Compare Constellations

The Zorach Family papers

Title: The Zorach Family papers

The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

ArchivalResource: 4.4 Linear feet

https://n2t.net/ark:/65665/mw99b759247-30c2-4d06-9c75-1c7b0054f5d5 View

Brooklyn Museum. Listening to pictures : interviews.

Title: Listening to pictures : interviews.

The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kusama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton. Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Elbert Weinberg, and William and Marguerite Zorach. Tony Smith was part of the Listening to Pictures exhibition, but no Tony Smith interview transcript is held.

ArchivalResource: 3 document boxes.

https://www.brooklynmuseum.org/opencollection/exhibitions/2724 View

Zorach, Marguerite Thompson : [miscellaneous ephemeral material].

Title: Zorach, Marguerite Thompson : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/198959413 View

Zorach, Marguerite, 1887-1968. Correspondence with Theodore Dreiser, 1931.

Title: Correspondence with Theodore Dreiser, 1931.

ArchivalResource: 4 items (4 leaves).

http://www.worldcat.org/oclc/155895905 View

George Biddle Papers, 1863-1973, (bulk 1916-1973)

Title: George Biddle Papers 1863-1973 (bulk 1916-1973)

Artist and public official. Correspondence; diaries; drafts and printed copies of speeches, articles, and a memoir; sketchbooks; scrapbooks; announcements; book reviews; and other papers relating chiefly to Biddle's role in American art, his work for the federal support of art, and the Federal Art Project, including also material relating to his involvment with the United States War Department Art Advisory Committee, World War II, and the Nuremberg War Crime Trials.

ArchivalResource: 3,500 items; 31 containers plus 1 oversize; 12 linear feet

http://hdl.loc.gov/loc.mss/eadmss.ms009145 View

American Federation of Arts records

Title: American Federation of Arts records

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

ArchivalResource: 79.8 Linear feet

https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e View

Zorach, Marguerite : Biographical file.

Title: Zorach, Marguerite : Biographical file. [1900-9999]

May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.

ArchivalResource: 1 envelope : manila ; 13 x 10 in.

http://www.worldcat.org/oclc/40482066 View

John Henry Bradley Storrs papers

Title: John Henry Bradley Storrs papers

The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790 to 2007, with the bulk of the papers dating from 1900 to 1956. The collection documents Storrs' career as an artist and his personal life through biographical material, correspondence with family, friends, and colleagues, personal business records, forty-eight diaries and other writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. There is also a substantial amount of Marguerite Storr's correspondence as well as scattered correspondence of other members of the Storr's family. Biographical material consists of chronologies detailing the life of John Storrs, identification records, certificates, Storrs family documents, and records of John and Monique Storrs' French resistance activities during World War II. Correspondence within this collection is divided into John Storrs Correspondence, Marguerite Storrs Correspondence, and Storrs Family Correspondence. The bulk of correspondence is John Storrs with friends, colleagues, art critics, patrons, art organizations and galleries. Correspondents of note include artists, architects, and writers such as Hendrick Andersen, Sherwood Anderson, Edward Bennett, George Biddle, Jerome Blum, Georges Braque, Louise Bryant, William Bullitt, Alexander Calder, Walter Cole, Paul Phillippe Cret, Katherine Dreier, Marcel Duchamp, Max Eastman, R. Buckminster Fuller, Marsden Hartley, Jane Heap, Jean Helion, Fernand Leger, Jacques Lipchitz, Man Ray, Charles Sheeler, Gertrude Stein, Joseph Stella, Maurice Sterne, Alfred Stieglitz, Leopold Survage, and William and Marguerite Zorach. There are also many letters to his wife Marguerite. Marguerite Storrs' correspondence is with friends, family, colleagues, and others, including many letters to her husband. The letters are about general and family news, social activities and invitations, her work as a writer, and her husband's career. Storrs' family correspondence includes John and Marguerite's extensive correspondence with their daughter Monique as well as Monique's correspondence with others. Additional family correspondence is between John, his sister Mary ("Mae") and their parents David William and Hannah Storrs, much of it dating from 1900 to 1913. Personal business records include address books, records regarding the sale and loan of Storrs' artwork, commission files regarding major public sculptures by Storrs, contracts, appraisals, financial records, and other documents regarding his professional activities. Of note are several files documenting Downtown Gallery's representation of Storrs' work during the 1960s, including correspondence between Edith Halpert and Monique Storrs. Various other documents include records of the Ecole de la Loire artists group (all in French.) Additionally there are records relating to Chateau de Chantecaille, an estate purchased by Storrs in the early 1920s as his primary residence and studio. Forty-eight diaries contain scattered documentation of John Storrs' daily activities. Other writings by Storrs include four volumes of his memoirs that detail family history and his life from birth to 1906, notebooks, poetry, and personal accounts including the death of Auguste Rodin. Writings by others include poetry by Jessie Dismorr, essays by Zoltan Hecht and Maurice Raynal, and notebooks belonging to Storrs family members. Printed material consists of books, art bulletins, brochures, invitations, announcements, and programs for art and social events. Also found are catalogs for exhibitions of Storrs' work and work by other artists; magazines, including a bound volume of the first ten issues of <emph render="italic">The Liberator</emph>; and clippings which include news about Storrs, his family, and friends. Photographs depict John Storrs, his family, friends such as Arthur Bock and Gertrude Lambert, travels, and residences. Included are photographs of Storrs in his studio and in art classes. Also found are four photograph albums, primarily documenting his time in Europe from 1905 to 1907, exhibition photographs, and numerous photographs of his artwork. Original artwork includes a portfolio of artwork created by Storrs as a youth, loose sketches, one sketchbook, 31 lithographs, and drawings for mural projects. Four scrapbooks and a portfolio kept by John and Marguerite Storrs contain newspaper and magazine clippings of articles and illustrations as well as printed material from exhibitions, social events, and professional activities. Also found is a portfolio containing scattered items regarding the publication of <emph render="italic">Song of Myself</emph> with original wood engravings by John Storrs. One additional scrapbook was created by John Storrs around 1945 for his daughter, Monique Storrs, to document her service as a nurse in World War II.This collection also includes records of John Storrs' estate immediately following his death in 1956, as well as records of several galleries that represented the estate in managing Storrs' artwork from the 1970s to 2002.Three videocassettes, transferred from an unknown reel format, contain footage of Storrs' family life at Chantecaille and in Chicago, Illinois, in the 1930s.

