Compare Constellations
Information: The first column shows data points from Lichtenstein, Roy, 1923-1997 in red. The third column shows data points from Lichtenstein, Roy, 1923 in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
Lichtenstein, Roy, 1923-1997
Shared
Lichtenstein, Roy, 1923
Lichtenstein, Roy, 1923-1997
Name Components
Name :
Lichtenstein, Roy, 1923-1997
Dates
- Name Entry
- Lichtenstein, Roy, 1923-1997
Citation
- Name Entry
- Lichtenstein, Roy, 1923-1997
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Contributors from initial SNAC EAC-CPF ingest
Lichtenstein, Roy
Name Components
Name :
Lichtenstein, Roy
Dates
- Name Entry
- Lichtenstein, Roy
Citation
- Name Entry
- Lichtenstein, Roy
[
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Contributors from initial SNAC EAC-CPF ingest
Lichtenstein, Roy, 1923-
Name Components
Name :
Lichtenstein, Roy, 1923-
Dates
- Name Entry
- Lichtenstein, Roy, 1923-
Citation
- Name Entry
- Lichtenstein, Roy, 1923-
[
{
"contributor": "WorldCat",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Lichtenstein, Roy (American painter, sculptor, and printmaker, 1923-1997)
Name Components
Name :
Lichtenstein, Roy (American painter, sculptor, and printmaker, 1923-1997)
Dates
- Name Entry
- Lichtenstein, Roy (American painter, sculptor, and printmaker, 1923-1997)
Citation
- Name Entry
- Lichtenstein, Roy (American painter, sculptor, and printmaker, 1923-1997)
[
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]
Contributors from initial SNAC EAC-CPF ingest
ליכטנשטיין, רוי, 1923-1997
Name Components
Name :
ליכטנשטיין, רוי, 1923-1997
Dates
- Name Entry
- ליכטנשטיין, רוי, 1923-1997
Citation
- Name Entry
- ליכטנשטיין, רוי, 1923-1997
[
{
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}
]
Contributors from initial SNAC EAC-CPF ingest
Lichtenstein, Roy (Roy Fox), 1923-1997
Name Components
Name :
Lichtenstein, Roy (Roy Fox), 1923-1997
Dates
- Name Entry
- Lichtenstein, Roy (Roy Fox), 1923-1997
Citation
- Name Entry
- Lichtenstein, Roy (Roy Fox), 1923-1997
[
{
"contributor": "VIAF",
"form": "authorizedForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Lichtenstein, Roy Fox 1923-1997
Name Components
Name :
Lichtenstein, Roy Fox 1923-1997
Dates
- Name Entry
- Lichtenstein, Roy Fox 1923-1997
Citation
- Name Entry
- Lichtenstein, Roy Fox 1923-1997
[
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Contributors from initial SNAC EAC-CPF ingest
Roy Lichtenstein
Name Components
Name :
Roy Lichtenstein
Dates
- Name Entry
- Roy Lichtenstein
Citation
- Name Entry
- Roy Lichtenstein
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
リキテンスタイン, ロイ
Name Components
Name :
リキテンスタイン, ロイ
Dates
- Name Entry
- リキテンスタイン, ロイ
Citation
- Name Entry
- リキテンスタイン, ロイ
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Lichtenstein, Roy Fox
Name Components
Name :
Lichtenstein, Roy Fox
Dates
- Name Entry
- Lichtenstein, Roy Fox
Citation
- Name Entry
- Lichtenstein, Roy Fox
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
ליכטנשטין, רוי 1923-1997
Name Components
Name :
ליכטנשטין, רוי 1923-1997
Dates
- Name Entry
- ליכטנשטין, רוי 1923-1997
Citation
- Name Entry
- ליכטנשטין, רוי 1923-1997
[
{
"contributor": "VIAF",
"form": "alternativeForm"
}
]
Contributors from initial SNAC EAC-CPF ingest
Lichtenstein, Roy, 1923
Name Components
Name :
Lichtenstein, Roy, 1923
Dates
- Name Entry
- Lichtenstein, Roy, 1923
Citation
- Name Entry
- Lichtenstein, Roy, 1923
[
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Contributors from initial SNAC EAC-CPF ingest
Citation
- Exist Dates
- Exist Dates
d. Sept. 29, 1997.
Painter and sculptor, New York, N.Y. Studied at Ohio State University and at the Art Students League and under Reginald Marsh. Through his cartoon-like style and commentary, Lichtenstein came to represent a faction of his generation in his art and was one of the great proponents of the Pop Art movement of the 1960's.
Painter, sculptor; Southampton, N.Y.
eng
Latn
Citation
- BiogHist
- BiogHist
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https://viaf.org/viaf/66470256
https://viaf.org/viaf/66470256
Citation
- Same-As Relation
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https://www.wikidata.org/entity/Q151679
Citation
- Same-As Relation
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https://www.worldcat.org/identities/lccn-n50057203
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https://www.worldcat.org/identities/lccn-n50057203
Citation
- Same-As Relation
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https://id.loc.gov/authorities/n50057203
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https://id.loc.gov/authorities/n50057203
Citation
- Same-As Relation
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http://www.worldcat.org/oclc/779477564
Citation
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http://www.worldcat.org/oclc/78709121
Citation
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http://www.worldcat.org/oclc/690776107
Citation
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http://www.worldcat.org/oclc/220187762
Citation
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http://www.worldcat.org/oclc/690776101
Citation
- Source
- http://www.worldcat.org/oclc/690776101
http://viaf.org/viaf/66470256
Citation
- Source
- http://viaf.org/viaf/66470256
http://www.worldcat.org/oclc/83084427
Citation
- Source
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http://www.worldcat.org/oclc/145524596
Citation
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- http://www.worldcat.org/oclc/145524596
http://www.worldcat.org/oclc/145524415
Citation
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http://www.worldcat.org/oclc/611233086
Citation
- Source
- http://www.worldcat.org/oclc/611233086
http://www.worldcat.org/oclc/779476838
Citation
- Source
- http://www.worldcat.org/oclc/779476838
http://www.worldcat.org/oclc/122576679
Citation
- Source
- http://www.worldcat.org/oclc/122576679
http://www.worldcat.org/oclc/122599390
Citation
- Source
- http://www.worldcat.org/oclc/122599390
http://www.worldcat.org/oclc/233006987
Citation
- Source
- http://www.worldcat.org/oclc/233006987
http://www.worldcat.org/oclc/316601184
Citation
- Source
- http://www.worldcat.org/oclc/316601184
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Citation
- Source
- http://id.lib.harvard.edu/ead/art00018/catalog
http://www.worldcat.org/oclc/220160362
Citation
- Source
- http://www.worldcat.org/oclc/220160362
http://www.worldcat.org/oclc/83627898
Citation
- Source
- http://www.worldcat.org/oclc/83627898
http://www.worldcat.org/oclc/43614517
Citation
- Source
- http://www.worldcat.org/oclc/43614517
http://www.worldcat.org/oclc/754863387
Citation
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- http://www.worldcat.org/oclc/754863387
http://www.worldcat.org/oclc/764829935
Citation
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- http://www.worldcat.org/oclc/764829935
http://www.worldcat.org/oclc/764829921
Citation
- Source
- http://www.worldcat.org/oclc/764829921
http://www.worldcat.org/oclc/712291097
Citation
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- http://www.worldcat.org/oclc/712291097
http://www.worldcat.org/oclc/122394449
Citation
- Source
- http://www.worldcat.org/oclc/122394449
http://www.worldcat.org/oclc/86118598
Citation
- Source
- http://www.worldcat.org/oclc/86118598
http://www.worldcat.org/oclc/662606546
Citation
- Source
- http://www.worldcat.org/oclc/662606546
http://www.worldcat.org/oclc/199218246
Citation
- Source
- http://www.worldcat.org/oclc/199218246
http://www.worldcat.org/oclc/122565367
Citation
- Source
- http://www.worldcat.org/oclc/122565367
http://www.worldcat.org/oclc/756821105
Citation
- Source
- http://www.worldcat.org/oclc/756821105
http://www.worldcat.org/oclc/613315615
Citation
- Source
- http://www.worldcat.org/oclc/613315615
http://www.worldcat.org/oclc/31441368
Citation
- Source
- http://www.worldcat.org/oclc/31441368
http://www.worldcat.org/oclc/646395711
Citation
- Source
- http://www.worldcat.org/oclc/646395711
http://www.worldcat.org/oclc/80603942
Citation
