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Information: The first column shows data points from Gorney, Jay, 1896-1990 in red. The third column shows data points from Gorney, Jay, 1896- in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.

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Gorney, Jay, 1896-1990

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Gorney, Jay, 1896-

Gorney, Jay, 1896-1990

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Gorney, Jay, 1896-1990

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Gorney, Jay

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Gorney, Jay, b. 1896.

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Gorney, Jay, b. 1896.

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Gornetzky, Abraham Jacob 1896-1990

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Gornetzky, Abraham Jacob 1896-1990

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Jason, Daniel 1896-1990

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Jason, Daniel 1896-1990

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Gornetzky, A. J. 1896-1990

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Gornetzky, A. J. 1896-1990

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Gornetzky, A. J. 1896-1990 (Abraham Jacob),

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Gornetzky, A. J. 1896-1990 (Abraham Jacob),

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Gorney, Jay, 1896-

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Gorney, Jay, 1896-

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Jay Gorney (1896-1990) was a composer, writer, producer and teacher.

From the description of Jay Gorney papers, scores and sound recordings, 1896-1993. (New York Public Library). WorldCat record id: 79418844

Composer, writer, producer.

From the description of Reminiscences of Jay Gorney : oral history, 1958. (Columbia University In the City of New York). WorldCat record id: 122362068

Composer, producer, writer and teacher, Jay Gorney was born Abraham Jacob Gornetzky in Bialystok, Russia on December 12, 1896.

In 1906 he and his family fled a pogrom and came to the United States, settling in Detroit, Michigan. Gorney attended the University of Michigan (B.A., 1917, LL.B., 1919), but after a year of practicing law, moved to New York to focus on his real love, songwriting. It was at this point that he changed his name legally to Abraham J. Gorney and professionally, to Jay Gorney. In the 1920s he wrote the scores for a number of Broadway shows including TOP HOLE, VOGUES OF 1924 and MERRY-GO-ROUND. In the early 1930s he wrote music for Earl Carroll's VANITIES, THE ZIEGFELD FOLLIES and the Shuberts' AMERICANA. For this last show he wrote perhaps his most famous song, the Depression anthem, BROTHER, CAN YOU SPARE A DIME?, with lyrics by E. Y. Harburg. During this period, Gorney also worked for Paramount Studios in New York, coordinating musical stories and ideas, and wrote songs with lyricist Howard Dietz.

In 1933 Gorney went to Hollywood to work at Fox Studios. It was here that he discovered Shirley Temple for whom, with Lew Brown, he wrote the song, BABY, TAKE A BOW, which she sang in the movie STAND UP AND CHEER. Gorney's greatest stage success was MEET THE PEOPLE, a revue he wrote and produced with Edward Eliscu and Henry Myers that opened in Hollywood in 1939 and on Broadway on Christmas night 1940. The revue was revived in 1943-1944 and again in 1955. In the 1940s Gorney worked in both California and New York. He was a composer and producer for Columbia Pictures, writing the scores for HEY, ROOKIE and THE GAY SENORITA, among others. He also wrote THEY CAN'T GET YOU DOWN, a musical play, and the Broadway musicals, HEAVEN ON EARTH and TOUCH AND GO, the latter with sketches and lyrics by Jean and Walter Kerr. Gorney also did some television work as a writer-composer-producer.

Gorney began teaching his craft of writing for musical theater beginning in 1948 when he and his wife Sondra created a musical play department at the Dramatic Workshop of the New School in New York City. They ran the department for three years producing five student productions. In 1952 they joined the faculty of the American Theatre Wing's professional training program where they produced ON THE WING, an original student musical. Gorney also taught writing for musical theater at Hunter College. In 1953 Gorney was subpoened by the House Un-American Activities Committee where he declined to answer any questions invoking both the Fifth and the Sixth Amendments. Instead he serenaded the Committee with his musical version of the First Amendment, a song he called THE BILL OF RIGHTS. For this he was blacklisted in the entertainment industry, fired from his contract at CBS-TV, and from his position teaching writing for musical plays at Hunter College.

Gorney continued to teach, however, even setting up his own school, the Jay Gorney School of Musical Comedy which offered classes and private lessons in his Manhattan home. He also continued to compose musical scores including THE HAPPIEST GIRL IN THE WORLD, the children's shows KRIS KRINGLE RIDES AGAIN and THE GEOGRAFOOF, and he wrote the music for the NBC-TV 1961 series THE FRONTIERS OF FAITH. Gorney received a number of awards including a special Tony Award for his dedicated teaching at the American Theatre Wing in 1962, a citation for 40 years of creativity from the Yale Drama School in 1965, the Songwriters Hall of Fame outstanding song award in 1976, and the ASCAP/Richard Rodgers Award for his outstanding contribution to the American musical theater in 1986. Jay Gorney died on June 14, 1990 at the age of 93.

From the description of Jay Gorney papers, 1896-1993. (New York Public Library). WorldCat record id: 122407713

Versatile composer, Jay Gorney (1896-1990), wrote for the stage, screen, and television from the mid-1920s through the late 1960s.

