Behrman, S. N. (Samuel Nathaniel), 1893-1973

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American author of works for the stage and screen also noted for his biographical essays and memoirs.

S. N. Behrman was born in Worcester, Massachusetts in 1893. He was educated at Clark College, Harvard College (B.A. 1916) and Columbia University (M.A. 1918). During the late 1910s Behrman's short stories and book reviews appeared in magazines and newspapers including The Smart Set and The New York Times. During the 1920s he collaborated on stories and plays with Kenyon Nicholson. Behrman achieved commercial success with the 1927 Broadway production of his comedy The Second Man. He followed this play with a string of sophisticated comedies including Serena Blandish (1928), Biography (1933), End of Summer (1936) and No Time for Comedy (1939). He wrote or collaborated on numerous Hollywood screenplays, including Tess of the Storm Country (1932), Anna Karenina (1935) and Waterloo Bridge (1940). Behrman was a founder of The Playwrights' Producing Company, established in 1938 to stage the work of its members. During the 1940s-1950s he was a frequent contributor to The New Yorker, and many of his biographical essays for that magazine were eventually collected and published as books. Behrman's last dramatic work, But For Whom Charlie, was staged in New York in 1964. He then focused on narrative prose, producing the novel The Burning Glass (1968) and the memoir People In A Diary (1972). S. N. Behrman died in New York City on September 9, 1973.

From the description of S. N. Behrman papers, 1912-1987. (New York Public Library). WorldCat record id: 144651920

Playwright and author S. N. (Samuel Nathaniel) Behrman was born in Worcester, Massachusetts in 1893. He was the youngest of three sons raised by Lithuanian immigrants in the heart of Worcester's Jewish community on Providence Street. An older sister was killed in a streetcar accident during her childhood. The family lived in a tenement which Behrman later mused was "heavily populated with angels," their imaginary presence invoked by the Hebrew prayers of his father, a devout, scholarly man who spent long hours studying the Talmud. As a boy, the precocious Behrman was befriended and mentored by Daniel Asher, a young man six or seven years his senior whom he met through one of his brothers. Under Asher's tutelage, Behrman became a prize-winning leader of his high school debate team. Asher introduced his protégé to the theatre, critiqued his earliest attempts at writing and encouraged him to pursue a literary career.

From 1912-1914, Behrman attended Clark College, where his first essays, short stories and dramatic sketches were published in the student literary magazine. In a 1914 piece entitled "Psychology and the New Philosophy of the Theatre," Behrman praised the work of George Bernard Shaw and Henrik Ibsen, and called for a "progressive ... theatre of ideas." At Daniel Asher's suggestion, Behrman transferred to Harvard College to study drama with George Pierce Baker. He was awarded a B.A. degree in 1916, then moved to New York City where his brothers worked as accountants. They supported him financially while he attended Columbia University and studied French drama under the distinguished Brander Matthews. As Behrman neared the completion of his M.A. degree in the spring of 1918, he was offered a position as English instructor at the University of Minnesota, but turned the job down. He chose to remain in New York to establish himself as a writer.

During the late 1910s, Behrman's short stories and criticism appeared in such magazines as The Seven Arts, The Liberator, The New Republic and The Smart Set . He penned dozens of book reviews for The New York Times, where he worked briefly in the classified advertising department and later as an assistant editor of the book section. Early in 1920, Behrman was sent by the Times to interview the British poet Siegfried Sassoon, then visiting New York on a reading tour. Behrman was deeply moved by Sassoon's passion for literature and by the strong moral sensibility evidenced in his war poems. The two writers spent a great deal of time together while Sassoon was in New York, and they corresponded for many years afterwards. When Behrman later visited England, it was Sassoon who introduced him into intellectual circles that profoundly influenced his writing, advanced his career and enriched his personal life. Behrman's European acquaintances and friends included authors W. Somerset Maugham and Osbert Sitwell; Lydia Keynes, the former ballerina and wife of John Maynard Keynes; and society doyenne Sibyl Colefax.

