Compare Constellations

Peale-Sellers families. Correspondence, 1686-1963.

Title: Correspondence, 1686-1963.

This collection includes wide-ranging, miscellaneous correspondence, with some other manuscripts, of members of the Peale and Sellers families, on natural history, the Philadelphia Museum, engineering, current events, and family matters. There is a group of letters and papers of Titian Ramsay Peale, including a sketchbook and a large number of loose sketches. There is also a group of letters of Rubens Peale and one of letters of Raphaelle Peale.

ArchivalResource: 12 boxes.

http://www.worldcat.org/oclc/122584100 View

Paul Philippe Cret : vertical file.

Title: Paul Philippe Cret : vertical file.

ArchivalResource:

http://www.worldcat.org/oclc/80130283 View

Cret, Paul Philippe, 1876-1945. Paul Philippe Cret clippings collection, 1910-1969.

Title: Paul Philippe Cret clippings collection, 1910-1969.

This collection is primarily an image file (plate file) comprising clippings from published material. Also found are entire articles from publications as well as some photographs, drawings and manuscript material. The file remains as organized by the firm with its own numbered classification scheme. A small group of materials was separated from the main file: photographs and oversized published materials, together with drawings and manuscript materials closely connected with Paul Cret, materials directly related to Cret projects and materials directly related to the Philadelphia region. These may be found interfiled according to the Cret classification numbers at the end of the collection.

ArchivalResource: 21 cu. ft.

http://www.worldcat.org/oclc/230738178 View

Harold Van Buren Magonigle papers, 1894-1939, 1919-1930

Title: Harold Van Buren Magonigle papers 1894-1939 1919-1930

Harold Van Buren Magonigle (1867-1935) was an American architect, artist and author. He achieved his greatest success as a designer of monuments but his artistic talents extended to sculpture, painting, writing, and graphic design. Collection consists of Magonigle's correspondence, writings, architectural papers, photographs, sketches, and printed matter. Includes general and personal correspondence with colleagues, academic figures and editors; correspondence and related papers, 1912-1928, as president of the New York chapter of the American Institute of Architects and as president of the American Academy in Rome Association of Alumni; and papers, 1901-1907, relating to the William McKinley Memorial in Canton, Ohio, which Magonigle designed; typescripts of his principal works on the history, theory and technique of art; his plays; articles published in architectural journals; addresses and lectures; photographs and pencil sketches of some of his designs; personal papers and printed matter. Also, correspondence and related papers of his wife, Edith Marion Day Magonigle, a painter and sculptor.

ArchivalResource: 4 linear feet (10 boxes, 1 oversize folder)

http://archives.nypl.org/mss/1838 View

Cret, Paul Philippe, 1876-1945. Paul Philippe Cret architectural records, 1823-1945 (bulk 1896-1945).

Title: Paul Philippe Cret architectural records, 1823-1945 (bulk 1896-1945).

