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Leo Castelli Gallery records

Title: Leo Castelli Gallery records

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and audio and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films. The records document the gallery's daily business operations, exhibitions, spaces/buildings, collaborations and joint ventures with other galleries and museums, and its relationship with many artists, dealers, and clients. Artists particularly well-represented throughout the collection include Hanne Darboven, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner. Records pre-dating the gallery's establishment in 1957 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of works of art, and scattered personal business records of Leo Castelli.General Correspondence is extensive at circa 25 linear feet and consists primarily of the gallery's and Leo Castelli's named and subject correspondence files concerning the gallery's daily operations, exhibitions, artwork installation and fabrication, appraisals, inquiries, loans, sales, consignments, personal and business relationships with artists, and other topics. The general correspondence is arranged either by name of correspondent or topic, and is with museums and galleries, collectors, business associates, artists, employees, and friends. Notes, scattered photographs and slides, and printed materials are often found as enclosures. Leo Castelli's personal correspondence is also found here and consists primarily of solicitations, requests for advice, notes of thanks, congratulations, and invitations.Letters written by artists in the gallery's stable are somewhat limited. There are scattered letters from artists Christo, Chryssa, Nassos Daphnis, Hanne Darboven, Marisol, Dan Flavin, Jasper Johns, Frederick Kiesler, Robert Morris, Hans Namuth, Bruce Nauman, Nam June Paik, Ray Parker, James Rosenquist, Edward Ruscha, Salvatore Scarpitta, Frank Stella, Cy Twombly, and Jack Tworkov. There are also letters about artists in this series filed under the artists' name.Collectors and dealers represented within the correspondence include the De Menil family, Mrs. Henry Epstein, Ben Heller, Giuseppe Panza, Alan Power, John and Kimiko Powers, Robert and Carolyn Rowan, Robert and Ethel Scull, and Burton and Emily Tremaine. Museums and galleries for which there is considerable correspondence includes the Dwan Gallery, Ferus Gallery, the Jewish Museum, Museum of Modern Art, Sidney Janis Gallery, Stedelijk Museum, Whitney Museum of American Art, and the Ileana Sonnabend Galerie. The materials arranged in General Correspondence were originally marked by the gallery as "correspondence" files upon accessioning, and, are thus arranged into their own series. However, in some cases, there appears to be little difference between the General Correspondence and the Administrative Files. Thus, researchers are encouraged to reference both series. Administrative Files document a wide variety of the gallery's activities and business. Essentially, these are files that were arranged by the gallery according to subject or topic and cover almost all activities except specific exhibitions. These files include records and correspondence about buildings and space, advertising, appraisals, auctions, consignments, loans, miscellaneous business correspondence, index cards, business arrangements with artists, information about artists, interviews with artists (transcripts), history of the gallery, mailings, photograph requests, shipping, and other topics. Few items are in digital format. There are staff notebooks and files and Leo Castelli's notebooks and notes from the late 1950s through the early 1990s. Extensive outgoing chronological correspondence filed in this series dates from 1964-1977. Also found are transcripts of interviews with Leo Castelli, biographical material, some of it in digital format, and scattered photographs.Researchers should note that the Administrative Files often overlap and complement the General Correspondence. However, they focus slightly more distinctly on gallery business activities and are arranged mostly by subject or topic, except for the chronological business correspondence. Researchers are encouraged to reference both series. For