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Information: The first column shows data points from National Arts Club (New York, N.Y.) in red. The third column shows data points from National Arts Club, New York. in blue. Any data they share in common is displayed as purple boxes in the middle "Shared" column.
Name Entries
National Arts Club (New York, N.Y.)
Shared
National Arts Club, New York.
National Arts Club (New York, N.Y.)
Name Components
Name :
National Arts Club (New York, N.Y.)
Dates
- Name Entry
- National Arts Club (New York, N.Y.)
Citation
- Name Entry
- National Arts Club (New York, N.Y.)
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National Arts Club, New York
Name Components
Name :
National Arts Club, New York
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New York. National arts club
Name Components
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National Arts Club, New York.
Name Components
Name :
National Arts Club, New York.
Dates
- Name Entry
- National Arts Club, New York.
Citation
- Name Entry
- National Arts Club, New York.
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Citation
- Exist Dates
- Exist Dates
Art club at 119 E. 19th St., New York, N.Y.
National Arts Club (founded 1898) was founded by Charles de Kay for purposes of providing exhibition space for types of art not otherwise adequately shown in New York City, publishing and circulating news about the arts, and promoting social relations between artists and art lovers.
The Club's focus includes performing and creative arts, as well as the visual arts. The Clubhouse on Gramercy Park, once the mansion of Samuel Tilden, was designated a National Historic Landmark in 1976; it provides studio space and living quarters for some members, accomodations for visitors, and meeting and office space for organizations with compatible interests.
The National Arts Club was founded by Charles de Kay, literary and art critic for the New York Times who believed there was a need for a club uniting all of the arts. In March of 1898, de Kay called together a number of civic leaders and men prominent in the art world who supported the idea, elected the first officers and incorporated the Club in 1899.
As stated in a circular issued by the Club, its specified purposes were: to promote the mutual acquaintance of art lovers and art workers in the United States; to stimulate and guide toward practical and artistic expression the artistic sense of the American people; to maintain in the City of New York a Club House...for social purposes in connection with the arts; to provide proper exhibition facilities for such lines of art, especially applied and industrial art, as shall not be otherwise adequately provided for in the same City; and to encourage the publication and circulation of news, suggestions and discussions relating to the fine arts.
During its initial months, the National Arts Club operated from a temporary office at 156 Fifth Avenue. In the search for a permanent site, considerable care was taken to select an auspicious location and accommodations, and in 1899 the first clubhouse was opened at 37 West 34th Street in leased quarters renovated expressly for the Club. Within a year, the gallery and restaurant required additional space, and there was a desire to provide overnight quarters for members visiting from out of town. In 1901 the Club created a corporation, Arts Realty Co., which issued shares to members and other investors for the purpose of raising funds to purchase the adjacent property (39 West 34th Street). This end was accomplished, and when it was decided to move the Club to another location, proceeds from the sale of the lease on 37 West 34th Street and the lot next door, augmented by additional funds subscribed by members, enabled Arts Realty Co. to acquire the Tilden Mansion at 15 Gramercy Park in 1905. Construction was begun immediately on a connecting studio tower to the rear (119-121 East 19th Street), designed by architect and Club President George B. Post. Upon completion, the Club bought the property from Arts Realty Co., issuing both First and Second Mortgage Bonds to individual subscribers. The Gramercy Park property has been occupied by the Club since 1906.
A show of American gold and silver work in October 1899 was the first exhibition held at the National Arts Club. Decorative arts, crafts, and industrial arts figured prominently in early exhibitions, as did designs for civic improvements. The monthly exhibition schedule emphasized contemporary American art, but also included some historical shows. Members of the public were admitted without charge to the galleries, where they could view such innovative and important exhibitions as Pictorial Photographs presented by the Photo-Secession (1902) and a group exhibition featuring the works of Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (1904). After about 1907, exhibitions grew more conservative, probably reflecting the personal tastes of Art Committee members rather than a formal opposition of the Club to nonrepresentational art. Increasingly, the exhibition schedule was filled by shows of members' work, the Club's permanent collection (mainly works by artist members, usually given in payment for life membership), the Annual Arts and Crafts exhibitions, Books of the Year exhibitions, and shows organized by various art societies.
