Compare Constellations

Hiler, Hilaire, 1898-1966. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/246701635 View

Howard Somers Conant papers

Title: Howard Somers Conant papers

The papers of art educator and painter Howard Somers Conant measure 3.2 linear feet and date from 1944 to 1987. The papers document Conant's career as an art educator through correspondence with friends and colleagues; draft manuscripts, lectures, and other writings; newsletters, copies of published books, and other printed materials; and seventy-four sound recordings of interviews, lectures, and panel discussions that Conant took part in during the 1960s.

ArchivalResource: 3.2 linear feet

https://n2t.net/ark:/65665/mw963bb7974-6a05-496a-b0aa-c93c84b750cf View

Carl Holty papers

Title: Carl Holty papers

The papers of Carl Holty are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and consist of correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.Correspondence with Romare Bearden, Charles Byrne and Hilaire Hiler concerns art, exhibitions and reviews, education, and news of mutual friends. Holty's writings include articles, autobiographical writings, unpublished manuscripts of a monograph, <emph render="italic">Art In America</emph>, and an untitled novel. Also found among his writings is a journal which contains his reminiscences of artist friends and acquaintances, and reflections on art, art history, and his life, personal plans and aspirations.Printed material consists mainly of clippings about or mentioning Holty, and reviews and publicity relating to <emph render="italic">The Painter's Mind</emph>, a book Holty wrote with Romare Bearden. Miscellaneous records consist of a transcript of an interview with Carl Holty and an identification card issued to his father.Photographs are of artwork, people and places. Also included are 6 photograph albums of Holty's artwork, and a small number of negatives. The people pictured are mainly Holty, friends and family. There is also a group photograph that includes Joan Miró.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c54088fa-0235-4a48-95dd-63496b5b713a View

Manuscripts and proofs of New Directions books, 1937-1997.

Title: Manuscripts and proofs of New Directions books, 1937-1997.

Manuscripts, galley proofs and page proofs of books published by New Directions, 1937-1997.

ArchivalResource: 482 boxes and 181 volumes (92 linear ft.)

http://id.lib.harvard.edu/ead/hou00069/catalog View

Reuben Kadish papers

Title: Reuben Kadish papers

The Reuben Kadish papers measure 7.9 linear feet and date from 1851 to 1995 with the bulk of the material dating from 1913 to 1995. The collection documents the life and career of muralist, sculptor, and educator Reuben Kadish and contains biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.Biographical material, 1938-1992, includes résumés and personal identification items. Letters are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe.Personal business records, 1952-1995, consist of legal documents, including estate papers for Ida and Reuben Kadish, and financial records. The only specific exhibition file documents the 1990 exhibition <emph render="italic">Reuben Kadish: Works from 1930 to the Present</emph> at the New Jersey State Museum in 1990. Notes include unbound notes on mural painting, printmaking, sculpture, and other art-related topics, and handwritten translations by William H. Thomson of thirty classic texts by Homer, Horace, and Demosthenes. Writings, 1975-1992, consist of an autobiographical manuscript by Kadish, and typescripts concerning Kadish and other art-related topics by other authors including Dore Ashton, Herman Cherry, Howard Conant, and Judd Tully.Artwork, undated and 1981-1992, includes a hundred sketches and seventeen watercolors by Kadish, and a drawing for DIG (Archeology) by Barbara Kadish. Printed material relates primarily to exhibitions for Kadish and others but also includes a baseball program autographed by Darryl Strawberry. Photographs include prints of Kadish and other artists working on murals, and photographs picturing family and friends.

ArchivalResource:

https://n2t.net/ark:/65665/mw974482335-aae0-4e72-8e41-8c2fb3fe28f8 View

Hilaire Hiler papers

Title: Hilaire Hiler papers

Correspondence; printed materials; art works and miscellaneous papers.

ArchivalResource:

https://n2t.net/ark:/65665/mw946d39028-7346-4385-9b4d-5b40aae3c995 View

Ben Cunningham papers

Title: Ben Cunningham papers

Biographical material, photographs, art works, correspondence, printed material, audio tapes, and notes.