Cret's archives were donated to the Library of the University of Pennsylvania by John F. Harbeson, Cret's student and colleague, and a partner in his successor firm, Harbeson, Hough, Livingston & Larson. The collection was later divided, and almost all the architectural drawings and project-related photographs were transferred to the Architectural Archives, together with a small amount of additional material. The archives, as received by the University Library, had been organized and, in many cases, annotated by Harbeson. Most of the materials transferred from the Library to the Architectural Archives had been mounted on large sheets of paperboard in groups of project-related drawings, photographs, and clippings, with annotations in Harbeson's handwriting. At the time of the transfer, the University Library retained all of Cret's correspondence, writings, and teaching files and nearly all personal materials. This collection is rich in Cret's sketches, renderings, and other design materials. Cret's student drawings and early competition renderings are a highlight of the collection. Of special note are renderings he made as a student in Paris, particularly "A Museum of Archaeology" and "Rendering of a Stair," and his oversized, elaborately rendered competition drawing for the Robert Fulton Memorial (with Albert Kelsey and Louis E. Jallade). These three drawings and several others in this collection were published in professional journals during Cret's lifetime. The earliest project materials are designs for a school, made ca. 1896 while Cret was employed in the office of Louis Rogniat, in Lyon. The latest is a design for a bridge in Philadelphia in the year of his death. Projects with numerous design drawings include the Washington Memorial Arch at Valley Forge, the Detroit Institute of Arts, the Folger Shakespeare Library, the University of Texas, and a number of war memorials (including the Quentin Roosevelt Memorial and various memorials for the Pennsylvania Battle Monuments Commission and the American Battle Monuments Commission). The collection contains 132 student drawings, 47 watercolor paintings, 4 sketchbooks, and 453 sketches not related to specific architectural projects. Although nearly all the materials of personal or biographical nature were retained by the University Library, the collection contains photographic portraits, an oil portrait (by Carlo J. Ampaglia), diplomas and honors, photographs taken during World War I, watercolors by Cret's father-in-law, Oscar Lahalle, and a sketchbook (dated 1828) of Pierre Bernard (architect of Lyon, France, a member of Cret's extended family). Also useful for biographical research are Cret's sketches for interior alterations to his own residence in Philadelphia (1913, 1920). The collection contains no office files from Cret's firm, nor does it contain original construction drawings from his office. After John Harbeson's death, the firm withdrew from its archives and sold a large quantity of materials related to Cret's projects. These materials may be consulted at the Athenaeum of Philadelphia. Construction drawings in this collection were acquired by the Architectural Archives from other sources, including prints of Cret's Chemistry Building for the University of Pennsylvania, prints of the Pan American Union (with Albert Kelsey) and prints of the Hartford County Building. None of these is a complete set.

ArchivalResource: Architectural drawings 2029 items : various media.Sketchbooks 5 v. (39 leaves)Photographs 382 photoprints, 1 photonegative.Clippings 155 items.Additional materials 1.5 cubic ft.

http://www.worldcat.org/oclc/83110522 View

Pennsylvania Railroad Company. Office of Chief Engineer. Records, 1862-1976 (bulk 1885-1965).

Title: Records, 1862-1976 (bulk 1885-1965).

The records describe the design and construction of railroad buildings and structures, the evolution of railroad building components, and the internal workings and personnel of the company's Engineering Dept.

ArchivalResource: 117.5 linear ft.

http://www.worldcat.org/oclc/122397342 View

Frances Benjamin Johnston Papers, 1855-1956, (bulk 1890-1945)

Title: Frances Benjamin Johnston Papers 1855-1956 (bulk 1890-1945)

Photographer and illustrator. Correspondence, diaries, speeches and writings, financial papers, family papers, clippings, scrapbooks, and printed matter documenting Johnston's career as a photographer of national figures and events, her photography of gardens and estates, compilation of a photographic record of Southern colonial architecture, participation in international exhibitions, travels and personal life, and the emerging role of women in the profession of photography

ArchivalResource: 19,000 items; 50 containers plus 1 oversize; 21.2 linear feet; 37 microfilm reels

http://hdl.loc.gov/loc.mss/eadmss.ms010298 View

Laird, Warren Powers, 1861-1948. Warren Powers Laird architectural records and papers, 1888-1945.

Title: Warren Powers Laird architectural records and papers, 1888-1945.

The Warren Powers Laird collection comprises records of his consulting practice and professional papers in 85 scrapbook volumes, together with two personal items (a photographic portrait and an award medallion). Of particular importance to researchers are Laird's detailed records from U.S. architectural competitions under his supervision between 1894 and 1932. The collection includes especially lengthy documentation of the competitions for the design of the Pennsylvania State Capitol and the Delaware River Bridge (Benjamin Franklin Bridge). Notable campus planning projects for universities and other institutional clients include: the University of Pennsylvania, Carnegie Institute of Technology, Brown University, Northwestern University, the University of Wisconsin and the Sesqui-Centennial International Exposition (Philadelphia, Pa.). Researchers may refer to the finding aid for this collection for a complete index of projects. Laird's documentation includes correspondence, manuscript notes and lists, printed competition programs, formal reports to clients, printed ephemera and newsclippings. Laird also preserved a variety of visual material, including his own sketches of his planning projects and of competition entries, clippings of architectural drawings and buildings from professional journals and newspapers, photographic images of architectural drawings, models, buildings and sites and a relatively small number of photomechanical reproductions of architectural drawings. Visual materials are found for more than sixty projects, many of them competitions. Of particular interest are visual materials related to the following architects: Paul Philippe Cret; Zantzinger, Borie? Raymond Hood, Godley and Fouilhoux; Thomas, Martin and Kirkpatrick; Cram, Goodhue? Palmer? Delano? Cass Gilbert; Edgar V. Seeler; Rankin, Kellog? Harry Sternfeld; William Van Alen. Researchers may refer to the finding aid for this collection for additional significant architects and firms. The volumes document only three orignal design projects by Laird himself: his own house in Merion Pennsylvania (with Edgar V. Seeler) and two projects in Laird's home town of Winona, Minnesota, Winona Public Library (with Edgar V. Seeler) and the Masonic Temple (with Charles F. Osborne).