In addition to exhibitions, the National Arts Club regularly featured a variety of cultural programs such as concerts, lectures, and dramatic presentations for members and guests. Parties, dinner, dances, and other social activities drew members to the Club, too. During its first years, some artist members expressed dissatisfaction with the high priority given social functions; by 1905, J. Carroll Beckwith, Walter Shirlaw, and Stanford White were among those who had resigned for this reason.
Within the National Arts Club there have been some smaller societies. The earliest of these were The Discus, a short lived dining and debating club, and The Vagabonds, a lunch group of writers, editors, printers and illustrators. The Men's Open Table, founded in 1910, met weekly for more than forty years for dinner followed by a talk, given by a fellow member or an outside, often professional, lecturer. A wide range of topics, not necessarily on the arts, were presented and discussed at the Men's Open Table. The American Institute of Graphic Arts is one of the organizations said to have developed from associations formed and discussions held at the Men's Open Table. A Women's Open Table, patterned after the men's, was established later.
The National Arts Club, unlike many other private clubs founded during the same era, admitted women members from its inception. Throughout its history, the Club's membership has been comprised of artists, musicians, writers, and performers, as well as collectors and supporters of the arts drawn from all parts of the country. Membership peaked at around 1,800 in 1920, declining throughout the Depression and again in the mid-1950s, and remaining at about 600 for the next two decades.
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http://www.worldcat.org/oclc/48491373
Citation
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http://www.worldcat.org/oclc/58782224
Citation
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http://www.worldcat.org/oclc/70813671
Citation
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- http://www.worldcat.org/oclc/70813671
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Citation
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http://www.worldcat.org/oclc/475936080
Citation
- Source
- http://www.worldcat.org/oclc/475936080
http://www.worldcat.org/oclc/741306362
Citation
- Source
- http://www.worldcat.org/oclc/741306362
http://www.worldcat.org/oclc/86118707
Citation
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- http://www.worldcat.org/oclc/86118707
http://www.worldcat.org/oclc/80375962
Citation
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- http://www.worldcat.org/oclc/80375962
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Citation
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Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)
Title:
Gore Vidal papers, 1850-2020 (inclusive), 1936-2008 (bulk)
Papers of American author, Gore Vidal (1925-), including literary manuscripts, correspondence, photographs, political papers, legal and business records, and other material. Also includes papers of his companion, Howard Austen (1929-2003).
ArchivalResource: 414 linear feet (449 boxes, cartons, and film reels)
http://id.lib.harvard.edu/ead/hou01943/catalog View
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Citation
- Resource Relation
- Gore Vidal papers, 1875-2004 (inclusive), 1936-2000 (bulk).
Marguerite Yourcenar additional papers, 1842-1996.
Title:
Marguerite Yourcenar additional papers, 1842-1996.
Additional papers of Marguerite Yourcenar (1903-1987), the French author, as well as papers of her companion, Grace Frick.
ArchivalResource: 144 boxes and 53 volumes (52 linear ft.)
http://nrs.harvard.edu/urn-3:FHCL.Hough:hou00046 View
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Citation
- Resource Relation
- Marguerite Yourcenar additional papers, 1842-1996.
Letters sent to Walter Hines Page from various correspondents, English period, 1876-1937.
Title:
Letters sent to Walter Hines Page from various correspondents, English period, 1876-1937.
Letters to American editor and diplomat Walter Hines Page from various correspondents concerning his diplomatic service.
ArchivalResource: 36 boxes (11.88 linear ft.)
http://id.lib.harvard.edu/ead/hou00275/catalog View
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Citation
- Resource Relation
- Letters sent to Walter Hines Page from various correspondents, English period, 1876-1937.
Brown, Abbie Farwell, 1871-1927. Autograph letter signed Abbie Farwell Brown to: "Dear Darling Poet."
Title:
Autograph letter signed Abbie Farwell Brown to: "Dear Darling Poet."
