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Information: The first column shows data points from Loring, Eugene, 1911-1982 in red. The third column shows data points from Loring, Eugene, 1914- in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.

Name Entries

Loring, Eugene, 1911-1982

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Loring, Eugene, 1914-

Loring, Eugene, 1911-1982

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Loring, Eugene, 1911-1982

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Loring, Eugene

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Loring, Eugene

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Loring, Eugene, 1914-

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Loring, Eugene, 1914-

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Loring, Eugene, 1914-

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Eugene Loring was an American dancer, choreographer, and teacher.

From the description of Eugene Loring collection, ca. 1938-1980. (New York Public Library). WorldCat record id: 122517370

Dancer, choreographer.

From the description of Reminiscences of Eugene Loring : oral history, 1979. (Columbia University In the City of New York). WorldCat record id: 122574179

Eugene Loring, influential American dancer, choreographer, and teacher, is best known for his 1938 ballet Billy the Kid.

He studied in the 1930s under George Balanchine at the American School of Ballet and performed with Ballet Theatre, American Ballet Company, Fokine Ballet, Ballet Caravan, and Dance Players. Loring's works include Harlequin for president, Yankee clipper, The Tender land, and The Great American goof. He also had a successful career as an actor, dance director, and as a contract choreographer at Metro-Goldwyn-Mayer in the 1940s. An active and innovative teacher of dance, Loring founded the American School of Dance in Hollywood in 1947, and in 1965 became founding chair of the Dance Department at the University of California, Irvine. He died in New York on August 30, 1982.

From the description of Eugene Loring papers, 1925-1986 (bulk 1933-1979). (University of California, Irvine). WorldCat record id: 45865688

Eugene Loring (1911-1982) was an American dancer and choreographer best known for his contributions to American-themed ballets, such as Billy the Kid .

Loring was born LeRoy Kerpestein on August 2, 1911 in Milwaukee, Wisconsin. He began studying at the School of American Ballet in 1933 before making his professional debut in 1934 with Fokine's company. During his tenure with the Ballet Caravan (1936-1938), Loring began to choreograph various works. In 1941, he formed his own company, Dance Players, and opened the American School of Dance in Los Angeles in 1948. He had a successful dance career as a principal dancer and choreographer of ballets and films. Loring died on August 30, 1982.

1936 Harlequin for President 1937 Yankee Clipper 1938 Billy the Kid 1939 City Portrait 1940 The Great American Goof 1941 The Beautiful People 1942 The Man From Midian Prairie 1953 Capital of the World 1955 Meet Me in Las Vegas 1956 Funny Face (film) 1957 Silk Stockings (film) From the guide to the Eugene Loring Manuscript, Undated, (Special Collections Research Center, Syracuse University Libraries)

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eng

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Latn

American ballet dancer and teacher, Leon Danielian (1920-1997) enjoyed an especially varied career as a performer, but is best known for his long association with the Ballet Russe de Monte Carlo. Danielian was a native New Yorker of Armenian ancestry, who, with his sister Hercelia, studied ballet as a child with an influential teacher, Madame Seda. She later would send the Danielians to Mikhail Mordkin for additional training and both would join his troupe, the Mordkin Ballet, when it was formed in 1937 (Danielian’s sister appeared under the name, Hercelia Danielova). The Mordkin Ballet, which had been partly sponsored by Lucia Chase, was refashioned into Ballet Theatre in late 1939 and Leon became an original member of the company, performing in such pieces as the revival of Michel Fokine’s Carnaval, in which he appeared as the Harlequin. During this period, Danielian also would dance on Broadway, with Ballet Theatre, and Colonel Wassily de Basil’s Ballet Russe company, before joining Sergei Denham’s rival Ballet Russe de Monte Carlo as a principal dancer.

Danielian was active with the company from 1943 to 1961, appearing in a wide-ranging repertory, which displayed his versatility in both classical and character parts. Among his most constant and celebrated roles were the Bluebird in The Sleeping Beauty (generally performed as part of the excerpt, Aurora’s Wedding ), the comedic Peruvian tourist in Leonide Massine’s Gaîté Parisienne, and El Bonito in Antonia Cobos’ Madroños . Throughout his many years with the company, Danielian partnered all of its leading ballerinas, including Alexandra Danilova, Yvette Chauviré, and Nina Novak. Perhaps his most frequent partner, however, was fellow American, Ruthanna Boris, who also featured Danielian in her own original choreography, including Cirque de Deux (1947) and Quelques Fleurs (1948). Danielian toured extensively with the Ballet Russe de Monte Carlo and also appeared as a guest artist and on tours with the San Francisco Ballet during the late 1950s and early 1960s, until worsening arthritis ended his performing career.

Following his retirement from the stage, Danielian taught ballet for nearly thirty years. He became co-director of the School of the Ballet Russe de Monte Carlo in New York City for several years and served as director of the American Ballet Theatre School in that same city from 1967 to 1980. In 1983, Danielian succeeded Igor Youskevitch and joined the faculty of the University of Texas at Austin, where he taught in the Department of Theatre and Dance until his retirement in 1991, later becoming a professor emeritus. In 1993, a dance studio and endowed scholarship at the University of Texas were named in his honor.