In a long and flourishing career, Gorney got his start by writing songs for Broadway shows and revues including, Earl Carroll's Sketch Book (1929), the Ziegfeld Follies (1931), and Merry-Go-Round (1927). In 1932, Gorney, working with lyricist E.Y. (Yip) Harburg, penned the music to the song that became a Depression-era anthem, Brother, Can You Spare a Dime?, as part of the revue, Americana. During the early 1930s, he also became involved with the motion picture industry when he was was hired by Paramount Pictures' New York office. In 1933, Gorney went to Hollywood, where he worked for the Fox and Columbia studios, adding Hollywood screenplays to his working repertoire and "discovering" Shirley Temple, who introduced one of Gorney's tunes, Baby, Take a Bow, with James Dunn, in the film, Stand Up and Cheer (1934). In addition to Harburg, Gorney collaborated with Henry Myers, Edward Eliscu, Sidney Clare, Howard Dietz, and Jean and Walter Kerr as lyricists in film and stage productions.

As a Jew who had experienced anti-Semitisim firsthand, Gorney was very aware and supportive of human rights and social justice issues and joined in with the artistic and intellectual community's group efforts to improve conditions in these areas. He was very active in several associations, including the American Society of Composers, Authors and Publishers (ASCAP). It was this aspect of his life that produced songs like, the Bill of Rights, These Are The Times, and Are You Backing up your Commander-in-Chief? Gorney's involvement with these causes also led to his being called in front of the House Committee on Un-American Activities (HUAC) in 1955 and being blacklisted, effectively ending his motion picture career. Gorney returned to New York in 1947 to work on a theater production and he also began to teach, becoming the chairman of the Department of Musical Playwriting at the Dramatic Workshop of the New School (1948-51). He ran his own Jay Gorney School of Musical Comedy and later taught for the American Theatre Wing's Professional Training Program, teaching sketch writing and leading a student production company that developed and performed student work. In the early 1960s, Gorney tried his hand at television writing, directing, and producing. Gorney died in New York on June 14, 1990.

From the description of Jay Gorney scores, 1916-1975 (bulk 1924-1961). (New York Public Library). WorldCat record id: 59995527

Jay Gorney (née A.J. Gornetsky, and later Daniel Jason Gorney) was born on December 12,1896 in Bialystok, Russia, eventually emigrating to Detroit with his family at age 6, after escaping a Russian pogrom. His musical abilities emerged at an early age during piano lessons. Eventually, he led his high school orchestra, and earned extra money on weekends by playing the piano for the local silent movie theaters.

He attended University of Michigan, working his way through by writing school songs and leading school bands. He also studied basic music theory, counterpoint and orchestration in the school's music department. Despite his musical talent, his father strongly urged him to study medicine or law. Gorney pursued and completed his law degree, but after one year of practice, he gave it up to pursue songwriting in the mid 1920s.

He enjoyed a long flourishing career, that started by writing songs for Broadway shows and revues including Earl Carroll's Sketch Book (1929), the Ziegfeld Follies (1931), Touch and Go (1949), Merry-Go-Round (1927), Meet the People (1941), and Sweetheart Time (1925). In 1932 Gorney, working with lyricist E.Y. (Yip) Harburg, penned the music to the tune that became a Depression-era anthem, Brother, Can You Spare a Dime? as part of the revue, Americana .

During 1929-30 Gorney was hired by Paramount Pictures' New York office. In 1933, he went to Hollywood, where he worked for the Fox and Columbia studios, adding Hollywood screenplays to his working repertoire. Gorney's motion picture credits include, Jimmy and Sally (1933), Moonlight and Pretzels (1933), Wild Gold (1934), Lottery Lover (1934), Redheads on Parade (1935), The Heat's On (1943) and Hey Rookie! (1943).

Gorney is also responsible for introducing an American legend to the silver screen. In 1934 while walking through the lobby of the Fox-Ritz Theatre he noticed a little girl, "doing some jiggling dance steps" while waiting for her mother. The girl was Shirley Temple, who was offered a part in Stand Up and Cheer, singing one of Gorney's tunes, Baby, Take a Bow, (lyrics by Lew Brown) with James Dunn. The film was a hit and Temple was rewarded with a seven-year film contract. In addition to Harburg and Brown, Gorney collaborated with Henry Myers, Edward Eliscu, Sidney Clare, Howard Dietz and Jean and Walter Kerr in film and stage productions.

As a Jew who experienced and escaped anit-Semitisim as a child, Gorney was very aware and supportive of human rights and social justice issues and joined in with the artistic and intellectual community's group efforts to improve conditions in these areas. He was very active in several unions, including the Songwriter's Guild, Actor's Guild, and ASCAP. It was this aspect of his life that produced songs like, The Bill of Rights, and These Are the Times, setting to music words from our founding fathers, and Are You Backing up Your Commander-in-Chief? (undated), and General MacArthur's Message to the Russian Army (1942) which put MacArthur's tribute to the Russian Army's successful defeat of the Nazis during World War II to music. It also led to his being called in front of the House Committee on Un-American Activities in 1955, and being blacklisted along with many other talented performers in that era and effectively ending his motion picture career.