- Source
- http://www.worldcat.org/oclc/80603942
http://www.worldcat.org/oclc/271922884
Citation
- Source
- http://www.worldcat.org/oclc/271922884
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Citation
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http://www.worldcat.org/oclc/669910368
Citation
- Source
- http://www.worldcat.org/oclc/669910368
http://www.worldcat.org/oclc/669910165
Citation
- Source
- http://www.worldcat.org/oclc/669910165
http://www.worldcat.org/oclc/122454187
Citation
- Source
- http://www.worldcat.org/oclc/122454187
http://www.worldcat.org/oclc/220199563
Citation
- Source
- http://www.worldcat.org/oclc/220199563
http://www.worldcat.org/oclc/744427350
Citation
- Source
- http://www.worldcat.org/oclc/744427350
http://www.worldcat.org/oclc/458413358
Citation
- Source
- http://www.worldcat.org/oclc/458413358
http://www.worldcat.org/oclc/744425244
Citation
- Source
- http://www.worldcat.org/oclc/744425244
http://www.worldcat.org/oclc/220244658
Citation
- Source
- http://www.worldcat.org/oclc/220244658
http://www.worldcat.org/oclc/636355629
Citation
- Source
- http://www.worldcat.org/oclc/636355629
http://www.worldcat.org/oclc/78015315
Citation
- Source
- http://www.worldcat.org/oclc/78015315
http://www.worldcat.org/oclc/744437398
Citation
- Source
- http://www.worldcat.org/oclc/744437398
http://www.worldcat.org/oclc/773310829
Citation
- Source
- http://www.worldcat.org/oclc/773310829
http://www.worldcat.org/oclc/122640615
Citation
- Source
- http://www.worldcat.org/oclc/122640615
http://www.worldcat.org/oclc/81437092
Citation
- Source
- http://www.worldcat.org/oclc/81437092
http://www.worldcat.org/oclc/80369558
Citation
- Source
- http://www.worldcat.org/oclc/80369558
http://www.worldcat.org/oclc/495594996
Citation
- Source
- http://www.worldcat.org/oclc/495594996
http://www.worldcat.org/oclc/122291261
Citation
- Source
- http://www.worldcat.org/oclc/122291261
http://www.worldcat.org/oclc/744437414
Citation
- Source
- http://www.worldcat.org/oclc/744437414
http://www.worldcat.org/oclc/220180853
Citation
- Source
- http://www.worldcat.org/oclc/220180853
http://www.worldcat.org/oclc/690776106
Citation
- Source
- http://www.worldcat.org/oclc/690776106
http://www.worldcat.org/oclc/83211978
Citation
- Source
- http://www.worldcat.org/oclc/83211978
http://www.worldcat.org/oclc/764829954
Citation
- Source
- http://www.worldcat.org/oclc/764829954
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Citation
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http://www.worldcat.org/oclc/613316799
Citation
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- http://www.worldcat.org/oclc/613316799
http://www.worldcat.org/oclc/646396963
Citation
- Source
- http://www.worldcat.org/oclc/646396963
http://www.worldcat.org/oclc/756821078
Citation
- Source
- http://www.worldcat.org/oclc/756821078
http://www.worldcat.org/oclc/122569626
Citation
- Source
- http://www.worldcat.org/oclc/122569626
http://www.worldcat.org/oclc/657043851
Citation
- Source
- http://www.worldcat.org/oclc/657043851
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http://www.aaa.si.edu/collections/findingaids/kronjoan.xml
Citation
- Source
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Alan R. Solomon papers
Title:
Alan R. Solomon papers
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.
ArchivalResource: 9.9 Linear feet
https://n2t.net/ark:/65665/mw943b0f6a7-bfde-4a32-8bcc-4c9a200251d4 View
View in SNACreferencedIn
Citation
- Resource Relation
- Solomon, Alan R. Alan R. Solomon papers, 1930-1972.
Barbara Rose papers, 1940-1993 (bulk 1960-1985).
Title:
Barbara Rose papers, 1940-1993 (bulk 1960-1985).
The collection, a selected portion from the total Barbara Rose archive, documents Rose's research and writings about American art, especially the New York art world during the 1960s and 1970s. It contains correspondence, manuscripts, photographs, and audio and video tapes. About .5 linear ft. of correspondence from artists includes substantial files of letters from Anne and Avigdor Arikha, and Mark Di Suvero, plus copies of letters between Ad Reinhardt and Thomas Merton (1956-64), and two 1966 letters from Robert Motherwell in which he describes the post-war New York art scene. Correspondence with other artists, critics and dealers is scattered throughout the manuscript and research files. These latter files contain Rose's research and portions of manuscripts for published and unpublished works on Patrick Henry Bruce, Georgia O'Keefe, Andy Warhol, Lee Krasner and Jackson Pollock, the Fernando Vijande gallery in Spain, E.A.T. (Experiments in Art and Technology), and the Art and Technology program of the Los Angeles County Museum. Smaller files contain notes and portions of manuscripts about Clement Greenberg, Peggy Guggenheim, Alexander Liberman, Mark Di Suvero, and the Pier 35 project in New York City. One file contains Rose's student notes from a class with Meyer Schapiro. The Vijande Gallery material includes biographical and visual material (slides and photographs) about Spanish artists, most of whom were represented by the gallery. These include José Luis Alexanco, Frederic Amat, Francesc Artigua, Rafael Baixeras, Evaristo Bellotti, Juan Bordes, Carmen Calvo, Miguel Angel Camparo, Joan Cardells, Victoria Civera, Chema Cobo, Costus, Gerardo Delgado, Xavier Franquesa, Maria Gomez, Luis Gordillo, Miquel Navarro, Soledad Sevilla, José Maria Sicilia, Juan Uslé, and Zush.
ArchivalResource: 10 linear ft.147 sound cassettes : 1 5/16 ips ; 3 78/ c 21/2 in., 1/8 in. tape, originals.13 sound tape reels of 13 : 7.5 ips ; 5 in and 7 in., 1/8 in tape, originals.6 videocassettes (VHS, U-Matic, Beta) : sd. ; originals.
http://hdl.handle.net/10020/cifa930100 View
View in SNACreferencedIn
Citation
- Resource Relation
- Rose, Barbara. Barbara Rose papers, 1940-1993 (bulk 1960-1985).
Oral history interview with Audrey Sabol
Title:
Oral history interview with Audrey Sabol
An interview of Audrey Sabol conducted 1987 June 10, by Marina Pacini, for the Archives of American Art.
OralHistoryResource: Sound recording: 2 sound cassettes.Transcript: 48 p.
https://n2t.net/ark:/65665/mw9fdadf9b8-2b92-4041-9136-e187eebfbd79 View
View in SNACreferencedIn
Citation
- Resource Relation
- Sabol, Audrey, 1922-. Audrey Sabol interview, 1987 June 10.
Oral history interview with Roy Lichtenstein
Title:
Oral history interview with Roy Lichtenstein
Interview of Roy Lichtenstein conducted 1963 November 15-1964 January 15, by Richard Brown Baker, for the Archives of American Art.
OralHistoryResource: Sound recording 3 sound tape reel ; 7 in.Transcript: 166 p.
https://n2t.net/ark:/65665/mw943207877-c424-4860-bc83-3510ba880aab View
View in SNACcreatorOf
Citation
- Resource Relation
- Lichtenstein, Roy, 1923-. Roy Lichtenstein interviews, 1963 Nov. 15-1964 Jan. 15.
Lichtenstein, Roy, 1923-1997. [Roy Lichtenstein] : artist file
Title:
[Roy Lichtenstein] : artist file 1900-
Assembled file includes clippings, photographs, reproductions from books and auction catalogs, postcards, press releases, slides, resumes, reviews, exhibition ephemera.
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/611233086 View
View in SNACcreatorOf
Citation
- Resource Relation
- Lichtenstein, Roy, 1923-1997. [Roy Lichtenstein] : artist file
Dore Ashton papers
Title:
Dore Ashton papers
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.
ArchivalResource: 35.6 Linear feet
https://n2t.net/ark:/65665/mw96b23d022-d02d-4a06-ba62-e34c59ad25ae View
View in SNACreferencedIn
Citation
- Resource Relation
- Ashton, Dore. Dore Ashton papers, 1849-2010 bulk 1931-1983.
Saul Zalesch collection of artists' letters and documents
Title:
Saul Zalesch collection of artists' letters and documents
Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.
ArchivalResource: 58 items (portions microfilmed on 1 reel)
https://n2t.net/ark:/65665/mw944fc0c8c-cd38-4b95-87d2-9a809479294d View
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Citation
- Resource Relation
- Zalesch, Saul E. Saul Zalesch collection of artists' letters and documents, 1834-1973.
Lichtenstein, Roy, 1923-1997. Artist file.