ArchivalResource: 3 p.
http://www.worldcat.org/oclc/70813671 View
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Citation
- Resource Relation
- Brown, Abbie Farwell, 1871-1927. Autograph letter signed Abbie Farwell Brown to: "Dear Darling Poet."
National Arts Club (New York, N.Y.). Institutional file.
Title:
Institutional file.
ArchivalResource: 1 folder.
http://www.worldcat.org/oclc/671499788 View
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Citation
- Resource Relation
- National Arts Club (New York, N.Y.). Institutional file.
National Arts Club (New York, N.Y.). Correspondence to Van Wyck Brooks, 1955-1959.
Title:
Correspondence to Van Wyck Brooks, 1955-1959.
ArchivalResource: 2 items (2 leaves)
http://www.worldcat.org/oclc/182621312 View
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Citation
- Resource Relation
- National Arts Club (New York, N.Y.). Correspondence to Van Wyck Brooks, 1955-1959.
Sara Teasdale Collection, 1888-1934
Title:
Sara Teasdale Collection 1888-1934
ArchivalResource:
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- Resource Relation
- Sara Teasdale Collection, 1888-1934
National Arts Club (New York, N.Y.). Theater posters, 19--
Title:
Theater posters, 19--
Two posters in ink with red highlights for "a drama group presentation in the gallery" at the National Arts Club of the play The Late George Apley, Feb. 27, 28 & March 1, no year given.
ArchivalResource: 2 posters : color ; 31 cm. x 24 cm.
http://www.worldcat.org/oclc/741306362 View
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Citation
- Resource Relation
- National Arts Club (New York, N.Y.). Theater posters, 19--
Eliot Candee Clark Papers, 1910-1969
Title:
Eliot Candee Clark Papers 1910-1969
Papers of the American painter, art critic. Correspondence, 1910-1969; holograph and typescript essays, lectures, and speeches; photographs; and printed material, including articles, exhibition catalogs, and material relating to the National Academy of Design, of which Clark wrote a history. Correspondence includes that of fellow artists, art critics and historians, and those who shared Clark's interest in Asian art. Organizational correspondence includes that of the Allied Artists of America, Inc., the American Watercolor Society, the Art Students League of New York, the Asia Institute, the Connecticut Academy of Fine Arts, the East and West Association, the Fine Arts Federation of New York, the National Academy of Design, the National Arts Club, and the National Sculpture Society. There is also correspondence and printed material relating to Clark's service on the Committee on Government and Art.
ArchivalResource: 1.5 linear ft.
http://library.syr.edu/digital/guides/c/clark_ec.htm View
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Citation
- Resource Relation
- Eliot Candee Clark Papers, 1910-1969
[Collection of material relating to the National Arts Club].
Title:
[Collection of material relating to the National Arts Club]. 1964.
Collection contains list of membership, and fact sheet and illustrated brochure which describe the history of the National Arts Club in New York City.
ArchivalResource: 3 pieces ; 23-28 cm.
http://www.worldcat.org/oclc/58782224 View
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Citation
- Resource Relation
- [Collection of material relating to the National Arts Club].