ArchivalResource:

https://n2t.net/ark:/65665/mw918af72ce-a92b-462e-bdc5-85b44e03702b View

New Directions Publishing records

Title: New Directions Publishing records

Records of the New Directions Publishing Corporation largely from the Norfolk, Connecticut office of the founder, James Laughlin.

ArchivalResource: 344 linear feet (910 boxes and 4 volumes)

http://id.lib.harvard.edu/ead/hou00077/catalog View

Abraham Rattner and Esther Gentle papers

Title: Abraham Rattner and Esther Gentle papers

Abraham Rattner's papers provide insight into an important time for twentieth century American art and culture. By studying Rattner's papers, the researcher may view the beginnings of Modernism, the cultural change that pushed the boundaries of artistic and literary traditions and provided new ways in which to express ourselves.The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.The biographical files contain documents such as Rattner's birth certificate, travel visas, his senior yearbook from 1912 which shows some of his early art work, and some of his awards. His birth certificate is of particular interest since it shows Rattner's birth date to be 1893 instead of the recognized 1895.The correspondence offers great insight into the thoughts of many American and European artists and writers during the 1930s and 1940s. Rattner, a prolific writer, expressed many of his own thoughts and concerns through his letters, many of which are included in this collection. The vast amount of correspondence include letters from notable figures such as George Biddle, Kay Boyle, Paul Burlin, Norman Carton, Robert Coates, Stuart Davis, Adolph Dehn, Richard de Rochemont, John Dos Passos, Xavier Gonzales, John Howard Griffin, Ramon Guthrie, Robert Gwathmey, Weeks Hall, Stanley W. Hayter, Jean Helion, Hilaire Hiler, Joseph Hirsch, Stefan Hirsch, Carl Holty, Louis Kronberg, Rico Lebrun, Jacques Lipchitz, Earle Ludgin, Thalia Wescott Malcolm, Henry Miller, Joan Miro, Bror Julius Olsson Nordfeldt, Channing Peake, Henry Varnum Poor, Felix Ruvolo, Waverly Root, Jack Gage Stark, Frank C. Watkins, and Allen Weller, among others.Rattner was engaged in a wide range of special art projects, and he kept detailed files on these projects. The projects spanned from 1940 through 1973 and included endeavors such as illustrations for <emph render="italic">Life</emph> magazine, stained-glass designs, mosaic and tapestry projects, as well as special paintings such as <emph render="italic">Victory--Jerusalem the Golden</emph> and <emph render="italic">The Gallows of Baghdad</emph>. Rattner's papers also detail the history of a fresco painted by Paul Gauguin entitled <emph render="italic">Joan d'Arc</emph>which Rattner purchased in France in 1925.Rattner's forty year friendship with the writer Henry Miller is chronicled throughout the collection in the forms of correspondence, writings, printed material, phototographs and artwork. Their correspondence ranges from 1938 through 1978 and offers great insight into their relationship. Rattner and Miller's road trip from New York to New Orleans in 1940-1941 is documented in the series entitled Special Projects. Also included in the collection are printed material, such as biographical material on Miller, Miller's writings, literary announcements and reviews; Miller's writings on Rattner; and photographs of Miller.The gallery files contain correspondence, receipts, and notes regarding the galleries which represented Rattner. Those galleries included the Rosenberg Gallery, the Downtown Gallery, and the Kennedy Gallery. A small series of exhibition files contain material about exhibitions held outside of Rattner's representative galleries.Rattner's writings proved to be an outlet for his thoughts on painting, his inspirations, frustrations, and sadness. In addition to painting, Rattner was able to express his creativity through writing poetry. Writing also helped him work through his depression over the death of his first wife Bettina Bedwell.He also kept finely detailed studio notebooks. The original order has been maintained, and they trace the history of almost each painting, drawing, and study attempted by Rattner. The notebooks often provide information regarding whether the work was sent to a gallery or given as a gift. Sometimes they contain correspondence or writings that reveal the inspiration for a work. They have been arranged in chronological order, according to Rattner's own filing system.Rattner retained receipts for most of his art expenses. Arranged by decade, these receipts show the type of paint, colors, types of paper and brushes that he used.Rattner also kept many household files and personal financial records. Household files contain insurance records, warranties and rental agreements, while the financial records contain returned checks and bank statements. Some bank statements from Esther Gentle Reproductions are also included. The household files and financial records are not filmed.The date books and diaries reveal the aspects of daily life and the personal thoughts of Rattner and Esther Gentle. In many cases, Rattner shared his date books and diaries with Gentle. The early diaries are fascinating, especially the 1939 diary that discloses the Rattners' last days in France before escaping Nazism and returning to the United States.Rettner's scrapbooks span from 1938 to 1952 and contain newspaper and magazine clippings that mention the artist or his work.The printed material covers a period from 1930s through the 1980s and includes exhibition catalogs, exhibition announcements, clippings, and miscellaneous material such as an autograph book from 1969 and a map of Israel that shows Rattner's travel route. There is a large amount of unfilmed printed material that is listed in the series description.Writings by others consists of writings on Rattner and other topics.The collection contains many photographs taken of Rattner and taken by him, as well as photos of family, friends, his studio, travels, and photographs of Rattner's art. Photographs of notable people include Henry Miller, Joan Miro, John Dos Passos, Archibald MacLeish, and Malcolm Cowley, among others.The amount of Rattner's art work included in the collection is small, but it is significant because it provides examples of his very early work, dating from 1912-1914. Some later studies are also present, as well as a number of random sketches. Color was very important to Rattner, and some of his color studies from the 1940s are also included. Art work by other artists is comprised of some small paintings by Max Weber, a water color by Henry Miller, a painting by Ken Buryd, as well as some work by unknown artists.In addition to tracing Rattner's life and career, the collection also documents the lives of Rattner's two wives, Bettina Bedwell and Esther Gentle. Both women had profound effects on Rattner's work. Among Bettina Bedwell's papers are her diary, fashion sketches, and correspondence. Esther Gentle's papers include correspondence, writings, as well as papers documenting her business Esther Gentle Reproductions. There are a small amount of papers relating to Allen Leepa, Rattner's stepson with Esther Gentle.<ref actuate="onLoad" show="embed" target="ref712" title="Index">See index for list of correspondents from various series.</ref>

