Compare Constellations

Maurice Sterne papers

Title: Maurice Sterne papers

The collection consists of correspondence, manuscripts, sketches, photographs, and papers relating to the life and career of painter-sculptor Maurice Sterne.

ArchivalResource: 17.38 Linear Feet ((33 boxes) + 1 art)

http://hdl.handle.net/10079/fa/beinecke.msterne View

John Reed papers, 1903-1967.

Title: John Reed papers, 1903-1967.

The papers of John Reed, the American journalist and revolutionary, including papers relating to his wife, writer Louise Bryant.

ArchivalResource: 31 boxes and 2 volumes (10.5 linear ft.)

http://id.lib.harvard.edu/ead/hou00070/catalog View

Leo Stein Collection, 1892-1950

Title: Leo Stein Collection 1892-1950

The Leo Stein Collection contains manuscripts of writings by Stein, letters from such persons as: Bernard Berenson, Mabel Dodge Luhan and Maurice Sterne, personal papers, photographs, and artworks (mainly by Stein), which document the life of Leo Stein, an artist and writer. Many letters to Leo Stein for the period before 1913 can be found in the Gertrude Stein and Alice B. Toklas Papers, YCAL MSS 76, also owned by the Beinecke Rare Book and Manuscript Library.

ArchivalResource: Total Boxes: 22 (including 7 oversize boxes); Other Storage Formats: 56 broadside folders; Linear Feet: 19.25

http://hdl.handle.net/10079/fa/beinecke.leostein View

Gertrude Stein and Alice B. Toklas papers, 1837-1961

Title: Gertrude Stein and Alice B. Toklas papers 1837-1961

The Gertrude Stein and Alice B. Toklas Papers contain manuscripts of writings, letters, clippings, photographs, artworks, and personal papers relating to the life and work of Gertrude Stein and her companion, Alice B. Toklas, and to Gertrude's brother, Leo Stein, an artist and writer. As well as holding the bulk of Stein's literary output (often described as "experimental" or "cubist" writing), the materials document Stein and Toklas' involvement with the literary and art scene in Paris during the first half of the 20th century. Series I, Writings, contains holograph and typescript drafts of the majority of Gertrude Stein's writings, including "The Autobiography of Alice B. Toklas," "The Making of Americans" (complete with a quantity of notes, or "studies"), "Tender Buttons" and a group of unpublished fragments and carnets, notebooks kept by Stein with preliminary drafts of writings. Series II, Correspondence of Gertrude Stein, contains letters sent from a wide variety of Stein's friends: artists such as Georges Bracque, Jean Cocteau, and Pablo Picasso; writers such as Sherwood Anderson, Ernest Hemingway, and Thornton Wilder; and acquaintances through many years such as Mildred Aldrich, Etta and Claribel Cone, Robert Haas, Mabel Dodge Luhan,Sir Francis Rose, Virgil Thomson, and Carl Van Vechten. Series III, Third Party Letters and Series IV, Alice B. Toklas Correspondence, contain letters from many of the same people, the latter group containing Alice Toklas's correspondence following Gertrude Stein's death. Series V, Personal Papers, and Series VI, Clippings, gather together various personal affects of Stein and Toklas as well as documentation of Stein's life as reported during her lifetime. Series VII, Photographs, show Stein from early childhood through 1946, the year she died. Prints showing Alice Toklas, various friends, artworks, and locales are included in this series, as are several volumes of prints made by Carl Van Vechten. Series VIII and IX contain numerous artworks and objects given by Stein and Toklas. Included here are a painting by Pablo Picasso and a sketch by Henri Matisse.

ArchivalResource: Total Boxes: 173; Other Storage Formats: Oversize, artwork, objects, cold storage; Linear Feet: 93

