Blatas, Arbit

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Arbit Blatas (1908-1999) was born a Russian Jew in Kaunas, Lithuania in 1908. He began painting very early, and had his first exhibition at the age of 14. His father refused to let him go to Paris to study unless he could prove he was talented, so at 17 the two of them went to Riga to see a painter there and have him assess young Blatas' skills. Fortunately, he deemed the boy very talented and so Blatas' father agreed to let him go to Paris.

He arrived in Paris at the peak of what would later be called the École de Paris (School of Paris), whose luminaries included Picasso, Cocteau, Matisse, Leger, Braques and others. Blatas quickly became acquainted with them and at 21 was the youngest acknowledged member. In addition to becoming recognized for his impressionist style street scenes and portraits, he also painted and/or sculpted all of these giants of the Paris art world over a period of some thirty years.

In 1941, with the upsurge in Nazism and World War II looming, Blatas left Paris for New York City. He set up shop in a studio on West 56th Street and had a number of solo exhibitions at the French Art Gallery. His pleasure in his work was tempered by personal sadness, as his mother died in a concentration camp. His father survived and the two were later reunited in Paris after the war. Sometime in the early 1940s he married and had a daughter, Dorothée, who figures in a number of his paintings of the time. He eventually became an American citizen.

Throughout the forties, fifties and sixties Blatas divided his time between New York and Paris, producing paintings, sculptures and lithographs. In 1960 a series of works based on “The Three-Penny Opera” foreshadowed an interest in opera that was to flourish later when he met and married mezzo-soprano Regina Resnik. Both intensely creative, intelligent, and passionate about stretching their artistic abilities, their partnership sparked a mutual explosion of creativity. "I think of myself as a 19th century person," Resnik said, "and Blatas as a painter of another epoch…we complement each other and it's volcanic – Vesuvius and Etna, with a lot of flowing lava!" [ Opera News, 12/8/84].

Resnik, world-famous for her Carmen and other performances, had begun to reduce her performance schedule and was exploring new outlets for her creativity while Blatas, who believed he was "always learning," had no hesitation in trying something new. The first fruit of their collaboration was a critically acclaimed production of Carmen in Hamburg in 1970, directed by Resnik, for which Blatas designed the scenery and costumes, his first foray into theatrical design. (Both also appeared in the documentary about Bizet and Carmen which was shot during the production.) In the next eight years they collaborated on nine more operas including Elektra (Venice, 1971), Salome (Lisbon, 1975), Falstaff (Warsaw, 1975) and Pique Dame (Vancouver 1976 and Sydney 1979).

Blatas and Resnik spent much of their time in Venice and some of his loveliest paintings are of that city. In 1979, Blatas produced a seven-panel bronze bas-relief on the theme of the Holocaust which was installed in the Jewish Ghetto there. In 1981 a second casting was dedicated at Shrine of the Unknown Jewish Martyrs in Paris and in 1982 a third in Dag Hammarskjold Plaza in New York. This in turn inspired his wife to produce and finance a documentary on Venetian Jews entitled "Geto: The Historic Ghetto of Venice" which was shown on PBS.

In 1982, a major exhibition of all the Blatas sculptures and portraits of the Paris School was staged in Venice, presided over jointly by the Mayors of Paris and Venice (Jacques Chirac and Mario Rigo, respectively). Museums in New York, Paris, London and elsewhere continued to acquire and stage exhibits of Blatas' work, even as he continued to try his hand at new things including a treatment for a murder mystery film "Adventure in Spain," three childrens' books, and an outline for a 13-part series called "Around the World with Peter Ustinov," intended as in-flight entertainment for airline passengers. In 1997 his paintings of Venice were collected in "An Artist's Venice" with the introduction written by Regina Resnik.

Arbit Blatas was honoured with many awards during his lifetime including a Certificate of Appreciation from New York City Mayor Ed Koch, the gold medal "Venezia Riconoscente" from the city of Venice and the Medaille de Vermeil of the City of Paris, and he was named a Chevalier of the Legion d'Honneur by the French Government for his contribution to French art.

Arbit Blatas died in 1999.