National Arts Club records
Title:
National Arts Club records
Records of the National Arts Club, spanning the period 1898 to 1960, document the founding of the organization, and its governance, administration, finances, exhibitions, and social activities. There are large gaps in the records and many of those surviving are incomplete, which can be explained by a 1932 resolution of the Board of Governors that "old files and letters and bills in the storeroom prior to 1922 may be destroyed at the discretion of the Secretary and Treasurer."Minutes and reports of the Board of Governors and Executive Committee are fairly complete through 1949, but sparse thereafter. Records do not exist for all standing and special committees, and those remaining tend to be concentrated in the early twentieth century.Correspondence of the officers, for the most part, is routine and relates to administrative matters. Financial records cover the period 1917 to 1950, with a large number of gaps.A small number of records of the Arts Realty Co. (later known as 15 Gramercy Park, Inc.) are extant. These include lists of stockholders, correspondence concerning mortgage bonds, and minutes.Membership records, arranged alphabetically, are available for the years 1931 to 1959, and there are rosters arranged by membership category, 1940-1952; in addition, printed membership lists were issued circa 1900-1951.More than four hundred exhibitions are known to have been held in the galleries of the National Arts Club between 1899 and 1960. Catalogs for 124 National Arts Club exhibitions are available at the Archives of American Art; 69 titles are to be found among the Club's records and an additional 55 were microfilmed previously as parts of other collections. Other exhibition documentation includes printed matter such as invitations, entry blanks, publicity, and photographs (see Appendix A). For some exhibitions, supporting documentation such as correspondence with exhibitors and collectors, sales and consignment records, and shipping receipts have survived. These files are mainly confined to Books of the Year exhibitions, Arts and Crafts/Decorative Arts exhibitions, and a smaller number of exhibitions of Living American Etchers, 1928-1957.General social events, activities sponsored by Arts Club committees, and special commemorative occasions are documented by invitations, programs, publicity, calendars of events, and photographs. The majority of this material is contained in seventeen scrapbooks, 1898-1940. Programs of the Men's Open Table, 1915-1950, are particularly well documented by the Chairman's correspondence and three volumes containing meeting notices with signatures of members in attendance.In addition to printed matter relating to exhibitions and events, scrapbooks, 1898-1940, contain general publicity, clippings concerning members, and samples of National Arts Club printed matter such as form letters to the general membership, brochures, ballots, house rules, published membership lists, year books, and the like. Loose printed matter augments that preserved in the scrapbooks. These sources combined provide a fairly complete set of the <emph render="italic">Bulletin</emph>, but the number of year books is small, and there are catalogs of only slightly more than a third of the exhibitions identified.Photographs, in addition to those recording exhibitions and events, include portraits of governors, officers, distinguished visitors, speakers, and performers; views of Gramercy Park and the interior and exterior of the clubhouse; and works of art in the permanent collection.Miscellaneous material includes information on the National Arts Club's first home on West 34th Street, and the Tilden Mansion, its current clubhouse on Gramercy Park; histories of the organization; unpublished speeches presented at Club occasions; and copies of legal documents, including the Club's charter and act of incorporation.<ref actuate="onLoad" show="embed" target="ref522" title="Appendix A">See Appendix A for an annotated list of National Arts Club exhibitions, 1899-1960</ref>
ArchivalResource:
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View in SNACcreatorOf
Citation
- Resource Relation
- National Arts Club records, 1898-1960
Lucille Lortel papers
Title:
Lucille Lortel papers
The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files.
ArchivalResource: 49.61 linear feet; 37 vols. (150 boxes)
http://archives.nypl.org/the/21631 View
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Citation
- Resource Relation
- Lucille Lortel papers, 1902-2000
Marguerite Yourcenar additional papers, 1842-1996.
Title:
Marguerite Yourcenar additional papers, 1842-1996.
Additional papers of Marguerite Yourcenar (1903-1987), the French author, as well as papers of her companion, Grace Frick.
ArchivalResource: 144 boxes and 53 volumes (52 linear ft.)
http://nrs.harvard.edu/urn-3:FHCL.Hough:hou00046 View
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Citation
- Resource Relation
- Marguerite Yourcenar additional papers, 1842-1996.
Forbes, W. Cameron (William Cameron), 1870-1959. Collection of family and historical documents, ca. 1680-1900
Title:
W. Cameron Forbes collection of family and historical documents, circa 1680-1900
Forbes family materials and historical documents collected by the American businessman and ambassador W. Cameron Forbes.
ArchivalResource: 1 box (.5 linear ft.)
http://id.lib.harvard.edu/ead/hou01652/catalog View
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Citation
- Resource Relation
- Miscellany, ca. 1680-1900.
Ginsberg (Allen) photograph collection
Title:
Ginsberg (Allen) photograph collection
Photographs taken by Allen Ginsberg and colleagues, including images of Ginsberg and his family, friends, and fellow poets.