ArchivalResource: 85 v. and 2 items.

http://www.worldcat.org/oclc/122582717 View

Myron Bement Smith collection, circa 1910-1970

Title: Myron Bement Smith collection

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

ArchivalResource: 192 Linear feet

https://sova.si.edu/record/FSA.A.04 View

John Henry Bradley Storrs papers

Title: John Henry Bradley Storrs papers

The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790 to 2007, with the bulk of the papers dating from 1900 to 1956. The collection documents Storrs' career as an artist and his personal life through biographical material, correspondence with family, friends, and colleagues, personal business records, forty-eight diaries and other writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. There is also a substantial amount of Marguerite Storr's correspondence as well as scattered correspondence of other members of the Storr's family. Biographical material consists of chronologies detailing the life of John Storrs, identification records, certificates, Storrs family documents, and records of John and Monique Storrs' French resistance activities during World War II. Correspondence within this collection is divided into John Storrs Correspondence, Marguerite Storrs Correspondence, and Storrs Family Correspondence. The bulk of correspondence is John Storrs with friends, colleagues, art critics, patrons, art organizations and galleries. Correspondents of note include artists, architects, and writers such as Hendrick Andersen, Sherwood Anderson, Edward Bennett, George Biddle, Jerome Blum, Georges Braque, Louise Bryant, William Bullitt, Alexander Calder, Walter Cole, Paul Phillippe Cret, Katherine Dreier, Marcel Duchamp, Max Eastman, R. Buckminster Fuller, Marsden Hartley, Jane Heap, Jean Helion, Fernand Leger, Jacques Lipchitz, Man Ray, Charles Sheeler, Gertrude Stein, Joseph Stella, Maurice Sterne, Alfred Stieglitz, Leopold Survage, and William and Marguerite Zorach. There are also many letters to his wife Marguerite. Marguerite Storrs' correspondence is with friends, family, colleagues, and others, including many letters to her husband. The letters are about general and family news, social activities and invitations, her work as a writer, and her husband's career. Storrs' family correspondence includes John and Marguerite's extensive correspondence with their daughter Monique as well as Monique's correspondence with others. Additional family correspondence is between John, his sister Mary ("Mae") and their parents David William and Hannah Storrs, much of it dating from 1900 to 1913. Personal business records include address books, records regarding the sale and loan of Storrs' artwork, commission files regarding major public sculptures by Storrs, contracts, appraisals, financial records, and other documents regarding his professional activities. Of note are several files documenting Downtown Gallery's representation of Storrs' work during the 1960s, including correspondence between Edith Halpert and Monique Storrs. Various other documents include records of the Ecole de la Loire artists group (all in French.) Additionally there are records relating to Chateau de Chantecaille, an estate purchased by Storrs in the early 1920s as his primary residence and studio. Forty-eight diaries contain scattered documentation of John Storrs' daily activities. Other writings by Storrs include four volumes of his memoirs that detail family history and his life from birth to 1906, notebooks, poetry, and personal accounts including the death of Auguste Rodin. Writings by others include poetry by Jessie Dismorr, essays by Zoltan Hecht and Maurice Raynal, and notebooks belonging to Storrs family members. Printed material consists of books, art bulletins, brochures, invitations, announcements, and programs for art and social events. Also found are catalogs for exhibitions of Storrs' work and work by other artists; magazines, including a bound volume of the first ten issues of <emph render="italic">The Liberator</emph>; and clippings which include news about Storrs, his family, and friends. Photographs depict John Storrs, his family, friends such as Arthur Bock and Gertrude Lambert, travels, and residences. Included are photographs of Storrs in his studio and in art classes. Also found are four photograph albums, primarily documenting his time in Europe from 1905 to 1907, exhibition photographs, and numerous photographs of his artwork. Original artwork includes a portfolio of artwork created by Storrs as a youth, loose sketches, one sketchbook, 31 lithographs, and drawings for mural projects. Four scrapbooks and a portfolio kept by John and Marguerite Storrs contain newspaper and magazine clippings of articles and illustrations as well as printed material from exhibitions, social events, and professional activities. Also found is a portfolio containing scattered items regarding the publication of <emph render="italic">Song of Myself</emph> with original wood engravings by John Storrs. One additional scrapbook was created by John Storrs around 1945 for his daughter, Monique Storrs, to document her service as a nurse in World War II.This collection also includes records of John Storrs' estate immediately following his death in 1956, as well as records of several galleries that represented the estate in managing Storrs' artwork from the 1970s to 2002.Three videocassettes, transferred from an unknown reel format, contain footage of Storrs' family life at Chantecaille and in Chicago, Illinois, in the 1930s.

