Compare Constellations

Tiger's eye records, 1939-1955.

Title: Tiger's eye records, 1939-1955.

The records document all aspects of the production and distribution of the little magazine The Tiger's Eye, from its inception in 1947 through the decision to cease publication in 1951. Correspondence, manuscripts, and business records document the creative and editorial process, the enthusiasm of its readership, its subscription base, and the work involved in producing and distributing the issues.

ArchivalResource: 26.0 linear feet (57 boxes)

http://www.worldcat.org/oclc/702139120 View

American Federation of Arts records

Title: American Federation of Arts records

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

ArchivalResource: 79.8 Linear feet

https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e View

Oral history interview with Theodoros Stamos

Title: Oral history interview with Theodoros Stamos

An interview of Theodoros Stamos conducted 1965 February 19, by John Jones and Bruce Hooton for the Archives of American Art.

OralHistoryResource: 1 sound tape reel ; 7 in.

https://n2t.net/ark:/65665/mw95bf138c0-983e-47e6-8ffe-098e1e935114 View

Theodoros Stamos letters to James DiMartino

Title: Theodoros Stamos letters to James DiMartino

13 letters from Theodoros Stamos to James DiMartino mailed from Lefkada, Greece after Stamos left the United States. Letters reference gallery shows, travel plans as well as the ongoing legal battle with the Marc Rothko estate.

ArchivalResource: 13 items

https://n2t.net/ark:/65665/mw94f5ae0f1-e915-48ec-9616-0f7872668eb7 View

Reis, Bernard. Bernard and Rebecca Reis papers, ca. 1924-1985.

Title: Bernard and Rebecca Reis papers, ca. 1924-1985.

The papers contain correspondence, business and financial records, printed ephemera, and photographs. The two primary foci, 20th century artists and the art collection formed by Bernard and Rebecca Reis, are brought out through a substantial body of letters from major and minor figures of the American art world, written and visual documentation of the Reis collection of art and books, and ephemeral material relating to artists and patrons.

ArchivalResource: ca. 3.4 linear ft. (8 boxes)

http://www.worldcat.org/oclc/84266492 View

Henry Ernest Schnakenberg papers

Title: Henry Ernest Schnakenberg papers

Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters.

ArchivalResource:

https://n2t.net/ark:/65665/mw9324de55d-c4b7-4bbe-9ff3-d60db8786f14 View

Lloyd Lózes Goff Papers, 1905-1971

Title: Lloyd Lózes Goff Papers 1905-1971

Papers of the American painter, muralist, author and illustrator of children's books. Born 1917 in Texas. Includes correspondence (1934-1971); original artwork, including pastel drawings (1924-1937), illustrations for bookplates, book illustrations, and sketchbooks; reproductions and photographs of Goff's work (1932-1969); and memorabilia, including clippings (1930-1970), exhibition catalogs and announcements for one-man and group shows (1935-1971), and photographs (1905-1967) of Goff, his family, and friends.

ArchivalResource: 2.25 linear ft.

http://library.syr.edu/digital/guides/g/goff_ll.htm View

Stamos, Theodoros, 1922- : [miscellaneous ephemeral material].

Title: Stamos, Theodoros, 1922- : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/198983031 View

Leen, Nina, 1909-. [The Irascibles] [graphic] / Nina Leen.

Title: [The Irascibles] [graphic] / Nina Leen. 1950. Nov. 24.

Pictured from left rear: Willem De Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne; next row: Richard Pousette-Dart, William Baziotes, Jimmy Ernst, Jackson Pollock, James Brooks, Clyfford Still, Robert Motherwell, Bradley Walker Tomlin; foreground: Theodoros Stamos, Barnett Newman and Mark Rothko. Missing from photo: Weldon Kees, Fritz Bultman and Hans Hofmann. Photographed by Nina Leen for Time/Life, 1951.