Title:
Artist file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/145524596 View
View in SNACcreatorOf
Citation
- Resource Relation
- Lichtenstein, Roy, 1923-1997. Artist file.
Ivan C. Karp papers and OK Harris Works of Art gallery records
Title:
Ivan C. Karp papers and OK Harris Works of Art gallery records
The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artists' files, printed material, and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Also included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters. Correspondence, both professional and personal, is with museums, galleries, art dealers, art collectors, and graduate students. Artists John Baeder, Deborah Butterfield, John Clem Clarke, John DeAndrea, Jim Dine, Leonard Dufresne, Robert Ginder, Ralph Goings, Duane Hanson, Richard McLean and Tom Wesselmann are among the correspondents. Admininstrative files concern the daily operation of OK Harris Works of Art. Included are instructions regarding administrative functions and forms for routine activities to enable employees to conduct business in Ivan Karp's absence. Along with files about other items occasionally sold at the gallery, there are files about projects of interest to the Karps, sample announcements, invitations, and advertisements. Exhibition files document group shows, collectibles and antique exhibitions, summer invitationals, and special event exhibitions at OK Harris Works of Art. The files include photographs and slides, schedules, lists of titles and prices, artists' resumes, installation layouts, reviews and publicity materials, and other items. Artist files constitute the largest series in the collection at 34 linear feet, and document the gallery's relationships with artists throughout its 45 year history. Files are comprised of biographical information, correspondence, notes, publicity and other printed material (including a few items pre-dating the gallery). Among the many transactions recorded are arrangements for and documentation of solo exhibitions at OK Harris. There are photographs, slides and color transparencies of individual works, and some views of exhibition installations. John Baeder, Muriel Castanis, Don Celender, Ralph Goings, John Kacere, Richard McLean, Robert Rohm and John Salt are among the most extensively documented artists. Printed material produced by OK Harris Works of Art includes exhibition catalogs, exhibition announcements, invitations, checklists, price lists posters, and notices of gallery sponsored events and activities. Printed material from other sources consists of exhibition reviews, articles about Ivan and Marilynn Karp, OK Harris Works of Art, and the gallery's artists. These appeared in art and mainstream periodicals, newspapers, exhibition catalogs, and books. Also found are posters, reproductions of artwork, and miscellaneous printed items. Artwork consists of 40 prints by artists affiliated with OK Harris. Most are signed; 2 are black and white prints, the remainder are color lithographs. Included is <emph render="italic">Radical Realism I</emph>, a set of 6 prints issued by Mother Lode Editions, 1972. Thirty-two linear feet of photographs, negatives, slides, transparencies and digital images are of artwork by OK Harris artists, exhibition installation views, and miscellaneous subjects. Photographs of artwork by 59 OK Harris artists are found in binders called "Artists' Photo Books." Installation views of exhibitions held at OK Harris Works of Art during its 45 year history fill 61 binders. Miscellaneous subjects include OK Harris office space, galleries and staff. Also found are photographs of group shows, art fairs, and gallery artists' exhibitions at other venues. The Ivan C. Karp personal papers include obituaries from print and internet sources along with other biographical information, published versions of brief interviews conducted for various purposes, writings, a few materials relating to business and academic activities, and some personal photographs. Journals, 1950-2012 (bulk 1991-2012) record travel, daily activities, and reflections.
ArchivalResource: 80.3 Linear feet
https://n2t.net/ark:/65665/mw96a2748a9-b34e-44ba-9c6f-c4586b7960c9 View
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- Karp, Ivan C., 1926-. Artists' letters to Ivan and Marilynn Karp, 1974-2011.
Roy Lichtenstein sketches for "As I Opened Fire"
Title:
Roy Lichtenstein sketches for "As I Opened Fire"
Preliminary sketch for the painting "As I Opened Fire" [1964] and the comic strip on which it was based.
ArchivalResource:
https://n2t.net/ark:/65665/mw9967231d5-2308-4d1a-908f-5ee4f9dae469 View
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- Lichtenstein, Roy, 1923-. Roy Lichtenstein sketches for "As I Opened Fire", [ca. 1964].
John Jones interviews with artists
Title:
John Jones interviews with artists
Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.
ArchivalResource: 0.4 linear feet
https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91 View
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- Jones, John. John Jones interviews with artists, 1965 Oct. 5-1965 Nov. 12.
Lenore Seroka photographs
Title:
Lenore Seroka photographs
Photographs of artists taken by Seroka.
ArchivalResource:
https://n2t.net/ark:/65665/mw9858136e9-6ce3-4d39-89c7-2264e3bf284f View
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- Seroka, Lenore. Lenore Seroka photographs, 1977-1984.
Giuseppe Panza papers, 1956-1990.
Title:
Giuseppe Panza papers, 1956-1990.
The Giuseppe Panza papers document the Italian businessman's considerable activities in collecting Contemporary art. Panza collected works by some of the seminal American artists involved with Abstract Expressionist, Pop, Minimal, Conceptual, Environmental, and Light and Space art. The archive contains material from the time when he began collecting in 1956 up to the sale of the second part of his collection to the Guggenheim Museum, New York in 1990.
ArchivalResource: 117 lin. ft. (310 boxes, 58 rolls, 3 flat file folders)
http://hdl.handle.net/10020/cifa940004 View
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- Panza, Giuseppe. Giuseppe Panza papers, 1956-1990.
Matthew Baigell papers
Title:
Matthew Baigell papers
Correspondence, writings and research material concerning Thomas Hart Benton and Baigell's other writings. Also included is a ca. 1965 interview with Hoyt Sherman conducted by Baigell.
ArchivalResource:
https://n2t.net/ark:/65665/mw94d4cf4fb-79e9-4295-aa94-38cab9c55b0f View
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- Baigell, Matthew. Matthew Baigell papers, [ca. 1965-1985].
Morris Louis and Morris Louis Estate papers
Title:
Morris Louis and Morris Louis Estate papers
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis’ papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis’ artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz. Within the Morris Louis papers (circa 3 linear feet) are scattered biographical materials for Morris Louis and Marcella Brenner. Correspondence is with family friends, artists, and galleries, the bulk of which consists of photocopies. Of note are letters from Helen Frankenthaler, Clement Greenberg, Leonard Bocour, Kenneth Noland, and Anne Truitt. Business records include lists of artwork, receipts for art supplies, and scattered tax records. Six notebooks belonging to Morris Louis contain miscellaneous notes about students, studio rental payments, addresses, travel expenses, and a short list of paintings. There is one notebook of Marcella Brenner’s containing notes about expenses and addresses. Also found are printed materials, one canvas sample, and one embossing stamp. Photographs are of Morris Louis, Marcella Brenner, and the Bernstein family. The majority of the collection (circa 15 linear feet) consists of records created and maintained by Marcella Brenner in the course of managing Louis’ estate and posthumous exhibitions and projects. There are numerous gallery exhibition records for many posthumous and retrospective exhibitions between 1965 through 2002, including those held at the Andre Emmerich Gallery, the Hirshhorn Museum, and numerous other U.S. and international galleries and museums. Louis' artwork is documented in highly detailed inventory lists and cards. Legal records document the lawsuit brought by the Bernstein family against Marcella Brenner which began in 1964 and ended in 1970 in favor of Brenner. Financial records document sales. Printed materials include clippings, exhibition catalogs and announcements, and other miscellaneous materials. Writings include essays about Louis and manuscript copies of the book <emph render="italic">Trustee for the Human Race: Litigation over the Morris Louis Paintings</emph> written by Ruth S. Blau under contract for Marcella Brenner. Photographs are primarily of artwork depicted in exhibition installations. Project files are found for several posthumous documentary film projects and a catalog raisonne, and include a series of audio recordings of interviews of 27 artists conducted by Anita Faatz in 1970-1971. Artists interviewed include Clement Greenberg, Leonard Bocour, Andre Emmerich, Helen Frankenthaler, Kenneth Noland, and many others.
OralHistoryResource: 23 sound cassettes.K.Noland: 1 transcript (no tape exists)
https://n2t.net/ark:/65665/mw9ecc509be-66ed-4df5-9632-537bc9cf40ed View
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- Louis, Morris, 1912-1962. Morris Louis and Morris Louis Estate papers, 1937-1988.
Lichtenstein, Roy, 1923-1997. Roy F. Lichtenstein : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Title:
Roy F. Lichtenstein : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990
File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.
ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.
http://www.worldcat.org/oclc/662606546 View
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- Lichtenstein, Roy, 1923-1997. Roy F. Lichtenstein : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].
Matter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.
Title:
Herbert Matter papers, circa 1937-1984.