The Gorneys had returned to New York in 1947 to work on a theater production, and New York became their permanent home again. Gorney began to teach, offering classes in musical theater and songwriting. He became the chairman of the Department of Musical Playwriting at the Dramatic Workshop of the New School (1948-51). He ran his own Jay Gorney School of Musical Comedy, and later taught for the American Theatre Wing's Professional Training Program, teaching sketch writing and leading a student production company that developed and performed student work. His wife, Sondra Gorney, a talented musician in her own right, taught with him in these classes. He also worked with Harvard University's Hasty Pudding Theatricals in 1966.

In the early 1960s Gorney tried his hand at television, first writing, then directing and producing several episodes of religious programming for CBS-TV ( Look up and Live ) and NBC-TV ( Frontiers of Faith ). But by this time, the Parkinson's Disease which would claim his life had become apparent and began to limit his working abilities. Friends remember Gorney as a gentle man who was kind and respectful to everyone, but especially to children. He had a quickness of invention in song writing and was always willing to sit down at a keyboard to entertain others. Among his awards are a Tony award for teaching (1962), a Yale Drama School Citation (1965), a Songwriters Hall of Fame Outstanding Song Award (1976) and the ASCAP/Richard Rodgers Award (1986).

Gorney died on June 14, 1990 in New York City, of Parkinson's Disease. He was survived by his wife Sondra (to whom he was married for 48 years), and three children, (actress) Karen Lynn Gorney, Dr. Rod Gorney and Daniel Gorney.

Sources :

Bald, Wambly. Family Therapists. New York Post, July 9, 1950; p.18M.

Holden, Stephen. Obituary. New York Times, June 15, 1990.

Obituary. Variety, June 20, 1990.

Advertisements, New York Times, November 15, 1953; September 8, 1954.

Big Bands Database Plus, biographical information on Jay Gorney. Accessed 11/15/04 at: http://nfo.net/cal/tg4.html#Gorney

From the guide to the Jay Gorney scores, 1916-1975, 1924-1961, (The New York Public Library. Music Division.)

Composer, producer, writer and teacher, Jay Gorney was born Abraham Jacob Gornetzky in Bialystok, Russia on December 12, 1896. In 1906 he and his family fled a pogrom and came to the United States, settling in Detroit, Michigan. While in high school, Gorney organized and led the school orchestra and played the piano in a local movie theater. In 1913, the year he graduated from high school, he became a U.S. citizen due to his father's naturalization. At the University of Michigan (B.A., 1917, LL.B., 1919) he studied music at the University's School of Music, organized and led a jazz band and wrote several of the school's musical shows. During World War I, he enlisted in the navy and led a band at the Great Lakes Training Center.

After a year of practicing law in Michigan, Gorney moved to New York to focus on his real love, songwriting. It was at this point that he changed his name legally to Abraham J. Gorney and professionally, to Jay Gorney. In the 1920s he wrote the scores for a number of Broadway shows including Top Hole, Vogues of 1924 and Merry-go-Round . In the early 1930s he wrote music for Earl Carroll's Vanities, The Ziegfeld Follies and the Shuberts' Americana . For this last show he wrote perhaps his most famous song, the Depression anthem, Brother, Can You Spare a Dime? with lyrics by E. Y. Harburg. During this period, Gorney also worked for Paramount Studios in New York, coordinating musical stories and ideas, and wrote songs with lyricist, Howard Dietz.

In 1933 Gorney went to Hollywood to work at Fox Studios. It was here that he discovered Shirley Temple for whom, with Lew Brown, he wrote the song, Baby, Take a Bow which she sang in the movie, Stand Up and Cheer .

Gorney's greatest stage success was Meet the People, a revue he wrote and produced with Edward Eliscu and Henry Myers that opened in Hollywood in 1939 and on Broadway on Christmas night 1940. A number of performers who rose to stardom including Nanette Fabray and Jack Gilford, began here. The revue was revived in 1943-1944 and again in 1955.

In the 1940s Gorney worked in both California and New York. He was a composer and producer for Columbia Pictures, writing the scores for Hey, Rookie and The Gay Senorita, among others. He also wrote They Can't Get You Down, a musical play and the Broadway musicals, Heaven on Earth and Touch and Go, the latter with sketches and lyrics by Jean and Walter Kerr. Gorney also did some television work as a writer-composer-producer.

In 1953 Gorney was subpoened by the House Un-American Activities Committee where he declined to answer any questions invoking both the Fifth and the Sixth Amendments. Instead he serenaded the Committee with his musical version of the First Amendment, a song he called The Bill of Rights . For this he was blacklisted in the entertainment industry, fired from his contract at CBS-TV and from his position teaching writing for musical plays at Hunter College.

Gorney continued to teach, however, even setting up his own school, the Jay Gorney School of Musical Comedy which offered classes and private lessons in his Manhattan home. He also continued to compose musical scores including The Happiest Girl in the World, an adaption of the music of Offenbach with lyrics by Harburg, the children's shows Kris Kringle Rides Again and The Geografoof and he wrote the music for the NBC-TV 1961 series, The Frontiers of Faith .

Gorney received a number of awards including a special Tony Award for his dedicated teaching at the American Theatre Wing in 1962, a citation for 40 years of creativity from the Yale Drama School in 1965, the Songwriters Hall of Fame outstanding song award in 1976, and the ASCAP/Richard Rodgers Award for his outstanding contribution to the American musical theater in 1986.