example, correspondence with and about Jasper Johns may be found in both series, but the administrative files most likely focus on a specific loan, consignment, or business activity or transaction. Exhibition files provide a thorough history of the gallery's exhibitions, as well as the fabrication and installation of artwork for exhibitions. These files include correspondence, exhibition catalogs, guest books, lists of exhibitions by artist and by year, press releases, sketches and notes, and scattered financial records. Photographs document over 650 exhibitions at Leo Castelli Gallery, including The Ninth Street Show organized by Castelli in 1951, and over 200 exhibitions at other galleries. Extensive artists' files comprise approximately 40% of the records and are a rich resource of printed and compiled information about the careers of over 120 artists and their relationship with Leo Castelli and the gallery. There are exhibition announcements and catalogs, flyers, invitations, magazine articles and clippings, newspaper clippings, posters, press releases, photographs, and a handful of books. Nearly half of the series is comprised of black and white photographs of artwork, presumably handled by the Leo Castelli Gallery.Additional printed materials include exhibition announcements, flyers, invitations, magazine articles and clippings, newspaper clippings, press releases, and exhibition posters. Exhibition catalogs are filed with the exhibitions files. The general archives files provide a chronological history of the gallery and its exhibitions. There are also files concerning Leo Castelli and numerous art-related topics. Exhibition posters are found here as well. Artwork is limited and includes a few works of art and signed posters. Artists represented here include photographer Gianfranco Gorgoni, Robert Morris, Bruce Nauman, Richard Serra and Andy Warhol, as well as others.The records of the subsidiary Castelli Graphics New York consist of correspondence and administrative files relating to general operations and the sale and loan of prints. Also found are exhibition files, sales records, and scattered financial records. The series provides a wealth of information about Castelli Graphics collaborations with Multiples Inc. in the 1970s.Also found in the collection are records of Castelli/Sonnabend Tapes and Films, a joint business venture between Leo Castelli Gallery and Sonnabend Gallery from 1974-1985. Records include correspondence, administrative files, exhibition files, artists' files, printed materials, sales and rental records, photographs, and financial records. The importance and stature of Leo Castelli and the Leo Castelli Gallery to the arts community in New York City and beyond is documented by numerous awards and recognitions, such as framed and unframed certificates, plaques, statues, medals, and scattered photographs.Nearly seven linear feet of photographs include professional black and white original prints, scattered color photographs, color transparencies, slides and negatives, and disassembled photo albums. The photographs primarily depict social and art events and functions; family and friends of Leo Castelli; and portraits of Leo Castelli and artists and of Leo Castelli with artists, including Richard Artschwager, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Richard Serra, Frank Stella, and Andy Warhol. Photographs of exhibitions and exhibition installations are filed with the exhibition files.Sound and video recordings include sound and video art, performances, interviews with artists and Leo Castelli, recordings from and of exhibitions, and television publicity recorded on sound cassettes, phonograph records (vinyl and lacquer), videocassettes (U-matic, VHS, Betamax), and videocartridges. Artists represented include Vito Acconci, Robert Barry, Barbara Bloom, Hannah Collins, Hanne Darboven, Dan Flavin, Laura Grisi, Jasper Johns, Jeff Koons, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Ed Ruscha, Salvatore Scarpitta, Doug and Mike Starn, and Lawrence Weiner, among others.<ref actuate="onLoad" show="embed" target="ref6685" title="Index List">See Index for list of Exhibitions at the Leo Castelli Gallery and Castelli Graphics</ref>,publish:true,subnote_guid:281c0be7088f1f39331d3d4bdfd1131f}]}