The collection represents the photography and graphic design career of Herbert Matter, his commercial and personal work. This includes original artwork (collages, sketches), photographs (predominately black and white prints, contact prints, working prints), manuscripts, process materials (paste-ups, proof sheets), memorabilia, negatives, transparencies, slides, 16mm motion picture film, printed material, and working equipment. There is considerable correspondence with particularly noteworthy letters from Gregory Ain, John Cage, John Entenza, Walter Gropius, Gyorgy Kepes, Isamu Noguchi, Irving Penn, and Brett Weston among others.
ArchivalResource: circa 350 linear feet (467 containers)
http://www.worldcat.org/oclc/754863387 View
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- Matter, Herbert, 1907-1984. Herbert Matter papers, circa 1937-1984.
Leo Castelli Gallery records
Title:
Leo Castelli Gallery records
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and audio and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films. The records document the gallery's daily business operations, exhibitions, spaces/buildings, collaborations and joint ventures with other galleries and museums, and its relationship with many artists, dealers, and clients. Artists particularly well-represented throughout the collection include Hanne Darboven, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner. Records pre-dating the gallery's establishment in 1957 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of works of art, and scattered personal business records of Leo Castelli.General Correspondence is extensive at circa 25 linear feet and consists primarily of the gallery's and Leo Castelli's named and subject correspondence files concerning the gallery's daily operations, exhibitions, artwork installation and fabrication, appraisals, inquiries, loans, sales, consignments, personal and business relationships with artists, and other topics. The general correspondence is arranged either by name of correspondent or topic, and is with museums and galleries, collectors, business associates, artists, employees, and friends. Notes, scattered photographs and slides, and printed materials are often found as enclosures. Leo Castelli's personal correspondence is also found here and consists primarily of solicitations, requests for advice, notes of thanks, congratulations, and invitations.Letters written by artists in the gallery's stable are somewhat limited. There are scattered letters from artists Christo, Chryssa, Nassos Daphnis, Hanne Darboven, Marisol, Dan Flavin, Jasper Johns, Frederick Kiesler, Robert Morris, Hans Namuth, Bruce Nauman, Nam June Paik, Ray Parker, James Rosenquist, Edward Ruscha, Salvatore Scarpitta, Frank Stella, Cy Twombly, and Jack Tworkov. There are also letters about artists in this series filed under the artists' name.Collectors and dealers represented within the correspondence include the De Menil family, Mrs. Henry Epstein, Ben Heller, Giuseppe Panza, Alan Power, John and Kimiko Powers, Robert and Carolyn Rowan, Robert and Ethel Scull, and Burton and Emily Tremaine. Museums and galleries for which there is considerable correspondence includes the Dwan Gallery, Ferus Gallery, the Jewish Museum, Museum of Modern Art, Sidney Janis Gallery, Stedelijk Museum, Whitney Museum of American Art, and the Ileana Sonnabend Galerie. The materials arranged in General Correspondence were originally marked by the gallery as "correspondence" files upon accessioning, and, are thus arranged into their own series. However, in some cases, there appears to be little difference between the General Correspondence and the Administrative Files. Thus, researchers are encouraged to reference both series. Administrative Files document a wide variety of the gallery's activities and business. Essentially, these are files that were arranged by the gallery according to subject or topic and cover almost all activities except specific exhibitions. These files include records and correspondence about buildings and space, advertising, appraisals, auctions, consignments, loans, miscellaneous business correspondence, index cards, business arrangements with artists, information about artists, interviews with artists (transcripts), history of the gallery, mailings, photograph requests, shipping, and other topics. Few items are in digital format. There are staff notebooks and files and Leo Castelli's notebooks and notes from the late 1950s through the early 1990s. Extensive outgoing chronological correspondence filed in this series dates from 1964-1977. Also found are transcripts of interviews with Leo Castelli, biographical material, some of it in digital format, and scattered photographs.Researchers should note that the Administrative Files often overlap and complement the General Correspondence. However, they focus slightly more distinctly on gallery business activities and are arranged mostly by subject or topic, except for the chronological business correspondence. Researchers are encouraged to reference both series. For example, correspondence with and about Jasper Johns may be found in both series, but the administrative files most likely focus on a specific loan, consignment, or business activity or transaction. Exhibition files provide a thorough history of the gallery's exhibitions, as well as the fabrication and installation of artwork for exhibitions. These files include correspondence, exhibition catalogs, guest books, lists of exhibitions by artist and by year, press releases, sketches and notes, and scattered financial records. Photographs document over 650 exhibitions at Leo Castelli Gallery, including The Ninth Street Show organized by Castelli in 1951, and over 200 exhibitions at other galleries. Extensive artists' files comprise approximately 40% of the records and are a rich resource of printed and compiled information about the careers of over 120 artists and their relationship with Leo Castelli and the gallery. There are exhibition announcements and catalogs, flyers, invitations, magazine articles and clippings, newspaper clippings, posters, press releases, photographs, and a handful of books. Nearly half of the series is comprised of black and white photographs of artwork, presumably handled by the Leo Castelli Gallery.Additional printed materials include exhibition announcements, flyers, invitations, magazine articles and clippings, newspaper clippings, press releases, and exhibition posters. Exhibition catalogs are filed with the exhibitions files. The general archives files provide a chronological history of the gallery and its exhibitions. There are also files concerning Leo Castelli and numerous art-related topics. Exhibition posters are found here as well. Artwork is limited and includes a few works of art and signed posters. Artists represented here include photographer Gianfranco Gorgoni, Robert Morris, Bruce Nauman, Richard Serra and Andy Warhol, as well as others.The records of the subsidiary Castelli Graphics New York consist of correspondence and administrative files relating to general operations and the sale and loan of prints. Also found are exhibition files, sales records, and scattered financial records. The series provides a wealth of information about Castelli Graphics collaborations with Multiples Inc. in the 1970s.Also found in the collection are records of Castelli/Sonnabend Tapes and Films, a joint business venture between Leo Castelli Gallery and Sonnabend Gallery from 1974-1985. Records include correspondence, administrative files, exhibition files, artists' files, printed materials, sales and rental records, photographs, and financial records. The importance and stature of Leo Castelli and the Leo Castelli Gallery to the arts community in New York City and beyond is documented by numerous awards and recognitions, such as framed and unframed certificates, plaques, statues, medals, and scattered photographs.Nearly seven linear feet of photographs include professional black and white original prints, scattered color photographs, color transparencies, slides and negatives, and disassembled photo albums. The photographs primarily depict social and art events and functions; family and friends of Leo Castelli; and portraits of Leo Castelli and artists and of Leo Castelli with artists, including Richard Artschwager, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Richard Serra, Frank Stella, and Andy Warhol. Photographs of exhibitions and exhibition installations are filed with the exhibition files.Sound and video recordings include sound and video art, performances, interviews with artists and Leo Castelli, recordings from and of exhibitions, and television publicity recorded on sound cassettes, phonograph records (vinyl and lacquer), videocassettes (U-matic, VHS, Betamax), and videocartridges. Artists represented include Vito Acconci, Robert Barry, Barbara Bloom, Hannah Collins, Hanne Darboven, Dan Flavin, Laura Grisi, Jasper Johns, Jeff Koons, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Ed Ruscha, Salvatore Scarpitta, Doug and Mike Starn, and Lawrence Weiner, among others.<ref actuate="onLoad" show="embed" target="ref6685" title="Index List">See Index for list of Exhibitions at the Leo Castelli Gallery and Castelli Graphics</ref>,publish:true,subnote_guid:281c0be7088f1f39331d3d4bdfd1131f}]}
ArchivalResource:
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- Leo Castelli Gallery. Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999.
Museum of Modern Art (New York, N.Y.). The drawings of Roy Lichtenstein. 1987 : Archives pamphlet file : miscellaneous uncataloged material.
Title:
The drawings of Roy Lichtenstein. 1987 : Archives pamphlet file : miscellaneous uncataloged material.
ArchivalResource: 1 folder
http://www.worldcat.org/oclc/81437092 View
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- Museum of Modern Art (New York, N.Y.). The drawings of Roy Lichtenstein. 1987 : Archives pamphlet file : miscellaneous uncataloged material.
Washington Gallery of Modern Art records
Title:
Washington Gallery of Modern Art records
The records of the Washington Gallery of Modern Art measure 15.7 linear feet and 0.523 GB and date from 1959 to 1992. The records document the history of the gallery through Board of Directors meeting minutes, various committee meetings minutes and agendas, bylaws, and other trustee records; correspondence and other materials associated with each of the four gallery directors over the course of the gallery's existence; general correspondence; exhibition files, proposed exhibitions, collection files, and other curatorial and registrar records; financial records; development and membership records; tour guide information, gift shop finances and orders, and other museum services; and clippings, catalogs, and other printed and digital material.