From the guide to the Leon Danielian papers, 1930-1994, (The New York Public Library. Jerome Robbins Dance Division.)

Eugene Loring was born LeRoy Kerpestein in Milwaukee, Wisconsin on August 2, 1911. Loring came to dance through theater. After graduating from high school in 1929, he worked with the Milwaukee Players during which time he began to study ballet and tap dancing. In the spring of 1934, he went to New York to study at the School of American Ballet. That summer, during the school's recess, Loring performed with the Fokine Ballet in Lewisohn Stadium. Loring performed with the American Ballet Company in Balanchine's works in its initial appearance in Hartford, Connecticut in December 1934.

Loring's first ballet “Harlequin for President” followed a libretto by Lincoln Kirstein and premiered in a Ballet Caravan performance at Bennington College on July 17, 1936. Loring's other works for Ballet Caravan include his well-known “Billy the Kid,” which premiered in Chicago on October 16, 1938, with Loring dancing the role of Billy.

“The Great American Goof” was created by Loring for Ballet Theatre's inaugural performance on January 11, 1940; it was a ballet with words based on a libretto by William Saroyan.

Loring worked with his own company Dance Players in 1941 and 1942 and choreographed three new works on the company. After his association with Dance Players, he became steadily involved in motion pictures and television. He was signed by Metro-Goldwyn-Mayer studios to a contract as dance director and actor and moved to Hollywood in 1943. Loring worked intermittently on Broadway shows in New York over the next decade, however, his work for ballet companies dwindled. He created no major work again until “Capital of the World” in 1953 for Ballet Theatre.

Loring's work in film began as a performer in a minor role in “National Velvet” in 1944. He went on to stage the dance sequences in more than a dozen films from 1944 to 1960, including “Ziegfeld Follies,” “Meet Me in Las Vegas,” “Funny Face,” and “Silk Stockings.”

His American School of Dance was founded in Hollywood in 1948 and provided a comprehensive program in dance, covering a stylistic range from classical ballet to modern and character dance. It was here that Loring developed his “Freestyle” technique, which attempted to synthesize several forms of movement in order to develop versatile dancers and enable them to adapt to the many styles required of them professionally. Loring sold the school in 1974.

In 1965 Loring became the first chairman of the new dance program at the University of California at Irvine. He patterned the program after the one he had developed at the American School of Dance. He retired from the University in 1981 and moved to Accord, New York.

Eugene Loring died on August 30, 1982, in Kingston, New York.

From the guide to the Eugene Loring papers, circa 1938-1981, (The New York Public Library. Jerome Robbins Dance Division.)

Biography

Born on August 2, 1914 as Le Roy Kerpestein in Milwaukee, Wisconsin, Eugene Loring studied gymnastics, music, acting and performing as a young man with the Wisconsin Players. He also studied dance to improve his movement qualities as an actor. He decided in his early twenties to pursue dance full time.

Loring was admitted in 1934 to the American School of Ballet, founded by George Balanchine and Lincoln Kirstein. They chose a group of students, including Loring, to perform as the American Ballet Company. This company also performed divertissement ballets choreographed by Balanchine for the Metropolitan Opera. During this time Loring also danced in the corps de ballet and as a soloist with the Fokine Ballet.

When the American Ballet and Metropolitan Opera seasons ended each year, a group of dancers including Loring joined Lincoln Kirstein's independent company Ballet Caravan. Instead of following classical ballet traditions, dancers choreographed pieces about life in America. The group shared equally in all decision making. Ballet Caravan spent spring and summer caravaning to small towns across America to perform in small venues. At summer's end they returned to New York for the American Ballet and Metropolitan Opera seasons.

Eugene Loring's first original ballet was Harlequin for President . While a dancer/choreographer with Ballet Caravan, he choreographed Billy the Kid at the suggestion of Lincoln Kirstein, collaborating with Aaron Copland, who composed the musical score. Billy the Kid became Loring's most famous piece and is in the permanent repertoire of American Ballet Theatre. The Australian Ballet and the Oakland Ballet also have performed Billy as part of their repertoire.

Loring choreographed The Great American Goof, a ballet-play with spoken words (libretto by William Saroyan), for Ballet Theatre in 1940. The work was a compilation of dance, music, speech, and sliding stage screens. In the same year, Loring appeared on Broadway as an actor in Saroyan's The Beautiful People .

Loring created his own dance company named Dance Players in 1941, which continued in the same vein as Ballet Caravan. He choreographed Man From Midian and Prairie and the company performed Billy the Kid, along with many of his earlier works such as Yankee Clipper and Harlequin for President . The company disbanded in 1942, but Loring reused the name later for other student dance companies.

In 1943 Loring was contracted by Metro-Goldwyn-Mayer to work as a dance director and actor in films. It was a productive period for Loring as he choreographed dance sequences for the films Ziegfeld Follies, Funny Face, and Silk Stockings, as well as several Broadway shows, including Carmen Jones, Kismet, Park Avenue, and Silk Stockings . Loring also choreographed extensively for the Los Angeles Civic Light Opera.