Through most of the 1920s, Behrman worked in relative obscurity in the midst of the vibrant New York theatre scene. He collaborated on short stories and plays with his friend and occasional roommate Kenyon Nicholson. Their material was frequently published and staged (sometimes under the pen-name Paul Halvy), though to little acclaim. Through Nicholson, Behrman formed a lasting professional association with Harold Freedman, head of the theatre department of the Brandt & Brandt literary agency. He also worked for a time as the press agent of Broadway producer Jed Harris. Behrman stayed in touch with his old friend Daniel Asher, who continued to provide insightful criticism of his work and to profess unequivocal faith in his talent. In August of 1926, as Behrman and playwright Owen Davis put finishing touches to their collaborative work The Man Who Forgot, Asher insisted, with remarkable prescience, that the day was close at hand "when you will work with surging vigor and audacity and the great artistry in you will no longer be denied."

The following spring, Behrman's comedy The Second Man was staged by the Theatre Guild, an important venue for new American drama. The company's acclaimed leading lights, Alfred Lunt and Lynn Fontanne, starred in this successful production which firmly established the playwright's reputation. Based on a short story Behrman had written years before, The Second Man concerns a hack writer faced with a romantic choice between a wealthy woman who supports him financially and a beautiful younger woman who adores him. This portrait of a character in a state of indecision was praised by critics for its cultured, witty dialog and its subtle insight into human psychology. After a six-month New York run, the play toured the United States and was later staged in London with Noël Coward in the lead role.

Behrman followed The Second Man with a string of sophisticated comedies that illuminated the morals, manners and foibles of urbane intellectuals. These included Serena Blandish (1928) with Ruth Gordon in the title role; Brief Moment (1931) with a cameo appearance by drama critic Alexander Woollcott; Biography (1933) starring Ina Claire; End of Summer (1936), also with Claire; and No Time for Comedy (1939) featuring Katherine Cornell and Laurence Olivier. In these popular works, Behrman aimed for a nuanced depiction of the psychological development of his main characters as they strove to achieve worldly success or to find love. In such later plays as I Know My Love (1949) and But For Whom Charlie (1964), Behrman developed an additional theme of the conflict between generations. He rarely set his plays outside of the drawing-rooms of intellectuals and the wealthy, but when he did enlarge his purview he achieved notable success. Fanny (1954), an adaptation (which Behrman co-authored with Joshua Logan) of several of Marcel Pagnol's bawdy seaport stories had a run of more than 800 performances. The Cold Wind and the Warm (1958) drew on experiences from Behrman's youth in Worcester.

During the 1930s and '40s, Behrman spent considerable time in Hollywood, where he wrote or collaborated on numerous screenplays, including Tess of the Storm Country (1932), Anna Karenina (1935) and Waterloo Bridge (1940). He was respected in the movie industry for his sensitive adaptations of literary classics and for his sparkling dialog. Among his friends and colleagues during his Hollywood years were Harpo Marx, Greta Garbo, Salka Viertel and screenwriter Sonya Levien. Back in New York, Behrman was closely associated with dramatists Maxwell Anderson, Sidney Howard, Elmer Rice and Robert E. Sherwood. In 1938 this group established The Playwrights' Company to stage their own work as well as the plays of other authors. Behrman served for awhile as President of the organization, but later resigned his membership over creative differences.

On June 20, 1936, Behrman was married to Elza Heifetz Stone, the recently divorced sister of the famed violinist Jascha Heifetz. A son, Arthur David, was born to the couple the following year, and Behrman became stepfather to two children from his wife's previous marriage. By this time his social set included many prominent actors and actresses, editors, publishers and Hollywood producers. Though he once remarked that he hated to write letters, he nonetheless conducted a broad correspondence with such renowned figures as art critic Bernard Berenson; writer F. Tennyson Jesse; U. S. Supreme Court Justice Felix Frankfurter; lyricist Ira Gershwin; and philosopher Isaiah Berlin. During the 1930s and '40s Behrman wrote numerous letters on behalf of European Jews fleeing Nazi terror and sought to win them entry into the United States.