ArchivalResource: 1 photographic print : b&w ; 26 x 21 cm.

http://www.worldcat.org/oclc/779477586 View

Marion Walton papers

Title: Marion Walton papers

The collection measures 0.8 linear feet, dates from 1915-1976, and documents the career of sculptor Marion Walton. Found within the papers are letters, printed material, photographs, and a file concerning a reception for author Jonathan Daniels.Letters include those received by Walton and her mother, music patron Blanche Wetherill Walton, from many notable correspondents, including artist Charles Green Shaw, historian and suffragist Mary Beard, and novelist Vera Brittain. There are scattered letters from artists Béla Kádár, Rockwell Kent, Fred Dana Marsh, Georgia O'Keeffe, John Singer Sargent, Theo Stamos, and Abbott Handerson Thayer, composers Henry Cowell and Carl Ruggles, musician Pete Seeger, lecturer Ruth Gage-Colby, photographer Roy E. Stryker, political figures James Forrestal, Eleanor Roosevelt, and Shirley Williams, and writers Carl Carmer and Margaret Storm Jameson.Printed material primarily consists of clippings and exhibition catalogs, and photographs are of Walton, her family, colleagues, and artwork. Of special interest is an early photograph of Alberto Giacometti with Rodin's model Carmen, and a photograph of Pablo Picasso autographed on the reverse.

ArchivalResource:

https://n2t.net/ark:/65665/mw921da9a2b-980c-428e-8fb2-3483888a5553 View

Oral history interview with Katharine Kuh

Title: Oral history interview with Katharine Kuh

An interview of Katharine Kuh conducted 1982 Mar. 18-1983 Mar. 24, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.

ArchivalResource: 16 cassettes : analog.Transcript: 313 p. (on partial microfilm reel)

https://n2t.net/ark:/65665/mw941cbbacd-01e0-402c-828e-c3909d220c9b View

Theodoros Stamos papers

Title: Theodoros Stamos papers

The papers of Theodoros Stamos measure 3.1 linear feet and date from circa 1922-2008. Stamos was a painter primarily associated with the first generation of Abstract Expressionists. Biographical materials, correspondence, writings, business and legal records, printed materials, and photographs document Stamos' career as a painter. Also included are materials relating to the Rothko estate controversy compiled by Stamos' sister, Georgianna Savas, as well as her papers concerning arrangements for Stamos' funeral and posthumous exhibition plans.Biographical material includes birth and death certificates and interview transcripts. Personal correspondence is with friends and family; professional correspondence pertains to gallery transactions, including a falling out with gallery owner Louis K. Meisel. Among the printed materials are exhibition announcements and clippings of articles in English and Greek concerning his career and personal life. Photographs include views of family and friends, portraits of Stamos by Hans Namuth, Nina Leen and other photographers, as well as images of artwork by Stamos and other artists.

ArchivalResource:

https://n2t.net/ark:/65665/mw9d3faf8b2-068c-469c-8527-3840f6cc81e3 View

Elise Asher papers

Title: Elise Asher papers

The Elise Asher papers, 1923-1994, measure 1.6 linear feet and reflect Asher's career as a poet, painter, and sculptor, and her friendships with many of the more prominent artists of the mid-twentieth century. The collection contains biographical material, letters, writings, works of art, business records, printed material, and photographs.Notable correspondents found in the collection include Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut.

ArchivalResource:

https://n2t.net/ark:/65665/mw99a5d878c-4baa-45be-be3d-56ae368dc221 View

PTE Fine Arts records

Title: PTE Fine Arts records

The PTE Fine Arts records measure 0.4 linear feet and 0.25 gigabytes, and date from 1953 to 2007. The collection includes artist files on Theodoros Stamos and Rudolf Bauer containing correspondence, business records, printed materials, photographs, and digital recordings of interviews with Stamos; business files for the Hinterreiter Foundation and Guggenheim Museum; and five exhibition guest books.

ArchivalResource: 0.4 Linear feet; 0.25 Gigabytes (25 computer files)

https://n2t.net/ark:/65665/mw9b5859627-130d-4b6d-b043-78ec2943a52a View

Oral history interview with Theodoros Stamos

Title: Oral history interview with Theodoros Stamos

An interview of Theodoros Stamos conducted 1965 February 19, by John Jones and Bruce Hooton for the Archives of American Art.

