Compare Constellations

Stout, Frank, 1875-1955. Frank Stout letters to his mother and father, 1894-1895, undated.

Title: Frank Stout letters to his mother and father, 1894-1895, undated.

Correspondence is mostly comprised of letters from Frank Stout to his mother but also includes a letter to Mrs. Stout from Gertrude Kasebier about the cost of living in Paris for Frank Stout.

ArchivalResource: 17 sheets.

http://www.worldcat.org/oclc/707607856 View

F. Holland Day Papers, 1793-2010, (bulk 1883-1933)

Title: F. Holland Day Papers 1793-2010 (bulk 1883-1933)

Photographer and publisher. Correspondence, letterbooks, family papers, writings, printed matter, and other papers relating to Day's life and his work as a pictorialist photographer and co-founder of the Copeland and Day publishing company.

ArchivalResource: 8,700 items; 28 containers plus 1 oversize; 11.2 linear feet

http://hdl.loc.gov/loc.mss/eadmss.ms013032 View

Kasebier, Gertrude (Exhibitions). Kasebier, Gertrude (Exhibitions) : [photography bio file].

Title: Kasebier, Gertrude (Exhibitions) : [photography bio file].

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/84610070 View

Ferargil Galleries records

Title: Ferargil Galleries records

The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.

ArchivalResource: 18.7 Linear feet

https://n2t.net/ark:/65665/mw93168e3a9-3aa5-43c5-8811-da96c9975228 View

Frances Benjamin Johnston Papers, 1855-1956, (bulk 1890-1945)

Title: Frances Benjamin Johnston Papers 1855-1956 (bulk 1890-1945)

Photographer and illustrator. Correspondence, diaries, speeches and writings, financial papers, family papers, clippings, scrapbooks, and printed matter documenting Johnston's career as a photographer of national figures and events, her photography of gardens and estates, compilation of a photographic record of Southern colonial architecture, participation in international exhibitions, travels and personal life, and the emerging role of women in the profession of photography

ArchivalResource: 19,000 items; 50 containers plus 1 oversize; 21.2 linear feet; 37 microfilm reels

http://hdl.loc.gov/loc.mss/eadmss.ms010298 View

Metropolitan Museum of Art (New York, N.Y.). Library. Artists' correspondence, 1894-1949 (bulk 1894-1897).

Title: Artists' correspondence, 1894-1949 (bulk 1894-1897).

Collection consists chiefly of personal and business currespondence from American artists Samantha Littlefield Huntley, Thomas Wilmer Dewing, Marion Howard, Donald A. MacAllister, Irma Rothstein, Manuel J. Tolegian, and Frank Stout. The Stout material comprises the bulk of the collection, consisting chiefly of: letters to his mother and father written between 1894 and 1897; letters from Gertrude Käsebier, Daisy Fletcher, Sarah J. Heap, and his mother; part of an autograph notebook; an annotated colored advertisement for the Pierce Arrow automobile by illustrator Louis Fancher, dated "08".

ArchivalResource: .24 cubic ft.

http://www.worldcat.org/oclc/199918918 View

Chester Beach papers

Title: Chester Beach papers

The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

ArchivalResource: 7.32 Linear feet

https://n2t.net/ark:/65665/mw93fbc1322-a3ff-4570-b08a-68b84efe296b View

Kasebier, Gertrude (Biography). Kasebier, Gertrude (Biography) : [photography bio file].

Title: Kasebier, Gertrude (Biography) : [photography bio file].

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/81088584 View

Kasebier, Gertrude (Photographs). Kasebier, Gertrude (Photographs) : [photography bio file].

Title: Kasebier, Gertrude (Photographs) : [photography bio file].

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/82561560 View

Papers relating to the 1913 Armory Show 50th Anniversary Exhibition

Title: Papers relating to the 1913 Armory Show 50th Anniversary Exhibition

Correspondence, notes, publications, loan forms, shipping records, and photographs relating to the Museum's exhibition re-creating the 1913 Armory Show. The exhibition was curated by Joseph Trovato, and sponsored by the Henry Street Settlement, N.Y. Included are photographs of the members of the Association of American Painters and Sculptors, the organization which sponsored the original exhibition.

ArchivalResource: 1.4 Linear feet

https://n2t.net/ark:/65665/mw97fe19153-4d18-477a-b098-a1697e9fcf35 View

Chester Beach

Title: Chester Beach

Käsebier, Gertrude, 1852-1934, photographer.