http://hdl.handle.net/10079/fa/beinecke.stein View

Mabel Dodge Luhan papers, 1859-1961, 1913-1951

Title: Mabel Dodge Luhan papers 1859-1961 1913-1951

The Luhan papers consist of correspondence, writings, photographs, scrapbooks and personal papers documenting the life and work of Mabel Dodge Luhan. Series I, Correspondence, consists chiefly of incoming letters from family, friends, fans and publishers. Luhan's activities and relationships in New York and New Mexico, with artists, writers, labor leaders and Native American Indians, are well documented. Correspondents include John Evans, John Collier, Gertrude and Leo Stein, Hutchins Hapgood, Neith Boyce, Maurice Sterne, Alfred Stieglitz, Carl Van Vechten, Robert Edmond Jones, D.H. and Frieda Lawrence, Dorothy Brett and Georgia O'Keeffe. The one significant group of outgoing letters is to psychoanalyst Smith Ely Jelliffe. Series II, Writings, contains a variety of writings: articles, essays, short stories, novels, poetry, reviews, book-length autobiographical and non-fictional work, and writings of others. There are drafts of Lorenzo in Taos, three of the four published volumes of Intimate Memories, and several unpublished autobiographical writings. Series III, Photographs, consists of portraits and snapshots of people and places, including Mabel Dodge and Tony Luhan, family, friends, Native American Indians, and Luhan's homes in Florence and Taos. There are photographs by James Edward Abbe, Ansel Adams, Laura Gilpin, Ernest Knee, Edward Weston and others. Series IV, Scrapbooks, consists of seventeen scrapbooks containing clippings and letters devoted to Luhan's published books and to subjects of interest to her. Clippings on subjects deal with modern art and literature, the 1913 Armory Show, Luhan's salon, labor issues, D.H. Lawrence, Native American Indians and Taos. Clippings include articles by Luhan and friends. Series V, Personal Papers, is organized into ten subseries: Artwork, Clippings, Diaries, Financial and Legal Records, Invitations and Announcements, John Evans Papers, Medical Records, Postcards, Printed Ephemera and Other. The Artwork subseries includes work by D.H. Lawrence, Maurice Sterne and Marsden Hartley. Series VI, Subject Files, consists chiefly of clippings on friends and family.

ArchivalResource: Total Boxes: 112 (incl. 7 oversize boxes); Other Storage Formats: 5 art storage items; Linear Feet: 68.24'

http://hdl.handle.net/10079/fa/beinecke.luhan View

Roché, Henri Pierre, 1879-1959. Henri Pierre Roché Papers, 1886-1971.

Title: Henri Pierre Roché Papers, 1886-1971.

The Henri Pierre Roché Papers consist of manuscripts, typescripts, notebooks, notes, clippings, correspondence, printed material, diaries, and financial and legal documentation. The papers were originally acquired from Henri Pierre Roché's widow, Denise Roché. Roché's works, both published and unpublished, are well represented in this group of papers. Material relating to the novels Jules et Jim and Deux anglaises et le continent is present and includes the correspondence and diaries of some of the individuals who later appeared as characters in the novels. For the most part, the correspondence in Series II is between Henri Pierre Roché and his two wives, Germaine Bonnard and Denise (Renard) Roché; however, other correspondents are also represented, such as Georges Braque, Jean Cocteau, Marcel Duchamp, Marie Laurencin, Pablo Picasso, Erik Satie, and Gertrude Stein. Series III contains Roché's daily agendas and diaries (referred to herein as "carnets"), which begin in 1901 and end in 1959, and document various aspects of his personal and professional life. Transcriptions of several carnets, through 1945, commissioned by film director François Truffaut, as well as a photocopy of one carnet, accompany the collection. Roché's interests in art, real estate, and his autobiography are well documented in the Personal and Legal Papers series. The last series contains materials relating to Roché's family. Journals, correspondence, works, financial, legal, and medical records, and printed material document the lives of Roché's mother Clara, his second wife, Denise, and his son Jean-Claude.

ArchivalResource: 47 boxes, 2 oversize folders (19.74 linear feet)

http://www.worldcat.org/oclc/191957089 View

Microfilm of the Morgan Russell papers

Title: Microfilm of the Morgan Russell papers

The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.

ArchivalResource: 6.8 Linear feet

https://n2t.net/ark:/65665/mw978433968-7693-4610-a726-1f731d84a594 View

Alfred Stieglitz / Georgia O'Keeffe archive, 1728-1986

Title: Alfred Stieglitz / Georgia O'Keeffe archive 1728-1986

The Alfred Stieglitz/Georgia O'Keeffe Archive contains correspondence files, manuscripts, documentary ephemera, photographs, art and realia related to the lives and careers of Alfred Stieglitz and Georgia O'Keeffe, his second wife, and to other members of Stieglitz's family. The first subgroup, Alfred Stieglitz Papers, consists of material documenting Stieglitz's life's work: correspondence with artists, photographers, and writers; manuscripts by Stieglitz and others describing the art movements of the early twentieth century; scrapbooks; an autograph collection; prints of photographs by Stieglitz and other noted photographers; awards given to Stieglitz for his work; several works of art such as four poster portraits by Charles Demuth; and notebooks assembled posthumously to record the contents of Stieglitz's extensive art collection before it was dispersed following his death. The second subgroup, Georgia O'Keeffe Papers, consists primarily of correspondence from O'Keeffe's friends and family along with a number of fan letters, subject files, and business correspondence addressing rights and reproductions of O'Keeffe's works. This subgroup also includes files of documentary ephemera and a number of awards and medals given to O'Keeffe. The third subgroup, Stieglitz Family Papers, consists of correspondence, documentary ephemera, and drawings from Stieglitz family members, principally Alfred's parents, Edward and Hedwig.

ArchivalResource: 168 linear ft. (260 boxes, including 39 oversize boxes) + 2 broadside folders + 10 art objects

http://hdl.handle.net/10079/fa/beinecke.sok View

Mellquist, Jerome. Jerome Mellquist letters to Lucie Wiese, 1939-1948.