ArchivalResource:

https://n2t.net/ark:/65665/mw9a74e5e8f-9538-4152-8f10-6561763eb241 View

Flavin, Dan. Flavin, Dan.

Title: Flavin, Dan.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/779860169 View

Hal Glicksman papers, 1927-2010

Title: Hal Glicksman papers 1927-2010

The papers document the life and career of Hal Glicksman, a curator and preparator who contributed to many key exhibitions in Southern California, and helped found several important Southern California art institutions. The collection provides information regarding Glicksman's relationships with artists, his exhibition planning and gallery administration, and the Southern California art scene in the 1960s and 1970s.

ArchivalResource: 60.5 linear feet; (111 boxes, 3 flatfiles)

http://hdl.handle.net/10020/cifa2009m5 View

Samuel J. Wagstaff papers

Title: Samuel J. Wagstaff papers

The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.

ArchivalResource: 6.4 Linear feet

https://n2t.net/ark:/65665/mw978d21d32-6db4-4e4a-a3f2-17fde336ef7b View

Lenore Seroka photographs

Title: Lenore Seroka photographs

Photographs of artists taken by Seroka.

ArchivalResource:

https://n2t.net/ark:/65665/mw9858136e9-6ce3-4d39-89c7-2264e3bf284f View

Papers, 1975-1986, 1982-1986 (bulk)

Title: Papers, 1975-1986, 1982-1986 (bulk)

Collection includes correspondence related to Hudson River research, 1975 to 1977; correspondence with Dan Flavin and Bill Cowan among others relating to Zukowsky's book, Hudson River Houses, published by North River Press, 1981; correspondence with Rizzoli International Publications and other letters pertaining to Hudson River Villas, 1985, research requests and responses, and material tracing the somewhat controversial inclusion of Robbe P. Stimson as coauthor and defining his role in the book; the original and revised manuscripts for Hudson River Villas with the galley proofs; photocopied maps of the Hudson River valley; and post-publication correspondence, reviews, and notes for lectures.

ArchivalResource: .8 cubic ft. (2 boxes)

http://www.worldcat.org/oclc/84665067 View

Flavin, Dan, 1933-1996. Correspondence to Edward F. Fry, 1967.

Title: Correspondence to Edward F. Fry, 1967.

Regarding the 5th Guggenheim International Exhibition, 1967: Sculpture from twenty nations.

ArchivalResource: 1 item (1 leaf)

http://www.worldcat.org/oclc/212104931 View

Flavin, Dan, 1933-1996. A Donna [Multimédia multisupport].

Title: A Donna [Multimédia multisupport].

ArchivalResource:

http://www.worldcat.org/oclc/690758619 View

Oral history interview with Leo Castelli

Title: Oral history interview with Leo Castelli

Interview of Leo Castelli conducted 1969 May 14-1973 June 8, by Paul Cummings, for the Archives of American Art.

OralHistoryResource: Sound recording: 3 sound tape reels ; 7 in. : digital, wav file.Sound recording: 5 sound tape reels ; 5 in.Transcript: 266 p.

https://n2t.net/ark:/65665/mw991dbedb1-b314-4a60-b12e-b9a46ecce37c View

Robert Smithson and Nancy Holt papers

Title: Robert Smithson and Nancy Holt papers

The papers of sculptor, writer, and earthworks artist Robert Smithson and his wife, sculptor, filmmaker, and earthworks artist Nancy Holt measure 15.1 linear feet and date from 1905 to 1987, with the bulk of the material dating from 1952 to 1987. The papers consist of Smithson's biographical material; business and personal correspondence, much of it with artists; interview transcripts; extensive writings and project files; financial records; printed material; a scrapbook of clippings; holiday cards with original prints and sketches; photographic material; and artifacts. Also found are project files related to Nancy Holt's films "Pine Barrens" and "Suntunnels."

ArchivalResource: 15.1 linear feet; 8 rolled docs; Library: 76.0 linear feet.

https://n2t.net/ark:/65665/mw96b7b3eff-59b4-4fed-a5db-394ea8d534bf View

Flavin, Dan, 1933-1996. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/81018643 View

William and Noma Copley foundation and collection records, 1954-1980

Title: William and Noma Copley foundation and collection records 1954-1980

Records document the William and Noma Copley Foundation's grant program for composers and artists, 1954-1966. Richard Hamilton's correspondence, 1960-1966, largely concerns the Foundation's monograph series, which he edited. Other papers, including correspondence with artists, files regarding exhibitions and insurance, and photographs, document the Copleys' personal art collection, known for its large number of Surrealist works. Files dated after 1966 primarily contain Noma Copley's correspondence with artists.

ArchivalResource: 4.5 linear feet; (10 boxes)

http://hdl.handle.net/10020/cifa880403 View

Oral history interview with Sol LeWitt

Title: Oral history interview with Sol LeWitt

An interview of Sol LeWitt conducted 1974 July 15, by Paul Cummings, for the Archives of American Art.

OralHistoryResource: 1 1 7/8 in. sound tape reel ; 5 in. (75 p. transcript)

https://n2t.net/ark:/65665/mw92cd3e18b-f239-46c8-91a2-94311f11f231 View

LeWitt, Sol, 1928-2007. Oral history, 1994.