ArchivalResource:

https://n2t.net/ark:/65665/mw97fbb0f90-38d0-4f9d-8293-83eb4d3dbe07 View

Cret, Paul Philippe, 1876-1945. Eternal Light Peace Monument [model] : peace eternal in a nation united.

Title: Eternal Light Peace Monument [model] : peace eternal in a nation united. [not before 1938]

ArchivalResource: 1 model : metal, felt ; 8 x 12 x 5 cm.

http://www.worldcat.org/oclc/777863966 View

Cret, Paul Philippe, 1876-1945. Paul Philippe Cret collection : drawings, 1920.

Title: Paul Philippe Cret collection : drawings, 1920.

The collection comprises five ink and gouache, and pencil drawings which originally formed part of a competition set submitted for the Kansas City (MO) Liberty War Memorial Competition (1920). The drawings include an aerial view, one complete plan and one partial detailed plan, and two elevations.

ArchivalResource: 5 items.

http://www.worldcat.org/oclc/63300542 View

Cret, Paul Philippe, 1876-1945. The building/Paul Philippe Cret records, 1919-1931 (predominantly 1919-1921).

Title: The building/Paul Philippe Cret records, 1919-1931 (predominantly 1919-1921). 1919-1931.

These records, dating from Cret's tenure as architect of the Detroit Institute of Arts, consist primarily of correspondence and relate exclusively to the design and construction of the building. Of particular interest is the correspondence between Cret and Clyde H. Burroughs, secretary of the Arts Commission; Albert Kahn, commissioner and nationally known Detroit architect; Bryant & Detwiler, general builders and William R. Valentiner, museum director. The correspondence reveals an almost daily concern for details of construction progress and reflects the complexities of funding and carrying through a major architectural project. The records also document the development of original design features of the museum plan, described by Cret in 1923 as the "mingling of exhibits" of various media, the harmonizing of each room's architecture with its contents, the sequential arrangement of the collections and the provision of space for relaxation and social activities. William Valentiner's contribution to the design arrangement of the galleries is of a particular interest in this context. Other records relating to Paul P. Cret and the Detroit Institute of Arts project can be found at the original architecture firm (H2L2), located in Philadelphia, PA and the Rare Book Library, University of Pennsylvania, Philadelphia, PA. Additional information also may be found in the records of Clyde Burroughs, William Valentiner and the audio-visual section of the Museum Archives of The Detroit Institute of Arts. The Graphic Arts department maintains a file of architectural drawings of the building by Cret, Zantzinger, Borie and Medary.

ArchivalResource: 2.5 linear feet.

http://www.worldcat.org/oclc/422759839 View

Philadelphia City Planning Commission. Architectural Drawings and Photographs for Two Planning Studies, 1927-1936.

Title: Architectural Drawings and Photographs for Two Planning Studies, 1927-1936.