Throughout his long and prolific career, Behrman continued to write short stories, essays, and criticism. Many of his penetrating biographical sketches, which first appeared in The New Yorker, were eventually collected and published as books. These volumes include Duveen (1952), a portrait of the art dealer Joseph Duveen, Baron of Millbank; The Worcester Account (1954), a collection of poignant autobiographical essays centered on the Providence Street of Behrman's youth; Portrait of Max (1960), about the writer and caricaturist Max Beerbohm; and The Suspended Drawing Room (1965) on subjects ranging from the physician Emanuel Libman to the Hungarian dramatist Ferenc Molnar. Behrman's final dramatic work, But For Whom Charlie, was staged in New York in 1964, but received poor reviews. He subsequently focused most of his energy on narrative prose, producing a loosely autobiographical novel, The Burning Glass (1968), as well as introductions to anthologies of Horatio Alger stories and old articles from The Smart Set . Behrman spent his last years mining the meticulous diaries he had kept since college, resulting in the memoir People In A Diary (1972).

Behrman's important contributions to American culture were acknowledged through his induction into the National Institute of Arts and Letters (1943); the award of an honorary degree of Doctor of Letters from Clark University (1949); election to the American Academy of Arts and Sciences (1959); and his appointment to the Board of Trustees of Clark University (1962). S. N. Behrman died in New York City on September 9, 1973.

From the guide to the S. N. Behrman papers, 1912-1987, (The New York Public Library. Manuscripts and Archives Division.)