Title: Oral history, 1994.

LeWitt, an employee of the Museum in the early 1960s, discusses working at the Museum along with artists Dan Flavin, Robert Mangold, and Robert Ryman. LeWitt reminisces about the Museum's place in the New York art world and some of its personalities including Alfred H. Barr, Jr., Arthur Drexler, Alicia Legg, and Dorothy C. Miller, among others. LeWitt also places the development of his own career within the context of MoMA.

ArchivalResource: 1 transcript (35 p.)1 sound cassette.

http://www.worldcat.org/oclc/122569196 View

Flavin, Dan. [Dan Flavin] : artist file

Title: [Dan Flavin] : artist file 1900-

Assembled file includes clippings, photographs, reproductions from books and auction catalogs, postcards, press releases, slides, resumes, reviews, exhibition ephemera.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/779621791 View

Flavin, Dan, 1933-1996 : [miscellaneous ephemeral material].

Title: Flavin, Dan, 1933-1996 : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/199337473 View

Castelli Graphics records

Title: Castelli Graphics records

The records of Castelli Graphics measure 45.7 linear feet and date from 1965 to 2001. Administrative files, correspondence, exhibition and project files, artists' files, financial and legal records, inventory and stock records, printed materials, and photographic materials document the activities of the New York art gallery and publishing firm founded by Antoinette Castelli.

ArchivalResource: 45.7 linear feet

https://n2t.net/ark:/65665/mw99103675c-32f0-4a00-b00b-9bd9e16a08dc View

Dwan Gallery records

Title: Dwan Gallery records

The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.Artists that held exhibitions at the Dwan Gallery in New York and Los Angeles include: Robert Goodnough, Robert Richenburg, Larry Rivers, Philip Guston, Yves Klein, Salvatore Scarpitta, Arakawa, Martial Raysse, Ad Reinhardt, Arman, Franz Kline, Edward Kienholz, Claes Oldenburg, Niki de Sainte Phalle, Joan Mitchell, Robert Rauschenberg, Robert Morris, Dan Flavin, Raymond Parker, Kenneth Snelson, Carl Andre, Sol LeWitt, Robert Smithson, and Anastasi. Also, the exhibition files are nearly comprehensive and include: <emph render="italic">Language to be Looked at and/or Things to be Read</emph> annual series (1967-1970), <emph render="italic">Boxes </emph>(1964), <emph render="italic">Earth Works </emph>(1968), <emph render="italic">My Country 'tis of Thee</emph> (1962) and <emph render="italic">10</emph> (1967 and 1968). Many of the multiple artist shows were created and organized by gallery director John Weber and/or Virginia Dwan. Many of these exhibition files include full-sized posters and panoramic photos showing installations. Also found are records created by a consulting firm hired by the Dwan Gallery to inventory the exhibition files prior to donation to the Archives of American Art. These guides appear at the beginning of each series and outline a chronology of exhibitions held at each branch.

ArchivalResource:

https://n2t.net/ark:/65665/mw94e337be1-1336-40b7-a8a2-03c8589bab03 View

Andrew Bucci papers

Title: Andrew Bucci papers

Letters to Bucci, works of art, a photograph, and printed material. Letters, postcards, and handmade holiday cards to Bucci are from artists Anna Baker, Verda Berdich, Kathleen Blackshear, Marie Hull, Dan Flavin, Hosford Fontaine, Ethel Spears, and Paul Wieghardt. Also included is one letter from Jane Terrell, cousin of Blackshear, regarding the recent deaths of Blackshear and Spears and a photograph of them in Texas,1966. Works of art are by Bucci, and include six figure drawings with fellow student H.C. Westermann modeling, from a life drawing class at the Art Institute of Chicago, 1947-48. Printed material relates to the artists and the Allison art colony in Way, Miss., and includes newspaper clippings, exhibition catalogs and announcements, brochures, programs and illustrated calendars.

ArchivalResource: 0.7 linear ft.

https://n2t.net/ark:/65665/mw97efbe043-2be5-4ac7-83d0-90054bb5e575 View

Stelly, Victor T. The Vic Stelly papers, 1988-2003.

