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Massenet, Jules, 1842-1912. [Notes and autographs] / J. Massenet.

Title: [Notes and autographs] / J. Massenet. [between 1870-1912?]

Three notes (1 undated, 1 from 1891 avril 9, Paris, 1 postmarked 23 mai 1909) and 2 autographs on Massenet's imprinted calling cards. -- [Note, postmarked, 23 mai 1909 to] François Flameng.

ArchivalResource: 5 items

http://www.worldcat.org/oclc/287163277 View

World War posters, 1914-1945

Title: World War posters 1914-1945

This collection consists of propaganda posters from both World War I and World War II from the perspective of the Allied powers. While the majority of the posters in this collection are products of the United States government, this collection includes some posters from other countries, Britain and France, and from nongovernmental organizations such as the American Library Association, the Red Cross, the YMCA/YWCA, and private businesses.

ArchivalResource: 330 posters

http://www.oac.cdlib.org/ark:/13030/c8gt5kj7 View

Flameng, Francois, 1855-1923 : [miscellaneous ephemeral material].

Title: Flameng, Francois, 1855-1923 : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/199337218 View

Palais de l'industrie (Paris, France). Letters received, ca. 1883-1904, by the commissaire general (M. Pretet)

Title: Letters received, ca. 1883-1904, by the commissaire general (M. Pretet)

Letters and calling cards received from artists recommending paintings for upcoming Salons and including, in most instances, titles of paintings, dimensions, specifications concerning installation and justifications of their recommendations. Correspondents include Albert Besnard, Leon Bonnat, Gustave Courtois, Francois Flameng, Alfred Roll, Henri Harpignies, Edouard Detaille, Jean-Jacques Henner, Albert Maignan and William Adolphe Bouguereau.

ArchivalResource: 77 items.

http://www.worldcat.org/oclc/80905899 View

Henry Mosler papers

Title: Henry Mosler papers

The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.Biographical material includes passports for Mosler's travel during the Civil War and to the American West in 1875-1876, as well as identification cards and awards from Mosler's years in Germany and Paris, including the Ordre National Légion d'Honneur awarded to him in 1892.Letters record Mosler's service as an aide-de-camp for the Army of Ohio and his activities as an artist correspondent for <emph render="italic">Harper's Weekly</emph> from 1861-1863 in the Western Theater of the Civil War. However, the bulk of the letters document Mosler's career from the 1880s onward. Found are letters from museums, art associations, government agencies including the Minsistere de l'Instruction Publique et des Beaux-Arts, and colleagues in Europe and the United States including artists James Henry Beard, Julien Dupré, Gabrier Ferrier, Ernest Hébert, William Henry Howe, William Ordway Partridge, and Leon Germain Pelouse, among others. There are also scattered letters from Mosler.Writings and notes include an 1862 Civil War diary and two illustrated notebooks from 1862 and 1863 containing sketches, and travel and financial notes. Also found are two biographical accounts of Mosler's career and poems by various authors, many inspired by Mosler's paintings.Personal business records include an account book documenting Mosler's income and expenses from 1869-1878 and 1886-1892, and Library of Congress copyright certificates for four of Mosler's pictures.Printed material documents Mosler's career in the United States and Europe through news clippings, a brochure, and an exhibition catalog for an 1897 exhibition of his paintings at Galleries of Pape Bros.Artwork and sketchbooks include six sketches and an engraving by Mosler, and two books containing sketches by Mosler and other artists including James Henry Beard. The series also contains one ink drawing each by Leon Germain Pelouse and E. Hillery.Photographic material includes albums and individual photographs of Mosler in his studio and with others including his immediate and extended family, and students. Also found are photos of artists including Gabriel Ferrier, Ernest Hébert and Thomas Buchanan Read, Brigadier General R. W. Johnson and opera singers Emma Nevada Palmer and Renée Richards. Photographs of artwork are primarily found in 2 oversized albums dedicated by Mosler to his children, Edith Mosler and Gustave Henry Mosler respectively.