ArchivalResource: 15.7 Linear feet; 0.523 Gigabytes
https://n2t.net/ark:/65665/mw93cd65ad2-0502-43a3-ab5e-968307ccc58c View
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- Washington Gallery of Modern Art (Washington, D.C.). Washington Gallery of Modern Art records, 1961-1989 (bulk 1961-1966).
Chaim and Dorothy Koppelman papers
Title:
Chaim and Dorothy Koppelman papers
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.
ArchivalResource: 4 Linear feet
https://n2t.net/ark:/65665/mw988e54036-6f92-4d0d-89e9-c638ba3bf216 View
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- Koppelman, Chaim, 1920-. Relevance of the Siegel theory of opposites to the work of Roy Lichtenstein, Clayton Pond, and Richard Anuszkiewicz [sound recording] / Chaim Koppelman.
Oral history interview with Diane Waldman
Title:
Oral history interview with Diane Waldman
An interview of Diane Waldman conducted 2010 June 8-9, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Waldman's home, in New York, N.Y.
OralHistoryResource: Sound recording, master: 4 memory cards (5 hr., 57 min.) digital; 1.25 in.
https://n2t.net/ark:/65665/mw96aeb78f4-637e-40a2-bb38-726bc8f2e747 View
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- Waldman, Diane. Oral history interview with Diane Waldman, 2010 June 8-9.
Lichtenstein, Roy : Biographical file.
Title:
Lichtenstein, Roy : Biographical file. [1900-9999]
May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.
ArchivalResource: 1 envelope : manila ; 13 x 10 in.
http://www.worldcat.org/oclc/43614517 View
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- Lichtenstein, Roy : Biographical file.
Billy Al Bengston papers
Title:
Billy Al Bengston papers
The papers of Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the southern California artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs. Found within the biographical materials series are three feet of calendars which extensively document Bengston's personal and professional activities for fourteen years, and include ephemera related to these activities. This series also includes health records, wills, and passports. Correspondence is with galleries, museums, universities, businesses, friends, and colleagues, and primarily concerns exhibitions, sales, consignments, commissions, and Bengston's personal finances. Bengston's relationship with the James Corcoran Gallery, Janie C. Lee Gallery, John Berggruen Gallery, Martha Jackson Gallery, and Texas Gallery are well-documented here, as well as in the Museum and Gallery Files series. Also found is a limited amount of personal correspondence with collectors, researchers, and friends. A few letters from other artists, including Peter Plagens and a letter from Richard Diebenkorn are interfiled here. Bengston's professional relationships with galleries, museums, and universities are well-documented in the gallery and museum files, including the galleries mentioned above, Ferus Gallery, and others. Lists of consignments and prices, invoices, records of sales, loan agreement forms, shipping receipts, exhibition checklists, and exhibition floor plans provide information about sales, exhibitions, and loans. A few files provide further information about Bengston teaching activities. His personal business records include art sales records, price lists, lists of purchases, records of investment, and personal finance records. Project files include correspondence, notes, and printed materials related to Bengston's commissions for artwork and personal projects, including a book he worked on with Ed Ruscha, <emph render="italic">Business Cards</emph>. Writings by Bengston include responses to exhibitions of West Coast art and his thoughts on his career, art, the artistic community, motorcycles, as well as a recollection of John Altoon. Also found are questionnaires sent out by Bengston for an art survey, with responses from Peter Alexander, Carl Andre, John Chamberlain, Dan Flavin, Joe Goode, Robert Graham, Roy Lichtenstein, Robert Motherwell, Ed Ruscha, and others. Writings by others consist primarily of exhibition catalog essays, manuscripts of interviews with Bengston, and other writings about Bengston. Also found is an essay by Walter Hopps. Photographs of Bengston include a family picture from the 1940s, Bengston at work on projects in Los Angeles and Syracuse, New York, and Bengston at social events. Other photographs consist of pictures of friends and artists, Bengston's artwork, documentary evidence of damaged artwork, and of commission sites. Printed materials from the 1960s - 1980s include clippings, full articles, exhibition announcements and catalogs, and posters. They document exhibitions, art in southern California, and society and art events. The collection houses limited amounts of artwork including sketches, cut-outs, doodles and drawings.
ArchivalResource:
https://n2t.net/ark:/65665/mw9100ab903-2685-4182-8e65-3886c54e0d7f View
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- Bengston, Billy Al. Billy Al Bengston papers, circa 1940s-1989 (bulk 1968-1988).
Colette Roberts Artist Interviews, 1964-1969
Title:
Colette Roberts Artist Interviews 1964-1969
Papers of the American art critic, gallery director.Born in Paris, France, died 1971. Director of Grand Central Moderns (N.Y.), 1952-1968. Collection consists of taped interviews with Will Barnet, Nell Blaine, Victor Candell, Giorgio Cavallon, pianist George Copeland, Ben Cunningham, Fielding Dawson, Marcel Duchamp, Adolph Gottlieb, José Guerrero, Stanley William Hayter, John Hultberg, Jennett Lam, Charlotte Lichtblau, Roy Lichtenstein, Richard Lindner, Robert Mallary, Leo Manso, Ezio Martinelli, Seong Moy, Norman Narotzky, Louise Nevelson, Betty Parsons, Bernard Pfriem, Abraham Rattner, Man Ray, Robert Reid, Ralph Rosenborg, Jason Seley, William Soles, Hyde Solomon, Hedda Sterne, and Reuben Tam.
ArchivalResource: 37 tapes.
http://library.syr.edu/digital/guides/r/roberts_c.htm View
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- Colette Roberts Artist Interviews, 1964-1969
Castelli Graphics records
Title:
Castelli Graphics records
The records of Castelli Graphics measure 45.7 linear feet and date from 1965 to 2001. Administrative files, correspondence, exhibition and project files, artists' files, financial and legal records, inventory and stock records, printed materials, and photographic materials document the activities of the New York art gallery and publishing firm founded by Antoinette Castelli.
ArchivalResource: 45.7 linear feet
https://n2t.net/ark:/65665/mw99103675c-32f0-4a00-b00b-9bd9e16a08dc View
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- Castelli Graphics (Firm). Castelli Graphics records, 1969-1997.
Lichtenstein, Roy, 1923-1997. Homage to Picasso.
Title:
Homage to Picasso.
ArchivalResource:
http://www.worldcat.org/oclc/764829954 View
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- Lichtenstein, Roy, 1923-1997. Homage to Picasso.
Lichtenstein, Roy, 1923-1997. Masterpiece [Multimédia multisupport].
Title:
Masterpiece [Multimédia multisupport].
ArchivalResource:
http://www.worldcat.org/oclc/690776101 View
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- Lichtenstein, Roy, 1923-1997. Masterpiece [Multimédia multisupport].
Lichtenstein, Roy, 1923-1997. Roy Lichtenstein : file of clippings and miscellanea.
Title:
Roy Lichtenstein : file of clippings and miscellanea. [197?-
ArchivalResource: 1 portfolio : ill. ; 25 x 38 cm.
http://www.worldcat.org/oclc/31441368 View
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- Lichtenstein, Roy, 1923-1997. Roy Lichtenstein : file of clippings and miscellanea.
Los Angeles County Museum of Art. Art and Technology Program. Modern Art Department, Art and Technology records, 1967-1971.
Title:
Modern Art Department, Art and Technology records, 1967-1971.