The collection, on permanent loan from the Philadelphia Planning Commission, comprises two architectural drawings and three photoprints for two planning studies prepared between 1927 and 1936. Both studies are related to the Benjamin Franklin Parkway and nearby buildings and streets. The earlier project was begun before the foundation of the Commission and was presented to the Commission in the month after its founding. In 1924 Paul Philippe Cret had suggested a plan for demolishing City Hall while retaining its tower as the focus of the new Parkway and the other streets that converge at Centre Square, the central point of William Penn's original layout of the city. At the request of the Philadelphia Commission (a group of private citizens formed by Edward W. Bok devoted to the "beautification" of the city) Cret further developed the scheme with his former student Harry Sternfeld, and together they presented a comprehensive plan to the City Planning Commission in May 1929. The proposal was never built. This project is represented in the collection by one original drawing, a large (48" x 30") presentation elevation in pencil on board. The second project, designed in 1935-1936 by the staff of the City Planning Commission, projected the further development of the Fairmount Parkway in relation to an emerging vision of the Market Street corridor between City Hall and the newly built 30th Street Station. The plan, titled "Fairmount Parkway and Connections," was a significant expansion of the earlier Parkway plans, and was the forerunner of development plans by Louis I. Kahn (Triangle Area Redevelopment Plan and Civic Center Plan) and by Edmund Bacon.

ArchivalResource: Architectural drawings 2 sheets : originals.Photographs 3 photoprints : reproductions.

http://www.worldcat.org/oclc/234310624 View

Cret, Paul Philippe, 1876-1945. Correspondence with Edgar Fahs Smith, 1915-1916.

Title: Correspondence with Edgar Fahs Smith, 1915-1916.

Architect, see: Ms. Coll. Cret, Paul Philippe Papers.

ArchivalResource: 3 items (3 leaves).

http://www.worldcat.org/oclc/63554414 View

Paul Philippe Cret Drawings (University of Texas at Austin campus), Photographic Material, and Papers Accession number(s): 1982007, 1984010, 1985009, 1986018, 1986022, 2000027, 2000035, 2001007., 1930-1957

Title: Paul Philippe Cret Drawings (University of Texas at Austin campus), Photographic Material, and Papers 1930-1957

Paul Philippe Cret, a Philadelphia architect who specialized in the design of public buildings, was born in Lyon, France in 1876, attended the Ecole des Beaux-Arts in Paris (1897-1903), taught at the University of Pennsylvania (1903-1937), and was retained by the University of Texas at Austin as a consulting architect for the development of a master plan for the campus (1930-1945). The collection comprises drawings, floor plans, elevations, sections, details, landscape plans, diagrams and presentation renderings of Cret's work at the University of Texas at Austin (1930-1945). Among the buildings included are the following: Library, Architecture, Union Group and Auditorium, Home Economics, Littlefield Memorial, Yount House, Texas Memorial Museum and a number of dormitories.An addendum to this collection consists of archival material (photographic material, drawings, postcards, and papers) which accompanied the purchase of the library of Paul P. Cret in 2000.

ArchivalResource:

http://www.lib.utexas.edu/taro/utaaa/00016/00016-P.html View

Bendiner, Alfred. Alfred Bendiner correspondence, 1942.

Title: Alfred Bendiner correspondence, 1942.

ALS (1942 December 29) to Bendiner from Paul Philippe Cret.

ArchivalResource: 1 item.

http://www.worldcat.org/oclc/79456471 View

Cret, Paul Philippe, 1876-1945. Paul Philippe Cret architectural drawings, circa 1901-1936.

Title: Paul Philippe Cret architectural drawings, circa 1901-1936.

Included are photocopies of Cret's architectural drawings for the Hartford County Building, Hartford, Conn., 1926-1927; the Federal Reserve Building, Washington, D.C., 1936; the Folger Shakespeare Library, Washington, D.C., 1929; and miscellaneous projects. Also, Cret's sketches for monuments (including studies for the Quentin Roosevelt Fountain, 1919), covers and title pages for publications, a bridge, a bas-relief, a map, a medal, and a bookplate, circa 1901-1931. Includes one student drawing from the Ecole des Beaux Arts.