ArchivalResource: 88,000 images; 26 linear ft.
http://www.oac.cdlib.org/ark:/13030/kt2199q2sr View
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Citation
- Resource Relation
- Photographs by and relating to Allen Ginsberg, 1926-1997
Alfred Williams Anthony papers
Title:
Alfred Williams Anthony papers
The microfilmed Alfred Williams Anthony papers contain letters, autographs, biographical data, and miscellaneous material collected by Anthony about 19th century artists. Artists represented in the collection include: Edwin A. Abbey, Ernest Albert, Elizabeth A. Allen, Daniel C. Beard, Frank Beard, Samuel G. W. Benjamin, Albert Bierstadt, Nathaniel Blaisdell, Edwin H. Blashfield, Evangeline Blashfield, Charles W. Bolton, Victor D. Brenner, Sydney & Mrs. Burleigh, William M. Chase, Frederic E. Church, Harry Cochrane, William A. Coffin, Timothy Cole, Thomas Cole, Royal Cortissoz, Palmer Cox, Christopher Cranch, Felix O. C. Darley, Frederick Dellenbaugh, Frederick Dielman, Andrew J. Downing, Charles L. Eastlake, George W. Edwards, Daniel C. French, Edmund H. Garrett, Sanford R. Gifford, V. Gribayedoff, Henry W. Herbert, Elbert Hubbard, Daniel Huntington, Laurence Hutton, Ernest L. Ipshen, Norman W. Isham, F. Lynn Jenkins, John La Farge, Edward C. Leavitt, William J. Linton, Benson J. Lossing, Will H. Low, Jervis McEntee, George Merrill, John H. Mills, Thomas Moran, Samuel F.B. Morse, A. R. Mullen, Thomas Nast, National Arts Club, Wilbur F. Noyes,Frederick B. Opper, Mrs. Archie M. Palmer, Erastus D. Palmer, William F. Paris, Carl R. Parker, Hiram Powers, Howard Pyle, Thomas B. Read, Albert Rosenthal, Augustus Saint-Gaudens, John Sartain, Walter Smedley, George F. C. Smillie, Francis H. Smith, Bayard Taylor, Col. Henry S. Taylor, John Trumbull, Henry T. Tuckerman, Union League Club, N.Y., D. B. Updike, Vasili Vereschagen, Charles Vezin, Douglas Volk, D. Everett Waid, John Q. A. Ward, Clara E. Waters, Robert W. Weir, J. Thomson Willing, Ellsworth Woodward, Mabel Woodward, William Woodward, and F. Hammond Wright.
ArchivalResource:
https://n2t.net/ark:/65665/mw9fbd0fda8-8fc8-489b-81c5-ed2a3e13ff88 View
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Citation
- Resource Relation
- Anthony, Alfred Williams, 1860-1939. Alfred Williams Anthony papers, [ca. 1880-1930].
Archer Milton Huntington Papers, 1919-1957
Title:
Archer Milton Huntington Papers 1919-1957
Papers of the American philanthropist, poet. Correspondence; secretarial daybooks, 1922-1957; manuscripts; legal and financial papers. Organizational correspondence includes that of the Academy of American Poets, American Academy of Arts and Letters, American Geographical Society, American Museum of Natural History, American Numismatic Society, Brookgreen Gardens, California Palace of the Legion of Honor, Hispanic Society of America, Mariners' Museum, Metropolitan Museum of Art, Museum of the American Indian, National Academy of Design, National Arts Club, National Sculpture Society, New-York Historical Society, New York Zoological Society, and Yale University.
ArchivalResource: 51.0 linear ft.
http://library.syr.edu/digital/guides/h/huntington_am.htm View
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Citation
- Resource Relation
- Archer Milton Huntington Papers, 1919-1957
National Arts Club (New York, N.Y.). Correspondence with Theodore Dreiser, 1906-1931.
Title:
Correspondence with Theodore Dreiser, 1906-1931.
Correspondence with Theodore Dreiser from Walter A. Dyer, Secretary and Charles Henry Babcock, Secretary, National Arts Club of New York.
ArchivalResource: 5 items (6 leaves).
http://www.worldcat.org/oclc/155892534 View
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Citation
- Resource Relation
- National Arts Club (New York, N.Y.). Correspondence with Theodore Dreiser, 1906-1931.