Archival Resources
Role Title Holding Repository
referencedIn Emeline Clark Roche Collection, 1815-1988 The New York Public Library. Billy Rose Theatre Division.
referencedIn Enid Bagnold papers, 1912-1971 Beinecke Rare Book and Manuscript Library
referencedIn Shumlin, Herman, 1898-. Papers, 1930-1968. Wisconsin Historical Society, Newspaper Project
referencedIn Lunt, Alfred. Alfred Lunt and Lynn Fontanne papers, 1838-1983. Wisconsin Historical Society
referencedIn Lunt, Alfred. Alfred Lunt and Lynn Fontanne papers, 1838-1983. Wisconsin Historical Society, Newspaper Project
creatorOf S. N. Behrman papers, 1912-1987 New York Public Library. Manuscripts and Archives Division
referencedIn Vincent J. Donehue papers, 1946-1965 The New York Public Library. Billy Rose Theatre Division.
referencedIn Elmer Rice letters from various correspondents, 1915-1967. Harvard Theatre Collection, Houghton Library, Harvard College Library, Harvard University.
referencedIn Vera Zorina papers, 1910-2001 (inclusive), 1933-2001 (bulk). Harvard Theatre Collection, Houghton Library, Harvard College Library, Harvard University.
referencedIn Salomon, Henry J., 1917-1958. Papers, 1934-1962. Wisconsin Historical Society, Newspaper Project
referencedIn Fonds Edward Gordon Craig Bibliothèque nationale de France. Département des arts du spectacle
creatorOf Behrman, S. N. (Samuel Nathaniel), 1893-1973. Papers, 1911, 1924-1962. Wisconsin Historical Society, Newspaper Project
referencedIn The E.Y. Harburg Collection, 1929-1968 (inclusive) Irving S. Gilmore Music Library, Yale University
creatorOf Behrman, S. N. (Samuel Nathaniel), 1893-1973. Correspondence from Franz Werfel, 1944. University of Pennsylvania Libraries, Van Pelt Library
creatorOf Rice, Elmer, 1892-1967,. Elmer Rice letters from various correspondents, 1915-1967. Houghton Library
creatorOf Cousins, Margaret, 1905-1996. Papers, 1921-1973. Harry Ransom Humanities Research Center
referencedIn Zero and Kate Mostel papers, 1915-1986 The New York Public Library. Billy Rose Theatre Division.
creatorOf Behrman, S. N. (Samuel Nathaniel), 1893-1973. S. N. Behrman papers, 1912-1987. New York Public Library System, NYPL
referencedIn Bagnold, Enid. Enid Bagnold papers, 1912-1971. Beinecke Rare Book and Manuscript Library
creatorOf Behrman, S. N. (Samuel Nathaniel), 1893-1973. The cold wind and the warm, a play. Greater Victoria Public Library
creatorOf Behrman, S. N. (Samuel Nathaniel), 1893-1973. [Letter] 1967 March 31, New York, N.Y. [to] Roy Jansen [Harrisburg, Pa.] / S.N. Behrman. Office of Commonwealth Libraries, Pennsylvania State Library
referencedIn Weill, Kurt, 1900-1950. General correspondence, [ca. 1925]-1950. Campbell University, Wiggins Memorial Library
creatorOf Huneker, Erik H. Papers, 1947-1971. Dartmouth College Library
creatorOf Josephine Barrington Collection. Jane / by W. Somerset Maughan [sic] ; adapted by S.N. Behrman ; directed by William Bock, 1954 - house program. University of Guelph
creatorOf Sherwood, Robert E. (Robert Emmet), 1896-1955. Papers, 1917-1968 (inclusive) 1934-1955 (bulk). Houghton Library
referencedIn Nicholson, Kenyon, 1894-1986. Papers, 1915-1960. Wisconsin Historical Society, Newspaper Project
referencedIn Baker, George Pierce, 1866-1935. George Pierce Baker papers, 1878-1958 (inclusive). Yale University Library
referencedIn University of Virginia. Dept. of English. Papers of the Dept. of English Language and Literature [manuscript], 1956-1970. University of Virginia. Library
referencedIn Register to the Papers of Kurt Weill and Lotte Lenya, 1890-1984, inclusive Irving S. Gilmore Music Library, Yale University
referencedIn Theatre Guild technical drawings and other production materials, circa 1925-1953 The New York Public Library. Billy Rose Theatre Division.
referencedIn Weill, Kurt, 1900-1950. The papers of Kurt Weill and Lotte Lenya, 1890-1984 (inclusive). Yale University, Music Library
creatorOf Theatre Guild. Theatre Guild technical drawings and other production materials, circa 1925-1953. New York Public Library System, NYPL
creatorOf Mahin, John Lee, 1902-1984. Quo vadis : screenplay, 1951 Oct. 23. Ohio State University Libraries
creatorOf Josephine Barrington Collection. Biography / by S.N. Behrman, 1951 - house program. University of Guelph
referencedIn Robert A. Wilson slides, 1956-1969 The New York Public Library. Billy Rose Theatre Division.
referencedIn Gilbert Miller Collection, 1921-1967, (bulk 1932-1955) Library of Congress. Music Division
referencedIn Playwrights' Company. Records, 1938-1960. Wisconsin Historical Society, Newspaper Project
referencedIn George Pierce Baker papers, 1878-1958 Yale University. Department of Manuscripts and Archives
referencedIn Sassoon, Siegfried, 1886-1967. Papers, 1894-1966. Columbia University in the City of New York, Columbia University Libraries