ArchivalResource: circa 1 cubic ft.

http://www.worldcat.org/oclc/505719892 View

Paul Philippe Cret papers

Title: Paul Philippe Cret papers

Papers relating to Cret's position as architect of the Detroit Art Institute. Included are correspondence with Clyde H. Burroughs and Ralph H. Booth of the Detroit Arts Commission, architect Albert Kahn, art historian William H. Valentiner, and builders Bryant and Detwiler Co.; and design and construction files, 1920-1929, containing construction progress reports, memoranda, specifications, schedules, and contracts.

ArchivalResource:

https://n2t.net/ark:/65665/mw9931f1222-4bf6-4e11-a0c5-61e60d0fc8c0 View

John Henry Bradley Storrs papers

Title: John Henry Bradley Storrs papers

The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790 to 2007, with the bulk of the papers dating from 1900 to 1956. The collection documents Storrs' career as an artist and his personal life through biographical material, correspondence with family, friends, and colleagues, personal business records, forty-eight diaries and other writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. There is also a substantial amount of Marguerite Storr's correspondence as well as scattered correspondence of other members of the Storr's family. Biographical material consists of chronologies detailing the life of John Storrs, identification records, certificates, Storrs family documents, and records of John and Monique Storrs' French resistance activities during World War II. Correspondence within this collection is divided into John Storrs Correspondence, Marguerite Storrs Correspondence, and Storrs Family Correspondence. The bulk of correspondence is John Storrs with friends, colleagues, art critics, patrons, art organizations and galleries. Correspondents of note include artists, architects, and writers such as Hendrick Andersen, Sherwood Anderson, Edward Bennett, George Biddle, Jerome Blum, Georges Braque, Louise Bryant, William Bullitt, Alexander Calder, Walter Cole, Paul Phillippe Cret, Katherine Dreier, Marcel Duchamp, Max Eastman, R. Buckminster Fuller, Marsden Hartley, Jane Heap, Jean Helion, Fernand Leger, Jacques Lipchitz, Man Ray, Charles Sheeler, Gertrude Stein, Joseph Stella, Maurice Sterne, Alfred Stieglitz, Leopold Survage, and William and Marguerite Zorach. There are also many letters to his wife Marguerite. Marguerite Storrs' correspondence is with friends, family, colleagues, and others, including many letters to her husband. The letters are about general and family news, social activities and invitations, her work as a writer, and her husband's career. Storrs' family correspondence includes John and Marguerite's extensive correspondence with their daughter Monique as well as Monique's correspondence with others. Additional family correspondence is between John, his sister Mary ("Mae") and their parents David William and Hannah Storrs, much of it dating from 1900 to 1913. Personal business records include address books, records regarding the sale and loan of Storrs' artwork, commission files regarding major public sculptures by Storrs, contracts, appraisals, financial records, and other documents regarding his professional activities. Of note are several files documenting Downtown Gallery's representation of Storrs' work during the 1960s, including correspondence between Edith Halpert and Monique Storrs. Various other documents include records of the Ecole de la Loire artists group (all in French.) Additionally there are records relating to Chateau de Chantecaille, an estate purchased by Storrs in the early 1920s as his primary residence and studio. Forty-eight diaries contain scattered documentation of John Storrs' daily activities. Other writings by Storrs include four volumes of his memoirs that detail family history and his life from birth to 1906, notebooks, poetry, and personal accounts including the death of Auguste Rodin. Writings by others include poetry by Jessie Dismorr, essays by Zoltan Hecht and Maurice Raynal, and notebooks belonging to Storrs family members. Printed material consists of books, art bulletins, brochures, invitations, announcements, and programs for art and social events. Also found are catalogs for exhibitions of Storrs' work and work by other artists; magazines, including a bound volume of the first ten issues of <emph render="italic">The Liberator</emph>; and clippings which include news about Storrs, his family, and friends. Photographs depict John Storrs, his family, friends such as Arthur Bock and Gertrude Lambert, travels, and residences. Included are photographs of Storrs in his studio and in art classes. Also found are four photograph albums, primarily documenting his time in Europe from 1905 to 1907, exhibition photographs, and numerous photographs of his artwork. Original artwork includes a portfolio of artwork created by Storrs as a youth, loose sketches, one sketchbook, 31 lithographs, and drawings for mural projects. Four scrapbooks and a portfolio kept by John and Marguerite Storrs contain newspaper and magazine clippings of articles and illustrations as well as printed material from exhibitions, social events, and professional activities. Also found is a portfolio containing scattered items regarding the publication of <emph render="italic">Song of Myself</emph> with original wood engravings by John Storrs. One additional scrapbook was created by John Storrs around 1945 for his daughter, Monique Storrs, to document her service as a nurse in World War II.This collection also includes records of John Storrs' estate immediately following his death in 1956, as well as records of several galleries that represented the estate in managing Storrs' artwork from the 1970s to 2002.Three videocassettes, transferred from an unknown reel format, contain footage of Storrs' family life at Chantecaille and in Chicago, Illinois, in the 1930s.

