pound, 1945-1996.
A group of manuscript materials focusing on the arrest of Ezra Pound by Ramon Arrizabalaga, special agent for the U.S. Army. Included are a signed typescript, carbon statement by Pound (dated May 7, 1945) concerning his broadcasts for the Italian Fascist government in World War II, a "History of the Detachment" (dated June 24, 1945) in which Pound's arrest by the Counter Intelligence Corps is covered, a letter from Olga Rudge to Arrizabalaga (May 31, 1945) enclosing a copy of Pound's "Confucio Studio Integrale", a letter from Frank L. Amprim to Arrizabalaga (November 29, 1948), a letter from Omar S. Pound to Joan Arrizabalaga (March 7, 1996), two photographs of Pound in custody, two clippings about Pound (1947 and 1972), and a calling card for Arrizabalaga.
ArchivalResource: 0.21 linear ft. (1 box)
http://www.worldcat.org/oclc/78092052 View
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- Arrizabalaga, Ramon. Ramon Arrizabalaga collection of Ezra Pound, 1945-1996.
Pound, Ezra, 1885-1972. Ezra Pound letters to Donald Pearce, 1952-1957.
Title:
Ezra Pound letters to Donald Pearce, 1952-1957.
Letters to Pearce contain Pound's opinions of current American literature, scholarship and politics; news of and comments on mutual acquaintances including Hugh Kenner, Noel Stock, and John Edwards; extensive suggestions for Pearce's reading and research, including works by Pound himself; and criticism of American periodicals and publishers. Also included are an ANS and a TLS from Pound to Hugh Kenner; a TLS from Hugh Kenner to Pearce; 2 ALS from Dorothy Pound to Pearce; and notes on Noh drama in the hand of Olga Rudge.
ArchivalResource: 0.40 linear ft. (1 box)
http://www.worldcat.org/oclc/702161201 View
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- Pound, Ezra, 1885-1972. Ezra Pound letters to Donald Pearce, 1952-1957.
Pound, Ezra, 1885-1972. Ezra Pound photograph collection, circa 1925-1972.
Title:
Ezra Pound photograph collection, circa 1925-1972.
Collection of photographs of, relating to, or once owned by Ezra Pound. Subjects include Pound himself; Olga Rudge; sketches, paintings and sculptures of Pound; and a series of photographs of factories and manufacturing processes collected by Pound in the 1930s.
ArchivalResource: 0.42 linear feet (1 box)
http://www.worldcat.org/oclc/702194854 View
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- Pound, Ezra, 1885-1972. Ezra Pound photograph collection, circa 1925-1972.
Rudge, Olga, 1895-1996. Olga Rudge letters to Linda Melton concerning Ezra Pound, 1921-1972.
Title:
Olga Rudge letters to Linda Melton concerning Ezra Pound, 1921-1972.
Letters from Olga Rudge to Linda Melton, accompanied by a small group of papers relating to Ezra Pound. The letters date from between 1947 and 1960 and are almost entirely concerned with Rudge's efforts to win Pound's freedom from American custody in St. Elizabeth's Hospital. Rudge describes her own projects, including the publication of "if this be treason......" and her collection of affadavits in support of Pound's return to Italy; complains of lack of cooperation from Pound's friends, including Eliot; and outlines her own hopes to visit Pound. Other subjects include her daughter and grandchildren; her work for the Accademia Musicale Chigiana; and her plans to rent her house at 252 Dorsoduro in Venice to tourists. There is also one letter and a Christmas card to Melton from Pound's mother, Isabel Weston Pound. The collection also contains several items relating to Ezra Pound, including a photocopy of Pound's notes on "The Waste Land" and a TL from Pound to T. S. Eliot, 1936 Jun 16, accompanied by a TL from Pound to "Dear whale" which contains a poem by Pound ("Possum is DEAD!/ 'Well ! Carry on! the walrus said...."). There are also several photographs of Pound from the 1930s; a copy of the funeral program for Pound; and three printed items (cataloged separately): a copy of the 1933 pamphlet "The Cantos of Ezra Pound: Some Testimonies;" a copy of "if this be treason......;" and "Ezra Pound at Seventy."
ArchivalResource: 0.21 linear ft. (1 box)
http://www.worldcat.org/oclc/702180397 View
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- Rudge, Olga, 1895-1996. Olga Rudge letters to Linda Melton concerning Ezra Pound, 1921-1972.
Arrizabalaga, Ramon. Ramon Arrizabalaga collection of Ezra Pound, 1945-1996.
Title:
Ramon Arrizabalaga collection of Ezra Pound, 1945-1996.