ArchivalResource: 1 photographic print : platinum print ; 21 x 16 cm.

https://www.aaa.si.edu/collections/items/detail/chester-beach-1958 View

Fogg Art Museum 20th-century history of photography collection, 1900-1984 (inclusive).

Title: Fogg Art Museum 20th-century history of photography collection, 1900-1984 (inclusive).

Collection contains photographs by 20th-century photographers, including Ansel Adams, Diane Arbus, Lewis Balz, Margaret Bourke-White, Anne Brigman, Harry Callahan, Paul Caponigro, Henri Cartier-Bresson, Edward S. Curtis, Judy Dater, Imogen Cunningham, Walker Evans, Andreas Feininger, Bea Nettles, Wallace Nutting, Man Ray, Edward Ruscha, Lucas Samaras, Edward Steichen, Alfred Stieglitz, Edward Weston, and Weegee.

ArchivalResource: ca. 1,600 images.

http://www.worldcat.org/oclc/234360147 View

Herzog, Sarah Ann. A pilot project : forensic analysis of images photographed by Gertrude Kä̈sebier : from the George Eastman House archive collection / Sarah Ann Herzog ; August 23, 2000.

Title: A pilot project : forensic analysis of images photographed by Gertrude Kä̈sebier : from the George Eastman House archive collection / Sarah Ann Herzog ; August 23, 2000. 2000.

ArchivalResource: 3 v. (loose-leaf) : ill. ; 29 cm.

http://www.worldcat.org/oclc/387723906 View

Kasebier, Gertrude, 1852-1934 : [miscellaneous ephemeral material].

Title: Kasebier, Gertrude, 1852-1934 : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/199101231 View

F. Holland Day papers

Title: F. Holland Day papers

Extensive correspondence and subject files, ca. 1864-1977, containing mainly letters received from photographers, photography clubs and societies, authors, friends, models, colleagues, and others, and some drafts of letters sent. Some of the files contain writings, printed material, photographs, or correspondence of the Norwood Historical Society, 1961-1977. The correspondence refers to Day's photography, the 1904 fire which destroyed Day's studio, his involvement with literary groups and the Linked Ring, requests for articles on photography from publishers, requests for Day to exhibit and judge photography exhibitions, his interest in John Keats and collecting Keatsiana, and fine printing and his firm Copeland and Day.

ArchivalResource:

https://n2t.net/ark:/65665/mw98682280a-8e8a-4a32-9d6e-6154c66ba3ea View

Fogg Art Museum 19th-century history of photography collection, 1844-1900 (inclusive).

Title: Fogg Art Museum 19th-century history of photography collection, 1844-1900 (inclusive).

Collection contains a diversified representation of materials, ranging from ambrotypes to tintypes, by 19th-century photographers including Eugène Atget, Samuel Bourne, Mathew Brady, Julia Margaret Cameron, Thomas Eakins, Roger Fenton, Alexander Gardner, Josiah Johnson Hawes, David Octavius Hill, Robert Adamson, Gertrude Kasebier, Eadweard Muybridge, Nadar, and Timothy O'Sullivan.

ArchivalResource: ca. 168 images.

http://www.worldcat.org/oclc/234360159 View

William Mills Ivins papers

Title: William Mills Ivins papers

The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of personal and professional correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Correspondence files appear to be complete, and correspondence is of substantive content. Also found are Ivins' published and unpublished writings and lectures, and notes. Of particular interest are the letters from Bernard Berenson, Paul J. Sachs, and Theodore Sizer, each of whom corresponded with Ivins freqently over extended periods about both personal and professional and matters.Ivins' family papers include family correspondence, genealogies, and photographs. The papers of Ivin's wife, illustrator Florence Wyman Ivins (1881-1948), and the correspondence of several other relatives, can be found here augmented by family photographs.

ArchivalResource: 20.5 linear feet

https://n2t.net/ark:/65665/mw948e0d1d0-c1e5-4575-b422-cf91cb813195 View

Gertrude Käsebier papers, 1897-circa 1940, 1934-circa 1940

Title: Gertrude Käsebier papers 1897-circa 1940 1934-circa 1940

The Gertrude Käsebier papers consist of a small amount of handwritten and typed reminiscences, typed transcripts of the original handwritten material, and newspaper clippings collected by immediate family members to document the personal experiences of the noted American pictorial photographer. The papers are not dated, but most appear to have been created after Käsebier's death in 1934.