ArchivalResource:

https://n2t.net/ark:/65665/mw97fbb0f90-38d0-4f9d-8293-83eb4d3dbe07 View

Dahlov Ipcar papers

Title: Dahlov Ipcar papers

The papers of illustrator and painter Dahlov Ipcar measure 11.7 linear feet and date from 1906 to 1993. The bulk of the papers consists of personal and professional correspondence relating to Ipcar's career, and the careers and legacies of her parents, William and Marguerite Zorach. Also found are scattered biographical materials which include writings, sketches, and photographs, and printed material.

ArchivalResource: 11.7 Linear feet

https://n2t.net/ark:/65665/mw960b5a742-8da8-42f6-967e-cc91b757e09d View

William Zorach Papers, 1822-1974, (bulk 1930-1968)

Title: William Zorach Papers 1822-1974 (bulk 1930-1968)

Artist. Correspondence; speeches, articles, and books; lectures; sketches; newspaper clippings; financial records; printed material; subject files; and other papers relating principally to the creation, production, and sale of sculpture and paintings by Zorach and his fellow artists.

ArchivalResource: 14,000 items; 48 containers plus 1 oversize; 7 linear feet

http://hdl.loc.gov/loc.mss/eadmss.ms011237 View

Houghton Library printed book provenance file, R-Z and unidentified

Title: Houghton Library printed book provenance file, R-Z and unidentified

Index to ownership/provenance information primarily from printed books at Houghton Library.

ArchivalResource:

http://id.lib.harvard.edu/ead/hou01543/catalog View

John Weichsel papers concerning the People's Art Guild

Title: John Weichsel papers concerning the People's Art Guild

The John Weichsel papers concerning the People's Art Guild measure 0.6 linear feet and date from 1905-1965 with the bulk of the material dating from 1905-1929. The papers consist almost entirely of the records of the People's Art Guild, founded by Weichsel, and include administrative records, correspondence, writings and notes, business and financial records, printed material, and artwork.

ArchivalResource: 0.6 Linear feet

https://n2t.net/ark:/65665/mw917b43082-daa9-4767-8acf-cc680c9c1b5e View

Anita Weschler papers

Title: Anita Weschler papers

Correspondence; biographical statements, career resumes and membership cards; photographs and slides of Weschler, her studio and work; printed matter; notes and memoranda; 22 newspaper montages; clippings; exhibition announcements; 10 sketches by Weschler and a woodblock print; a Christmas card by Marguerite Zorach; a videotape documentary on Weschler, directed by David Howard, 1991; and an inventory of Weschler's papers at Syracuse University.