From the guide to the Arbit Blatas Papers, 1908-1999, (Special Collections Research Center, Syracuse University Libraries)

Archival Resources
Role Title Holding Repository
creatorOf Chenoweth Hall papers Archives of American Art
referencedIn Arnold Crane portfolio of photographs, "Portraits of the Photographers," Archives of American Art
referencedIn Lucille Lortel papers The New York Public Library. Billy Rose Theatre Division.
creatorOf Arbit Blatas Papers, 1908-1999 Syracuse University. Library. Special Collections Research Center
referencedIn Elizabeth McCausland papers Archives of American Art
referencedIn Marchal Landgren Papers Archives of American Art
referencedIn Alfredo Valente papers Archives of American Art
referencedIn Arbit Blatas and Marcel Marceau Archives of American Art
creatorOf Blatas, Arbit. [Arbit Blatas : Australian and New Zealand Art Files]. Libraries Australia
creatorOf Charles C. Adams papers Archives of American Art
referencedIn Pierre Matisse Gallery printed material Archives of American Art
referencedIn Valente, Alfredo. Arbit Blatas with a young boy [graphic]. Archives of American Art
creatorOf Blatas, Arbit. [Arbit Blatas] : artist file John and Mable Ringling Museum of Art Library, Ringling Museum Library
referencedIn Blatas, Arbit, 1909- : [miscellaneous ephemeral material]. Metropolitan Museum of Art, Thomas J. Watson Library
referencedIn Kurt Weill Foundation for Music. Weill-Lenya Research Center. Documentation of exhibitions pertaining to Kurt Weill in the collections of the Weill-Lenya Research Center, [1976]-[ongoing]. Paul, Weiss, Rifkind, Wharton & Garrison
referencedIn Focus Gallery records Archives of American Art
creatorOf Philip Evergood papers Archives of American Art
referencedIn Samuel and Bella Spewack Papers, ca.1920-1980 Columbia University. Rare Book and Manuscript Library
referencedIn Spewack, Samuel and Bella. Papers, ca.1920-1980. Columbia University in the City of New York, Columbia University Libraries
referencedIn Hudson D. Walker papers Archives of American Art
creatorOf The ACA Galleries records Archives of American Art
creatorOf Blatas, Arbit. Artist file. Brooklyn Museum Libraries & Archives
referencedIn Associated American Artists Records, 1916-1974 Syracuse University. Library. Special Collections Research Center
creatorOf Elizabeth Olds papers Archives of American Art
referencedIn Marcel Marceau American Collection, 1954-2011 The Ohio State University. Jerome Lawrence and Robert E. Lee Theatre Research Insitute.
Role Title Holding Repository
creatorOf Arnold Crane interviews of photographers Archives of American Art
referencedIn Oral history interview with Beaumont Newhall Archives of American Art
Relation Name
associatedWith ACA Galleries. corporateBody
associatedWith Adams, Charles C. (Charles Christopher), 1873-1955. person
associatedWith Arbit Blatas, person
associatedWith Associated American Artists corporateBody
associatedWith Crane, Arnold H. person
associatedWith Evergood, Philip, 1901-1973. person
associatedWith Focus Gallery. corporateBody
associatedWith Hall, Chenoweth, 1908-1999. person
associatedWith Landgren, Marchal E. person
associatedWith Lortel, Lucille person
associatedWith McCausland, Elizabeth, 1899-1965. person
associatedWith Newhall, Beaumont, 1908-1993. person
associatedWith Olds, Elizabeth, 1896-1991. person
associatedWith Pierre Matisse Gallery (New York, N.Y.) corporateBody
associatedWith Resnik, Regina, 1922- person
associatedWith Saddler, Donald person
associatedWith Spewack, Samuel, 1899-1971 person
associatedWith Spewack, Samuel and Bella. person
associatedWith The John and Mable Ringling Museum of Art Library. corporateBody
associatedWith Tony Micocci person
associatedWith Valente, Alfredo. person
associatedWith Walker, Hudson D. (Hudson Dean), 1907-1976. person
Place Name Admin Code Country
Artists, American
Jews, American
Artistic collaboration
École de Paris
Expressionism (Art)
Figurative expressionism
Holocaust, Jewish (1939-1945) and art
Jews, Russian
Portrait painters
Sculptors, American
Set designers


Birth 1908-11-19

Death 1999-04-27





Ark ID: w6cr5z8w

SNAC ID: 22449373