A group of manuscript materials focusing on the arrest of Ezra Pound by Ramon Arrizabalaga, special agent for the U.S. Army. Included are a signed typescript, carbon statement by Pound (dated May 7, 1945) concerning his broadcasts for the Italian Fascist government in World War II, a "History of the Detachment" (dated June 24, 1945) in which Pound's arrest by the Counter Intelligence Corps is covered, a letter from Olga Rudge to Arrizabalaga (May 31, 1945) enclosing a copy of Pound's "Confucio Studio Integrale", a letter from Frank L. Amprim to Arrizabalaga (November 29, 1948), a letter from Omar S. Pound to Joan Arrizabalaga (March 7, 1996), two photographs of Pound in custody, two clippings about Pound (1947 and 1972), and a calling card for Arrizabalaga.
ArchivalResource: 0.21 linear ft. (1 box)
http://www.worldcat.org/oclc/702164354 View
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- Arrizabalaga, Ramon. Ramon Arrizabalaga collection of Ezra Pound, 1945-1996.
Mary Bernetta Quinn Papers, ., 1937-1998
Title:
Mary Bernetta Quinn Papers, . 1937-1998
Sister Bernetta Quinn (1915- ) received a B.A. degree from the College of St. Teresa in 1942, an M.A. from the Catholic University of America in 1944, and a Ph. D. from the University of Wisconsin in 1952. A teacher and poet, Sister Bernetta's two primary areas of scholarship are the Catholic Church and modernist poetry, especially the life and work of Ezra Pound and Randall Jarrell. Correspondence, writings by Sister Bernetta and others, photographs, and other papers. Correspondence is between Sister Bernetta and a wide circle of friends, colleagues, and fellow scholars. Much correspondence is personal in nature, but a good portion of it concerns Sister Bernetta's scholarship, particularly her work on Randall Jarrell and Ezra Pound. Major correspondents include Jarrell's wives Mackie and Mary and brother Charles, Robert Penn Warren, Pound's daughter Mary De Rachewiltz and longtime companion Olga Rudge, Flannery O'Connor's mother Regina O'Connor, Richard Wilbur, Donald Davidson, Peter Taylor, Sylvia Wilkinson, Doris Betts, Robie Macauley, Heather Ross Miller, Gibbons Ruark, Shelby Stephenson, Ron Bayes, Carolyn Kizer, Denise Levertov, Seamus Heaney, Grace DiSanto, and Fred Chappell. Writings by Sister Bernetta include scholarly articles, poetry, book reviews, journals and meditations, and notes. There are also drafts of her prose adaption for children of Dante's Photographs include one of poets James Wright and Robert Bly on horseback, probably from the 1960s. Divine Comedy.
ArchivalResource: 5100; 8.5
http://www2.lib.unc.edu/mss/inv/q/Quinn,Mary_Bernetta.html View
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- Quinn, Mary Bernetta. Mary Bernetta Quinn papers, 1937-1998.
New Directions Publishing records
Title:
New Directions Publishing records
Records of the New Directions Publishing Corporation largely from the Norfolk, Connecticut office of the founder, James Laughlin.
ArchivalResource: 344 linear feet (910 boxes and 4 volumes)
http://id.lib.harvard.edu/ead/hou00077/catalog View
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- New Directions Publishing Corp. records, ca. 1933-1997.
Ezra Pound Collection TXRC98-A12., 1905-1975, bulk 1930-1960
Title:
Ezra Pound Collection 1905-1975, bulk 1930-1960
Manuscripts and correspondence reflecting portions of his artistic and political life make up the bulk of the Ezra Pound Collection.
ArchivalResource:
http://www.lib.utexas.edu/taro/uthrc/00110/00110-P.html View
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- Ezra Pound Collection TXRC98-A12., 1905-1975, bulk 1930-1960
Olga Rudge Papers, 1887-1989
Title:
Olga Rudge Papers 1887-1989
The Olga Rudge Papers document many aspects of Rudge's personal life and professional activities. There are 32 boxes of letters between Ezra Pound and Rudge. Other major correspondents include Mary de Rachewiltz, James Laughlin, George Antheil, Renata Borgatti, conte Guido Chigi Saracini, Cyril Connolly, T. S. Eliot, Egerton Grey, Desmond O'Grady, D. D. Paige, Ildebrando Pizzetti, Dorothy Pound, and Adrian Stokes. The papers also contain daily notebooks kept by Rudge from 1966 on; a variety of personal and financial papers; printed material collected by Rudge; and documentation of her musical career, including autograph scores by George Antheil, Tibor Serly, and Julia Perry.