Title: The Vic Stelly papers, 1988-2003.

The papers consist of documents, certificates, photographs, and clippings relating to Stelly's political and civic activities.

ArchivalResource: 2 boxes (3.34 linear ft.)

http://www.worldcat.org/oclc/56114959 View

Flavin, Dan, 1933-1996. Dan Flavin : vertical file.

Title: Dan Flavin : vertical file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/730242572 View

Billy Al Bengston papers

Title: Billy Al Bengston papers

The papers of Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the southern California artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs. Found within the biographical materials series are three feet of calendars which extensively document Bengston's personal and professional activities for fourteen years, and include ephemera related to these activities. This series also includes health records, wills, and passports. Correspondence is with galleries, museums, universities, businesses, friends, and colleagues, and primarily concerns exhibitions, sales, consignments, commissions, and Bengston's personal finances. Bengston's relationship with the James Corcoran Gallery, Janie C. Lee Gallery, John Berggruen Gallery, Martha Jackson Gallery, and Texas Gallery are well-documented here, as well as in the Museum and Gallery Files series. Also found is a limited amount of personal correspondence with collectors, researchers, and friends. A few letters from other artists, including Peter Plagens and a letter from Richard Diebenkorn are interfiled here. Bengston's professional relationships with galleries, museums, and universities are well-documented in the gallery and museum files, including the galleries mentioned above, Ferus Gallery, and others. Lists of consignments and prices, invoices, records of sales, loan agreement forms, shipping receipts, exhibition checklists, and exhibition floor plans provide information about sales, exhibitions, and loans. A few files provide further information about Bengston teaching activities. His personal business records include art sales records, price lists, lists of purchases, records of investment, and personal finance records. Project files include correspondence, notes, and printed materials related to Bengston's commissions for artwork and personal projects, including a book he worked on with Ed Ruscha, <emph render="italic">Business Cards</emph>. Writings by Bengston include responses to exhibitions of West Coast art and his thoughts on his career, art, the artistic community, motorcycles, as well as a recollection of John Altoon. Also found are questionnaires sent out by Bengston for an art survey, with responses from Peter Alexander, Carl Andre, John Chamberlain, Dan Flavin, Joe Goode, Robert Graham, Roy Lichtenstein, Robert Motherwell, Ed Ruscha, and others. Writings by others consist primarily of exhibition catalog essays, manuscripts of interviews with Bengston, and other writings about Bengston. Also found is an essay by Walter Hopps. Photographs of Bengston include a family picture from the 1940s, Bengston at work on projects in Los Angeles and Syracuse, New York, and Bengston at social events. Other photographs consist of pictures of friends and artists, Bengston's artwork, documentary evidence of damaged artwork, and of commission sites. Printed materials from the 1960s - 1980s include clippings, full articles, exhibition announcements and catalogs, and posters. They document exhibitions, art in southern California, and society and art events. The collection houses limited amounts of artwork including sketches, cut-outs, doodles and drawings.

ArchivalResource:

https://n2t.net/ark:/65665/mw9100ab903-2685-4182-8e65-3886c54e0d7f View

Flavin, Dan, 1933-1996. [Dan Flavin : International Art & Artists File].

Title: [Dan Flavin : International Art & Artists File].

ArchivalResource: 1 file.

http://www.worldcat.org/oclc/429886974 View

Ruth Bowman papers

Title: Ruth Bowman papers

The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writings and related research materials include her thesis,"Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.

ArchivalResource: 26.7 Linear feet; 21.99 Gigabytes

https://n2t.net/ark:/65665/mw9199b569d-b2ba-4750-a774-41b9a20f8264 View

Margo Leavin Gallery records

Title: Margo Leavin Gallery records

Margo Leavin (1936- ) was born in New York City and raised in Los Angeles. She opened the Margo Leavin Gallery in 1970 and forged a number of lasting personal and professional relationships with both East and West Coast artists, including Claes Oldenburg, Jim Dine, Sam Francis, and Agnes Martin. The gallery played a key role in introducing Conceptualism to the Los Angeles art scene, especially through her early exhibitions of John Baldessari, before its closure in 2012.