National Arts Club (New York, N.Y.). Correspondence with Marian Anderson, 1970-1989.
Title:
Correspondence with Marian Anderson, 1970-1989.
Comprises 23 items, 20 leaves correspondence. Contains correspondence with Laney Dunn, Hildegarde Smith, Daniel Schiffman, and Babette Farian.
ArchivalResource: 23 items (26 l.)
http://www.worldcat.org/oclc/63560246 View
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Citation
- Resource Relation
- National Arts Club (New York, N.Y.). Correspondence with Marian Anderson, 1970-1989.
Myron Bement Smith collection, circa 1910-1970
Title:
Myron Bement Smith collection
The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.
ArchivalResource: 192 Linear feet
https://sova.si.edu/record/FSA.A.04 View
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- Resource Relation
- Myron Bement Smith collection, circa 1910-1970
National Arts Club (New York, N.Y.). Correspondence with Eugene Ormandy, 1963.
Title:
Correspondence with Eugene Ormandy, 1963.
Regarding an award to Olga Koussevitzky.
ArchivalResource: 2 items (3 leaves).
http://www.worldcat.org/oclc/63643365 View
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Citation
- Resource Relation
- National Arts Club (New York, N.Y.). Correspondence with Eugene Ormandy, 1963.
Lashof, Carol Suzanne. Carol Suzanne Lashof Collection, [1991?]-[ongoing].
Title:
Carol Suzanne Lashof Collection, [1991?]-[ongoing]. [1991?]-
The collection includes playscripts, reviews and other materials.
ArchivalResource: boxes.
http://www.worldcat.org/oclc/48491373 View
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Citation
- Resource Relation
- Lashof, Carol Suzanne. Carol Suzanne Lashof Collection, [1991?]-[ongoing].
Robert E. Sherwood papers, 1917-1968 (inclusive), 1934-1955 (bulk).
Title:
Robert E. Sherwood papers, 1917-1968 (inclusive), 1934-1955 (bulk).
Letters, compositions, and other papers of the American writer Robert E. Sherwood.
ArchivalResource: 78 boxes and 1 oversize vololume (27 linear ft.).
http://id.lib.harvard.edu/ead/hou00564/catalog View
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Citation
- Resource Relation
- Robert E. Sherwood papers, 1917-1968 (inclusive), 1934-1955 (bulk).
Ward, John Quincy Adams, 1830-1910. John Quincy Adams Ward papers, 1857-1915.
Title:
John Quincy Adams Ward papers, 1857-1915.
Papers, 1857-1915. The collection contains correspondence related to Ward's work as a sculptor, some contracts with groups who commissioned statues from him, invoices from photographers, bronze casters, etc., and miscellaneous printed ephemera. The correspondence includes letters from sculptors, architects, public officials, craftsmen, individuals interested in ordering exhibitions or monuments, including two widows commissioning busts of their late husbands, members of art and sculpture societies, and some friends, although all of the correspondence is work-related. Correspondents include Herbert Adams, Thomas Gold Appleton, Karl Bitter, Gutzon Borglum, Daniel Chester French, Robert Underwood Johnson, Thomas Addison Richards, Edward Clark Potter, Alexander E. Orr, R.S. Chilton, National Sculpture Society, New York City Department of Parks, National Academy of Design, Paul Dana, F. Wellington Ruckstull, National Arts Club, Charles N. Thomas, and C.A. Heber. The letters deal with his activities in connection with statues in New York City, particularly the Brooklyn Soldiers and Sailors monument; statuary in the Library of Congress; the St. Louis Exposition; the World's Columbian Exposition; the Henry Ward Beecher statue in Brooklyn - these papers include two small sketches of the statue, Beecher's measurements, and a telegram announcing his death and asking for instructions about taking a death mask; the South Carolina Interstate and West Indian Exposition; the Washington statue for Newburyport (Mass.); and other professional activities. There are also letters from Robert Cushing, written from Carrara and other places in Italy in 1869, describing his experiences supervising the execution into marble of one of Ward's large groups, then being done by Tommaso Gagliardi of Carrara. Printed ephemera mostly relates to artistic organizations, but includes a 1909 price list for carriages and passenger wagons issued by Studebaker Bros. A few letters to Ward's widow discuss biographical data and acknowledge gifts of his sculptures.