ArchivalResource:

https://n2t.net/ark:/65665/mw9119ce4c5-7514-40c2-a7c8-70f04742d1a9 View

Downtown Gallery records

Title: Downtown Gallery records

The Downtown Gallery records constitute 109.56 linear feet on 167 reels of microfilm. The records are dated 1824 to 1974 with bulk dates from 1926 to 1969. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.The Downtown Gallery was established in 1926 as Our Gallery and operated under the name Downtown Gallery from 1927 until 1973. Nineteenth-century material consists of items acquired by Edith Gregor Halpert for research purposes or to document works of art in the gallery's inventory. The few records postdating the closing of the gallery relate to the estate of Edith Gregor Halpert.The extensive records of the Downtown Gallery present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. Edith Halpert, the gallery's founder and director, was an influential force in the American art world for a large part of the twentieth century.Personal papers are intermingled with the business records of the Downtown Gallery. Many of the artists represented by the gallery were Halpert's personal friends, and over the years she developed social relationships and friendships with many clients. These relationships are reflected by the contents of the records, especially the correspondence, some of which is purely personal. In addition, there are a small number of letters from relatives, photographs of Halpert's family, home and friends, and limited information about her country house and personal finances.The Downtown Gallery records consist largely of correspondence with collectors, including Edgar and Bernice Chrysler Garbisch, Preston Harrison, Mr. and Mrs. Maxim Karolik, William H. Lane, Abby Aldrich Rockefeller, Beram K. Saklatwalla, Robert Tannahill, and Electra Havemeyer Webb; with dealers, including robert Carlen, Landau Gallery, Leicester Galleries, Mirski Gallery, and Isabel Carleton Wilde; and with large numbers of curators and museum directors, including many affiliated with university museums. In addition, there is correspondence concerning routine gallery business and administrative affairs.Artist files and an extensive series of notebooks (American Folk Art Gallery notebooks, artist notebooks, and publicity notebooks) compiled by gallery staff contain a wide variety of material and are a rich source of information about individual artists and the Downtown Gallery's exhibition history.Business records include exhibition records, stock records, sales records, transit records, financial records, lists of artwork and clients, legal documents, minutes, insurance records, research files, and architectural plans.Writings by Edith Gregor Halpert consist of articles on American folk art, speeches, and short stories; also included are her school notebooks and "Daily Thoughtlets" compiled at age seventeen. All writings by other authors are on art subjects, and most are texts or introductions for exhibition catalogs.Among the miscellaneous records are biographical material on Edith Gregor Halpert and Samuel Halpert, works of art by Edith Gregor Halpert and other artists, artifacts, and audiovisual materials. The artifacts include wooden weather vane molds and supporting documentation as well as awards presented to Halpert. Audiovisual materials are 16-mm motion picture films of the Westinghouse Broadcasting Corporation television series, <emph render="italic">America: The Artist's Eye</emph>, produced between 1961 and 1963 in association with Jensen Productions. An additional 16-mm motion picture film includes "tails out" footage of Charles Sheeler at home and at work, circa 1950. A copy of the program about Sheeler, along with the "tails out" material, is also on videocassette. In addition, there is a sound recording of a talk on collecting given by Halpert's client, folk art collector Maxim Karolik, in 1962.Printed matter consists of items produced by the Downtown Gallery, including exhibition catalogs, checklists, invitations, announcements, and press releases. There are also news clippings about Halpert, the Downtown Gallery, and the Edith Gregor Halpert Collection; other art-related clippings are arranged topically. Miscellaneous printed matter not produced by the Downtown Gallery includes newsletters, press releases, publications of art organizations, and reproductions of artwork. A selection of twenty-five volumes from the personal library of Edith Gregor Halpert has been retained.The photographs series includes images of people: Edith Gregor Halpert, family, friends, also many images of her dog, Adam, and views of her country home in Newtown, Connecticut. Other photographs of people include portraits of artists, most of whom were affiliated with the Downtown Gallery. There are also photographs of works of art (with a large number of black-and-white negatives, 35-mm color slides, and glass plate negatives) and of exhibitions, of the exterior and interior of the Downtown Gallery, and of an award presented to Halpert.<ref actuate="onLoad" show="embed" target="ref16" title="Appendix">See Appendix B for a chronological list of Downtown Gallery exhibitions.</ref>

ArchivalResource:

https://n2t.net/ark:/65665/mw9efc71fb2-6041-4534-8e7f-0382c468101c View

Anita Weschler Papers, 1902-1989, 1924-1960

Title: Anita Weschler Papers 1902-1989 1924-1960

Papers of the American sculptor, painter, interior decorator, poet, author.Collection includes correspondence, artwork (sketches, watercolors), exhibition catalogs, photographs, writings, and memorabilia, including financial material.