OralHistoryResource: 1 sound tape reel ; 7 in.

https://n2t.net/ark:/65665/mw95bf138c0-983e-47e6-8ffe-098e1e935114 View

Karl E. Fortess interviews with artists

Title: Karl E. Fortess interviews with artists

The taped interviews with artists by Karl Fortress measure 5.6 linear feet and date from circa 1963 to 1985. The interviews consist of 205 cassettes containing 268 interviews, averaging 35 minutes, of painters, sculptors, and printmakers. Fortess conducted seventy-nine of the interviews as a pilot for and as part of a grant from Office of Education, U.S. Dept. of Health, Education, and Welfare at Boston University's School of Applied Arts. Included in the collection is the final report for the grant, June 1968, summarizing the objective was "to develop a library of taped interviews with contemporary American painters, sculptors, and graphic artists, such interviews to be concerned with questions of technical, professional and personal interest" and the evaluation process and outcomes of the value of the interviews as a teaching resource for faculty and students. The interviews followed guidelines to include background, training, work patterns, interests, teachers, influences, teaching experiences, attitudes toward teaching, and opinions on art trends. Fortess continued interviewing artists upon completion of the grant, including many with with artists associated with the Woodstock, N.Y. art community.

OralHistoryResource: 268 interviews recorded on 205 audio cassettes.

https://n2t.net/ark:/65665/mw996b317da-502d-42d0-a01e-ee00fc5235a4 View

George Tooker papers

Title: George Tooker papers

The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.

ArchivalResource: 5.1 Linear feet

https://n2t.net/ark:/65665/mw979ef9bde-924c-4b3e-95a6-59ac6e873bbb View

The Louis K. Meisel Gallery selected records

Title: The Louis K. Meisel Gallery selected records

The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

ArchivalResource: 0.4 Linear feet

https://n2t.net/ark:/65665/mw9bf3597b2-9438-4ef2-b79d-6cbbfb307938 View

Stamos, Theodoros, 1922-1997. Artist file : miscellaneous uncataloged material.

Title: Artist file : miscellaneous uncataloged material.

ArchivalResource: 1 folder

http://www.worldcat.org/oclc/84607001 View

Lovell, Tom, 1909-1997. Tom Lovell papers, circa 1845-1997.

Title: Tom Lovell papers, circa 1845-1997.

The collection contains personal and family papers; biographical booklets; cards and letters received from friends and publishers; research materials in the form of photocopies and notes; booklets, pamphlets, and catalogues; about 16,000 photographic images in the form of black and white and color negatives, prints, Polaroid prints, slides, and transparencies; sketches; tearsheets; and scrapbooks. Also included are hundreds of tearsheets of reference images, Lovell paintings and illustrations, as well as the work of other artists.

ArchivalResource: 58.4 cubic feet (72 document boxes, 15 flat boxes, 7 oversized folders, 9 photo file boxes)

http://www.worldcat.org/oclc/58795219 View

Tiger's Eye records, 1939-1955

Title: Tiger's Eye records 1939-1955

The records document allaspects of the production and distribution of the little magazine The Tiger'sEye, from its inception in 1947 through the decision to cease publication in1951. Correspondence, manuscripts, and business records document the creativeand editorial process, the enthusiasm of its readership, its subscription base,and the work involved in producing and distributing the issues.

ArchivalResource: 26.0 linear feet (57boxes)

http://hdl.handle.net/10079/fa/beinecke.tigerseye View

Oral history interview with Katharine Kuh

Title: Oral history interview with Katharine Kuh

An interview of Katharine Kuh conducted 1982 Mar. 18-1983 Mar. 24, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.

ArchivalResource: 16 cassettes : analog.Transcript: 313 p. (on partial microfilm reel)

https://n2t.net/ark:/65665/mw941cbbacd-01e0-402c-828e-c3909d220c9b View

John Jones interviews with artists

Title: John Jones interviews with artists

Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.

ArchivalResource: 0.4 linear feet

https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91 View

John Jones interviews with artists

Title: John Jones interviews with artists

Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.