ArchivalResource:

https://n2t.net/ark:/65665/mw97fbb0f90-38d0-4f9d-8293-83eb4d3dbe07 View

Price, Llewellyn R. (Llewellyn Robert), 1896-1970. Llewellyn R. Price architectural drawings, 1919-1922.

Title: Llewellyn R. Price architectural drawings, 1919-1922.

This collection comprises student drawings executed between 1919 and 1922. Most of the drawings are watercolor renderings. A group of ten drawings can be clearly identified as work done in "Atelier Cret" during Price's final year of study. One drawing was produced as Price's entry in the Emerson Prize competition. The collection contains no personal papers or records of Price's architectural practice and no materials related to Price's position as Instructor in Design.

ArchivalResource: Architectural drawings 31 sheets : originals.

http://www.worldcat.org/oclc/234452409 View

Philadelphia Commission (Pa.). Letters, 1929.

Title: Letters, 1929.

Cover letter (copy) from Commission President Eli K. Price to Philadelphia Mayor Harry A. Mackey; and an accompanying report (copy) entitled "The Improvement to City Hall Square, Philadelphia," by Paul P. Cret and Harry Sternfeld. The letter and report describe the beautification efforts around the City Hall area. Specifically, they recommend the removal of City Hall with the exception of the tower, development of a new building for municipal offices, creation of a civic center, and enhancements to the subway and surface transportation systems.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122444893 View

Austin, Its Architects and Architecture, 1836-1986, Manuscript Records AR. 2009. 005., 1965-1986, 1985-1986

Title: Austin, Its Architects and Architecture, 1836-1986 Manuscript Records 1965-1986 1985-1986

The collection highlights the process of researching, funding, editing and publishing the book as part of the Texas Sesquicentennial project of the University of Texas Center for the Study of American Architecture, Austin Chapter of the American Institute of Architects, the Heritage Society of Austin, and the Austin History Center. Austin, Its Architects and Architecture, 1836-1986

ArchivalResource:

http://www.lib.utexas.edu/taro/aushc/00079/00079-P.html View

Hough, William J. H. (William Jarrett Hallowell), 1888-1969. William J.H. Hough papers, 1765-1925 (bulk 1907-1919).

Title: William J.H. Hough papers, 1765-1925 (bulk 1907-1919).

The collection contains personal correspondence, sketch books, scrapbooks, photographs, architectural drawings and other materials related to Hough's student years at the University of Pennsylvania and his years of study in Italy. The collection also contains photographs of drawings (ca 1920-1925) of Paul Cret's Delaware River Bridge, designed and built during Hough's early years in Cret's firm. Hough's correspondence is limited to his time in Europe 1911-1919, nearly entirely with family members. Hough's letters and photographs provide insight into architectural education, his fellow students, and World War I in Italy from the perspective of a student and a Red Cross worker. There is no correspondence with Paul Cret, who was serving in the French army while Hough was at the American Academy in Rome. Hough's sketchbooks document his travels in Italy, and his scrapbook titled Italian Villas documents more than 20 villas with sketches and numerous photographs. The collection contains a group of remarkable large renderings, including "Monument to a Deceased Ruler" which won the Rome Prize in 1914 and "Fountain and Colonnade, Piazza di San Pietro, Rome" a fine large rendering made at the American Academy in Rome. The collection contains two items by Hough's fellow students in Rome: an etching by Grant Miles Simon and a drawing by H.I Stickroth. The oldest item in the collection (1765) is a large engraved view of Rome by Giuseppe Vasi.