Loring founded the American School of Dance (not affiliated with American School of Ballet) in Hollywood in 1947. The school remained in existence for over 25 years from the time Loring first arrived in California until a few years before his death. His goal for the school was to give students training in ballet, modern, jazz, tap, composition and notation. Loring developed his own dance technique at this time which was known as the "Free-Style Technique," combining ballet and jazz. Its purpose was to allow students to make easily the technique changes that were required of them professionally. The school had a sizable faculty roster and actively advertised guest teachers and lecturers. In the 1950s the school was home to the 15-member, semi-professional dance troupe Dance Players, led by Loring. The company gave over 300 performances to high schools, colleges and civic groups.

Loring was invited to the White House in 1962 to present Billy the Kid . He was awarded Dance Magazine's Annual Award in 1968. One year later, he was the founding director of the Los Angeles Dance Players. At the same time, he developed his lecture series "Dance As a Language." Loring's goal was to educate the audience about dance in a way that paired narrative with dance. During the same year, he received a creative writing grant from the University of California to write Kineseography, about his form of dance notation. Loring worked with the Oakland Ballet in 1976 to stage Billy the Kid, and in 1978 he re-staged a ballet titled The Sisters, which had originally premiered with the San Diego Ballet in 1966.

Loring's careers as a choreographer and teacher intertwined for three decades before he became the founding chairman of University of California, Irvine's Dance Department in 1965. He developed an instructional program for the department with a focus similar to his American School of Dance. Examinations for technique classes were adjudicated like professional auditions, and students had different teachers for technique each day. The department's goal was to prepare students for professional jobs immediately after graduation. Loring used his position as an opportunity to mount new works that were not financially possible using a professional dance company.

Eugene Loring died in Kingston, New York on August 30, 1982.

Chronology

Refer to the Choreology for dates of Loring's choreographic activities and works.

1914 Born Le Roy Kerpestein in Milwaukee, Wisconsin on August 2nd. 1934 Professional stage debut with Michel Fokine. 1934 Danced in Corps de Ballet and as a soloist with one year of concentrated ballet training. 1934 Performed in Sorcerer's Apprentice and Prince Igor. 1935 1938 Dancer in Corps de Ballet, then soloist for Balanchine and Kirstein's American Ballet. 1935 Danced in his first professional productions as Photographer in Alma Mater and as Brighella in Reminiscence. 1936 Joined Lincoln Kirstein's Ballet Caravan as a soloist and choreographer (through 1939). 1936 Danced Harlequin in his own Harlequin for President and Satyr in Promenade (choreographed by William Dollar) for Ballet Caravan (Bennington, Vermont). 1937 Danced Farm Boy in his own Yankee Clipper and Saltarello in Folk Dance (Saybrook, Connecticut). 1938 Danced Ray, a Truck Driver in Filling Station (choreographed by Lew Christensen) for Ballet Caravan (Hartford, Connecticut). 1938 Danced title role in his own Billy the Kid for Ballet Caravan (Chicago). 1940 Danced title roles in his own The Great American Goof and in Peter and the Wolf. 1940 Danced Devil in Three Virgins and a Devil for Ballet Theatre (New York). 1940 Cast in Saroyan's The Beautiful People on Broadway. 1941 Founder, choreographer, and principal dancer for Dance Players. ca. 1942 Dance Players disbanded. 1943 Signed by Metro-Goldwyn-Mayer and contracted to work as a dance director and actor. 1945 Appeared in the film National Velvet. 1948 Founder and teacher for the American School of Dance. 1953 Appeared in the film Torch Song. 1962 Directed Under the Sycamore Tree at the Pasadena Playhouse. 1965 Became first chairman of the Dance Department at the University of California, Irvine. 1965 Staged ballets for San Diego Ballet. 1967 Recipient of Dance Magazine award. 1980 Left UCI. 1982 Died in Kingston, New York on August 30th.

Choreology

Includes major works choreographed by Loring and is not exhaustive.

1934 First choreography credit for production of Credentials. 1936 Harlequin for President (music by Scarlatti) for Ballet Caravan (Bennington, Vermont). 1937 Yankee Clipper (music by Bowles) for Ballet Caravan (Saybrook, Connecticut). 1937 Billy the Kid (music by Copland) for Ballet Caravan (Chicago). 1939 City Portrait (music by Brant) for Ballet Caravan (New York). 1940 The Great American Goof (music by Brant) for inaugural performance of Ballet Theatre, New York. 1942 The Man From Midian (music by Wolpe), Prairie (music by Dello Joio), and The Duke of Sacramento (music by Dello Joio) for Dance Players. 1943 Choreographed shows on Broadway. 1953 Capital of the World (music by Antheil) and Omnibus for American television (also staged for American Ballet Theatre, New York). 1954 The Legend of the Handsome Stranger (music by Johnson) for Santa Monica Ballet (California). 1956 Worked as a choreographer in collaboration with Fred Astaire in Funny Face. 1958 Choreographed for the Ice Capades. 1961 A Portrait of a Woman and Quotations for Idyllwild Arts Foundation (California). 1966 The Sisters (music by Ruggles) for San Diego Ballet and Jacob's Pillow Festival (Lee, Massachusetts). 1966 These Three (music by Steinman) for Joffrey Ballet at the City Center (New York). 1968 Prisms, Pinions, Paradox for University of California, Irvine (UCI). 1969 Catulli Carmina (music by Orff) for UCI. 1970 Polyphonica (music by Mendelsohn) for UCI. 1971 Folk Dances of a Mythical Country (music by Allard, Loring, Beaver, Krause) for UCI. 1973 Who Am I ? Where Do I Come From ? What Am I Doing Here? (music by Copland and Badings) for UCI. 1976 The Voice (music by Crumb) for UCI. 1978 Celebration for UCI. 1978 The Tender Land (music by Copland) for Oakland Ballet (California). 1979 American Gothic (music by Copland) for UCI. 1980 Time Unto Time (music by Bartok) for Oakland Ballet (California). From the guide to the Eugene Loring papers, 1925-1986, (bulk 1933-1979), (University of California, Irvine. Library. Dept. of Special Collections.)