The Modern Art Department, Art and Technology records, covering 2.5 linear feet, comprise a major portion of the program's documentation held at the Los Angeles County Museum of Art. While much of the information contained in these records is included in the published Report on the Art and Technology Program at LACMA 1967-1971, by curators Maurice Tuchman and Jane Livingston, a rich range of materials provides insight into the program's planning and execution, and into the experiences of those artists and companies who participated. These materials include administrative files, correspondence, curatorial notes and drafts of essays on artists, transcripts of artist interviews, and some sketches and photographs of artworks created by artists-in-residence. Series I Administrative consists mostly of documents created in preparation for and to publicize the Art and Technology program, including progress reports noting the arrangements being made between artists and corporations and a brochure announcing the purpose and goals of the program. Series II Corporate Participants and Contributors encompasses a scant amount of materials on only one of the thirty-seven companies that sponsored the Art and Technology program, the Lockheed Aircraft Corporation which hosted the artist R.B. Kitaj. Also included in this series are letters from Marilyn "Missy" Chandler, wife of Los Angeles Times' publisher Otis Chandler, who solicited corporate support on behalf of LACMA. Additional information on corporate sponsors appears sporadically in the artist files comprising Series III. Series III Artists includes files on thirty-one of the seventy-six artists who either were invited, or submitted proposals, to participate in the Art and Technology program, including John Chamberlain, Robert Irwin, Rockne Krebs, Roy Lichtenstein, Jackson MacLow, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Robert Rauschenberg, Tony Smith, Karlheinz Stockhausen, James Turrell, Victor Vasarely, and Andy Warhol. These files contain (where noted) correspondence between artists, LACMA curators, and corporate personnel, artist statements and proposals, curatorial notes and drafts of essays written for A Report on the Art and Technology Program, transcriptions of interviews and conversations with artists, photographs of artists resident at corporations, and drawings, photographs, and negatives of artists' works. A file containing a 2007 statement by Channa Horwitz (formerly Channa Davis), the only female artist whose proposal was included in A Report on the Art and Technology Program, was added to the collection. The Art and Technology program was initiated at the Los Angeles County Museum of Art (LACMA) in 1967, when curator Maurice Tuchman proposed the idea of formulating a relationship between contemporary artists and high-tech corporations that would lead to experiments conjoining art and industry and possibly produce new works of art. The program attracted the participation of some of the most renowned artists of the period--Andy Warhol, Robert Rauschenberg, Claes Oldenburg, and Robert Irwin, to name just a few--who were paired with "Patron Sponsors" who hosted some of the artists at corporate facilities and in some cases collaborated on projects. In March 1970, several works resulting from these pairings were shown in the American Pavilion at Expo '70 (the world's fair in Osaka, Japan) and in an exhibition at LACMA from May 16 to August 29, 1971. This archive consists of documentation relating to the Art and Technology program, including correspondence between LACMA curators, artists, and corporate participants, notes and drafts of essays written for a report on the A&T Program by curators Jane Livingston and Tuchman, transcriptions of interviews and conversations with artists, and drawings, photographs, and negatives of artists' works.
ArchivalResource: 2.5 Linear feet 6 boxes
http://www.worldcat.org/oclc/773310829 View
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- Resource Relation
- Los Angeles County Museum of Art. Art and Technology Program. Modern Art Department, Art and Technology records, 1967-1971.
Getty Research Institute. Contemporary Programs and Research. The object in transition : a cross-disciplinary conference on the preservation and study of modern and contemporary art, 2008 Jan. 24-26 / co-sponsored by the Getty Research Institute and the Getty Conservation Institute.
Title:
The object in transition : a cross-disciplinary conference on the preservation and study of modern and contemporary art, 2008 Jan. 24-26 / co-sponsored by the Getty Research Institute and the Getty Conservation Institute.
The conference brought together curators, art historians, conservators, conservation scientists, and artists to present and discuss interdisciplinary case studies on the conservation of the diverse and frequently nontraditional materials used by artists in the creation of modern and contemporary art. Topics discussed at the conference included the broad variety of materials used by modern and contemporary artists, as well as the challenges posed to the conservators charged with the preservation of works of art and to the historians and curators who interpret them.
ArchivalResource: 28 film cassettes (mini-DV cassette tapes) ; 6.5 x 5 x 1 cm., in case 11 x 8 x2 cm. originals + ephemera.24 videodiscs (DVDs) ; 4 3/4 in. viewing copies.2 Photo CDs : col ; 4 3/4 in.
http://www.worldcat.org/oclc/316601184 View
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- Resource Relation
- Getty Research Institute. Contemporary Programs and Research. The object in transition : a cross-disciplinary conference on the preservation and study of modern and contemporary art, 2008 Jan. 24-26 / co-sponsored by the Getty Research Institute and the Getty Conservation Institute.
Papers of Daniel Robbins and Seymour Slive, 1959-2003 (inclusive), 1971-1982 (bulk)
Title:
Papers of Daniel Robbins and Seymour Slive, 1959-2003 (inclusive), 1971-1982 (bulk)
These papers of Fogg Art Museum directors Daniel Robbins and Seymour Slive document their administration of the museum and related professional activities. Most of Robbins' papers were created during his administration of the museum, from 1971 to1974; most of Slive's papers are from his tenure as acting director and then director, from 1974 to1982. The papers consist primarily of correspondence and also include photographs and printed material.
ArchivalResource: 20 file boxes + oversize material
http://id.lib.harvard.edu/ead/art00020/catalog View
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- Resource Relation
- Papers of Daniel Robbins and Seymour Slive, (inclusive), (bulk), 1959-2003, 1971-1982
Harvard Art Museum. Exhibition Records, 1905-2008
Title:
Harvard Art Museum. Exhibition Records, 1905-2008
These records were created by museum staff in the course of planningand installing exhibitions. They pertain primarily to exhibitions held in the Fogg Museum, theBusch-Reisinger Museum and the Sackler Museum, but they also include materials related totraveling or off-site exhibitions. The records date from 1905-2008 and includecorrespondence on a wide range of topics, exhibition proposals, photographic prints andnegatives, object lists, loan forms, press releases, clippings, invitations, posters, printed labelsand wall text, memoranda, exhibition catalogues and drafts of catalogue essays.
ArchivalResource:
http://id.lib.harvard.edu/ead/art00018/catalog View
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- Harvard Art Museum. Exhibition Records, 1905-2008
Lichtenstein, Roy, 1923-1997. Hot dog.
Title:
Hot dog.
ArchivalResource:
http://www.worldcat.org/oclc/764829935 View
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- Resource Relation
- Lichtenstein, Roy, 1923-1997. Hot dog.
Lichtenstein, Roy, 1923-1997. Hot dog [Multimédia multisupport].
Title:
Hot dog [Multimédia multisupport].
ArchivalResource:
http://www.worldcat.org/oclc/690776106 View
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Citation
- Resource Relation
- Lichtenstein, Roy, 1923-1997. Hot dog [Multimédia multisupport].
Stanley Twardowicz papers
Title:
Stanley Twardowicz papers
The papers of painter and photographer Stanley Twardowicz measure 1.1 linear feet and date from 1942-2009, with the bulk of the papers dating from 1942-1981. The papers contain biographical material, scrapbooks, letters, writings, printed material, photographs, and audio and video recordings regarding the career of Stanley Twardowicz as a painter and photographer.Biographical material consists of various curriculum vitae, a list of exhibitions and awards from 1942-1954, and typed excerpts from reviews of Twardowicz's one-man shows at Contemporary Arts Gallery during 1951.Writings include an unpublished hand-written 70 page memoir by Twardowicz entitled "A Life with No Tears" covering the artist's early life through 1970, a master's thesis "Stanley Twardowicz, Tracing the Roots of an American Modernist" by Kim Greer Verzyl written in 1978, and a 2008 writing by Gerald Nicoisa which describes his relationship with Twardowicz.Scrapbooks are two disbound volumes organized by years. They contain the artist's collection of exhibition announcements, catalogs, and lists; press clippings; letters advising of awards and fellowships; and Ohio State Fair ribbons for excellence in fine art.Printed materials and related items consist of chronological files that retain their original order. Found are printed materials relating to exhibitions, letters, and audio visual materials. Of particular interest is the 1956 letter advising Twardowicz that he has been awarded a John Simon Guggenheim Memorial Foundation Fellowship in creative painting. Photographs include pictures of the artist and ones taken by Twardowicz. Twardowicz's photographs are of Roy Lichtenstein, David Smith, Jules Olitski, Roy Parker, Mike Kanemitsu, Betty Parsons, Lillian Dodson (the artist's wife), and Jack Kerouac. There also is a photograph by Dorothy Lichtenstein of Twardowicz, Parker, Dodson and Roy Lichtenstein and casual snapshots of the artist and friends and family.
ArchivalResource: 1.1 linear feet
https://n2t.net/ark:/65665/mw9041731d9-8f44-4bf3-93e4-e3191a0777ea View
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- Resource Relation
- Twardowicz, Stanley, 1917-. Stanley Twardowicz papers, 1925-2007.
Diamonstein-Spielvogel, Barbaralee. Barbaralee Diamonstein-Spielvogel collection, 1976-1999.
Title:
Barbaralee Diamonstein-Spielvogel collection, 1976-1999.