ArchivalResource: 353 boxes (302 linear feet, unprocessed)

http://primo.getty.edu/primo_library/libweb/action/dlDisplay.do?vid=GRI&search_scope=default_scope&docId=GETTY_ALMA21161939500001551&fn=permalink View

Harvard Art Museum. Exhibition Records, 1905-2008

Title: Harvard Art Museum. Exhibition Records, 1905-2008

These records were created by museum staff in the course of planningand installing exhibitions. They pertain primarily to exhibitions held in the Fogg Museum, theBusch-Reisinger Museum and the Sackler Museum, but they also include materials related totraveling or off-site exhibitions. The records date from 1905-2008 and includecorrespondence on a wide range of topics, exhibition proposals, photographic prints andnegatives, object lists, loan forms, press releases, clippings, invitations, posters, printed labelsand wall text, memoranda, exhibition catalogues and drafts of catalogue essays.

ArchivalResource:

http://id.lib.harvard.edu/ead/art00018/catalog View

Giuseppe Panza papers, 1956-1990

Title: Giuseppe Panza papers 1956-1990

Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs.

ArchivalResource: ca. 117 linear feet; (311 boxes, 58 rolls, 3 flat file folders)

http://www.oac.cdlib.org/ark:/13030/tf8n39n9g1 View

Flavin, Dan, 1933-1996. A Donna.

Title: A Donna.

ArchivalResource:

http://www.worldcat.org/oclc/765048600 View

William and Noma Copley Foundation. Copley Foundation and Collection records, 1954-1980.

Title: Copley Foundation and Collection records, 1954-1980.

The William and Noma Copley Foundation and Collection Records document the couple's philanthropic and collecting activities. The archive dates from 1954-1980, the bulk being from 1954-1966 when the Copleys directed the Foundation. Correspondence after 1966 generally comes from Noma Copley's personal files. The collection contains correspondence with foundation advisors, composers and artists who were awarded grants, in effect demonstrating the Foundation's award process, and with artist friends about personal matters and the collection. Additionally, there is correspondence with Richard Hamilton gathered while he was editor of the Copley Foundation's monograph series, both of a business and personal nature. A separate series has personal correspondence mostly collected by Noma Copley with many drawings and handmade cards. There is much correspondence and material relating specifically to the collection, covering topics such as exhibition loans, appraisals, conservation of the collection, financial and insurance documents and photographs of the art works. Series I. Foundation Documents contains 1.25 lin. ft. (2.5 boxes) of material primarily pertaining to the Foundation's grant program, 1954-1966. Items include statutes and by-laws, award recommendations by Darius Milhaud and others for prominent composers and promising students, and by Roberto Matta and others for artists, and correspondence with awardees, including Peggy Glanville-Hicks, Shinkichi Tajiri, Bernard Pfriem, Jean Arp, Hans Bellmer, Dan Flavin, Wifredo Lam, Dorothea Tanning and Patrick Waldberg. Series II. Richard Hamilton Correspondence holds ca. 145 letters between the British Pop artist Richard Hamilton and the Copleys in his capacity as editor of the Copley Foundation monograph series, 1960-1966. Arranged in rough chonological order. The long, detailed letters primarily concern book production and distribution. Some also contain personal matters, and after 1962, there is more reference to art world gossip, Copley's and Hamilton's gallery and museum exhibitions, collecting, Hamilton's interest in the medium of artists' books and censorship. Series III. Personal Correspondence, contains .5 lin. ft. (1 box) of letters, drawings and cards from artists collected by Noma Copley, 1957-1980 (bulk 1966-1980), filed alphabetically. Letters are generally of a chatty, personal nature, but also include descriptions of working interests from artists Vija Celmins, Chryssa, Walter De Maria, Richard Hamilton, Man Ray, Roberto Matta, Irving Petlin and H.C. Westermann, among others. This series contains some handmade cards and drawings by artists. Series IV. Collection Documents, 1 lin. ft. (2 boxes), 1954-67 (bulk 1964-1966), comprises material relating to the exhibition and care of the collection. Includes are letters with museum and gallery directors and staff, loan forms, certificates of insurance, appraisals and insurance evaluations, condition and treatment reports, shipping documents and photograph requests. Other documents include financial and insurance papers. Series V. Collection Photographs, arranged by artist in alpha order, comprises over 350 b/w photos (1.25 lin. ft., 4 albums) of art works in the Copley Collection. Most photographs have labels with artist, title, dimensions and medium.