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Loring, Eugene, 1911-1982

referencedIn

Souvenir programs of ballet, dance, and theatrical productions, ca. 1924-1998.

Resource

Souvenir programs of ballet, dance, and theatrical productions, ca. 1924-1998.

Title: Souvenir programs of ballet, dance, and theatrical productions, ca. 1924-1998.

Collection of printed souvenir programs from ballet, dance, and theater productions.

ArchivalResource: 14 boxes (4.2 linear ft.)

http://id.lib.harvard.edu/ead/hou02311/catalog View

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Loring, Eugene, 1911-1982

creatorOf

Billy the Kid / [choreography: Eugene Loring ; music: Aaron Copland ; notators: Ann Hutchinson and Helen Priest, assisted by Ann Wilson]. [194-?]

Resource

Loring, Eugene, 1911-1982. Billy the Kid / [choreography: Eugene Loring ; music: Aaron Copland ; notators: Ann Hutchinson and Helen Priest, assisted by Ann Wilson].

Title: Billy the Kid / [choreography: Eugene Loring ; music: Aaron Copland ; notators: Ann Hutchinson and Helen Priest, assisted by Ann Wilson]. [194-?]

ArchivalResource: 18 folders.

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Loring, Eugene, 1911-1982

creatorOf

Correspondence and contracts.

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Loring, Eugene, 1911-1982. Correspondence and contracts.

Title: Correspondence and contracts.

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Loring, Eugene, 1911-1982

referencedIn

Dance Notation Bureau Collection 1930-

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Dance Notation Bureau Collection, 1930-

Title: Dance Notation Bureau Collection 1930-

The Dance Notation Bureau Collection contains original manuscripts of scores and other materials that contribute to the DNB mission to advance the art of dance through the use of notation. The majority of the dance scores in the collection have been created using the symbol system called Labnotation. These scores include works by artists such as George Balachine, Paul Taylor, Antony Tudor, Bill T. Jones, Doris Humphrey, William Forsythe, José Limón, Laura Dean, and about 155 others. The Dance Notation Bureau is a non-profit organization which assists in staging works from score. The Dance Notation Bureau's Extension for Education and Research is located at The Ohio State University.

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Loring, Eugene, 1911-1982

creatorOf

Musical comedies. Three wishes for Jamie. [Programs] 1952.

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Cappy, Ted. Musical comedies. Three wishes for Jamie. [Programs]

Title: Musical comedies. Three wishes for Jamie. [Programs] 1952.

ArchivalResource: various pieces.

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Loring, Eugene, 1911-1982

creatorOf

Eugene Loring papers, 1925-1986 (bulk 1933-1979).

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Loring, Eugene, 1914-. Eugene Loring papers, 1925-1986 (bulk 1933-1979).

Title: Eugene Loring papers, 1925-1986 (bulk 1933-1979).

Records accumulated by dancer and choreographer Eugene Loring document his career as an innovative American choreographer, dancer, and teacher.

ArchivalResource: 14.6 linear feet (26 boxes)

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Loring, Eugene, 1911-1982

creatorOf

Papers, ca. 1938-1981.

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Loring, Eugene, 1911-1982. Papers,

Title: Papers, ca. 1938-1981.

ArchivalResource: ca. 440 items in 198 folders.

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Loring, Eugene, 1911-1982

referencedIn

Interview with John Clifford. 1972.

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Clifford, John, 1947-. Interview with John Clifford.

Title: Interview with John Clifford. 1972.

ArchivalResource: 47 leaves.

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Loring, Eugene, 1911-1982

referencedIn

Interview with Donald Saddler. 1978-79.

Resource

Saddler, Donald,. Interview with Donald Saddler.

Title: Interview with Donald Saddler. 1978-79.

ArchivalResource: 2 v. (345 leaves) ; 28 cm.

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Loring, Eugene, 1911-1982

creatorOf

Correspondence, 1950. 1 item.

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Loring, Eugene, 1911-1982. Correspondence, 1950. 1 item.

Title: Correspondence, 1950. 1 item.

ArchivalResource:

http://www.worldcat.org/oclc/122487616 View

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Loring, Eugene, 1911-1982

referencedIn

Walter Terry papers 1913-1982

Resource

Walter Terry papers, 1913-1982

Title: Walter Terry papers 1913-1982

Walter Terry was a dance critic for the , the , and the . He also contributed a number of articles to other publications and he wrote several books on the subject of dance. Not only a writer, Terry was a juror for many dance competitions and he was speaker at many universities and public functions. The collection contains correspondence, artwork, personal and professional written material, photographs, ephemera, and oversized material. New York Herald Tribune New York World Journal Saturday Review

ArchivalResource: 80 linear feet; 133 boxes

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Loring, Eugene, 1911-1982

referencedIn

Interview with Alicia Alonso. 1977.