ArchivalResource: 0.4 linear feet

https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91 View

Betty Parsons Gallery records and personal papers

Title: Betty Parsons Gallery records and personal papers

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection. Personal papers also include personal photographs. Artists files, the largest and most extensive series, consist of a wide variety of documents, including biographical materials, correspondence with or related to the artist, exhibition catalogs and announcements, sales and expense invoices, clippings, price lists, and photographs of the artist, exhibitions, and artwork. The files reflect Parsons's close personal relationships with certain artists, particularly Jackson Pollock, Mark Rothko, Clyfford Still, and Barnett Newman. Extensive documentation is also found for Forrest Bess, William Congdon, Paul Feeley, Thomas George, Alexander Liberman, Seymour Lipton, Richard Pousette-Dart, Jesse Reichek, and Jack Youngerman. Historians and researchers will find these files to be an invaluable resource both in tracing Betty Parsons's role in promoting Abstract Expressionism and researching individual artists. Exhibition files primarily document the gallery's infrequent group or themed exhibitions. Of particular note are the files on <emph render="italic">The Ideographic Picture</emph>, which was organized by Barnett Newman and included his work, as well as that of Pietro Lazzari, Boris Margo, Ad Reinhardt, Mark Rothko, Theodoros Stamos, and Clyfford Still. Price lists, artist biographies and exhibition schedules are housed in the general exhibition files. Loan exhibition files provide documentation of artwork borrowed by other galleries or institutions for exhibitions, as well as shows outside of the gallery that were organized by Betty Parsons. Also found are gallery exhibition guest books, and announcements and catalogs. Gallery correspondence is primarily with galleries and dealers, museums, arts organizations, and collectors. Scattered letters from artists are also found, although the bulk of the artists' correspondence is filed in the Artists Files. Also found here are memoranda and letters between Betty Parsons and her staff that contain detailed information concerning Parsons's schedule and gallery activities. Similar correspondence is found amongst the correspondence files within the series Betty Parsons papers. Appraisal and conservation files include correspondence, appraisal invoices, forms, and appraisal requests and other information from the Art Dealers Association of America, and conservation invoices and reports. The majority of the appraisal records contain information about the specific works of art, including artist, title, date, current owner and the estimated value at the time of the request. Conservation records document conservation treatments undertaken by outside conservators to gallery stock.Sales, purchases, stock and inventory are well documented in the sales and inventory records. The records provide detailed information about individual sales, prices of individual pieces of artwork, consignments, and loans. Most sales records also include detailed information about the buyer and are a valuable resource for provenance research. Files documenting the general administration, routine business operations, and financial transactions (not individual sales) of the gallery are housed in the general business and financial records. These records include ledgers, receipts, tax records, and banking records. There is some limited information about works of art scattered amongst the receipts and in the "in/out slips" files. Legal records house general legal documents and those concerning specific lawsuits. Of particular note is the file detailing the lawsuit between Betty Parsons and Sidney Janis over the fifth floor of 24 West 57th Street.The remainder of the collection consists of Betty Parsons's personal papers which document her career prior to opening her own gallery, her work as an artist, and her personal art collection.Some information about Parsons's work prior to opening her own gallery is found in the early curatorial files she retained from her curatorial and administrative work at the Wakefield Gallery and the Mortimer Brandt Gallery. Clippings, correspondence, announcements, exhibition lists and exhibition files are found. For both positions, she kept only the exhibition files for a small group of exhibitions organized around a specific theme, the most notable being the exhibition of Pre-Columbian Sculpture at the Wakefield Gallery.Biographical materials include copies of her biography, family genealogies, photographs of Parsons, interviews with Colette Roberts and WYNC radio, memberships, photographs, and ephemera, including a collection of programs and invitations from events that she attended. Throughout her life Parsons gave generously of her time to various cultural and charitable institutions and was awarded for her contributions. There are also a number of files that document her speaking engagements, her participation as a juror in numerous juried exhibitions, charitable work, and awards that she received. Parsons's personal correspondence files reflect how deeply Parsons's life was intertwined with the gallery. There are letters from museum directors, dealers, artists seeking representation, and personal letters from artists with whom she had close personal relationships, most notably Larry Bigelow, Alexander Calder, William Condon, and Ad Reinhardt. There are also letters from the English artist Adge Baker, with whom Parsons was romantically involved. Correspondence also includes several files of postcards and Christmas cards. Pocket diaries and engagement calendars, spanning from 1933-1981, record social engagements, meetings, vacations, and telephone numbers. Also found are circa two linear feet of notebooks and sketchbooks, many of which are annotated with addresses, poetry, journal entries, and other observations of people, places, and travels. Writings by others include writings about Betty Parsons or the Betty Parsons Gallery, such as Lawrence Alloway's unpublished typescript titled "An American Gallery" and other topics. Printed material consists of exhibition announcements and catalogs, art magazines, and newspaper and magazine clippings about Betty Parsons, her family and acquaintances, artists, and other art related topics, coupled with a miscellaneous selection of clippings, and a video recording, on topics that presumably captured Parsons's attention. Personal art work records document Betty Parsons's career as an artist through inventories, group and solo exhibitions files, price lists, appraisals, sales and consignment invoices. Photographs are primarily reproductions of her works of art, although there are scattered photographs of exhibition installations. Betty Parsons's private art collection files document her extensive personal collection of art that included works by Jackson Pollock, Agnes Martin, Romare Bearden, Barnett Newman, and Mark Rothko, in addition to Amlash sculpture from ancient Persia and primitive sculpture from New Hebrides. These files include inventories, lists, exhibition records, sales and purchase invoices, and photographs. There are also files for donations and loans from Parsons's personal collection to museums and fund raising auctions for several non-profit institutions. Finally, the personal financial records provide information about the Parsons's family finances and her personal financial success as an art dealer. In addition to her own investments, Parsons inherited shares in family investments through the estates of her parents, J. Fred Pierson, Jr. and Suzanne Miles Pierson, and younger sister, Emily Rayner. Real estate files include correspondence, utility bills, receipts, area maps, and land plots for houses in Sheepscot, Maine and St. Maartens, Netherlands Antilles. Tax returns, ledger worksheets, receipts, banking statements, deposit slips, and cancelled checks are among the other financial records. ,publish:true,subnote_guid:9a5984306548490a4d89aefe032f534d}]}

