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Emergency Committee in Aid of Displaced Foreign Scholars. Emergency Committee in Aid of Displaced Foreign Scholars records. 1927-1949.

Title: Emergency Committee in Aid of Displaced Foreign Scholars records

The Emergency Committee in Aid of Displaced Foreign Scholars was formed in New York City in 1933 by American academicians for the purpose of employing refugee German scholars in American institutions. Many of these refugee scholars were Jews displaced by the National Socialist government. The collection consists chiefly of grant files on refugee scholars who applied for aid from the Committee. The records also include correspondence with other refugee and philanthropic organizations and with the educational institutions which accepted refugee scholars.

ArchivalResource: 98.46 linear feet (222 boxes)

http://archives.nypl.org/mss/922 View

Danilova, Alexandra, 1903-1907. Alexandra Danilova papers, 1954-1989 (bulk 1955-1979).

Title: Alexandra Danilova papers, 1954-1989 (bulk 1955-1979).

Russian ballerina and dance educator Aleksandra Danilova (1903-1907) was one of the premier dancers of the 20th century, and a collaborator with such icons as George Balanchine, Sergey Diaghilev and Leonide Massine. This collection contains letters, biographical notes, photographs, and other miscellaneous material related to Danilova's personal and professional life.

ArchivalResource: .42 linear foot (1 box)

http://www.worldcat.org/oclc/755804395 View

Strauss, Paul. Correspondence and contracts.

Title: Correspondence and contracts.

ArchivalResource:

http://www.worldcat.org/oclc/144662534 View

Strauss, Paul. Correspondence and contracts, 1946-1967.

Title: Correspondence and contracts, 1946-1967.

ArchivalResource:

http://www.worldcat.org/oclc/122519054 View

American Ballet Theatre records, 1936-ca. 1967

Title: American Ballet Theatre records 1936-ca. 1967

American Ballet Theatre was founded in 1939 with the intention of creating an American company of international stature, a museum of the dance, “which would preserve the best of the classic tradition of Europe and at the same time lay the foundation for a new tradition, American in concept and spirit.” Its guiding principle was to encourage collaboration between artists with no single choreographer taking precedence. The records of the company attest to the pursuit of these goals.

ArchivalResource: 220 lin. ft.

http://archives.nypl.org/dan/19700 View

Koussevitzky, Serge, 1874-1951. Serge Koussevitzky Archive, 1920-1976 (bulk: 1924-1951)

Title: Serge Koussevitzky Archive 1920-1976 (bulk 1924-1951)

The archive is a collection of correspondence, personal and business papers, photographs, and other materials which document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. In addition to serving as a record of Koussevitzky's life and career, the collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia. The bulk of the collection dates from 1924 to 1951; it also contains material created after Koussevitzky's death, reflecting his widow's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.

ArchivalResource: circa 13,000 items; 138 boxes; 100 linear feet

http://hdl.loc.gov/loc.music/eadmus.mu002008 View