ArchivalResource: .3 linear feet; (1 box)

http://library.udel.edu/static/purl.php?mss0149 View

Charles Henry Caffin papers

Title: Charles Henry Caffin papers

The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973, bulk circa 1883-1918. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.

ArchivalResource: 1.2 Linear feet

https://n2t.net/ark:/65665/mw995cf9387-ef77-48be-b61e-c717ca77d217 View

Käsebier, Gertrude, 1852-1934. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122446727 View

Arthur Wesley Dow papers

Title: Arthur Wesley Dow papers

The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826 to 1978, with the bulk of the materials dating from 1879 to 1922. Correspondence consists of two folders, which contain a few letters from Dow to his family during his stints painting in Brittany and to and from Columbia University's Teachers College, as well as letters from his wife (then fiancée) Minnie Pearson Dow to her mother and friend while she, too, was studying painting abroad. There is also a folder of typescript and handwritten notes on Dow's correspondence, the majority of which is not in this collection, attributed to his biographer, Arthur Warren Johnson. Diaries include travel diaries kept by Dow and his brother Dana F. Dow during their "trip around the world" in 1903-1904. Publications, clippings, exhibition catalogs, announcements for Dow's Ipswich Summer School of Art and a new edition of his book <emph render="italic">Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers</emph> are found within printed materials. Notes and writings include a substantial number of handwritten manuscripts and typescripts of Dow's lectures on art and art history during his tenure as the Dean of Fine Arts at the Teachers College of Columbia University. There are a few examples of works of art, including prints from the <emph render="italic">Ipswich Prints</emph> series, and a pencil sketch of a colonial home, similar to those that appeared in the serial <emph render="italic">Antiquarian Papers</emph>.This collection is particularly rich in vintage prints of Dow portraits as well as family and group photographs, although it does not include any of the artist's landscape cyanotypes. Among the nineteen vintage prints are several platinum prints including a portrait by the renowned Pictorialist photographer Gertrude Käsebier and an atmospheric image of Dow taken at the Grand Canyon by Mrs. Fannie Coburn, the mother of another well-known Pictorialist photographer, Alvin Langdon Coburn. There are also three portraits by Herbert Hess and a photogravure of Dow by Kenneth Alexander that was used in the publication announcement for the second edition of <emph render="italic">Composition</emph>. Group photographs include an albumen print of fellow artist Henry R. Kenyon with Dow in his Ipswich studio, with classmates at the Académie Julian in Paris, and with his own students during a crafts class at his Ipswich Summer Art School. There are also several modern copy prints of vintage photographs from other collections as well as photographs of artworks by Dow and his contemporaries.

ArchivalResource:

https://n2t.net/ark:/65665/mw948ccb3fe-dce1-4cf1-9dda-8b2ec6c95e74 View

Brooklyn Museum. Dept. of Photography. Records, Exhibition negatives: installations. Pictorial Heritage: The Photographs of Gertrude Käsebier. 1979.

Title: Records, Exhibition negatives: installations. Pictorial Heritage: The Photographs of Gertrude Käsebier. 1979.

Installation views of an exhibition held from 05/12/1979 to 06/08/1979 at the Brooklyn Museum.

ArchivalResource: 1 b&w photonegative 4.75 x 4"

http://www.worldcat.org/oclc/84680633 View

Käsebier, Gertrude, 1852-1934. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122397271 View

Gertrude Käsebier papers, 1894-1934

Title: Gertrude Käsebier papers 1894-1934

These papers of American photographer Gertrude Käsebier contain correspondence, photographs, clippings, articles and copyright certificates, dated 1894 to 1934. Correspondence includes letters from Lord Northcliffe, Jacob Riis, Auguste Rodin, Lawrence Grant White, and Arthur B. Davies

ArchivalResource: .2 linear foot (2 folders)

http://archives.nypl.org/mss/4476 View

William Mills Ivins papers

Title: William Mills Ivins papers

The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of personal and professional correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Correspondence files appear to be complete, and correspondence is of substantive content. Also found are Ivins' published and unpublished writings and lectures, and notes. Of particular interest are the letters from Bernard Berenson, Paul J. Sachs, and Theodore Sizer, each of whom corresponded with Ivins freqently over extended periods about both personal and professional and matters.Ivins' family papers include family correspondence, genealogies, and photographs. The papers of Ivin's wife, illustrator Florence Wyman Ivins (1881-1948), and the correspondence of several other relatives, can be found here augmented by family photographs.