ArchivalResource: Drawings 40 sheets : various media.Photographs 217 photoprints.Sketchbooks 7 v.Scrapbooks 1 v. (350 photoprints, 22 drawings, 32 post cards)Correspondence 162 items.Miscellaneous 10 folders.

http://www.worldcat.org/oclc/63662297 View

Evans, John Lane, 1902-1994. John Lane Evans architectural records, 1920-1982.

Title: John Lane Evans architectural records, 1920-1982.

This collection is the primary archive of the architectural work of John Lane Evans. The largest part of the collection comprises architectural records of Evans's practice, including domestic, ecclesiastical, civic and commercial projects in and near Philadelphia and as far west in Pennsylvania as Harrisburg. In addition, the collection is rich in Evans's student drawings, which provide insight into the teaching of architectural design at the University of Pennsylvania during an important period. In addition to projects and collaborations of Evans's own firm, projects of other architects are also found in the collection. Evans worked in Paul Cret's office as a young man, and his records preserve 3 drawings he made for Cret's projects. As City Architect of Philadelphia, Evans supervised projects of other architects and engineers, and his project files contain materials related to projects of the following: Vincent G. Kling; Harbeson, Hough, Livingston and Larson; Wright Andrade Amenta and Gane; Supowitz and Demchick; George M. Ewing Co.; Stonorov and Haws; Hugh A. Stubbins, Jr.

ArchivalResource: 1 architectural model.

http://www.worldcat.org/oclc/63578827 View

Howe, George, 1886-1955. George Howe papers, 1926-1974, (bulk 1926-1955).

Title: George Howe papers, 1926-1974, (bulk 1926-1955).

Manuscripts, with related correspondence, memoranda, and notes of Howe's lectures, speeches, reports, articles, poems, and other writings, 1920s-1930s; correspondence, memoranda, and reports relating to Howe's tenure as Chair of the Yale University Department of Architecture; clippings, correspondence, and legal documents, 1932-1935, relating to the dissolution of his architectural firm, Howe & Lescaze; correspondence, memoranda, and accounts relating to Howe's work with LIFE Magazines's Life Houses program ("new houses for modern living"), 1939-1940; correspondence between Robert A.M. Stern and numerous architects, family, and friends of Howe, all related to Stern's research for his monograph on Howe, 1962-1974; and curriculum vitae, a diary of a trip to Mexico, 1932, photographs, clippings, printed material, and miscellaneous documents, relating to professional honors and activities, and personal life. Also, letters from leading artists and architects including William Kozlenko, Maxwell Levinson, Philip Johnson, Norman L. Rice, Louis I. Kahn, Robert J. Buffler, Howard Robertson, Roger W. Sherman, Dominque Berninger, and Irving Bowman, endorsing Howe for the 1933 Philadelphia Award (which he did not receive).

ArchivalResource: 2.8 cubic ft.

http://www.worldcat.org/oclc/505720125 View

Guastavino Fireproof Construction Company/George Collins. Architectural records. Series II: Project Records. Subseries 6: Files, Connecticut, 1891-1980 (bulk 1930-1938).

Title: Architectural records. Series II: Project Records. Subseries 6: Files, Connecticut, 1891-1980 (bulk 1930-1938).

This subseries contains correspondence, contracts, estimates, proposals, employee time sheets, and other financial statements. Materials dated 1891-1958 were created by R. Guastavino Co. and the correspondence pertains to projects in Connecticut with contractors, architects, suppliers, insurance agents, etc. Materials dated 1979-1980 were created by Prof. George Collins, and are mostly notes resulting from his research.

ArchivalResource: 0.5 linear ft.

http://www.worldcat.org/oclc/78040656 View

Battle, William James, 1870-1955. Battle, William James, papers, 1870-1959.

Title: Battle, William James, papers, 1870-1959.

Papers were produced and collected by Battle (1870-1955) and relate to his professional career at the University of Texas (1893-1917, 1920-1949), his graduate studies while at Harvard (1890-1893), his personal life, his life in Austin, Texas, his travels in Europe and America, his lifelong interest in classical languages, civilization and fine art, and to his role in the controversy between Governor James Edward Ferguson and the University of Texas (1914-1917).

ArchivalResource: 36 ft., 3 in.

http://www.worldcat.org/oclc/35748595 View