ArchivalResource:

https://n2t.net/ark:/65665/mw98b38e43e-390b-4c78-9a1b-51b9d7ff2357 View

Hiler, Hilaire, 1898-1966. Hilaire Hiler : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].

Title: Hilaire Hiler : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990

File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.

ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.

http://www.worldcat.org/oclc/662629541 View

Miller, Henry, 1891-1980. Papers of Henry Miller [manuscript] 1932-1964.

Title: Papers of Henry Miller [manuscript] 1932-1964.

The collection contains partial or complete manuscripts of "Berthe," used in Quiet days in Clichy, Coda, Mejores no hay!, "Reunion in Barelona," from Aller retour New York, The new instinctivism, written with Alfred Perles, prefaces for The tropic of Cancer, and The time of the assassins, The St. Francis of Deltiel, Text for 'Esprit' and a section on H. Rider Haggard from Books in my life, Stand still like the hummingbird, The smile at the foot of the ladder, "This is my answer," from Big Sur and the oranges of Hieronymus Bosch, "To paint is to love again," an essay on Walt Whitman, The waters reglitterized, letters regarding Eugene Lonesco in Two worlds, Hamlet vs. Hamlet, "Of art and the future," "Picodiribibi" and a section on Vincent Van Gogh from Plexus, a section of "Peace and solitude" from Big Sur ..., page proofs of Letters to Anais Nin, and an early outline of Rosy Crucifixion. In his correspondence Miller discusses his writing, particularly Tropic of Cancer, publication and distribution difficulties, publicity, his reading and daily activities, his family, financial difficulties, water-colors, and his criticism of the work of others, especially Walter Lowenfels and Aldous Huxley. Of interest are transcripts of letters and reviews regarding his earlier work by Cyril Connolly, Lawrence George Durrell, Thomas Stearns Eliot, Aldous Leonard Huxley, Walter Lowenfels, Sir Desmond McCarthy, Henry Louis Mencken, Anäis Nin, Ezra Loomis Pound, Herbert Read, Collette (Levy) Roberts, Paul Rosenfeld, William Carlos Williams, and George Orwell. The collection also contains some of Miller's water-colors; two annotated bibliographies; a 1959 Henry Miller Literary Society Newsletter; a solicitation, The story of George Dibbern's quest, photographs; and The outsider, Vol. 1, no. 1, 1961, containing Miller-Lowenfels correspondence. Correspondents include Walter Freeman, John Kidis, Alexandres Venetikos, Lowenfels, Merle Armitage, Harry Redl, Christopher Darlington Morley and Anäis Nin.