Resource

Alonso, Alicia, 1921-. Interview with Alicia Alonso.

Title: Interview with Alicia Alonso. 1977.

ArchivalResource: 110 leaves ; 28 cm.

http://www.worldcat.org/oclc/122600454 View

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Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

The Duke of Sacramento / Norman Dello Joio ; two-piano score for the same ballet. [1942?]

Resource

Dello Joio, Norman, 1913-2008. The Duke of Sacramento / Norman Dello Joio ; two-piano score for the same ballet.

Title: The Duke of Sacramento / Norman Dello Joio ; two-piano score for the same ballet. [1942?]

ArchivalResource: 1 ms. score (100 folded leaves) ; 29 cm.

http://www.worldcat.org/oclc/84360323 View

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Loring, Eugene, 1911-1982

creatorOf

Scrapbook. 1933-35.

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Loring, Eugene, 1911-1982. Scrapbook.

Title: Scrapbook. 1933-35.

ArchivalResource: 1 v. illus. 39 cm.

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Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

Reminiscences of Eugene Loring : oral history, 1979.

Resource

Loring, Eugene. Reminiscences of Eugene Loring : oral history, 1979.

Title: Reminiscences of Eugene Loring : oral history, 1979.

Member Ballet Caravan: 1937 visit to Bennington Summer School of the Dance, conflict between ballet and modern dance; impressions of Martha Hill and Martha Graham; technique of teaching modern dance.

ArchivalResource: Transcript: 62 leaves.

http://www.worldcat.org/oclc/122574179 View

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Role

creatorOf

Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

Eugene Loring collection, ca. 1938-1980.

Resource

Loring, Eugene, 1911-1982. Eugene Loring collection, ca. 1938-1980.

Title: Eugene Loring collection, ca. 1938-1980.

Music by various composers, some with annotations by Loring.

ArchivalResource: ca. 3 cubic ft. (8 boxes)

http://www.worldcat.org/oclc/122517370 View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

Leon Danielian papers, 1930-1994.

Resource

Danielian, Leon, 1920-1997. Leon Danielian papers, 1930-1994.

Title: Leon Danielian papers, 1930-1994.

ArchivalResource: 8.09 linear feet (9 boxes)

http://www.worldcat.org/oclc/99659039 View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1911-1982

referencedIn

Interview with Janet Reed. 1978.

Resource

Reed, Janet,. Interview with Janet Reed.

Title: Interview with Janet Reed. 1978.

ArchivalResource: 1 v. (61 leaves) ; 28 cm.

http://www.worldcat.org/oclc/84358501 View

View in SNAC

Role

referencedIn

Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

Billy the Kid / [choreography by Eugene Loring ; music by Aaron Copland ; notators: Christine Clark and Lynne Webber]. 1973.

Resource

Loring, Eugene, 1911-1982. Billy the Kid / [choreography by Eugene Loring ; music by Aaron Copland ; notators: Christine Clark and Lynne Webber].

Title: Billy the Kid / [choreography by Eugene Loring ; music by Aaron Copland ; notators: Christine Clark and Lynne Webber]. 1973.

ArchivalResource: 3 folders.

http://www.worldcat.org/oclc/155847773 View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1911-1982

referencedIn

American Ballet Theatre records 1936-ca. 1967

Resource

American Ballet Theatre records, 1936-ca. 1967

Title: American Ballet Theatre records 1936-ca. 1967

American Ballet Theatre was founded in 1939 with the intention of creating an American company of international stature, a museum of the dance, “which would preserve the best of the classic tradition of Europe and at the same time lay the foundation for a new tradition, American in concept and spirit.” Its guiding principle was to encourage collaboration between artists with no single choreographer taking precedence. The records of the company attest to the pursuit of these goals.

ArchivalResource: 220 lin. ft.

http://archives.nypl.org/dan/19700 View

View in SNAC

Role

referencedIn

Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

Interview with Eugene Loring. 1975.

Resource

Loring, Eugene, 1911-1982,. Interview with Eugene Loring.

Title: Interview with Eugene Loring. 1975.

ArchivalResource: 211 leaves ; 28 cm.

http://www.worldcat.org/oclc/122610104 View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1911-1982

referencedIn

Interview with Scott Douglas. 1978.

Resource

Douglas, Scott,. Interview with Scott Douglas.

Title: Interview with Scott Douglas. 1978.

ArchivalResource: 1 v. (131 leaves) ; 28 cm.

http://www.worldcat.org/oclc/144658621 View

View in SNAC

Role

referencedIn

Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

Eugene Loring Manuscript Undated

Resource

Eugene Loring Manuscript, Undated

Title: Eugene Loring Manuscript Undated

Libretto for 'The Man from Midian,' with character analysis and choreographic directions.

ArchivalResource: 1 item (SC)

http://library.syr.edu/digital/guides/l/loring_e.htm View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1911-1982

referencedIn

Theatre Arts Monthly collection of portraits, ca. ca. 1924-1939 (bulk), 1916-1964 (inclusive).