Gorney was married twice. In 1922 he married Edaleine Rodin with whom he had one son, Roderic. They were divorced in 1942. On January 27, 1943 he married Sondra Karyl with whom he had two children, Karen and Daniel. Jay Gorney died on June 14, 1990 at the age of 93.

From the guide to the Jay Gorney papers, 1896-1993, (The New York Public Library. Billy Rose Theatre Division.)

Jay Gorney, born Abraham Jacob Gornetzky, was a composer and lyricist for theater, films, and television. Born in Bialystok, Russia on December 12, 1896, he immigrated to the United States with his family in 1906. After settling in Detroit, Gorney took piano lessons and improvised music for the local silent film theater. He studied at the University of Michigan in the literary department and took music classes on the side in harmony, counterpoint, and composition. He enlisted in the Navy during World War I and was stationed at the Great Lakes Naval Training Center. Later earning his LL.B degree, he practiced law for less than one year before deciding to move to New York City and work in musical theater.

Gorney’s songs started appearing in Broadway shows in the 1920s. He began collaborating with lyricist E.Y. (“Yip”) Harburg and in 1932 they scored their biggest hit in the show Americana with the song “Brother, Can You Spare a Dime?” This simple melody based on a Russian lullaby soon became the anthem of the Great Depression.

In the 1930s Gorney served as a musical advisor for films made by Paramount Pictures and Universal Films. Capitalizing on this success, Gorney and his family moved in 1934 to Hollywood where he had a contract composing for Fox Films. It was here where he wrote the hits “You’re My Thrill” and “Baby, Take a Bow,” the latter sung by child-star Shirley Temple, who had recently been discovered by Gorney dancing in the lobby of a movie theater. In 1939 Gorney worked as the administrator, composer, and coordinator of the musical revue, Meet The People, a talent-filled production of legendary forces, that was made into a movie starring Lucille Ball and Dick Powell in 1943.

Gorney eventually moved back to New York and in 1950 was hired by CBS television as a producer, writer, and composer. It was during this period that Gorney was attacked as having pro-Communist sympathies, based on meetings and committees he participated in while living in Hollywood. He was ousted from his new job at CBS. The House Committee on Un-American Activities (HUAC) called him to a hearing on May 6, 1953, where he sang his song “The Bill of Rights” and then took the Fifth Amendment when asked if he was a Communist. He was not jailed but was considered to be on a blacklist and lost a number of opportunities to work because of his association with Communist sympathizers.

Gorney died on June 14, 1990 in New York City of complications of Parkinson’s disease and pneumonia.

Sources: Gorney, Sondra K. Brother, Can You Spare a Dime?: The Life of Composer Jay Gorney . Lanham, MD.: Scarecrow Press, 2005.

From the guide to the Jay Gorney Papers, 1932-1992, (Tamiment Library / Wagner Archives)

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referencedIn

E. Y. Harburg collection of music ca. 1929-1981

Resource

E. Y. Harburg collection of music, ca. 1929-1981

Title: E. Y. Harburg collection of music ca. 1929-1981

The E. Y. Harburg Collection of Music, series 8 of the E. Y. Harburg Papers, consists of music containing lyrics by Harburg.

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Gorney, Jay, 1896-1990

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Gorney, Jay: Art World Personality Files.

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Gorney, Jay, 1896-1990. Gorney, Jay: Art World Personality Files.

Title: Gorney, Jay: Art World Personality Files.

ArchivalResource: 1 folder.

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Gorney, Jay, 1896-1990

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Jay Gorney scores 1916-1975 1924-1961

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Jay Gorney scores, 1916-1975, 1924-1961

Title: Jay Gorney scores 1916-1975 1924-1961

Jay Gorney was a composer, writing for the stage, screen, and television from the mid-1920s through the late 1960s, and a teacher and lecturer in musical comedy and theater. This collection consists of published scores from his earliest student works (University of Michigan), original and published scores of his theatrical, motion picture and television works, and scores and score fragments from student workshop productions from both Harvard's Hasty Pudding Theatricals and the American Theatre Wing training program.

ArchivalResource: 17 linear feet; 33 flat boxes

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Gorney, Jay, 1896-1990

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Jay Gorney scores, 1916-1975 (bulk 1924-1961).

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Gorney, Jay, 1896-1990. Jay Gorney scores, 1916-1975 (bulk 1924-1961).

Title: Jay Gorney scores, 1916-1975 (bulk 1924-1961).

The Jay Gorney scores consist of published scores from his earliest student works, original and published scores of his theatrical, motion picture, and television works, and scores and score fragments from student workshop productions.

