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William Upcott papers, 1650-1881.

Title: William Upcott papers, 1650-1881.

Papers of the English collector William Upcott concerning his collecting.

ArchivalResource: 3 volumes (.6 linear ft.)

http://id.lib.harvard.edu/ead/hou00289/catalog View

Storer family. Storer family commonplace book, 1829-1883 (bulk 1829-1834).

Title: Storer family commonplace book, 1829-1883 (bulk 1829-1834).

This volume, bound in tooled red leather and in several hands, contains original and copied writings and original works of art, such as drawings in pencil, watercolors, and engravings by the Storer family and others. The bulk of entries and contributions span from 1829 to 1834 with some leaves dated between 1870 and 1883. Ann Storer introduces the volume with a poem on the first leaf, inviting friends and family to contribute their art and prose. The verso of the first end paper has a table of contents. Contributors to this commonplace book include James S. Storer, Ann, Henry S., Salina, Sarah, and Elizabeth Storer; content comprises prose, poetry, illustrations, watercolors, and some portraits, with several images of Cambridge, and flora and fauna. There are some clippings pasted on the inside front cover and pasted in the volume. Also included are autographs of James Henry Lambier by his portrait with Tom Thumb; Moroccan scholar, Moses ben Issac Edrehi (ca. 1774-ca. 1842), who has signed under his portrait; and Thomas Mortimer from Ceylon, with a writing on the facing page of his portrait. Among other entries James S. Storer includes a watercolor and information on the upas tree of Java. Ann's contributions include poems, watercolors of birds, flowers, and images of Cambridge; there are also images and prose by Henry, Selina, Ernest, Elizabeth, and Sarah Storer. Other written copied entries include M.E. Pulling, Jane Taylor, Rev. John Blackburn, and several initialed. The ten leaves laid in the volume include an etching of a border by Ann Storer; a poem by Elizabeth Storer, an 1847 letter addressed to Miss Storer from William Arniss ; a writing about Cambridge dated 1829; and six leaves of clippings.

ArchivalResource: 1 v. (100 leaves) + 10 leaves.

http://www.worldcat.org/oclc/646841092 View

Free Library of Philadelphia Collection of Literary Manuscripts, 1666-1990

Title: Free Library of Philadelphia Collection of Literary Manuscripts 1666-1990

This collection contains letters, manuscript fragments, autographs, and other documents by famous authors. The material dates from 1666 to 1990. The bulk of the collection consists of letters written by the authors to various friends with some letters to editors or critics. There is an even mix of American and European authors present.

ArchivalResource: 23 Linear feet

http://hdl.library.upenn.edu/1017/d/pacscl/FLP_FLPRBDLITERARY View

Prout, Samuel, 1783-1852. Plympton, from Plympton St Mary, Devon. [graphic] / Engraved by J. Storer, from a drawing by Samuel Prout.

Title: Plympton, from Plympton St Mary, Devon. [graphic] / Engraved by J. Storer, from a drawing by Samuel Prout. [1771-1853].

View of church, two men with a waggon before it right. Lettered below image "Engraved ... for the Antiquarian & Topographical Cabinet."

ArchivalResource: 1 art print : engraving ; image 58 x 84 mm (trimmed).

http://www.worldcat.org/oclc/500722751 View

Storer, H. S. (Henry Sargant), 1795-1837. Sixty-four original designs & drawings illustrative of Cowper's poems &c. by H. St. Storer, 1822.

Title: Sixty-four original designs & drawings illustrative of Cowper's poems &c. by H. St. Storer, 1822.

Album of 55 hand-colored proof engravings, 9 finished watercolor drawings, and 17 graphite drawings illustrating the works and life of William Cowper. The unnumbered title leaf, informally written in graphite, suggests the volume is the work of H.S. Storer, whose father James Storer had illustrated earlier published works by Cowper. James Storer is not credited in the manuscript, but as he worked wholly in conjunction with his son from 1814 (see DNB) it is conceivable that he also made contributions to the present volume. A graphite drawing on leaf 65 is dated 1815; all other illustrations are undated. The proof engravings are printed on paper watermarked with various dates from 1818 to 1822; some of the leaves at the end of the volumes are also watermarked 1822, so it is reasonable to assume that the manuscript was completed on or about that year. All illustrations, including proofs and original drawings, are on separate pieces of paper pasted into the volume. The first 55 leaves bear proof engravings. They were likely intended for inclusion in an illustrated work on Cowper that was never published. The illustrations are very different in character from those drawn and engraved by James Storer in his Cowper, illustrated by a series of views (London : Vernor and Hood, 1803). The engravings in the earlier work nearly filled an octavo page with intricate line work depicting details, tones, and textures. The present proof engravings are much smaller (uniformly 39 x 54 mm) and, although clearly finished, use a much lighter surface of engraved lines. Tones are achieved with hand-colored washes. Each proof is framed within a different decorative border drawn in pen and brown ink, some with brown wash. The first 34 proofs (and proof 55) are visual interpretations of scenes in Cowper's poetry. Each of these is identified with the name of the poem and a short excerpt of verse. Poems illustrated include "Heroism", "The moralizer corrected", "The needless alarm", "The progress of error", "Retirement", "Table talk", "The task", "Tirocinium, or, A review of schools", "Truth", and "The Yearly distress". The next 20 proof engravings depict Cowper's homes and haunts, especially at Weston Underwood and Olney. Leaves 56-62 bear watercolor sketches depicting Weston and Olney, drawn in the manner of the preceding engravings, although slightly larger. Aside from the first of these (which depicts Cowper's easy chair), the watercolors are all framed by very elaborate borders which themselves contain figures and scenery to complement the main scene. Leaves 63-79 bear graphite drawings of a more unfinished nature and depict similar Cowper haunts, along with "Dr. Johnson's horse" and "Cowper's dressing case". Some of these are the basis for the proof engravings fround earlier in the volume; others have notes suggesting that they were the originals of engravings published in The rural walks of Cowper. This last section also includes two large pen and ink sketches. The first, "Olney from Weston Park", is toned with gray wash; the second, ""Goosey bridge near Olney, where Cowper's dog found the Lily", with watercolors. Both are the originals of proof engravings found earlier in the volume.

ArchivalResource: 1 v. (80 leaves) : ill. ; 30 cm.

http://www.worldcat.org/oclc/702201439 View

Storer, James, 1771-1853,. Plates of Garrick's residences [graphic], [18th-19th century].

Title: Plates of Garrick's residences [graphic], [18th-19th century].

Four plates removed from copies of J. N. (James Norris) Brewer's Histrionic Topography, or, The birth-places, residences, and funeral monuments of the most distinguished actors.

ArchivalResource: 4 prints : engravings.

http://www.worldcat.org/oclc/281598613 View