ArchivalResource: 1.6 linear feet (4 boxes)
http://www.worldcat.org/oclc/475936080 View
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Citation
- Resource Relation
- Ward, John Quincy Adams, 1830-1910. John Quincy Adams Ward papers, 1857-1915.
William Styron Papers, 1855-2007
Title:
William Styron Papers, 1855-2007
American author and Duke University alumnus. The William Styron Papers span the years 1855-2007, with the bulk of the papers being dated between 1943 and 1996. The collection consists of correspondence; writings by Styron and other authors; printed materials (including serials containing articles by and about Styron and his work as well as newspaper and magazine clippings); audiotapes, videotapes, and photographs; legal and financial papers; speeches and addresses; interviews; scrapbooks; and other material relating to Styron's personal life and his career as a writer. Extensive personal and professional correspondence between his family, friends, and fellow authors provides insight into his education at Duke University (particularly his studies with Professor William Blackburn of the Department of English) as well as his literary career and personal life.
ArchivalResource: 29.8 Linear Feet; 24510 Items
http://library.duke.edu/rubenstein/findingaids/styronwilliam/ View
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- Resource Relation
- William Styron Papers, 1855-2007
Miscellaneous art exhibition catalog collection
Title:
Miscellaneous art exhibition catalog collection
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
ArchivalResource: 4.4 Linear feet
https://n2t.net/ark:/65665/mw97cda1277-17cc-4295-abe9-729b895e1a28 View
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Citation
- Resource Relation
- Montclair Art Museum. Montclair Art Museum exhibition catalogs, 1915-1918.
Florence Nightingale Levy Papers, 1899-1946 (bulk dates 1908-1926)
Title:
Florence Nightingale Levy Papers 1899-1946 (bulk dates 1908-1926)
The Florence Nightingale Levy Papers pertain mostly to Levy's professional life and activities in arts administration and education in New York City. The bulk of the collection is concentrated in the years between 1908 and 1926. The Levy Papers include correspondence with James Parton Haney, director of art education in New York high schools; Levy family legal documents; and an autograph book of Florence Nightingale Levy.
ArchivalResource: 0.4 Linear feet; (1 box)
http://dlib.nyu.edu/findingaids/html/nyhs/levy/levy.html View
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- Resource Relation
- Florence Nightingale Levy Papers, 1899-1946 (bulk dates 1908-1926)
John Reed papers, 1903-1967.
Title:
John Reed papers, 1903-1967.
The papers of John Reed, the American journalist and revolutionary, including papers relating to his wife, writer Louise Bryant.
ArchivalResource: 31 boxes and 2 volumes (10.5 linear ft.)
http://id.lib.harvard.edu/ead/hou00070/catalog View
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Citation
- Resource Relation
- John Reed papers, 1903-1967.
Milton Caniff Collection, 1805-2007, 1910-1988
Title:
Milton Caniff Collection 1805-2007 1910-1988
Personal and business papers of Milton Caniff, cartoonist; includes original art, correspondence, research files, photographs, memorabilia, merchandise, realia, awards, audio/visual material and scrapbooks.
ArchivalResource:
http://rave.ohiolink.edu/archives/ead/xOhCoUCR0004 View
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Citation
- Resource Relation
- Milton Caniff Collection, 1805-2007, 1910-1988
Cummings, E. E. (Edward Estlin), 1894-1962. Papers, 1870-1969
Title:
E. E. Cummings papers, 1870-1969
Correspondence and working drafts of poems and other writings by American poet E. E. Cummings.
ArchivalResource: 116 boxes (18 linear ft.)
http://id.lib.harvard.edu/ead/hou00946/catalog View
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Citation
- Resource Relation
- E. E. Cummings papers, 1870-1969.
Citation
- Constellation Relation
- Anthony, Alfred Williams, 1860-1939.
Citation
- Constellation Relation
- Arts Realty
Citation
- Constellation Relation
- Arts Realty.