ArchivalResource: 133 items.

http://www.worldcat.org/oclc/647938361 View

Oral history interview with Ben Cunningham

Title: Oral history interview with Ben Cunningham

An interview of Ben Cunningham conducted 1964 October 24, by Harlan Phillips for the Archives of American Art.

OralHistoryResource: Sound recordings: 1 sound tape reel ; 7 in.Transcript: 58 p. (on one microfilm reel)

https://n2t.net/ark:/65665/mw986588f0c-5a73-4830-9eb3-5f089de3c3fb View

Raymond Jonson papers

Title: Raymond Jonson papers

Photographs, correspondence, exhibition materials, sketchbooks, diaries, scrapbooks, slides, and an untranscribed interview.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c51b5e3c-1deb-4198-bb95-b7f3b95490ab View

Hiler, Hilaire, 1898-1966 : artist file.

Title: Hiler, Hilaire, 1898-1966 : artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/758679522 View

Carl Holty papers

Title: Carl Holty papers

The papers of Carl Holty are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and consist of correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.Correspondence with Romare Bearden, Charles Byrne and Hilaire Hiler concerns art, exhibitions and reviews, education, and news of mutual friends. Holty's writings include articles, autobiographical writings, unpublished manuscripts of a monograph, <emph render="italic">Art In America</emph>, and an untitled novel. Also found among his writings is a journal which contains his reminiscences of artist friends and acquaintances, and reflections on art, art history, and his life, personal plans and aspirations.Printed material consists mainly of clippings about or mentioning Holty, and reviews and publicity relating to <emph render="italic">The Painter's Mind</emph>, a book Holty wrote with Romare Bearden. Miscellaneous records consist of a transcript of an interview with Carl Holty and an identification card issued to his father.Photographs are of artwork, people and places. Also included are 6 photograph albums of Holty's artwork, and a small number of negatives. The people pictured are mainly Holty, friends and family. There is also a group photograph that includes Joan Miró.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c54088fa-0235-4a48-95dd-63496b5b713a View

Hilaire Hiler articles and letter

Title: Hilaire Hiler articles and letter

Three articles by Hiler: "The Aquatic Park Murals", November 5, 1938; "Color in Architecture", and "An Approach to Mural Decoration"; a letter from Hiler to Joe Allen, State Supervisor, Federal Art Project, San Francisco; and an annoucement of a seminar on color directed by Hiler.

ArchivalResource:

https://n2t.net/ark:/65665/mw905b2ce00-8f7d-41e4-b0fa-25fbb5d1a1d4 View

Reuben Kadish papers

Title: Reuben Kadish papers

The Reuben Kadish papers measure 7.9 linear feet and date from 1851 to 1995 with the bulk of the material dating from 1913 to 1995. The collection documents the life and career of muralist, sculptor, and educator Reuben Kadish and contains biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.Biographical material, 1938-1992, includes résumés and personal identification items. Letters are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe.Personal business records, 1952-1995, consist of legal documents, including estate papers for Ida and Reuben Kadish, and financial records. The only specific exhibition file documents the 1990 exhibition <emph render="italic">Reuben Kadish: Works from 1930 to the Present</emph> at the New Jersey State Museum in 1990. Notes include unbound notes on mural painting, printmaking, sculpture, and other art-related topics, and handwritten translations by William H. Thomson of thirty classic texts by Homer, Horace, and Demosthenes. Writings, 1975-1992, consist of an autobiographical manuscript by Kadish, and typescripts concerning Kadish and other art-related topics by other authors including Dore Ashton, Herman Cherry, Howard Conant, and Judd Tully.Artwork, undated and 1981-1992, includes a hundred sketches and seventeen watercolors by Kadish, and a drawing for DIG (Archeology) by Barbara Kadish. Printed material relates primarily to exhibitions for Kadish and others but also includes a baseball program autographed by Darryl Strawberry. Photographs include prints of Kadish and other artists working on murals, and photographs picturing family and friends.