ArchivalResource: 17 linear ft. (33 boxes)

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Gorney, Jay, 1896-1990

referencedIn

Nicolas Slonimsky Collection 1873-1997 (bulk 1920-1990)

Resource

Nicolas Slonimsky Collection, 1873-1997, (bulk 1920-1990)

Title: Nicolas Slonimsky Collection 1873-1997 (bulk 1920-1990)

Collection contains materials collected by Slonimsky throughout his lifetime that document his life and work as musicologist, composer, conductor, lecturer and author. Included are personal biographical materials; Slonimsky's writings (drafts, typescripts, reprints, etc.) of newspaper, periodical, journal, and magazine articles, record liner notes, radio broadcasts, and talks, published and unpublished; music composed by Slonimsky, manuscript and printed; concert programs; correspondence, among many others, with Henry Cowell, Alexandre Gretchaninoff, Roy Harris, Charles Ives, and Edgar Varèse; biographical materials on composers and performers mosly generated when Slonimsky was editing Baker's and The international cyclopedia; music collected by Slonimsky, manuscript and printed and multi-composer collections; among the manuscripts are many short holographic works and fragments; scrapbooks; and iconographical material, such as family photographs an those of composers and musicians from the former Soviet Union, as well as little known musicians from the United States and elsewhere.

ArchivalResource: circa 118,600 items; 354 boxes; 500 linear feet

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Gorney, Jay, 1896-1990

referencedIn

Leo Reisman collection of sound recordings [sound recording] 1932-1948

Resource

Leo Reisman collection of sound recordings [sound recording], 1932-1948

Title: Leo Reisman collection of sound recordings [sound recording] 1932-1948

The Leo Reisman collection contains primarily private acetate disc recordings of Reisman's radio performances of the 1930's, as well as Reisman's personal collection of commercial 78 rpm discs. Included among the noncommercial recordings are extensive holdings of his Philip Morris Show and Schaefer's nine o'clock revue appearances. Less complete holdings for Lucky Strike's your hit parade are also included. The commercial disc collection is comprised mostly of Reisman's commercially released recordings, as well as a small number of other artists' recordings. All commercial discs have been assimilated into the general holdings of the archive, and can be located in the NYPL catalog.

ArchivalResource:

http://archives.nypl.org/rha/20451 View

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referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

referencedIn

Harold Cruse Papers Bulk, 1970-1985 1943-1994, (Bulk 1970-1985)

Resource

Harold Cruse Papers, Bulk, 1970-1985, 1943-1994, (Bulk 1970-1985)

Title: Harold Cruse Papers Bulk, 1970-1985 1943-1994, (Bulk 1970-1985)

Harold Cruse was born in 1916 in Petersburg, VA and is an African American author and professor best known for his (1967), a Marxist-nationalist critique of the Communist movement and an endorsement of an autonomous and revolutionary Black culture. He joined the Communist Party in 1947 (remaining a member for some seven years) and contributed to its newspaper, the . In the late 1960s, Cruse joined the faculty of the University of Michigan at Ann Arbor, and helped found their Center for Afro-American and African Studies. The collection includes articles (published and unpublished), correspondence from, among others, John Conyers, Langston Hughes, Manning Marable, and Wole Soyinka; also included is ephemera, lecture notes, and correspondence relating to the Eldridge Cleaver Legal Defense Fund, and Robert Williams. Crisis of the Negro Intellectual Daily Worker

ArchivalResource: 10.25 linear feet; (12 boxes)

http://dlib.nyu.edu/findingaids/html/tamwag/tam_187/tam_187.html View

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referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

referencedIn

Alumni Association (University of Michigan),Individual Photographs ca. 1880-ca. 1960s

Resource

Alumni Association (University of Michigan), Individual Photographs, ca. 1880-ca. 1960s

Title: Alumni Association (University of Michigan),Individual Photographs ca. 1880-ca. 1960s

Photos of University of Michigan alumni, faculty and staff collected by the University Alumni Association.

ArchivalResource: 8 linear ft.

http://quod.lib.umich.edu/b/bhlead/umich-bhl-8730p?rgn=main;view=text View

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Role

referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Artist file : miscellaneous uncataloged material.

Resource

Gorney, Jay, 1896-1990. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/81886993 View

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Role

creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Betty Klausner research material on David Ireland

Resource

Betty Klausner research material on David Ireland

Title: Betty Klausner research material on David Ireland

Research material including interviews, writings, photographs of works of art and printed material regarding conceptual artist David Ireland for the book "Touching Time and Space: A Portrait of David Ireland" by Klausner. Interviews are with Ireland as well as Paule Anglim, Robert Atkins, Bill Berkson, Frances Hill Barlow, Agnes Bourne, Damon Brandt, Douglas Dunn, Gary Garrels, Jay Gorney, Ann Hatch, Barbara Ireland, Judy Ireland, Marsha Ireland, Shaugn Ireland, P. Koss, Leah Levy, Connie Lewallen, Phil Linhares, James Melchert, Jeannie Myers, Richard Pinegar, Jane Reed, Jock Reynolds, Robert Storr, Marcia Tanner, Mark Thompson, Alta Tingle, and Karen Tsujimoto. Most, but not all, are transcribed. Writings include drafts and notebooks. Printed material includes exhibition catalogs and newspaper clippings.

ArchivalResource:

https://n2t.net/ark:/65665/mw991371fab-b516-479b-bf24-e9ec85ccefd0 View

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Role

creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Jay Gorney papers, 1896-1993.

Resource

Gorney, Jay, 1896-1990. Jay Gorney papers,

Title: Jay Gorney papers, 1896-1993.