Citation
- Constellation Relation
- Association of Women Painters and Sculptors.
Citation
- Constellation Relation
- Babcock, Charles Henry.
Citation
- Constellation Relation
- Brown, Abbie Farwell, 1871-1927.
Citation
- Constellation Relation
- Clark, Eliot Candee, 1883-
Citation
- Constellation Relation
- Cummings, E. E. (Edward Estlin), 1894-1962
Citation
- Constellation Relation
- Dabo, Leon, 1868-1960.
Citation
- Constellation Relation
- De Kay, Charles.
Citation
- Constellation Relation
- Derrick, William Rowell, 1857-1941.
Citation
- Constellation Relation
- Dunn, Laney.
Citation
- Constellation Relation
- Dyer, Walter A. 1878-1943.
Citation
- Constellation Relation
- Farian, Babette.
Forbes, W. Cameron (William Cameron), 1870-1959
http://n2t.net/ark:/99166/w6w38g2n
View
associatedWith
Citation
- Constellation Relation
- Forbes, W. Cameron (William Cameron), 1870-1959
Citation
- Constellation Relation
- Ginsberg, Allen
Citation
- Constellation Relation
- Gruppe, Charles Paul, 1860-1940.
Huntington, Archer M. (Archer Milton), 1870-1955
http://n2t.net/ark:/99166/w6vm4bz0
View
associatedWith
Citation
- Constellation Relation
- Huntington, Archer M. (Archer Milton), 1870-1955
Citation
- Constellation Relation
- Koussevitzky, Olga.
Citation
- Constellation Relation
- Lawrie, Lee, 1877-1963.
Citation
- Constellation Relation
- Lever, Hayley, 1875-1958.
Citation
- Constellation Relation
- Lortel, Lucille
Citation
- Constellation Relation
- Marquand, John P. 1893-1960.
Citation
- Constellation Relation
- Milton Caniff
Citation
- Constellation Relation
- Montclair Art Museum.
Citation
- Constellation Relation
- Page, Walter Hines, 1855-1918
Citation
- Constellation Relation
- Patterson, Charles Robert, 1878-1958.
Citation
- Constellation Relation
- Reed, John, 1887-1920
Citation
- Constellation Relation
- Saddler, Donald
Citation
- Constellation Relation
- Schiffman, Daniel.
Sherwood, Robert E. (Robert Emmet), 1896-1955
http://n2t.net/ark:/99166/w66113xr
View
correspondedWith
Citation
- Constellation Relation
- Sherwood, Robert E. (Robert Emmet), 1896-1955
Citation
- Constellation Relation
- Smith, Hildegarde.
Citation
- Constellation Relation
- Smith, Myron Bement, 1897-1970
Citation
- Constellation Relation
- Styron, William
Citation
- Constellation Relation
- Vidal, Gore, 1925-
Citation
- Constellation Relation
- Ward, John Quincy Adams, 1830-1910.
Citation
- Constellation Relation
- Yourcenar, Marguerite.
Citation
- Constellation Relation
- Cummings, E. E. (Edward Estlin), 1894-1962
Art
Citation
- Subject
- Art
Decorative arts
Citation
- Subject
- Decorative arts
Decorative arts
Citation
- Subject
- Decorative arts
Associations, institutions, etc.
Citation
- Subject
- Associations, institutions, etc.
Bibliographical exhibitions
Citation
- Subject
- Bibliographical exhibitions
Books
Citation
- Subject
- Books
Clubhouses
Citation
- Subject
- Clubhouses
Clubhouses
Citation
- Subject
- Clubhouses
Handicraft
Citation
- Subject
- Handicraft
Handicraft
Citation
- Subject
- Handicraft
Photography
Citation
- Subject
- Photography
Theatrical posters
Citation
- Subject
- Theatrical posters
Americans
Citation
- Nationality
- Americans
Citation
- Place
- New York (State)--New York
New York (State)--New York
Parsed from SNAC EAC-CPF.
<conventionDeclaration><citation>VIAF</citation></conventionDeclaration>
Citation
- Convention Declaration
- Convention Declaration 126