Resource

Theatre Arts Monthly, collection of portraits, ca., ca., 1924-1939 (bulk), 1916-1964 (inclusive).

Title: Theatre Arts Monthly collection of portraits, ca. ca. 1924-1939 (bulk), 1916-1964 (inclusive).

Portrait and group portrait photographs of theatre-related people.

ArchivalResource: 8 boxes (2 linear ft.)

http://id.lib.harvard.edu/ead/hou02021/catalog View

View in SNAC

Role

referencedIn

Descriptive Note

Loring, Eugene, 1911-1982

creatorOf

Correspondence, 1941-1943.

Resource

Loring, Eugene, 1911-1982. Correspondence, 1941-1943.

Title: Correspondence, 1941-1943.

ArchivalResource:

http://www.worldcat.org/oclc/144661861 View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1914-

creatorOf

Eugene Loring papers circa 1938-1981

Resource

Eugene Loring papers, circa 1938-1981

Title: Eugene Loring papers circa 1938-1981

The Papers document several aspects of career from 1938 to 1981. He kept extensive notes related to his productions and teaching theories. He also often wrote and spoke about his philosophy of dance, transcripts of which are found in these papers. Being a trained musician, frequently notated his choreography on musical charts or scores. His teaching records include numerous ballet syllabi on six different levels of technique. also expressed himself through drawings, poetry, and prose found among his diaries and personal notes. Eugene Loring Loring's Loring Loring

ArchivalResource: 198 folders in 9 boxes (approximately 440 items

http://archives.nypl.org/dan/19688 View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1914-

referencedIn

Stravinsky-Diaghilev Foundation research files, 1920-1989.

Resource

Stravinsky-Diaghilev Foundation research files, 1920-1989.

Title: Stravinsky-Diaghilev Foundation research files, 1920-1989.

Projects notes, newsletters, auction and exhibition catalogs, offprints ofarticles and clippings, programs and invitations to exhibitions and receptions, and othermaterial assembled by the Stravinsky-Diaghilev Foundation for reference.

ArchivalResource: 26 boxes (18 linear ft.)

http://id.lib.harvard.edu/ead/hou01894/catalog View

View in SNAC

Role

referencedIn

Descriptive Note

Loring, Eugene, 1914-

creatorOf

Eugene Loring papers, 1925-1986 (bulk 1933-1979)

Resource

Eugene Loring papers, 1925-1986, (bulk 1933-1979)

Title: Eugene Loring papers, 1925-1986 (bulk 1933-1979)

The Eugene Loring Papers are comprised mainly of production photographs, scrapbooks, programs, and ephemera from the various stages of Loring's career, which culminated in a position as the founding chairman of the University of California, Irvine Dance Department (1965-1978). The collection contains rich documentation of Loring's early career, particularly in scrapbooks documenting the road tours of the dance companies Ballet Caravan and Ballet Theatre, and also broadly documents his directorship of Dance Players. Materials in this collection provide information on two important threads in Loring's diverse career in dance: his choreographic abilities as a leading developer of an American style of dance and his pedagogical skills (the latter first surfaced through his association with the American School of Dance). Additionally, the collection includes numerous performance and portrait photographs of dancers and dance companies collected by Loring and others.

ArchivalResource: 14.6 linear feet (26 boxes)

http://www.oac.cdlib.org/ark:/13030/tf3g500545 View

View in SNAC

Role

creatorOf

Descriptive Note

Loring, Eugene, 1914-

creatorOf

Leon Danielian papers 1930-1994

Resource

Leon Danielian papers, 1930-1994

Title: Leon Danielian papers 1930-1994

The Leon Danielian Papers document the career of the American ballet dancer and teacher through an extensive set of photographs, as well as a more limited selection of correspondence, clippings, financial records, and teaching materials. Danielian, a native New Yorker of Armenian ancestry, enjoyed an especially varied career as a performer, but is best known for his long association with the Ballet Russe de Monte Carlo. Following his retirement from the stage, Danielian taught ballet for nearly thirty years at the American Ballet Theatre School and the University of Texas at Austin.

ArchivalResource: 8.09 linear feet; 9 boxes

http://archives.nypl.org/dan/19824 View

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Role

creatorOf

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Alonso, Alicia, 1921-

Target

Alonso, Alicia, 1921-
http://n2t.net/ark:/99166/w6bg2r12 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

American Ballet Caravan (Dance company)

Target

American Ballet Caravan (Dance company)
http://n2t.net/ark:/99166/w6f23zbr View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

American Ballet Company.

Target

American Ballet Company.
http://n2t.net/ark:/99166/w69p73mg View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

American Ballet (Dance company)

Target

American Ballet (Dance company)
http://n2t.net/ark:/99166/w6q008hc View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

correspondedWith

American Ballet Theatre

Target

American Ballet Theatre
http://n2t.net/ark:/99166/w6bg6d00 View

Type

correspondedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

American School of Dance (Los Angeles, Calif.)

Target

American School of Dance (Los Angeles, Calif.)
http://n2t.net/ark:/99166/w6062frw View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Antheil, George, 1900-1959.