ArchivalResource:

https://n2t.net/ark:/65665/mw974482335-aae0-4e72-8e41-8c2fb3fe28f8 View

Abraham Rattner and Esther Gentle papers

Title: Abraham Rattner and Esther Gentle papers

Abraham Rattner's papers provide insight into an important time for twentieth century American art and culture. By studying Rattner's papers, the researcher may view the beginnings of Modernism, the cultural change that pushed the boundaries of artistic and literary traditions and provided new ways in which to express ourselves.The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.The biographical files contain documents such as Rattner's birth certificate, travel visas, his senior yearbook from 1912 which shows some of his early art work, and some of his awards. His birth certificate is of particular interest since it shows Rattner's birth date to be 1893 instead of the recognized 1895.The correspondence offers great insight into the thoughts of many American and European artists and writers during the 1930s and 1940s. Rattner, a prolific writer, expressed many of his own thoughts and concerns through his letters, many of which are included in this collection. The vast amount of correspondence include letters from notable figures such as George Biddle, Kay Boyle, Paul Burlin, Norman Carton, Robert Coates, Stuart Davis, Adolph Dehn, Richard de Rochemont, John Dos Passos, Xavier Gonzales, John Howard Griffin, Ramon Guthrie, Robert Gwathmey, Weeks Hall, Stanley W. Hayter, Jean Helion, Hilaire Hiler, Joseph Hirsch, Stefan Hirsch, Carl Holty, Louis Kronberg, Rico Lebrun, Jacques Lipchitz, Earle Ludgin, Thalia Wescott Malcolm, Henry Miller, Joan Miro, Bror Julius Olsson Nordfeldt, Channing Peake, Henry Varnum Poor, Felix Ruvolo, Waverly Root, Jack Gage Stark, Frank C. Watkins, and Allen Weller, among others.Rattner was engaged in a wide range of special art projects, and he kept detailed files on these projects. The projects spanned from 1940 through 1973 and included endeavors such as illustrations for <emph render="italic">Life</emph> magazine, stained-glass designs, mosaic and tapestry projects, as well as special paintings such as <emph render="italic">Victory--Jerusalem the Golden</emph> and <emph render="italic">The Gallows of Baghdad</emph>. Rattner's papers also detail the history of a fresco painted by Paul Gauguin entitled <emph render="italic">Joan d'Arc</emph>which Rattner purchased in France in 1925.Rattner's forty year friendship with the writer Henry Miller is chronicled throughout the collection in the forms of correspondence, writings, printed material, phototographs and artwork. Their correspondence ranges from 1938 through 1978 and offers great insight into their relationship. Rattner and Miller's road trip from New York to New Orleans in 1940-1941 is documented in the series entitled Special Projects. Also included in the collection are printed material, such as biographical material on Miller, Miller's writings, literary announcements and reviews; Miller's writings on Rattner; and photographs of Miller.The gallery files contain correspondence, receipts, and notes regarding the galleries which represented Rattner. Those galleries included the Rosenberg Gallery, the Downtown Gallery, and the Kennedy Gallery. A small series of exhibition files contain material about exhibitions held outside of Rattner's representative galleries.Rattner's writings proved to be an outlet for his thoughts on painting, his inspirations, frustrations, and sadness. In addition to painting, Rattner was able to express his creativity through writing poetry. Writing also helped him work through his depression over the death of his first wife Bettina Bedwell.He also kept finely detailed studio notebooks. The original order has been maintained, and they trace the history of almost each painting, drawing, and study attempted by Rattner. The notebooks often provide information regarding whether the work was sent to a gallery or given as a gift. Sometimes they contain correspondence or writings that reveal the inspiration for a work. They have been arranged in chronological order, according to Rattner's own filing system.Rattner retained receipts for most of his art expenses. Arranged by decade, these receipts show the type of paint, colors, types of paper and brushes that he used.Rattner also kept many household files and personal financial records. Household files contain insurance records, warranties and rental agreements, while the financial records contain returned checks and bank statements. Some bank statements from Esther Gentle Reproductions are also included. The household files and financial records are not filmed.The date books and diaries reveal the aspects of daily life and the personal thoughts of Rattner and Esther Gentle. In many cases, Rattner shared his date books and diaries with Gentle. The early diaries are fascinating, especially the 1939 diary that discloses the Rattners' last days in France before escaping Nazism and returning to the United States.Rettner's scrapbooks span from 1938 to 1952 and contain newspaper and magazine clippings that mention the artist or his work.The printed material covers a period from 1930s through the 1980s and includes exhibition catalogs, exhibition announcements, clippings, and miscellaneous material such as an autograph book from 1969 and a map of Israel that shows Rattner's travel route. There is a large amount of unfilmed printed material that is listed in the series description.Writings by others consists of writings on Rattner and other topics.The collection contains many photographs taken of Rattner and taken by him, as well as photos of family, friends, his studio, travels, and photographs of Rattner's art. Photographs of notable people include Henry Miller, Joan Miro, John Dos Passos, Archibald MacLeish, and Malcolm Cowley, among others.The amount of Rattner's art work included in the collection is small, but it is significant because it provides examples of his very early work, dating from 1912-1914. Some later studies are also present, as well as a number of random sketches. Color was very important to Rattner, and some of his color studies from the 1940s are also included. Art work by other artists is comprised of some small paintings by Max Weber, a water color by Henry Miller, a painting by Ken Buryd, as well as some work by unknown artists.In addition to tracing Rattner's life and career, the collection also documents the lives of Rattner's two wives, Bettina Bedwell and Esther Gentle. Both women had profound effects on Rattner's work. Among Bettina Bedwell's papers are her diary, fashion sketches, and correspondence. Esther Gentle's papers include correspondence, writings, as well as papers documenting her business Esther Gentle Reproductions. There are a small amount of papers relating to Allen Leepa, Rattner's stepson with Esther Gentle.<ref actuate="onLoad" show="embed" target="ref712" title="Index">See index for list of correspondents from various series.</ref>