ArchivalResource: 4.5 lin. ft. (10 boxes)

http://www.worldcat.org/oclc/146011358 View

Flavin, Dan : Biographical file.

Title: Flavin, Dan : Biographical file. [1900-9999]

May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.

ArchivalResource: 1 envelope : manila ; 13 x 10 in.

http://www.worldcat.org/oclc/43801432 View

Philip Leider papers

Title: Philip Leider papers

The papers of Artforum editor and educator Philip Leider measure 0.4 linear feet and date from circa 1962 to 1997, bulk dates 1965 to 1971. The papers consist of Leider's correspondence with Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg. Correspondence, both professional and personal, constitutes a majority of the collection and is between Philip Leider and Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg and covers topics such as the writing and publication of articles and reviews in Artforum magazine, anecdotes from parties, gallery openings, lectures and performances attended by Leider and his friends, and critical reactions to events and changes in the art world. Although few in number, writings are included, usually accompanied by a letter explaining the content and style of the manuscript. These are drafts of articles slated for publication in Artforum.

ArchivalResource: 0.4 Linear feet

https://n2t.net/ark:/65665/mw931c0dfb3-0ad8-48be-a067-c364b4e64e4a View

Chinati Foundation : vertical file.

Title: Chinati Foundation : vertical file.

ArchivalResource:

http://www.worldcat.org/oclc/83372531 View

Miller, Paul Hart. William L. "Bill" McLeod, Jr. lecture series collection.

Title: William L. "Bill" McLeod, Jr. lecture series collection.

The McLeod Lecture Series Collection consists of five series depicting the various activities of the lecture series, the archives program, and the oral history program. Series A includes materials and information about the Southwest Louisiana Delegation Archives. Series B consists of the oral history interviews, television programs, transcripts, and other other audiovisual materials. Students in Dr. Henry Sirgo's government and political science classes recorded the oral history interviews. Some interviews are recorded on VHS videotape and some on audio cassettes. Most are transcribed. Series C focuses on the 2004 Lectures Series regarding the Young Turks. Series D focuses of the 2005 Lecture Series regarding the Louisiana Governor's Office. Series E. focuses on the 2006 Lecture Series entitled "Louisiana Politics and the Fourth Estate." The Lecture Series materials consist of copies of LPB's working papers for the programs, background information about the programs, promotional materials, student research papers, and photographs.

ArchivalResource: 2.5 linear feet (2 boxes)

http://www.worldcat.org/oclc/69018380 View

Oral history interview with Sol LeWitt

Title: Oral history interview with Sol LeWitt

An interview of Sol LeWitt conducted 1974 July 15, by Paul Cummings, for the Archives of American Art.

OralHistoryResource: 1 1 7/8 in. sound tape reel ; 5 in. (75 p. transcript)

https://n2t.net/ark:/65665/mw92cd3e18b-f239-46c8-91a2-94311f11f231 View

Phyllis Tuchman interviews with artists, 1968-1987

Title: Phyllis Tuchman interviews with artists, 1968-1987

The collection of 59 audio tapes records approximately 75 interviews conducted by art historian and critic Phyllis Tuchman with leading artists such as Carl Andre, Anthony Caro, John Chamberlain, Dan Flavin, Philip Glass, Michael Heizer, Donald Judd, Roy Lichtenstein, John McCracken, Joan Mitchell, Frank Stella, Andy Warhol, La Monte Young and Marian Zazeela, among others. Also included are annotated transcriptions of interviews with eight artists.

ArchivalResource: 3 Linear Feet (6 boxes)

http://hdl.handle.net/10020/cifa2012m9 View

Flavin, Dan. Flavin, Dan : [photography bio file].