ArchivalResource: 57 linear ft.

http://library.syr.edu/digital/guides/w/weschler_a.htm View

Brooklyn Museum interviews of artists

Title: Brooklyn Museum interviews of artists

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.

ArchivalResource:

https://n2t.net/ark:/65665/mw9bdcd26e1-568c-4c81-8ba1-e07f5afbdfad View

Zorach, Marguerite, 1887-1968. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122403881 View

Brooklyn Museum interviews of artists

Title: Brooklyn Museum interviews of artists

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.

ArchivalResource:

https://n2t.net/ark:/65665/mw9bdcd26e1-568c-4c81-8ba1-e07f5afbdfad View

John Henry Bradley Storrs papers

Title: John Henry Bradley Storrs papers

The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790 to 2007, with the bulk of the papers dating from 1900 to 1956. The collection documents Storrs' career as an artist and his personal life through biographical material, correspondence with family, friends, and colleagues, personal business records, forty-eight diaries and other writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. There is also a substantial amount of Marguerite Storr's correspondence as well as scattered correspondence of other members of the Storr's family. Biographical material consists of chronologies detailing the life of John Storrs, identification records, certificates, Storrs family documents, and records of John and Monique Storrs' French resistance activities during World War II. Correspondence within this collection is divided into John Storrs Correspondence, Marguerite Storrs Correspondence, and Storrs Family Correspondence. The bulk of correspondence is John Storrs with friends, colleagues, art critics, patrons, art organizations and galleries. Correspondents of note include artists, architects, and writers such as Hendrick Andersen, Sherwood Anderson, Edward Bennett, George Biddle, Jerome Blum, Georges Braque, Louise Bryant, William Bullitt, Alexander Calder, Walter Cole, Paul Phillippe Cret, Katherine Dreier, Marcel Duchamp, Max Eastman, R. Buckminster Fuller, Marsden Hartley, Jane Heap, Jean Helion, Fernand Leger, Jacques Lipchitz, Man Ray, Charles Sheeler, Gertrude Stein, Joseph Stella, Maurice Sterne, Alfred Stieglitz, Leopold Survage, and William and Marguerite Zorach. There are also many letters to his wife Marguerite. Marguerite Storrs' correspondence is with friends, family, colleagues, and others, including many letters to her husband. The letters are about general and family news, social activities and invitations, her work as a writer, and her husband's career. Storrs' family correspondence includes John and Marguerite's extensive correspondence with their daughter Monique as well as Monique's correspondence with others. Additional family correspondence is between John, his sister Mary ("Mae") and their parents David William and Hannah Storrs, much of it dating from 1900 to 1913. Personal business records include address books, records regarding the sale and loan of Storrs' artwork, commission files regarding major public sculptures by Storrs, contracts, appraisals, financial records, and other documents regarding his professional activities. Of note are several files documenting Downtown Gallery's representation of Storrs' work during the 1960s, including correspondence between Edith Halpert and Monique Storrs. Various other documents include records of the Ecole de la Loire artists group (all in French.) Additionally there are records relating to Chateau de Chantecaille, an estate purchased by Storrs in the early 1920s as his primary residence and studio. Forty-eight diaries contain scattered documentation of John Storrs' daily activities. Other writings by Storrs include four volumes of his memoirs that detail family history and his life from birth to 1906, notebooks, poetry, and personal accounts including the death of Auguste Rodin. Writings by others include poetry by Jessie Dismorr, essays by Zoltan Hecht and Maurice Raynal, and notebooks belonging to Storrs family members. Printed material consists of books, art bulletins, brochures, invitations, announcements, and programs for art and social events. Also found are catalogs for exhibitions of Storrs' work and work by other artists; magazines, including a bound volume of the first ten issues of <emph render="italic">The Liberator</emph>; and clippings which include news about Storrs, his family, and friends. Photographs depict John Storrs, his family, friends such as Arthur Bock and Gertrude Lambert, travels, and residences. Included are photographs of Storrs in his studio and in art classes. Also found are four photograph albums, primarily documenting his time in Europe from 1905 to 1907, exhibition photographs, and numerous photographs of his artwork. Original artwork includes a portfolio of artwork created by Storrs as a youth, loose sketches, one sketchbook, 31 lithographs, and drawings for mural projects. Four scrapbooks and a portfolio kept by John and Marguerite Storrs contain newspaper and magazine clippings of articles and illustrations as well as printed material from exhibitions, social events, and professional activities. Also found is a portfolio containing scattered items regarding the publication of <emph render="italic">Song of Myself</emph> with original wood engravings by John Storrs. One additional scrapbook was created by John Storrs around 1945 for his daughter, Monique Storrs, to document her service as a nurse in World War II.This collection also includes records of John Storrs' estate immediately following his death in 1956, as well as records of several galleries that represented the estate in managing Storrs' artwork from the 1970s to 2002.Three videocassettes, transferred from an unknown reel format, contain footage of Storrs' family life at Chantecaille and in Chicago, Illinois, in the 1930s.

