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Beethoven, Ludwig van, 1770-1827. Ouverture en ut, op. 115 [microform] : composeʹe pour la fille de l'empereur Frantz en 1814 ; Chant "Es ist vollbracht" / [Ludwig van Beethoven].

Title: Ouverture en ut, op. 115 [microform] : composeʹe pour la fille de l'empereur Frantz en 1814 ; Chant "Es ist vollbracht" / [Ludwig van Beethoven]. 1814-1815.

ArchivalResource: [4] p. of ms. music.

http://www.worldcat.org/oclc/33875715 View

Treitschke, Georg Friedrich, 1776-1842. Autograph poem signed, dated : [n.p., n.d., n.d.].

Title: Autograph poem signed, dated : [n.p., n.d., n.d.].

Entitled Werth der Gegenwart, which begins: "Nimm, was Dir das Schicksal spendet."

ArchivalResource: 1 item (1 p.) ; (8vo)

http://www.worldcat.org/oclc/270873832 View

Beethoven, Ludwig van, 1770-1827. Ludwig van Beethoven autograph letter to Friedrich Treitschke, [1814 May 14].

Title: Ludwig van Beethoven autograph letter to Friedrich Treitschke, [1814 May 14].

ArchivalResource: 2 leaves ; 15 cm.

http://www.worldcat.org/oclc/277118648 View

Seyfried, Ignaz von, 1776-1841. Autograph letter signed, dated : Vienna June 25 1830, to Hubert Ries, 1830 June 25.

Title: Autograph letter signed, dated : Vienna June 25 1830, to Hubert Ries, 1830 June 25.

Saying that Herr Treitschke has asked Seyfried to tell Ries that the coming Tuesday evening has already been promised to Mlle [Emilie?] Neumann, but suggesting that if Ries can extend his stay in Vienna Treitschke could give Ries the second ballet evening in early July, but only if Ries lays no claim to a fee, since in its present circumstances the Kärntnerthor theatre cannot make fee contracts with foreign artists.

ArchivalResource: 1 item (1 p., with integral address leaf) ; (4to)

http://www.worldcat.org/oclc/270669770 View

Chélard, Hippolyte-André-Jean-Baptiste, 1789-1861. Autograph letter signed, dated : Augsburg, 1 December 1838, to Fred. [i.e., Friedrich] Treitschke in Vienna, 1838 Dec. 1.

Title: Autograph letter signed, dated : Augsburg, 1 December 1838, to Fred. [i.e., Friedrich] Treitschke in Vienna, 1838 Dec. 1.

Reporting on the success of his opera Macbeth in Munich, saying that those who saw it--including Dietrichstein and [Franz?] Lachner--have no doubt that it would be successful in Vienna, asking if any decision has been reached about performing the opera there, saying that the personnel of Treitschke's theatre--Mlle Sabina [sic] Heinefetter, Mlle [Jenny] Lutzer, Mr [Franz?] Wild, Staudigl--"est complet, et parfait pour cet ouvrage" and could give the score all the luster that it requires, mentioning M. Duport, etc.

ArchivalResource: 1 item (3 p., with integral address leaf) ; (8vo)

http://www.worldcat.org/oclc/270564345 View

Cherubini, Luigi, 1760-1842. Der portugiesische Gassthof : ein Singspiel in einem Aufzug / und vom Französischen übersetzt von Treitschke ; die Musik ist von Cherubini.

Title: Der portugiesische Gassthof : ein Singspiel in einem Aufzug / und vom Französischen übersetzt von Treitschke ; die Musik ist von Cherubini. [180-?]

ArchivalResource: 1 ms. score (1 v.) ; 23 x 30 cm.

http://www.worldcat.org/oclc/41121765 View

Quartet ‘Il cor e la mia fe’ [‘Mir ist so wunderbar’] from ‘Fidelio’, op. 72, no.3. Copy; 1834.ff. 10 300 x 250mm.Ludwig van Beethoven, composer: Stephan von Breuning, poet: Georg Friedrich Treitschke, librettist and translator: Jean-Nicholas Bouilly..., 1834

Title: Quartet ‘Il cor e la mia fe’ [‘Mir ist so wunderbar’] from ‘Fidelio’, op. 72, no.3. Copy; 1834.ff. 10 300 x 250mm.Ludwig van Beethoven, composer: Stephan von Breuning, poet: Georg Friedrich Treitschke, librettist and translator: Jean-Nicholas Bouilly... 1834

ArchivalResource: 1 item

http://searcharchives.bl.uk/primo_library/libweb/action/search.do?srt=rank&ct=search&mode=Basic&indx=1&vl(freeText0)=040-001947923&fn=search&vid=IAMS_VU2 View

Beethoven, Ludwig van, 1770-1827. Fidelio : working manuscript, act 2, no. 14 : Vienna March 1814 / Ludwig van Beethoven.

Title: Fidelio : working manuscript, act 2, no. 14 : Vienna March 1814 / Ludwig van Beethoven. [1814]

"Portion of the coda to No.14, the quartet in Act 2 Er sterbe!, containing the composers [sic] re-working of this passage of the text of Leonore (1805 and 1806) for the final version Fidelio (1814), beginning with Leonore's words die Liebe wird im Bunde [...], the composer writes additional notes to Leonore's part, drafts a new phrase for Leonore (die Liebe) subsequently deleted by him, recasts Pizarro's and Rocco's parts [...], making necessary alterations to the music, rewrites Rocco's phrase O Gott o Gott was wartet mein?, and adds many additional instrumental, dynamic and phrase markings throughout."--Sotheby's description.

ArchivalResource: 1 ms. score (8 p.) ; 24 x 33 cm. + 1 ms. document ([2] p. ; 30 cm.)

http://www.worldcat.org/oclc/610220761 View