Title: Flavin, Dan : [photography bio file].

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/86163626 View

Barbara Rose papers, 1940-1993 (bulk 1960-1985).

Title: Barbara Rose papers, 1940-1993 (bulk 1960-1985).

The collection, a selected portion from the total Barbara Rose archive, documents Rose's research and writings about American art, especially the New York art world during the 1960s and 1970s. It contains correspondence, manuscripts, photographs, and audio and video tapes. About .5 linear ft. of correspondence from artists includes substantial files of letters from Anne and Avigdor Arikha, and Mark Di Suvero, plus copies of letters between Ad Reinhardt and Thomas Merton (1956-64), and two 1966 letters from Robert Motherwell in which he describes the post-war New York art scene. Correspondence with other artists, critics and dealers is scattered throughout the manuscript and research files. These latter files contain Rose's research and portions of manuscripts for published and unpublished works on Patrick Henry Bruce, Georgia O'Keefe, Andy Warhol, Lee Krasner and Jackson Pollock, the Fernando Vijande gallery in Spain, E.A.T. (Experiments in Art and Technology), and the Art and Technology program of the Los Angeles County Museum. Smaller files contain notes and portions of manuscripts about Clement Greenberg, Peggy Guggenheim, Alexander Liberman, Mark Di Suvero, and the Pier 35 project in New York City. One file contains Rose's student notes from a class with Meyer Schapiro. The Vijande Gallery material includes biographical and visual material (slides and photographs) about Spanish artists, most of whom were represented by the gallery. These include José Luis Alexanco, Frederic Amat, Francesc Artigua, Rafael Baixeras, Evaristo Bellotti, Juan Bordes, Carmen Calvo, Miguel Angel Camparo, Joan Cardells, Victoria Civera, Chema Cobo, Costus, Gerardo Delgado, Xavier Franquesa, Maria Gomez, Luis Gordillo, Miquel Navarro, Soledad Sevilla, José Maria Sicilia, Juan Uslé, and Zush.

ArchivalResource: 10 linear ft.147 sound cassettes : 1 5/16 ips ; 3 78/ c 21/2 in., 1/8 in. tape, originals.13 sound tape reels of 13 : 7.5 ips ; 5 in and 7 in., 1/8 in tape, originals.6 videocassettes (VHS, U-Matic, Beta) : sd. ; originals.

http://hdl.handle.net/10020/cifa930100 View

Flavin, Dan. [Dan Flavin] : artist file

Title: [Dan Flavin] : artist file 1900-

Assembled file includes clippings, photographs, reproductions from books and auction catalogs, postcards, press releases, slides, resumes, reviews, exhibition ephemera.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/779621791 View

Papers of John Coolidge and Agnes Mongan, 1909-2006

Title: Papers of John Coolidge and Agnes Mongan, 1909-2006

These papers of Fogg Art Museum directors John Coolidge and AgnesMongan document their administration of the museum and related professional activities. Mostof Coolidge's papers were created during his administration, from 1948 to 1968; most ofMongan's papers are from her tenure as acting director and then director (1968 to 1971). Thepapers consist primarily of correspondence, including Coolidge's correspondence with artdealers, and also include photographs, memoranda, reports, meeting minutes, blueprints, printedmaterial, letters of recommendation, page proofs, financial documents, sketches and grantproposals.

ArchivalResource: 152 file boxes + oversize materials

http://id.lib.harvard.edu/ead/art00017/catalog View

Betty Asher papers, 1860-1999

Title: Betty Asher papers, 1860-1999

The papers of art collector and dealer Betty Asher document the Los Angeles art scene from circa 1960 to 1990, though most comprehensively in the 1970s, through photographs, artist files, and more than three hundred posters. Correspondence, photographs and other documents provide information about Asher's family history and the process by which she built her art collection. Included in the papers are her collections of postcards and other ephemera.

ArchivalResource: 69.6 linear ft.; (76 boxes, 55 flat files, 1 roll)

http://hdl.handle.net/10020/cifa2009m30 View