ArchivalResource: 20.5 linear feet

https://n2t.net/ark:/65665/mw948e0d1d0-c1e5-4575-b422-cf91cb813195 View

Museum of Modern Art (New York, N.Y.). Gertrude Kasebier, photographer. 1992 : Archives pamphlet file : miscellaneous uncataloged material.

Title: Gertrude Kasebier, photographer. 1992 : Archives pamphlet file : miscellaneous uncataloged material.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122450580 View

Arthur Wesley Dow papers

Title: Arthur Wesley Dow papers

The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826 to 1978, with the bulk of the materials dating from 1879 to 1922. Correspondence consists of two folders, which contain a few letters from Dow to his family during his stints painting in Brittany and to and from Columbia University's Teachers College, as well as letters from his wife (then fiancée) Minnie Pearson Dow to her mother and friend while she, too, was studying painting abroad. There is also a folder of typescript and handwritten notes on Dow's correspondence, the majority of which is not in this collection, attributed to his biographer, Arthur Warren Johnson. Diaries include travel diaries kept by Dow and his brother Dana F. Dow during their "trip around the world" in 1903-1904. Publications, clippings, exhibition catalogs, announcements for Dow's Ipswich Summer School of Art and a new edition of his book <emph render="italic">Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers</emph> are found within printed materials. Notes and writings include a substantial number of handwritten manuscripts and typescripts of Dow's lectures on art and art history during his tenure as the Dean of Fine Arts at the Teachers College of Columbia University. There are a few examples of works of art, including prints from the <emph render="italic">Ipswich Prints</emph> series, and a pencil sketch of a colonial home, similar to those that appeared in the serial <emph render="italic">Antiquarian Papers</emph>.This collection is particularly rich in vintage prints of Dow portraits as well as family and group photographs, although it does not include any of the artist's landscape cyanotypes. Among the nineteen vintage prints are several platinum prints including a portrait by the renowned Pictorialist photographer Gertrude Käsebier and an atmospheric image of Dow taken at the Grand Canyon by Mrs. Fannie Coburn, the mother of another well-known Pictorialist photographer, Alvin Langdon Coburn. There are also three portraits by Herbert Hess and a photogravure of Dow by Kenneth Alexander that was used in the publication announcement for the second edition of <emph render="italic">Composition</emph>. Group photographs include an albumen print of fellow artist Henry R. Kenyon with Dow in his Ipswich studio, with classmates at the Académie Julian in Paris, and with his own students during a crafts class at his Ipswich Summer Art School. There are also several modern copy prints of vintage photographs from other collections as well as photographs of artworks by Dow and his contemporaries.

ArchivalResource:

https://n2t.net/ark:/65665/mw948ccb3fe-dce1-4cf1-9dda-8b2ec6c95e74 View

Kasebier, Gertrude (Articles By and On). Kasebier, Gertrude (Articles By and On) : [photography bio file].

Title: Kasebier, Gertrude (Articles By and On) : [photography bio file].

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/78786464 View

Macbeth Gallery records

Title: Macbeth Gallery records

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

ArchivalResource: 131.6 Linear feet

https://n2t.net/ark:/65665/mw9755cec30-3318-4f15-a7b7-031c448a7a46 View

Brooklyn Museum. Dept. of Prints, Drawings and Photographs. Institutional file, Exhibitions. Pictorial heritage: the photographs of Gertrude Kasebier.

Title: Institutional file, Exhibitions. Pictorial heritage: the photographs of Gertrude Kasebier.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/549522425 View

Ferargil Galleries records

Title: Ferargil Galleries records

The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.

ArchivalResource: 18.7 Linear feet

https://n2t.net/ark:/65665/mw93168e3a9-3aa5-43c5-8811-da96c9975228 View

Passafiume, Tania. Käsebier paper sample book / created by Tania Passafiume, Andrew W. Mellon Fellow, Advanced Residency Program in Photograph Conservation [George Eastman House], August 27, 2000.