ArchivalResource:

https://n2t.net/ark:/65665/mw908db6548-40c0-4817-8902-a69bacd65e62 View

Henry Mosler papers

Title: Henry Mosler papers

The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.Biographical material includes passports for Mosler's travel during the Civil War and to the American West in 1875-1876, as well as identification cards and awards from Mosler's years in Germany and Paris, including the Ordre National Légion d'Honneur awarded to him in 1892.Letters record Mosler's service as an aide-de-camp for the Army of Ohio and his activities as an artist correspondent for <emph render="italic">Harper's Weekly</emph> from 1861-1863 in the Western Theater of the Civil War. However, the bulk of the letters document Mosler's career from the 1880s onward. Found are letters from museums, art associations, government agencies including the Minsistere de l'Instruction Publique et des Beaux-Arts, and colleagues in Europe and the United States including artists James Henry Beard, Julien Dupré, Gabrier Ferrier, Ernest Hébert, William Henry Howe, William Ordway Partridge, and Leon Germain Pelouse, among others. There are also scattered letters from Mosler.Writings and notes include an 1862 Civil War diary and two illustrated notebooks from 1862 and 1863 containing sketches, and travel and financial notes. Also found are two biographical accounts of Mosler's career and poems by various authors, many inspired by Mosler's paintings.Personal business records include an account book documenting Mosler's income and expenses from 1869-1878 and 1886-1892, and Library of Congress copyright certificates for four of Mosler's pictures.Printed material documents Mosler's career in the United States and Europe through news clippings, a brochure, and an exhibition catalog for an 1897 exhibition of his paintings at Galleries of Pape Bros.Artwork and sketchbooks include six sketches and an engraving by Mosler, and two books containing sketches by Mosler and other artists including James Henry Beard. The series also contains one ink drawing each by Leon Germain Pelouse and E. Hillery.Photographic material includes albums and individual photographs of Mosler in his studio and with others including his immediate and extended family, and students. Also found are photos of artists including Gabriel Ferrier, Ernest Hébert and Thomas Buchanan Read, Brigadier General R. W. Johnson and opera singers Emma Nevada Palmer and Renée Richards. Photographs of artwork are primarily found in 2 oversized albums dedicated by Mosler to his children, Edith Mosler and Gustave Henry Mosler respectively.

ArchivalResource:

https://n2t.net/ark:/65665/mw908db6548-40c0-4817-8902-a69bacd65e62 View

Berthault, Pierre Gabriel, 1737-1831. French Revolution scenes.

Title: French Revolution scenes. ca. 1789-1879.

Scenes of significant or dramatic events of the French Revolution. Subjects include the Tennis Court Oath of June 1789; Honoré-Gabriel de Riquetti, comte de Mirabeau, giving a speech to the National Assembly in June of 1789; Georges Jacques Danton giving a speech to the Cordeliers political club; the arrest of Louis XVI at Varennes; the trial of Louis XVI; the assassination of Jean Paul Marat; revolutionary festivals; prisoners being summoned to execution; Danton, Jean Sylvain Bailly, and Camille Desmoulins going to the guillotine; Jean-Lambert Tallien speaking before the Revolutionary Tribune on July 27, 1794, the day that Robespierre was overthrown; and Napoleon and Emmanuel Joseph Sieyès conferring before their coup d'état of November 9-10, 1799. Also included are illustrated lyrics to the songs Le Reveil du Peuple and Hymne à l'Etre Suprème. Many prints are anonymous. Named artists include Ary Scheffer, Tony Johannot, Alfred Johannot, Raffet, J. Bulthuis, Swebach Desfontaines, Duplessi Bertaux, Prieur, Henri Scheffer, A. Sandoz, H. Vernet, La Fosse, Serbu, Macleret, Couché fils, R. Vinkeles, Monnet, Casenawe, J.P. Laminit, and François Flameng. Engravers include Revel, Pollet, R. Vinkeles and D. Vrydag, Berthault, Couché fils, A. Lefevre, Gaitte, Pourvoyeur, Ph. Langlois, Blanchard, Burdet, Marckl, Mme. Girard, Mauduit, Leroux, Frilley, Dutillois, W. Greatbatch, De Mare, Outhwaite, Goulu, Maulet, Salmon, Lacauchie, Masson, Onwhyn, Beyer, Cousin, and Gaujean. Most items are undated and issued by an unidentified publisher, usually French or, in many cases, Dutch. Named publishers: Paris: F. Chardon, Furne, Baudouin frères, Revue de Paris; London: Richard Bentley.