The Barbaralee Diamonstein-Spielvogel Collection dates from 1976 to 1999 and primarily comprises videotapes and autdiotapes of interviews conducted by Diamonstein-Spielvogel with various artists, architects, craftsmen, interior designers, fashion designers, and photographers concerning their respective fields. These interviews are the substance of Diamonstein-Spielvogel's ten different television series, which include "About the Arts," "American Architecture Now," "American Architecture Now II," "Barbaralee Diamonstein and ...," "Handmade In America," "Inside New York's Art World," "Inside Fashion," "Inside Fashion- Fashion Now," "Interior Design: The New Freedom," and "Visions and Images: American Photographers on Photography." Also included in this collection are interviews of Diamonstein-Spielvogel concerning her work on several news shows, including ABC's "Good Morning America," Fox's "Ten O'Clock News," and WOR-TV's "Straight Talk." Additionally, there are a few news segments that she produced, including ABC's "Arts Minutes" and CBS's "But Not On My Block," and one that she wrote and narrated, CBS's "Lamp Unto My Feet: After Reubens." The collection, arranged alphabetically by the first name of each interview subject, includes various preservation formats, including 1" Open Reel Videotape, 3/4" Umatic Videotape, and VHS Videotape. The collection also contains twenty-eight unedited audiotapes consisting of additional interviews conducted by Diamonstein-Spielvogel, accompanied by a book of transcriptions entitled Singular Voices: Americans Who Make a Difference.
ArchivalResource: 556 items (54.0 lin. ft.)
http://www.worldcat.org/oclc/712291097 View
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- Resource Relation
- Diamonstein-Spielvogel, Barbaralee. Barbaralee Diamonstein-Spielvogel collection, 1976-1999.
Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)
Title:
Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)
Papers of American author, Gore Vidal (1925-), including literary manuscripts, correspondence, photographs, political papers, legal and business records, and other material. Also includes papers of his companion, Howard Austen (1929-2003).
ArchivalResource: 414 linear feet (449 boxes, cartons, and film reels)
http://id.lib.harvard.edu/ead/hou01943/catalog View
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- Resource Relation
- Gore Vidal papers, 1875-2004 (inclusive), 1936-2000 (bulk).
Joan Kron papers
Title:
Joan Kron papers
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.
ArchivalResource: 1.4 Linear feet
https://n2t.net/ark:/65665/mw9da6dc59e-86a1-4877-879f-28aa750c582f View
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- Resource Relation
- Kron, Joan. Joan Kron papers, 1959-1971.
[Lippincott, Inc. photographs]
Title:
[Lippincott, Inc. photographs]
Photographs by Roxanne Everett, of artists fabricating and installing their sculpture at Lippincott, Inc., and other sites.
ArchivalResource:
https://n2t.net/ark:/65665/mw91617a1ce-12a2-4294-b492-1fdeeea250fe View
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Citation
- Resource Relation
- Lippincott, Inc. [Lippincott, Inc. photographs], 1968-1977 and [undated].
Colette Roberts Papers and Interviews with Artists
Title:
Colette Roberts Papers and Interviews with Artists
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
ArchivalResource: 10.2 Linear feet
https://n2t.net/ark:/65665/mw9bb878da1-c929-41fc-aa11-e3a678ffd3f1 View
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Citation
- Resource Relation
- Roberts, Colette, 1910-. Colette Roberts papers and interviews with artists, 1918-1971.
Lichtenstein, Roy, 1923-1997. Masterpiece.
Title:
Masterpiece.
ArchivalResource:
http://www.worldcat.org/oclc/764829921 View
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Citation
- Resource Relation
- Lichtenstein, Roy, 1923-1997. Masterpiece.
Lichtenstein, Roy, 1923-1997. Homage to Picasso [Multimédia multisupport].
Title:
Homage to Picasso [Multimédia multisupport].
ArchivalResource:
http://www.worldcat.org/oclc/690776107 View
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Citation
- Resource Relation
- Lichtenstein, Roy, 1923-1997. Homage to Picasso [Multimédia multisupport].
Lichtenstein, Roy, 1923-1997. Artist file.
Title:
Artist file.
ArchivalResource: 3 folders.
http://www.worldcat.org/oclc/145524415 View
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- Resource Relation
- Lichtenstein, Roy, 1923-1997. Artist file.
Fairfield Porter papers
Title:
Fairfield Porter papers
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. The collection includes a biographical chronology; certificates, awards, and diplomas; letters to Fairfield and Anne Porter; scattered outgoing correspondence; and reviews, essays, notes, poems, and translations written by Porter and others. Among the writings are poetry manuscripts written by several New York School Poets including Frank O'Hara, James Schuyler, and Kenneth Koch. Also found are gallery records, inventories and appraisals, financial records, exhibition catalogs, clippings, posters, and records of Anne Porter's efforts to place his collection and document and publish his work after his death. Photographs of Porter, his homes, and his family are also present, as well as sketchbooks, loose sketches, and drawings spanning his entire career. Significant correspondence is present from the Porters' many poet friends, including Kenneth Koch, James Schuyler, Ron Padgett, Kenward Elmslie, Barbara Guest, Carl Morse, David Shapiro, and others. Among the letters are poetry manuscripts by Koch, Morse, Schuyler, Padgett, and Shapiro. Some letters are actually written in verse, especially those from Kenneth Koch.Artists with letters in the collection include Joe Brainard, Rudy Burkhardt, John Button, Lucien Day, Rackstraw Downes, Philip Evergood, Jane Frielicher, Arthur Giardelli, Leon Hartl, Alex Katz, Edward Laning, Roy Lichtenstein, Larry Rivers, Richard Stankiewicz, Nicolas Vasilieff, among others. Other art world figures represented include John Bernard Myers, curator at the Tibor de Nagy gallery (New York), and Tom Hess, editor of <emph render="italic">ArtNews</emph>. Artwork found within the correspondence includes an illustrated letter from Ron Padgett and an original print on a holiday card by Edith Schloss.
ArchivalResource:
https://n2t.net/ark:/65665/mw9c9535998-330e-4c23-9f84-9c4dff3569e5 View
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Citation
- Resource Relation
- Porter, Fairfield. Fairfield Porter papers, 1888-2001, bulk 1924-1975.
Lichtenstein, Roy, 1923-1997. [Roy Lichtenstein : International Art & Artists File].
Title:
[Roy Lichtenstein : International Art & Artists File].
ArchivalResource: 1 file.
http://www.worldcat.org/oclc/271922884 View
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Citation
- Resource Relation
- Lichtenstein, Roy, 1923-1997. [Roy Lichtenstein : International Art & Artists File].
Colette Roberts Papers and Interviews with Artists
Title:
Colette Roberts Papers and Interviews with Artists
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
ArchivalResource: 10.2 Linear feet
https://n2t.net/ark:/65665/mw9bb878da1-c929-41fc-aa11-e3a678ffd3f1 View
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Citation
- Resource Relation
- Roberts, Colette, 1910-1971. Colette Roberts interviews with artists, 1961-1971 [sound recording].
John Jones interviews with artists
Title:
John Jones interviews with artists
Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.
ArchivalResource: 0.4 linear feet
https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91 View
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Citation
- Resource Relation
- Jones, John. John Jones interviews with artists, 1965 Oct. 5-1965 Nov. 12.
Irving Blum Gallery and Ferus Gallery announcements
Title:
Irving Blum Gallery and Ferus Gallery announcements
The Irving Blum Gallery and Ferus Gallery announcements consist of 32 announcements for exhibitions at the Los Angeles Ferus Gallery (1957-1966) and its successor the Irving Blum Gallery (1966-circa 1972). Exhibition announcements are for many exhibitions of southern California contemporary and pop artists, as well as New York artists. Artists represented by announcements include John Altoon, Don Bachardy, Larry Bell, Billy Al Bengston, Robert Irwin, Jasper Johns, Donald Judd, Craig Kauffman, Roy Lichtenstein, Edward Moses, Kenneth Noland, Ad Reinhardt, Ed Ruscha, Frank Stella, and Andy Warhol, among others. Although these announcements are scattered, they provide insight to and documentation of the southern California LA art scene and the Beat era. The exhibition announcements themselves are quite unique.
ArchivalResource:
https://n2t.net/ark:/65665/mw9306c8492-decd-4ce2-b08f-de4c998e3a42 View
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- Resource Relation
- Irving Blum Gallery (Los Angeles, Calif.). Irving Blum Gallery and Ferus Gallery announcements, 1961-1973.
Mel Ramos papers
Title:
Mel Ramos papers
Files of source material for artwork including clippings and photocollages for "Elephant Seal," "David's Duo," "Virnaburger," "Manet's Olympia," and other works; letters from art dealers, universities about teaching positions, and from Lawrence Alloway, Carl Belz, Allen Jones, Ivan Karp, R.B. Kitaj, Max Kozloff, Roy Lichtenstein, Wayne Thiebaud, and Tom Wesselmann; clippings, exhibition announcements and catalogs; business records, invoices, loan agreements and inventories of art work; and a photocollage, "Study for Salami/Modigliani #4" by Ramos. Writings include "Sexual Remoteness and the Art of Mel Ramos" by Michael Danoff and 2 other manuscripts on the Pop Art movement, an introduction by Lynn Louden and an introduction to the exhibition catalog ELEVEN POP ARTISTS: THE NEW IMAGE by Max Kozsloff, and TRANSCRIPTIONS OF CIRCE: A SEQUENCE OF POEMS TO ACCOMPANY LITHOGRAPHS BY RAMOS by Robin Skeleton; and an interview, "Mel Ramos: A Self Interview."