ArchivalResource: Total Boxes: 163; Linear Feet: 87.5
http://hdl.handle.net/10079/fa/beinecke.olga View
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- Resource Relation
- Olga Rudge Papers, 1887-1989
Julien Cornell papers relating to Ezra Pound, 1945-1965
Title:
Julien Cornell papers relating to Ezra Pound 1945-1965
The collection contains correspondence and professional files relating to Cornell's representation of Ezra Pound in the initial stages of the U.S. government's case against him for treason. In addition to Ezra and Dorothy Pound, correspondents include T. S. Eliot, Ernest Hemingway, James Laughlin, Arthur Moore, Omar Pound, Mary de Rachewiltz, and Olga Rudge. Topics include Pound's physical and mental condition in 1945-46; the treason charge against him; the efforts to have him declared mentally incompetent to stand trial; his court appearances; the use of the Alien Property Act against Dorothy Pound; and conditions at St. Elizabeth's Hospital. The collection also contains legal documents relating to the Pound case, including psychiatric evaluation reports; notices of court dates; material relating to a writ of habeas corpus prepared by Cornell in 1948; and transcripts of Pound's radio broadcasts from Rome.
ArchivalResource: Total Boxes: 5; Linear Feet: 1.88'
http://hdl.handle.net/10079/fa/beinecke.cornell View
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- Julien Cornell papers relating to Ezra Pound, 1945-1965
Sister Mary Bernetta Quinn papers, 1948-1981
Title:
Sister Mary Bernetta Quinn papers 1948-1981
The papers contain correspondence, writings and notes, photographs, and newspaper clippings relating to Sister Bernetta Quinn's scholarly work on the poetry of Ezra Pound and other modern poets. Correspondents include Robert Bly, Guy Davenport, Caroline Gordon, James Laughlin, Denise Levertov, Robert Lowell, Mary de Rachewiltz, Olga Rudge, Holly Stevens, Allen Tate, and Robert Penn Warren. Subjects include Sister Bernetta's scholarly work; writing and American poetry in general; conference and symposia plans; and personal news. The Writings and Notes series contains notes and drafts on the Cantos by Sister Bernetta and typescripts of works by Robert Penn Warren, Robert Bly, and James Wright. Personal Papers includes photographs of Pound-related sites and persons in Brunnenberg and Venice.
ArchivalResource: Total Boxes: 4; Linear Feet: 1.46'
http://hdl.handle.net/10079/fa/beinecke.quinnb View
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- Resource Relation
- Sister Mary Bernetta Quinn papers, 1948-1981
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- Constellation Relation
- Agresti, Olivia Rossetti.
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- Antheil, George, 1900-1959.
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- Arrizabalaga, Ramon.
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- Bacigalupo, Massimo, 1947-
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- Barilli, Bruno, 1880-1952.
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- Barney, Natalie Clifford.
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- Baynes, Ernest Harold, 1868-1925.
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- Borgatti, Renata.
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- Borgatti, Renata.
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- Bridson, D. G. 1910-
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- Brown, Arturo.
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- Caico, Lina.
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- Casella, Alfredo, 1883-1947.
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- Chigi Saracini, Guido, conte, 1881-
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- Constellation Relation
- Connolly, Cyril, 1903-1974.
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- Constellation Relation
- Cornell, Julien D., 1910-
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- Cummings, E. E. (Edward Estlin), 1894-1962
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- Dalliba-John, Katherine.
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- Dazzi, Manlio Torquato, 1891-1968.
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- Drummond, John.
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- Duncan, Ethel.
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- Duncan, Mabel.
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- Duncan, Ronald C., 1936-
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- Eliot, T. S(Thomas Stearns), 1888-1965.
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- Eliot, Valerie.
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- Eliot, Valerie.
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- Fitzgerald, Robert, 1910-1985.
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- Ginsberg, Allen, 1926-1997.
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- Grey, Egerton Charles.
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- Grey, Egerton Charles.
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- Constellation Relation
- Ivancich, Gianfranco.
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- Jordan, Viola Baxter, 1887-1973.
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- Laughlin, James, 1914-1997.
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- Littlefield, Lester.
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- Lowell, Robert, 1917-1977
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- Melton, Linda.
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- Muench, Gerhart.
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- New Directions Publishing Corp.
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- Constellation Relation
- O'Grady, Desmond, 1935-
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- Constellation Relation
- Paige, Douglas D.
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- Constellation Relation
- Pea, Enrico, 1881-1958.
Citation
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