Collection consists of personal and professional papers, production files and teaching materials documenting the life and career of composer Jay Gorney. The bulk of the collection consists of professional files relating to productions. The general files (personal and professional) contain biographical material, correspondence, legal documents, articles by Gorney, publicity, photographs, programs and certificates. Production files including correspondence, scripts, notes, lyrics, story ideas, contracts, photographs, programs and clippings illustrate Gorney's work primarily for theater and film, though there is also a small amount from radio and television. Teaching materials reflect Gorney's efforts to teach the writing of musical theater to others and include lectures, notes, correspondence, contracts, publicity and clippings. Oversized ephemera includes diplomas, certificate and posters.

ArchivalResource: 7 linear feet (12 boxes)

http://www.worldcat.org/oclc/122407713 View

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Role

creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Posaune Voce Trio [sound recording]. 2006.

Resource

Posaune Voce Trio. Posaune Voce Trio [sound recording].

Title: Posaune Voce Trio [sound recording]. 2006.

ArchivalResource: 1 sound disc (73:03) : digital, stereo. ; 4 3/4 in.

http://www.worldcat.org/oclc/75964074 View

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Role

creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Jay Gorney papers, scores and sound recordings, 1896-1993.

Resource

Gorney, Jay, 1896-1990. Jay Gorney papers, scores and sound recordings, 1896-1993.

Title: Jay Gorney papers, scores and sound recordings, 1896-1993.

The Jay Gorney Papers, Scores and Sound Recordings consist of correspondence, programs, scripts, scores, clippings, phonodiscs and audiocassettes documenting his career as a composer, writer and producer.

ArchivalResource: <23.5 lin. ft.>

http://www.worldcat.org/oclc/79418844 View

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Role

creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

referencedIn

Popular Music Archives, ca. 1890-ca. 1970

Resource

Popular Music Archives, ca. 1890-ca. 1970

Title: Popular Music Archives, ca. 1890-ca. 1970

Photographs, manuscripts and memorabilia, as well as 78 rpm and LP recordings, cassette tapes, player piano rolls, music books, and histories, and a cast collection of original sheet music of popular music composers and performers from the turn of the century through the 1960s. Artists represented include Harry Von Tilzer, Gus Edwards, Jay Gorney, Eva Tanguay, Nora Bayes, Bert Williams, Al Jolson, Eddie Cantor, Irving Berlin, George Gershwin, Bing Crosby, Frank Sinatra, Cole Porter, Duke Ellington, Eubie Blake, Fats Waller, Jerome Kern, Richard Rogers, Oscar Hammerstein II, Guy Lombardo, Tommy Dorsey, Glenn Miller, Otis Black well, Elvis Presley, John Lennon, Paul McCartney, Elton John and Billy Joel.

ArchivalResource: ca. 80,000 items.

https://nyst.sirsi.net/uhtbin/cgisirsi/?ps=e5fpyYi8RN/NYSL/X/9 View

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referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Reminiscences of Jay Gorney : oral history, 1958.

Resource

Gorney, Jay, 1896-1990. Reminiscences of Jay Gorney : oral history, 1958.

Title: Reminiscences of Jay Gorney : oral history, 1958.

Songwriting in New York, 1920s and 30s; Lee and J.J. Shubert, George Gershwin, E.Y. Harburg; career in Hollywood as musical adviser, composer, author, producer; discovery of Shirley Temple; "Meet the People."

ArchivalResource: Transcript: 42 leaves.

http://www.worldcat.org/oclc/122362068 View

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Role

creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Jay Gorney papers 1896-1993

Resource

Jay Gorney papers, 1896-1993

Title: Jay Gorney papers 1896-1993

Collection documents the life and career of musical theater composer, producer and teacher, Jay Gorney.

ArchivalResource: 7 linear feet; 12 boxes

http://archives.nypl.org/the/21760 View

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creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

referencedIn

Papers, 1943-1994 (bulk 1970-1985).

Resource

Cruse, Harold. Papers, 1943-1994 (bulk 1970-1985).

Title: Papers, 1943-1994 (bulk 1970-1985).

Notable correspondents in series I include: John Conyers, Cheikh Anta Diop, Jay Gorney, Langston Hughes, Manning Marable, Adolph Reed Jr., and Wole Soyinka. There is also one file of World War II-era letters to Cruse, and several thick files of academic correspondence. Series II contains ephemera, lecture notes, and some correspondence relating to Cruses activity as a public intellectual, including files on the Eldridge Cleaver Legal Defense Fund, and on Robert Williams. Series III contains numerous article-length unpublished and published writings, book and theater reviews, and an almost complete typescript of the Crisis of the Negro Intellectual.

ArchivalResource: 4.25 linear ft. (5 boxes)

http://www.worldcat.org/oclc/58786897 View

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referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

referencedIn

Abe Burrows collection of sound recordings [sound recording]

Resource

Abe Burrows collection of sound recordings [sound recording]

Title: Abe Burrows collection of sound recordings [sound recording]

This collection contains recordings of the complete runs of both "The Abe Burrows Show" and "Breakfast with Burrows." There are also recordings of many of the numerous guest appearances Burrows made on other radio and television programs such as "The Bing Crosby Show" and shows for which he was a writer, such as "The Philip Morris Holiday Show." In addition, there are home and private recordings of the Burrows family and 3 unproduced musicals: "Jacobowsky," "Tango Mogador" and "Poilu.".