ArchivalResource: ca. 124 prints : engravings, wood engravings, etchings, 1 photogravure ; 35 x 36 cm. or smaller.

http://www.worldcat.org/oclc/64745643 View

M. Knoedler & Co. Letters received, 1890-1920.

Title: Letters received, 1890-1920.

Collection consists of letters addressed primarily to Roland Knoedler and to the director of his gallery in Paris, Hamman. The letters are from artists and concern business matters, studio visits, rights of reproduction, as well as work in progress. Correspondents include Lawrence Alma Tadema (1895-1901); Etienne Prosper Berne-Bellecour (1901-1906); Albert Besnard (1900); Jules Breton (1902); Jean Charles Cazin (1896-1907); Theobald Chartran (1907); Edouard Detaille (1900-1904); Firmin Girard (1890-1911); Francois Flameng (1891-1909); Emile Friant (n.d.); Francois Grison (n.d.); Georges Haquette (1896-97); Jules Lefebvre (1892-95); Madeleine Lemaire (1892-1913); Leon Lhermitte (1900-1912); Jean-Ferdinand Monchablon (1897-98); and Fritz Thaulow (1900-1905). The collection also includes one letter from the writer Theodore Duret (1917). In alphabetical order by correspondent.

ArchivalResource: ca. 200 items.7 microfiche use copy.7 microfiche master copy.

http://www.worldcat.org/oclc/81254129 View

Hameny, Leon. Leon Hameny letter and receipts to Samuel P. Avery, 1891.

Title: Leon Hameny letter and receipts to Samuel P. Avery, 1891.

Concerning the engraving after François Flameng's paintin, Grolier and Aldus.

ArchivalResource: 3 sheets.

http://www.worldcat.org/oclc/712625987 View

Grolier Club. Grolier Club artistic properties information files, 1913-

Title: Grolier Club artistic properties information files, 1913-

Correspondence, appraisals, photographs, and miscellaneous printed material relating to some of the art objects held by the Grolier Club. The collection includes, but is not limited to: appraisals (1975-1985) of bronzes, pieces of silver, and terra-cotta and porcelain pieces; reports by conservator Carolyn Horton on some works on paper, and information and illustrations of the "Cauliflower Chair" given by Halsted Vander Poel. Portraits for which correspondence, photographs, or other materials exist include, but are not limited to: Charles Beale, by Mary Beale; Nathaniel Hawthorne, by C. P. Thompson (gift of Stephen Wakeman); James Russell Lowell, by William Page (gift of Stephen Wakeman); and Thomas Otway, by Jame Luttrell (gift of Beverly Chew). This last was once believed to be a portrait of John Dryden by Godfrey Kneller. A letter from artist François Flameng to Samuel Putnam Avery documents his painting "Grolier in the House of Aldus the Elder" (1890) that Avery donated to the Club. The collection includes photographic images of 27 items, with a total of 50 prints, and 4 negatives.

ArchivalResource: 2 boxes (.8 linear ft.)

http://www.worldcat.org/oclc/79458543 View

Flameng, François, 1856-1923. Letters, 1911-1919, n.d.

Title: Letters, 1911-1919, n.d.

Concerning commissions for portraits, work in progress and other matters personal and professional. One letter is to the painter Maillart.

ArchivalResource: 5 items.

http://www.worldcat.org/oclc/81364841 View