referencedIn Bliven, Bruce, 1889-1977. Bruce Bliven papers, 1906-1985. Stanford University. Department of Special Collections and University Archives
referencedIn Jo Mielziner papers, 1903-1976 The New York Public Library. Billy Rose Theatre Division.
creatorOf Meredyth, Bess. Christina : story thread and continuity / by Bess Meredyth and Salka Viertel. University of Illinois at Urbana Champaign
referencedIn Weill, Kurt, 1900-1950. The papers of Kurt Weill and Lotte Lenya, 1890-1984 (inclusive). Yale University, Music Library
referencedIn New Yorker records, ca.1924-1984 New York Public Library. Manuscripts and Archives Division
referencedIn Miller, Gilbert. Gilbert Miller collection, 1921-1967 (bulk 1932-1955). Library of Congress
referencedIn Hart, Moss, 1904-1961. Moss Hart and Kitty Carlisle papers, 1922-1962, 1988. Wisconsin Historical Society, Newspaper Project
creatorOf Crest Theatre. Amphitryon '38 / adapted from the French of Jean Giraudoux by S.N. Behrman ; directed by Pierre Lefevre, 1954 - house program. University of Guelph
referencedIn Cousins, Margaret, 1905-1996. Papers, 1921-1973 Harry Ransom Humanities Research Center
referencedIn Weill, Kurt, 1900-1950. Weill-Lenya correspondence, 1925-1948. Paul, Weiss, Rifkind, Wharton & Garrison
creatorOf Selznick, David O., 1902-1965. Papers, 1935. Indiana University
Role Title Holding Repository
Relation Name
associatedWith Anderson, Maxwell, 1888-1959. person
associatedWith Atkinson, Brooks, 1894-1984 person
associatedWith Bagnold, Enid. person
associatedWith Baker, George Pierce, 1866-1935. person
associatedWith Berenson, Bernard, 1865-1959. person
associatedWith Berlin, Isaiah, Sir. person
associatedWith Bliven, Bruce, 1889-1977. person
associatedWith Cousins, Margaret, 1905- person
associatedWith Craig, Edward Gordon (1872-1966) person
associatedWith Crest Theatre. corporateBody
associatedWith Donehue, Vincent J., 1915-1966 person
associatedWith E. Y. Harburg person
associatedWith Ferber, Edna, 1887-1968. person
associatedWith Frankfurter, Felix, 1882-1965. person
associatedWith Gershwin, Ira, 1896-1983. person
associatedWith Gregory, Paul, 1920- person
associatedWith Hart, Moss, 1904-1961. person
associatedWith Huneker, Erik H. person
associatedWith Jansen, Roy. person
associatedWith Jesse, F. Tennyson (Fryniwyd Tennyson), 1888-1958. person
associatedWith Josephine Barrington Collection. corporateBody
associatedWith Josephine Barrington Collection. corporateBody
associatedWith Kaufman, George S. (George Simon), 1889-1961. person
associatedWith Lenya, Lotte person
associatedWith Levien, Sonya, 1888?-1960. person
associatedWith Logan, Joshua person
associatedWith Logan, Joshua. person
associatedWith Lunt, Alfred. person
associatedWith Mahin, John Lee, 1902-1984. person
associatedWith Maugham, W. Somerset (William Somerset), 1874-1965. person
associatedWith McKelway, St. Clair, 1905-1980. person
associatedWith Meredyth, Bess. person
associatedWith Mielziner, Jo, 1901-1976 person
associatedWith Miller, Gilbert. person
associatedWith Mostel, Zero, 1915-1977 person
correspondedWith New Yorker Magazine, Inc corporateBody
associatedWith Nicholson, Kenyon, 1894-1986. person
associatedWith Nicholson, Kenyon, b. 1894 person
associatedWith Playwrights' Company. corporateBody
associatedWith Playwrights' Producing Company. corporateBody
associatedWith Porter, Cole, 1891-1964. person
associatedWith Reed, Joseph Verner, 1902- person
associatedWith Reinhardt, Gottfried person
associatedWith Reinhardt, Gottfried. person
associatedWith Rice, Elmer, 1892-1967, person
associatedWith Roche, Emeline Clark, 1902-1995 person
associatedWith Ross, Harold. person
associatedWith Salomon, Henry J., 1917-1958. person
associatedWith Sassoon, Siegfried, 1886-1967. person
associatedWith Shawn, William person
associatedWith Shawn, William. person
associatedWith Sherwood, Robert E. (Robert Emmet), 1896-1955. person
associatedWith Shumlin, Herman, 1898- person
associatedWith Theatre Guild. corporateBody
associatedWith University of Virginia. Dept. of English. corporateBody
associatedWith Weill, Kurt, 1900-1950. person
associatedWith West, Rebecca. person
associatedWith West, Rebecca, Dame, 1892-1983 person
associatedWith White, Katharine Sergeant Angell. person
associatedWith Wilson, Edmund, 1895-1972. person
associatedWith Wilson, Robert A. (Robert Alfred), 1922- person
associatedWith Woollcott, Alexander, 1887-1943. person
correspondedWith Zorina, Vera. person
Place Name Admin Code Country
United States
Subject
Theater
Authors, American
Screenwriters
Jews in the motion picture industry
American literature
Dramatists, American
Dramatists
Motion pictures
Drama--20th century
Occupation
Dramatists
Function

Person

Birth 1893-06-09

Death 1973-09-09

Americans

Information

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