Title: Käsebier paper sample book / created by Tania Passafiume, Andrew W. Mellon Fellow, Advanced Residency Program in Photograph Conservation [George Eastman House], August 27, 2000. 2000.

ArchivalResource: 1 v. : col. ill. ; 33 cm.

http://www.worldcat.org/oclc/57122561 View

Title: Gertrude Käsebier Collection, 1898-1912

The Gertrude Käsebier Collection of American Indian portraits in the Photographic History Collection at the National Museum of American History consists of 112 platinum and gum-bichromate prints. The photographic prints are important visual records documenting Sioux Indian tribesmen, women, and children, in studio or non-Indian settings. Contrary to popular and sometimes staged late-19th-century imagery of American Indians in full ceremonial clothing and accessories, Käsebier captured on film the poignant expressions and personality of the Indians that reflected her personal experience of the true, “raw,” and “authentic” Native American. The photographs in the Collection are rare glimpses of Indians in Buffalo Bill’s Wild West Show; they exhibit Käsebier's renowned artistic, sensitive, and captivating style of pictoralism. The collection was donated to the Museum by Käsebier’s granddaughter Mina Turner, in March 1969. As a pioneering woman and artist, Gertrude Käsebier (1852-1934) quickly developed an affinity for articulating her perceptions about the world through photography after studying painting at Brooklyn’s Pratt Institute in 1889. She began her artistic career late in life, at the age of thirty-seven, after her three children, Frederick, Gertrude Jr., and Hermine, had reached adolescence. Her talent as a photographer was celebrated internationally, and she became active in the exclusive, emerging, male-dominated photographic world as a founding member of both the Photo Secession group and the Pictorial Photographers of America. Käsebier opened her own professional portrait studio in 1897 on New York’s Fifth Avenue, less than a decade after completing her courses at Pratt. Exhibiting her work with the Photo-Secessionists-- a group of highly regarded art photographers led by Alfred Stieglitz dedicated to producing photography as an equal to the traditional fine arts. This contributed to her rapid and widespread popularity. In high admiration of Käsebier’s portrait photography, Stieglitz commissioned her to photograph himself, his mother, and his wife. He also featured her work in the premiere issue of Camera Work, his noted photographic magazine. And in 1899, Stieglitz declared Käsebier as “beyond dispute, the leading portrait photographer in the country.”Käsebier drew upon her knowledge of painting to achieve two necessary goals for her portraits: (1) to exhibit personality-- “to make likenesses that are biographies, to bring out in each photograph the essential personality” and (2) to compose pictures clearly and simply. “One of the most difficult things to learn in painting is what to leave out. How to keep things simple. The same applies to photography. The value of composition cannot be over-estimated: upon it depends the harmony and the sentiment.” In applying this methodology to her photography, Käsebier stamped each image she captured with her personal touch and artistic signature.Gertrude Käsebier’s childhood memories of Eureka Gulch, Colorado, at the age of eight, included fond memories of relationships with the Sioux Indians and their children who were friendly toward her and her family. Taking portraits of the Sioux Indians was personally rewarding for Käsebier, who also contributed some of her portraits to the popular Everybody’s Magazine in 1901. According to her granddaughter, Mina Turner, Käsebier held a deep respect for the Sioux: “She felt they were the only truly honest people she knew.” Gertrude’s correspondence with these individuals through letters, drawings, and the photographs she took of them when they visited New York, testify to this special and valued relationship. Käsebier’s Native American portraits can be divided into two groups: Sioux Indians participating in Buffalo Bill’s Wild West show, which traveled throughout the United States from the 1890s to 1915, and portraits of Zitkala Sa (also known as Gertrude Simmons Bonnin), a writer, teacher, violinist, and voice of Indian rights. According to Smithsonian curator Michelle Delaney, “Gertrude Käsebier’s collection of Native American portraits is a poignant testimony to her independent spirit and her modern awareness of the possibilities of fine art photography.”

ArchivalResource:

https://americanhistory.si.edu/collections/search/object/nmah_1343903 View

Charles Henry Caffin papers

Title: Charles Henry Caffin papers

The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973, bulk circa 1883-1918. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.

ArchivalResource: 1.2 Linear feet

https://n2t.net/ark:/65665/mw995cf9387-ef77-48be-b61e-c717ca77d217 View