Target

Antheil, George, 1900-1959.
http://n2t.net/ark:/99166/w64t6jc5 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Astaire, Fred, 1899-1987.

Target

Astaire, Fred, 1899-1987.
http://n2t.net/ark:/99166/w60k2ftk View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Ballet Caravan (Dance company)

Target

Ballet Caravan (Dance company)
http://n2t.net/ark:/99166/w6tn2b2m View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Ballet Theatre (New York, N.Y.)

Target

Ballet Theatre (New York, N.Y.)
http://n2t.net/ark:/99166/w6q56d5j View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Bennington College.

Target

Bennington College.
http://n2t.net/ark:/99166/w62g1h4n View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Bowers, Theresa,

Target

Bowers, Theresa,
http://n2t.net/ark:/99166/w6xg9s73 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Bowles, Paul, 1910-1999.

Target

Bowles, Paul, 1910-1999.
http://n2t.net/ark:/99166/w6hq3zbx View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Brant, Henry, 1913-

Target

Brant, Henry, 1913-
http://n2t.net/ark:/99166/w6nv9hx2 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Charisse, Cyd.

Target

Charisse, Cyd.
http://n2t.net/ark:/99166/w6vq47xb View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Clifford, John, 1947-

Target

Clifford, John, 1947-
http://n2t.net/ark:/99166/w6hr2pgc View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Clugston, H. N.,

Target

Clugston, H. N.,
http://n2t.net/ark:/99166/w6zk6hwh View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Copland, Aaron, 1900-1990 .

Target

Copland, Aaron, 1900-1990 .
http://n2t.net/ark:/99166/w6tb15x8 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Dance Notation Bureau

Target

Dance Notation Bureau
http://n2t.net/ark:/99166/w6420td2 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Dance Players (Company)

Target

Dance Players (Company)
http://n2t.net/ark:/99166/w6wt72hc View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Dance Players (Company)

Target

Dance Players (Company)
http://n2t.net/ark:/99166/w6jx5jd0 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Dance Players (Dance company)

Target

Dance Players (Dance company)
http://n2t.net/ark:/99166/w6547nc6 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Danielian, Leon, 1920-1997.

Target

Danielian, Leon, 1920-1997.
http://n2t.net/ark:/99166/w6251m6p View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Dello Joio, Norman, 1913-2008.

Target

Dello Joio, Norman, 1913-2008.
http://n2t.net/ark:/99166/w6dz0703 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Douglas, Scott,

Target

Douglas, Scott,
http://n2t.net/ark:/99166/w6b56mnw View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Fokine Ballet (Company)

Target

Fokine Ballet (Company)
http://n2t.net/ark:/99166/w686817z View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Fokine, Michel, 1880-1942.

Target

Fokine, Michel, 1880-1942.
http://n2t.net/ark:/99166/w6v40xkr View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Freed, Arthur, 1894-

Target

Freed, Arthur, 1894-
http://n2t.net/ark:/99166/w6d51fg9 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Graham, Martha.

Target

Graham, Martha.
http://n2t.net/ark:/99166/w6hm59qq View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Hunt, Marilyn,

Target

Hunt, Marilyn,
http://n2t.net/ark:/99166/w6639s5w View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Kirstein, Lincoln, 1907-

Target

Kirstein, Lincoln, 1907-
http://n2t.net/ark:/99166/w6vx0jcf View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Los Angeles Dance Theatre (Dance company)

Target

Los Angeles Dance Theatre (Dance company)
http://n2t.net/ark:/99166/w68s9pbd View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Maudlin, Mildred Ann,

Target

Maudlin, Mildred Ann,
http://n2t.net/ark:/99166/w66m47qq View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

McPhee, Colin, 1900-1964.

Target

McPhee, Colin, 1900-1964.
http://n2t.net/ark:/99166/w6jw8g5t View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Milhaud, Darius, 1892-1974.

Target

Milhaud, Darius, 1892-1974.
http://n2t.net/ark:/99166/w6rf5t2v View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Online Archive of California.

Target

Online Archive of California.
http://n2t.net/ark:/99166/w6dg0dnv View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Reed, Janet,

Target

Reed, Janet,
http://n2t.net/ark:/99166/w6154kgp View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Rittman, Trude.

Target

Rittman, Trude.
http://n2t.net/ark:/99166/w6cc2x1d View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Saddler, Donald,

Target

Saddler, Donald,
http://n2t.net/ark:/99166/w6rj4mm6 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Scarlatti, Domenico, 1685-1757.

Target

Scarlatti, Domenico, 1685-1757.
http://n2t.net/ark:/99166/w6jw8bwk View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

School of American Ballet, New York.

Target

School of American Ballet, New York.
http://n2t.net/ark:/99166/w66d9w74 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Terry, Walter

Target

Terry, Walter
http://n2t.net/ark:/99166/w6f201zh View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

University of California, Irvine

Target

University of California, Irvine
http://n2t.net/ark:/99166/w6f51c5r View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

University of California, Irvine. Dance Dept.

Target

University of California, Irvine. Dance Dept.
http://n2t.net/ark:/99166/w6qz9f7x View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

University of California, Irvine. Dept. of Dance

Target

University of California, Irvine. Dept. of Dance
http://n2t.net/ark:/99166/w6qz799d View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1911-1982

associatedWith

Ward-Steinman, David.