ArchivalResource:

https://n2t.net/ark:/65665/mw956c1036f-b673-4dc1-8c1b-cde0bd641c60 View

Bernard J. Reis papers

Title: Bernard J. Reis papers

The papers of New York accountant and art collector Bernard J. Reis measure 2.1 linear feet and date from circa 1913 to 1983. The papers document his friendships with artists, his role as accountant for Art of This Century and the Peggy Guggenheim Foundation, and executor of the Mark Rothko Estate. Included are biographical and family papers, correspondence, professional files, scrapbooks, printed material, and photographs.

ArchivalResource: 2.1 Linear feet

https://n2t.net/ark:/65665/mw9d95afd3e-1722-47ce-b62b-d5ec9342f4e4 View

Stamos, Theodoros, 1922-1997. Artist file.

Title: Artist file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/122403034 View

Howard Somers Conant papers

Title: Howard Somers Conant papers

The papers of art educator and painter Howard Somers Conant measure 3.2 linear feet and date from 1944 to 1987. The papers document Conant's career as an art educator through correspondence with friends and colleagues; draft manuscripts, lectures, and other writings; newsletters, copies of published books, and other printed materials; and seventy-four sound recordings of interviews, lectures, and panel discussions that Conant took part in during the 1960s.

ArchivalResource: 3.2 linear feet

https://n2t.net/ark:/65665/mw963bb7974-6a05-496a-b0aa-c93c84b750cf View

Elise Asher papers

Title: Elise Asher papers

The Elise Asher papers, 1923-1994, measure 1.6 linear feet and reflect Asher's career as a poet, painter, and sculptor, and her friendships with many of the more prominent artists of the mid-twentieth century. The collection contains biographical material, letters, writings, works of art, business records, printed material, and photographs.Notable correspondents found in the collection include Fritz Bultman, Helen Frankenthaler, Philip Guston, Hans Hofmann, Norman Mailer, Robert Motherwell, Louise Nevelson, Mark Rothko, Theodoros Stamos, Jack Tworkov, and Kurt Vonnegut.

ArchivalResource:

https://n2t.net/ark:/65665/mw99a5d878c-4baa-45be-be3d-56ae368dc221 View

Tanager Gallery records

Title: Tanager Gallery records

The records of contemporary New York City Tanager Gallery measure 2.6 linear feet and date from 1952 to 1979. Found are administrative files, financial and legal records including detailed receipt books, scattered correspondence, artists' files for circa 70 artists that include price lists and biographies, two scrapbooks of printed materials, newsclippings, exhibition announcements and other printed materials, and five photographs of openings at the gallery and of the exterior of the building.Administrative files include four day books, lists of artists and exhibitions, historical sketches, and an address book. There are two ledger books of expenses for shows and four receipt books from 1959-1962 which are organized by date and list artist, and artwork, buyer, and price. Correspondence is arranged chronologically and comprised mainly of copies of letters sent by the Gallery to artists as invitations to exhibit. Also found are scattered letters from museums and artists.There are artists' files for circa 70 artists that contain a variety of materials, including price lists and biographies or resumes. Artists files are found for Anne Arnold, James Brooks, Charles Cajori, Herman Cherry, Lois Dodd, Sally Hazelet Drummond, Perle Fine, Helen Frankenthaler, Sidney Geist, Philip Guston, Hans Hofmann, Angelo Ippolito, Philip Pealstein, Alex Katz, William King, Robert Rauschenberg, Larry Rivers, Theordore Stamos, and Tom Wesselmann among many others.The collection includes two scrapbooks containing mostly newsclippings and exhibition announcements, as well as additional loose newsclippings, numerous exhibition announcements and catalogs, and press releases. There are five photographs of gallery openings and the exterior of the building, the latter taken by Rudy Burkhardt.