ArchivalResource: 0.6 linear ft. (on 2 microfilm reels)
https://n2t.net/ark:/65665/mw9396dffb6-c3c3-4a98-b59e-8a5a41d1a345 View
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- Resource Relation
- Ramos, Mel, 1935-. Mel Ramos papers, 1962-1971.
Castelli, Leo. Reminiscences of Leo Castelli and Roy Lichtenstein : oral history, 1976.
Title:
Reminiscences of Leo Castelli and Roy Lichtenstein : oral history, 1976.
ArchivalResource: Transcript: 50 leaves.Tape: 1 reel.
http://www.worldcat.org/oclc/122569626 View
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- Resource Relation
- Castelli, Leo. Reminiscences of Leo Castelli and Roy Lichtenstein : oral history, 1976.
Hans Namuth photographs and papers
Title:
Hans Namuth photographs and papers
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.The first series contains materials related to the planning and production of Namuth's film <emph render="italic">Alfred Stieglitz, Photographer</emph>. Documentation includes articles, correspondence, exhibition materials, grant program request sheets, magazines and catalogs, photo requests, photographs and photographic materials, notes and research, shot lists, script drafts and fragments, interview transcripts, and correspondence. Interviewees include Ansel Adams, Arnold Newman, Aaron Copland, Dorothy Norman, and others.The second series contains various writings and papers relating to Namuth’s professional activities, including Namuth’s exhibition at the 1958 Brussels World Fair, business and financial records, papers on <emph render="italic">The Construction of Boston</emph> by Kennth Koch, correspondence, a notebook, and various printed materials. Namuth's correspondence is with James Boynton, Bernard Karpel, the Museum of Modern Art, Cynthia Navaretta, Elizabeth Shaw, the Virginia Museum of Fine Arts, and the Yale University School of Art and Architecture.Photographs taken by Hans Namuth depict prominent American (primarily New York-based) artists, architects, writers, musicians, and art critics. Artists are shown in their studios or homes, either at work or posing for the camera, and include Alexander Calder, Stuart Davis, Willem de Kooning, Grace Hartigan, Edward Hopper, Jasper Johns, Lee Krasner, Isamu Noguchi, Jackson Pollock, Robert Rauschenberg, Mark Rothko, and Andrew Wyeth, among many others. Photographs of other individuals include Marcel Breuer, John Cage, Leo Castelli, Buckminster Fuller, and Ludwig Mies van der Rohe, and others. Also found are photographs of exhibitions, openings, and art-related events from the 1950s and 1960s, such as a traveling Picasso exhibit and a Robert Rauschenberg opening at the Jewish Museum. Most photographs are black and white, but a few color prints are included.
ArchivalResource: 4.5 linear feet
https://n2t.net/ark:/65665/mw98657f618-8639-4278-8569-19240b164357 View
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- Resource Relation
- Namuth, Hans. Hans Namuth photographs and papers, 1952-ca. 1985 (bulk 1953- 1970).
Lichtenstein, Roy, 1923- : [miscellaneous ephemeral material].
Title:
Lichtenstein, Roy, 1923- : [miscellaneous ephemeral material].
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/199218246 View
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Citation
- Resource Relation
- Lichtenstein, Roy, 1923- : [miscellaneous ephemeral material].
Lichtenstein, Roy, 1923-1997. Artist file : miscellaneous uncataloged material.
Title:
Artist file : miscellaneous uncataloged material.
ArchivalResource: 2 boxes
http://www.worldcat.org/oclc/83084427 View
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- Resource Relation
- Lichtenstein, Roy, 1923-1997. Artist file : miscellaneous uncataloged material.
Joan Kron papers
Title:
Joan Kron papers
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.
ArchivalResource: 1.4 Linear feet
https://n2t.net/ark:/65665/mw9da6dc59e-86a1-4877-879f-28aa750c582f View
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- Resource Relation
- Joan Kron papers, 1959-1971
Citation
- Constellation Relation
- Ashton, Dore.
Citation
- Constellation Relation
- Baigell, Matthew.
Citation
- Constellation Relation
- Baker, Richard Brown
Citation
- Constellation Relation
- Bengston, Billy Al.
Citation
- Constellation Relation
- Castelli Graphics (Firm)
Citation
- Constellation Relation
- Castelli, Leo.
Citation
- Constellation Relation
- Diamonstein-Spielvogel, Barbaralee.
Getty Research Institute. Contemporary Programs and Research.
http://n2t.net/ark:/99166/w6wm56vp
View
associatedWith
Citation
- Constellation Relation
- Getty Research Institute. Contemporary Programs and Research.
Citation
- Constellation Relation
- Harvard Art Museum Archives
Citation
- Constellation Relation
- Irving Blum Gallery (Los Angeles, Calif.)
Citation
- Constellation Relation
- Irving Blum Gallery (Los Angeles, Calif.)
Citation
- Constellation Relation
- Irving Blum Gallery (Los Angeles, Calif.)
Citation
- Constellation Relation
- Jones, John.
Citation
- Constellation Relation
- Karp, Ivan C., 1926-
Citation
- Constellation Relation
- Koppelman, Chaim, 1920-
Citation
- Constellation Relation
- Kron, Joan.
Citation
- Constellation Relation
- Leo Castelli Gallery.
Citation
- Constellation Relation
- Lippincott, Inc.
Los Angeles County Museum of Art. Art and Technology Program.
http://n2t.net/ark:/99166/w6x68n22
View
associatedWith
Citation
- Constellation Relation
- Los Angeles County Museum of Art. Art and Technology Program.
Citation
- Constellation Relation
- Louis, Morris, 1912-1962.
Citation
- Constellation Relation
- Matter, Herbert, 1907-1984.
Citation
- Constellation Relation
- Museum of Modern Art (New York, N.Y.)
Citation
- Constellation Relation
- Namuth, Hans.
Citation
- Constellation Relation
- Panza, Giuseppe.
Citation
- Constellation Relation
- Porter, Fairfield.
Citation
- Constellation Relation
- Ramos, Mel, 1935-
Citation
- Constellation Relation
- Robbins, Daniel
Citation
- Constellation Relation
- Roberts, Colette, 1910-1971.
Citation
- Constellation Relation
- Rose, Barbara.
Citation
- Constellation Relation
- Russel B. Nye Popular Culture Collection.
Citation
- Constellation Relation
- Sabol, Audrey, 1922-
Citation
- Constellation Relation
- Seroka, Lenore.
Citation
- Constellation Relation
- Solomon, Alan R.
The John and Mable Ringling Museum of Art Library.
http://n2t.net/ark:/99166/w6q28002
View
associatedWith
Citation
- Constellation Relation
- The John and Mable Ringling Museum of Art Library.
Citation
- Constellation Relation
- Twardowicz, Stanley, 1917-
Citation
- Constellation Relation
- Vidal, Gore, 1925-
Citation
- Constellation Relation
- Waldman, Diane
Washington Gallery of Modern Art (Washington, D.C.)
http://n2t.net/ark:/99166/w6935tw4
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associatedWith
Citation
- Constellation Relation
- Washington Gallery of Modern Art (Washington, D.C.)
Citation
- Constellation Relation
- Zalesch, Saul E.
Citation
- Constellation Relation
- Kron, Joan
eng
Zyyy
Citation
- Language
- eng
Art, American
Citation
- Subject
- Art, American
Art
Citation
- Subject
- Art
Comic books, strips, etc., in art
Citation
- Subject
- Comic books, strips, etc., in art
Painters
Citation
- Subject
- Painters
Painters
Citation
- Subject
- Painters
Pop art
Citation
- Subject
- Pop art
Sculptors
Citation
- Subject
- Sculptors
Sculptors
Citation
- Subject
- Sculptors
Americans
Citation
- Nationality
- Americans
Citation
- Place
- New York (State)
New York (State)
Parsed from SNAC EAC-CPF.
Citation
- Place
- New York (State)
New York (State)
Parsed from SNAC EAC-CPF.
Citation
- Place
- United States
United States
Parsed from SNAC EAC-CPF.
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>
Citation
- Convention Declaration
- Convention Declaration 191