ArchivalResource:

https://n2t.net/ark:/65665/mw98b38e43e-390b-4c78-9a1b-51b9d7ff2357 View

Oral history interview with Richard Ayer

Title: Oral history interview with Richard Ayer

An interview of Richard Ayer conducted 1964 September 26, by Mary McChesney, for the Archives of American Art New Deal and the Arts Project.

OralHistoryResource: Sound recordings: 1 sound cassette (90 min.)Transcript: 20 p.

https://n2t.net/ark:/65665/mw948c0ebe0-9c49-4453-b273-49aab70b48a6 View

Hiler, Hilaire, 1898-1966. Papers, 1849-1966; (bulk 1920-1940).

Title: Papers, 1849-1966; (bulk 1920-1940).

The Hilaire Hiler papers consist of photographs, clippings, and correspondence of Hilaire Hiler and his family. A sketch book of water color paintings by him is of special interest; also drawings and caricatures by Meyer Hiler, Hilaire's father. Included are photographs of some of Hilaire Hiler's paintings as far back as the late 1920s before his family changed their name. News clippings and some color reproductions are represented. Family history and travels throughout Europe are but few of the vaired experiences that are documented in Hiler's collection. The collection is in no specific order and reflects Hiler's travels, and his celebrity friends in the arts and entertainment world. The collection is difficult to put into context unless biographical resources are consulted.

ArchivalResource: 1 box (.45 cu. ft.) + 1 oversize folder.

http://www.worldcat.org/oclc/33849956 View

Oral history interview with William Gaskin

Title: Oral history interview with William Gaskin

An interview of William Gaskin conducted 1964 Feb. 28, by Lewis Ferbraché, for the Archives of American Art.

OralHistoryResource: Sound recordings: 4 sound tape reels : analog, 7-1/2 ips ; 7 in.Transcript: 71 p. (on one partial microfilm reel)

https://n2t.net/ark:/65665/mw989a4cb1e-76c2-47f5-aacb-d9c91f801474 View

Hilaire Hiler Papers, 1849-1966 (bulk 1920-1940)

Title: Hilaire Hiler Papers 1849-1966 (bulk 1920-1940)

ArchivalResource: 1 box (1 cu. ft. ) + 1 oversize folder

http://rmoa.unm.edu/docviewer.php?docId=nmu1mss533bc.xml View