ArchivalResource:

http://archives.nypl.org/rha/20488 View

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Role

referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

Jay Gorney Papers 1932-1992

Resource

Jay Gorney Papers, 1932-1992

Title: Jay Gorney Papers 1932-1992

Jay Gorney (1896-1990) was a composer for musical theater, most notably of the Depression-era hit, “Brother, Can You Spare a Dime?” He was questioned by the House Committee on Un-American Activities (HUAC) on May 6, 1953 regarding his participation in pro-Communist groups and publications. This collection contains biographical material, documents concerning Gorney’s appearance before HUAC, files on him compiled by the FBI, and sheet music of songs with a political slant.

ArchivalResource: 1.0 linear feet; (2 boxes)

http://dlib.nyu.edu/findingaids/html/tamwag/tam_152/tam_152.html View

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creatorOf

Descriptive Note

Gorney, Jay, 1896-1990

referencedIn

Cole Porter sheet music, 1916-1956.

Resource

Cole Porter sheet music, 1916-1956.

Title: Cole Porter sheet music, 1916-1956.

Sheet music composed by Cole Porter.

ArchivalResource: 4 boxes (1 linear ft.)

http://id.lib.harvard.edu/ead/hou02199/catalog View

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referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

creatorOf

This is the church : American primitive / lyrics by Jean and Walter Kerr ; music by Jay Gorney. c1949.

Resource

Gorney, Jay, 1896-1990. This is the church : American primitive / lyrics by Jean and Walter Kerr ; music by Jay Gorney.

Title: This is the church : American primitive / lyrics by Jean and Walter Kerr ; music by Jay Gorney. c1949.

ArchivalResource: 1 ms. score (5 p.) ; 32 cm.

http://www.worldcat.org/oclc/23924176 View

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Role

creatorOf

Descriptive Note

Gorney, Jay, 1896-

referencedIn

Elaine Sterne Carrington papers 1903-1959

Resource

Elaine Sterne Carrington papers, 1903-1959

Title: Elaine Sterne Carrington papers 1903-1959

Papers of writer Elaine Sterne Carrington. The collection includes a fairly inclusive collection of her writings of books, television, theater and radio scripts.

ArchivalResource:

http://archives.nypl.org/the/21570 View

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Role

referencedIn

Descriptive Note

Gorney, Jay, 1896-

referencedIn

E. Y. Harburg papers 1936-1981

Resource

E. Y. Harburg papers, 1936-1981

Title: E. Y. Harburg papers 1936-1981

E.Y. "Yip" Harburg, Academy Award winning lyricist, created the lyrics for the Academy Award winning film , as well as the Broadway shows , , and . Among his principal collaborators were Harold Arlen, Vernon Duke, Burton Lane, Arthur Schwartz and Jerome Kern. He died in Los Angeles in 1981. The papers consists mainly of scripts, correspondence, music, lyrics, clippings, notes, speeches, biographies, and articles. The Wizard of Oz Finian's Rainbow Bloomer Girl Flahooley

ArchivalResource:

http://archives.nypl.org/the/21353 View

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Role

referencedIn

Descriptive Note

Gorney, Jay, 1896-

referencedIn

Jo Mielziner papers 1903-1976

Resource

Jo Mielziner papers, 1903-1976

Title: Jo Mielziner papers 1903-1976

Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance and exhibition files, photographs, scrapbooks and subject files documenting the life and career of Jo Mielziner.

ArchivalResource:

http://archives.nypl.org/the/21477 View

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Role

referencedIn

Descriptive Note

Gorney, Jay, 1896-

referencedIn

Lucille Lortel papers

Resource

Lucille Lortel papers

Title: Lucille Lortel papers

The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files.

ArchivalResource: 49.61 linear feet; 37 vols. (150 boxes)

http://archives.nypl.org/the/21631 View

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Role

referencedIn

Descriptive Note

Gorney, Jay, 1896-

referencedIn

E. Y. (Yip) Harburg papers 1913-1985

Resource

E. Y. (Yip) Harburg papers, 1913-1985

Title: E. Y. (Yip) Harburg papers 1913-1985

E.Y. "Yip" Harburg, Academy Award winning lyricist created the lyrics for the Academy Award winning film , as well as the Broadway shows , , and . Among his principal collaborators were Harold Arlen, Vernon Duke, Burton Lane, Arthur Schwartz and Jerome Kern. He died in Los Angeles in 1981. The collection is primarily business papers, scripts, research notes, notes for lyrics and production ideas from 1929 to 1981. Papers deal mainly with the professional life of Harburg. His political ideology and opinions can be seen in his lyrics, research notes and clippings files. Though there is little mention of his being blacklisted in 1945, his attitudes on government and politics indicates how he may have fallen victim to the McCarthyites and the House Un-American Activities Committee. The Wizard of Oz Finian's Rainbow Bloomer Girl Flahooley

ArchivalResource:

http://archives.nypl.org/the/21281 View

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Role

referencedIn

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Abzug, Bella S., 1920-1998

Target

Abzug, Bella S., 1920-1998
http://n2t.net/ark:/99166/w6kk9920 View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

American Music Collection

Target

American Music Collection
http://n2t.net/ark:/99166/w6g57tcd View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Burrows, Abe, 1910-1985

Target

Burrows, Abe, 1910-1985
http://n2t.net/ark:/99166/w6k64q3q View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Cruse, Harold.