ArchivalResource:

https://n2t.net/ark:/65665/mw9a7ad7a8a-89a2-4860-8b0c-15787f0f057f View

Stamos, Theodoros : Biographical file.

Title: Stamos, Theodoros : Biographical file. [1900-9999]

May contain: Resumes, newspaper articles, magazine articles, invitations to exhibition openings, gallery hand-outs, check-lists of exhibitions, advertisements, obituaries, 35 mm. slides of the artist's work.

ArchivalResource: 1 envelope : manila ; 13 x 10 in.

http://www.worldcat.org/oclc/56574518 View

Stamos, Theodoros, 1922-. Theodoros Stamos : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].

Title: Theodoros Stamos : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990

File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.

ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.

http://www.worldcat.org/oclc/662600960 View

Oral history interview with Anne Rorimer

Title: Oral history interview with Anne Rorimer

An interview of Anne Rorimer conducted 2010 November 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Illinois.

OralHistoryResource: Sound recording, master: 4 memory cards (5 hr., 35 min.) secure digital; 1.25 in.

https://n2t.net/ark:/65665/mw9377eddf5-b420-452e-8171-3b181c505e3d View

Edward Wales Root papers

Title: Edward Wales Root papers

Biographical material; files on Alexander Brook, Charles Burchfield, George Luks, Peppino Mangravite, Henry Lee McFee, Maurice Prendergast, Eugene Speicher, Theodoros Stamos, and others whose work Root collected, containing correspondence, catalogs, checklists, clippings, receipts, and notes; correspondence with Harris K. Prior and Joseph Trovato of the Munson-Williams-Proctor Institute, Lydia Powell, William Roerick, Carl Zigrosser, galleries, dealers, and museum officials; inventories, correspondence, notes, catalogs, and clippings relating to Root's collection; writings; diaries; sketches by Root; files on the Utica Art Society; and photographs of Root, his home, his art collection and exhibitions.

ArchivalResource:

https://n2t.net/ark:/65665/mw92d7a6d02-7acf-4dce-8faf-57af574eba5a View

Theodoros Stamos letters to Diran Deckmejian

Title: Theodoros Stamos letters to Diran Deckmejian

45 Handwritten letters from Stamos to Diran Deckmejian mailed from Lefkada, Greece and Cologne, Germany. The letters chart Stamos' artistic career after he left the United States, particularly his gallery exhibitions in Germany and Greece. Early correspondence reference Stamos' on-going legal battle with the Rothko estate.

ArchivalResource:

https://n2t.net/ark:/65665/mw9a009e837-d9f7-4592-9133-4d0d48b2cd4e View

Anne Bowen Parsons collection of interviews on art

Title: Anne Bowen Parsons collection of interviews on art

The interviews are of artists, educators, art administrators, and dealers. Topics covered include the Federal Art Project, the Artists' Union, the Club, the influence of French emigre artists, and political activism among artists. The transcripts range from 1 to 4 pages in length.

OralHistoryResource: 30 transcripts.

https://n2t.net/ark:/65665/mw9cebc01b2-2b58-431a-ad17-ddb4c9da09fe View

The Louis K. Meisel Gallery selected records

Title: The Louis K. Meisel Gallery selected records

The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

ArchivalResource: 0.4 Linear feet

https://n2t.net/ark:/65665/mw9bf3597b2-9438-4ef2-b79d-6cbbfb307938 View

Bernard and Rebecca Reis papers, ca. 1924-1985

Title: Bernard and Rebecca Reis papers ca. 1924-1985

Accountant who served as a financial advisor and patron to many artists; wife Rebecca Reis (b. 1900) was an art collector. The papers contain correspondence, business and financial records, printed ephemera, photographs, a substantial body of letters from major and minor figures of the American art world, written and visual documentation of the Reis collection of art and books, and ephemeral material relating to artists and patrons.

ArchivalResource: 3.4 linear ft.; (8 boxes)

http://hdl.handle.net/10020/cifa900184 View