Target

Ward-Steinman, David.
http://n2t.net/ark:/99166/w6dv2s47 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

American Ballet Caravan (Dance company)

Target

American Ballet Caravan (Dance company)
http://n2t.net/ark:/99166/w6f23zbr View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

American Ballet (Dance company)

Target

American Ballet (Dance company)
http://n2t.net/ark:/99166/w6q008hc View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

American School of Dance (Los Angeles, Calif.)

Target

American School of Dance (Los Angeles, Calif.)
http://n2t.net/ark:/99166/w6062frw View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Ballet Caravan (Dance company)

Target

Ballet Caravan (Dance company)
http://n2t.net/ark:/99166/w6tn2b2m View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Ballet Russe de Monte Carlo

Target

Ballet Russe de Monte Carlo
http://n2t.net/ark:/99166/w6b31q6q View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Ballet Theatre (New York, N.Y.)

Target

Ballet Theatre (New York, N.Y.)
http://n2t.net/ark:/99166/w6q56d5j View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Boris, Ruthanna

Target

Boris, Ruthanna
http://n2t.net/ark:/99166/w6hm5c1k View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Chase, Lucia, 1897-1986

Target

Chase, Lucia, 1897-1986
http://n2t.net/ark:/99166/w6bz67wd View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Chauviré, Yvette, 1917-

Target

Chauviré, Yvette, 1917-
http://n2t.net/ark:/99166/w68k7b6n View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Clugston, H. N., former owner.

Target

Clugston, H. N., former owner.
http://n2t.net/ark:/99166/w6vc0gbn View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Dance Players (Company)

Target

Dance Players (Company)
http://n2t.net/ark:/99166/w6wt72hc View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Dance Players (Dance company)

Target

Dance Players (Dance company)
http://n2t.net/ark:/99166/w6547nc6 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Danielian, Leon, 1920-1997

Target

Danielian, Leon, 1920-1997
http://n2t.net/ark:/99166/w6251m6p View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Danilova, Alexandra, 1907-1997

Target

Danilova, Alexandra, 1907-1997
http://n2t.net/ark:/99166/w6vm4ftf View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Denham, Sergei, 1896-1970

Target

Denham, Sergei, 1896-1970
http://n2t.net/ark:/99166/w6vd71mv View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Eugene Loring

Target

Eugene Loring
http://n2t.net/ark:/99166/w6tk1j1k View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Fehl, Fred

Target

Fehl, Fred
http://n2t.net/ark:/99166/w6x47q8h View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Loring's

Target

Loring's
http://n2t.net/ark:/99166/w69q5wfb View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Los Angeles Dance Theatre (Dance company)

Target

Los Angeles Dance Theatre (Dance company)
http://n2t.net/ark:/99166/w68s9pbd View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Maudlin, Mildred Ann, former owner.

Target

Maudlin, Mildred Ann, former owner.
http://n2t.net/ark:/99166/w6h2587h View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Mordkin, Mikhail, 1881-1944

Target

Mordkin, Mikhail, 1881-1944
http://n2t.net/ark:/99166/w6c82bx0 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Novak, Nina

Target

Novak, Nina
http://n2t.net/ark:/99166/w66815q9 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Penn, Irving

Target

Penn, Irving
http://n2t.net/ark:/99166/w69c82gj View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

San Francisco Ballet

Target

San Francisco Ballet
http://n2t.net/ark:/99166/w69923fj View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Saroyan, William, 1908-1981

Target

Saroyan, William, 1908-1981
http://n2t.net/ark:/99166/w680528m View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Seawell, Wallace

Target

Seawell, Wallace
http://n2t.net/ark:/99166/w6ms7dm1 View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Stravinsky-Diaghilev Foundation.

Target

Stravinsky-Diaghilev Foundation.
http://n2t.net/ark:/99166/w6s24hnw View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Suny, Seda

Target

Suny, Seda
http://n2t.net/ark:/99166/w60s39cj View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

University of California, Irvine

Target

University of California, Irvine
http://n2t.net/ark:/99166/w6f51c5r View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

University of California, Irvine. Dance Dept

Target

University of California, Irvine. Dance Dept
http://n2t.net/ark:/99166/w6qz9f7x View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

University of California, Irvine. Dept. of Dance

Target

University of California, Irvine. Dept. of Dance
http://n2t.net/ark:/99166/w6kh5qnc View

Type

associatedWith

Descriptive Note

Loring, Eugene, 1914-

associatedWith

Vollmar, Jocelyn

Target

Vollmar, Jocelyn
http://n2t.net/ark:/99166/w6kx877g View

Type

associatedWith

Descriptive Note

California

as recorded (not vetted)

View GeoPlace

Type

AssociatedPlace

Role

Address

Descriptive Note

United States

as recorded (not vetted)

View GeoPlace

Type

AssociatedPlace

Role

Address

Descriptive Note

Compare Constellations

Name Entries

Loring, Eugene, 1911-1982

Shared

Loring, Eugene, 1914-

Loring, Eugene, 1911-1982

Loring, Eugene

Loring, Eugene, 1914-

Loring, Eugene, 1914-

California

United States

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