Target

Cruse, Harold.
http://n2t.net/ark:/99166/w6813skx View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

C.W. Post College. B. Davis Schwartz Memorial Library. Special collections.

Target

C.W. Post College. B. Davis Schwartz Memorial Library. Special collections.
http://n2t.net/ark:/99166/w6gv18vp View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Eliscu, Edward, 1902-1998

Target

Eliscu, Edward, 1902-1998
http://n2t.net/ark:/99166/w67m0p3t View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Franklin, Joan,

Target

Franklin, Joan,
http://n2t.net/ark:/99166/w6jq13pm View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Franklin, Robert,

Target

Franklin, Robert,
http://n2t.net/ark:/99166/w63n265s View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Harburg, E. Y.

Target

Harburg, E. Y.
http://n2t.net/ark:/99166/w6fj6shw View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Harburg, E. Y. (Edgar Yipsel), 1898-1981.

Target

Harburg, E. Y. (Edgar Yipsel), 1898-1981.
http://n2t.net/ark:/99166/w6z60r7t View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Kerr, Jean.

Target

Kerr, Jean.
http://n2t.net/ark:/99166/w6q52r9z View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Kerr, Walter, 1913-1996.

Target

Kerr, Walter, 1913-1996.
http://n2t.net/ark:/99166/w6zc93cw View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Klausner, Betty.

Target

Klausner, Betty.
http://n2t.net/ark:/99166/w6hf4d0f View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Murphy, Owen, 1893-1965.

Target

Murphy, Owen, 1893-1965.
http://n2t.net/ark:/99166/w615766p View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Myers, Henry, 1893-1975.

Target

Myers, Henry, 1893-1975.
http://n2t.net/ark:/99166/w6bg31bs View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Myers, Henry, b. 1893

Target

Myers, Henry, b. 1893
http://n2t.net/ark:/99166/w6cs8r9b View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Porter, Cole, 1891-1964

Target

Porter, Cole, 1891-1964
http://n2t.net/ark:/99166/w6j38s5m View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Posaune Voce Trio.

Target

Posaune Voce Trio.
http://n2t.net/ark:/99166/w6jq75wd View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Reisman, Leo, 1897-1961

Target

Reisman, Leo, 1897-1961
http://n2t.net/ark:/99166/w64b39bv View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Slonimsky, Nicolas, 1894-1995

Target

Slonimsky, Nicolas, 1894-1995
http://n2t.net/ark:/99166/w6pz573t View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Tamiris, Helen, 1905-1966.

Target

Tamiris, Helen, 1905-1966.
http://n2t.net/ark:/99166/w6348n75 View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

United States. Freedom of Information Act.

Target

United States. Freedom of Information Act.
http://n2t.net/ark:/99166/w6h48nmt View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

University of Michigan. Alumni Association.

Target

University of Michigan. Alumni Association.
http://n2t.net/ark:/99166/w66x41pw View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-1990

associatedWith

Whitney Museum of American Art.

Target

Whitney Museum of American Art.
http://n2t.net/ark:/99166/w6mh1jgv View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-

associatedWith

Carrington, Elaine Sterne

Target

Carrington, Elaine Sterne
http://n2t.net/ark:/99166/w66n65mn View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-

associatedWith

Harburg, E. Y. (Edgar Yipsel), 1896-1981

Target

Harburg, E. Y. (Edgar Yipsel), 1896-1981
http://n2t.net/ark:/99166/w6z60r7t View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-

associatedWith

Lortel, Lucille

Target

Lortel, Lucille
http://n2t.net/ark:/99166/w60g3n13 View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-

associatedWith

Mielziner, Jo, 1901-1976

Target

Mielziner, Jo, 1901-1976
http://n2t.net/ark:/99166/w6542pwf View

Type

associatedWith

Descriptive Note

Gorney, Jay, 1896-

associatedWith

Saddler, Donald

Target

Saddler, Donald
http://n2t.net/ark:/99166/w6rj4mm6 View

Type

associatedWith

Descriptive Note

United States

as recorded (not vetted)

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Type

AssociatedPlace

Role

Address

Descriptive Note

United States

as recorded (not vetted)

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Role

Address

Descriptive Note

United States

as recorded (not vetted)

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Compare Constellations

Name Entries

Gorney, Jay, 1896-1990

Shared

Gorney, Jay, 1896-

Gorney, Jay, 1896-1990

Gorney, Jay

Gorney, Jay, b. 1896.

Gornetzky, Abraham Jacob 1896-1990

Jason, Daniel 1896-1990

Gornetzky, A. J. 1896-1990

Gornetzky, A. J. 1896-1990 (Abraham Jacob),

Gorney, Jay, 1896-

United States

United States

United States

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