ArchivalResource:

https://n2t.net/ark:/65665/mw97fbb0f90-38d0-4f9d-8293-83eb4d3dbe07 View

Zorach, Marguerite, 1887-1968. Marguerite Thompson Zorach : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].

Title: Marguerite Thompson Zorach : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990

File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.

ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.

http://www.worldcat.org/oclc/662624181 View

Jason Schoener papers

Title: Jason Schoener papers

Correspondence (143 letters, 1952-1988, many addressed to Jason and Virginia) includes 85 letters from Schoener's uncle, William Zorach and his wife Marguerite, discussing daily events, family matters, and offering advice on Schoener's carreer. There is also a letter from Max Weber thanking Schoener for the handmade cufflinks "that were made by one who loves and creates beauty." Also found is the 1996 publication "An American Artist in World War II: Jason Schoener at Eniwetak" by Nancy Arbuthnot, which recounts the Schoener's experiences and reproduces his paintings from his navy commission during the last year of WWII.

ArchivalResource:

https://n2t.net/ark:/65665/mw967e35556-8c21-43bd-9feb-54463f7cc901 View

Barry, William David. Women pioneers in Maine art collection, circa 1985.

Title: Women pioneers in Maine art collection, circa 1985.

Fifty-six prints, sixty-one slides, twelve negative strips, one copy negative, and supporting material pertaining to the exhibition. Artists represented include Peggy Bacon, Georgia O'Keeffe, Lucy Hayward Barker, Katherine Schmidt, Marguerite Zorach, Cornelia Sage, Dorothy S. Emmons, Isabella Howland, Mabel May Woodward, Marcia O. Woodbury, Louise Nevelson, Sarah F. McPherson, Nellie A. Knopf, A.H.S. Kirkpatrick, Gertrude Fiske, Edith Cleaves Barry, Dahlov Z. Ipcar, Bernice Breck, M.C.P. Baxter, D.H. Jensen, Roberta DiMatteo, M.O. Dewing, and Anne Carlton.

ArchivalResource: 130 items ; 8 x 10 in. or smaller, and 2 x 2 in.

http://www.worldcat.org/oclc/75272078 View

Miscellaneous art exhibition catalog collection

Title: Miscellaneous art exhibition catalog collection

Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.

ArchivalResource: 4.4 Linear feet

https://n2t.net/ark:/65665/mw97cda1277-17cc-4295-abe9-729b895e1a28 View

Oral history interview with Dahlov Ipcar

Title: Oral history interview with Dahlov Ipcar

An interview of Dahlov Ipcar conducted 1979 Nov. 13, by Robert F. Brown, for the Archives of American Art.

OralHistoryResource: Sound recording: 1 sound tape reel ; 5 in.Transcript: 52 p.

https://n2t.net/ark:/65665/mw9b40f843f-a3c0-4476-877a-eb479b29ba0a View

The Zorach Family papers

Title: The Zorach Family papers

The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

ArchivalResource: 4.4 Linear feet

https://n2t.net/ark:/65665/mw99b759247-30c2-4d06-9c75-1c7b0054f5d5 View

Zorach, William, 1889-1966. Reminiscences of Willam and Marguerite Zorach : oral history, 1957.

Title: Reminiscences of Willam and Marguerite Zorach : oral history, 1957.

Early life in Cleveland; study at the National Academy and in Europe; return to New York and first work in stone; commissioned monuments; citizenship difficulties; plate-by-plate discussion of Paul Wingert's THE SCULPTURE OF WILLIAM ZORACH; work habits; artistic philosophy.

ArchivalResource: Miscellaneous papers relating to oral history.

http://www.worldcat.org/oclc/309727160 View