Title: Jerome Mellquist letters to Lucie Wiese, 1939-1948.

Letters from Mellquist to Lucie Wiese (also spelled Weiss) document a personal relationship and collaboration from 1939 to 1948. Letters discuss modern art, particularly American and French painting and painters, but also photography and criticism, mentioning, for example, James McNeill Whistler, John Marin, Marsden Hartley, Camille Pissaro, Edgar Degas, Emil Zoler, Alfred Stieglitz, Thomas Craven, and Leo Stein. Letters also discuss writing and book projects, including Paul Rosenfeld: Voyager in the Arts (1948), co-edited by Mellquist and Wiese. Accompanied by a biographical statement for Mellquist, book outline, printed ephemera, and a draft of an essay by Mellquist entitled "What Role the Museum?"

ArchivalResource: 1.46 linear feet (4 boxes)

http://www.worldcat.org/oclc/702188675 View

Henri Pierre Roché Papers TXRC96-A14., ca. 1886-1971

Title: Henri Pierre Roché Papers ca. 1886-1971

The Roché papers consist of manuscripts of published and unpublished works, diaries (carnets), correspondence, and family papers.

ArchivalResource:

http://www.lib.utexas.edu/taro/uthrc/00113/00113-P.html View

Microfilm of the Morgan Russell papers

Title: Microfilm of the Morgan Russell papers

The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.

ArchivalResource: 6.8 Linear feet

https://n2t.net/ark:/65665/mw978433968-7693-4610-a726-1f731d84a594 View

Trigant Burrow papers, 1875-1984

Title: Trigant Burrow papers 1875-1984

The papers contain correspondence, memoranda, manuscripts and other papers on the professional career and personal life of psychiatrist and psychoanalyst Trigant Burrow. The papers document Burrow's group laboratory research, the activities of The Lifwynn Foundation, the research of important colleagues like Hans C. Syz and Charles Baker Thompson, and such subjects as doctor-patient and interpersonal relations. The papers include extensive family and personal correspondence, a complete set of Burrow's published writings, drafts of manuscripts, and copies of unpublished and unfinished writings. Major correspondents include Sherwood Anderson, Sigmund Freud, Carl G. Jung, Alfred Korzybski, D. H. Lawrence, Adolf Meyer, Sir Herbert Read, Clarence Shields, and Leo Stein.

ArchivalResource: 42.5 linear feet

http://hdl.handle.net/10079/fa/mssa.ms.1370 View

Paul Burlin papers

Title: Paul Burlin papers

The papers of painter Paul Burlin measure 5.1 linear feet and date from 1884-1974, with the bulk of the records dating from the 1910s-1968. The records document Burlin's career through biographical material including sound recordings of interviews, general correspondence, writing files, personal business records, printed material, photographs, and some artwork.

ArchivalResource: 5.1 Linear feet

https://n2t.net/ark:/65665/mw9267aeb15-1b0e-4416-8bdb-ab3169e0a796 View

Edward Bruce papers

Title: Edward Bruce papers

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

ArchivalResource: 8.9 Linear feet

https://n2t.net/ark:/65665/mw974a5ae73-b9a3-4cce-a3ec-77c07cc1ce18 View

Edward Bruce papers

Title: Edward Bruce papers

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

ArchivalResource: 8.9 Linear feet

https://n2t.net/ark:/65665/mw974a5ae73-b9a3-4cce-a3ec-77c07cc1ce18 View

Walter Pach papers

Title: Walter Pach papers

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.Biographical material includes a copy of Pach's birth certificate and two passports for Walter and Magda Pach, in addition to address books, association membership cards and certificates.Correspondence is both personal and professional. Family correspondence includes letters from Pach's son, Raymond, his first wife Magdalene (Magda), and his second wife Nikifora, whom he married in 1951 following the 1950 death of Magda. General correspondence includes letters from artists including Jean Charlot, Arthur B. Davies, Marcel Duchamp, Raymond Duchamp-Villon, Jacques Lipchitz, Henri Matisse, Claude Monet, Maurice Prendergast, Diego Rivera, Morton Livingston Schamberg, John Sloan, and Jacques Villon; and other art-world figures including writers Van Wyck Brooks and Elie Faure, and Bryson Burroughs, curator of painting at the Metropolitan Museum of Art.The Writings series represents an extensive collection of hand-written manuscripts, typescripts, annotated drafts and notes for published and unpublished writings by Pach, including lectures, monographs such as <emph render="italic">Queer Thing, Painting</emph> and <emph render="italic">Ananias, or The False Artist</emph>, and journal and newspaper articles such as "Pierre-Auguste Renoir" (1912).Diaries and journals include one of particular note recording Pach's trip to Europe circa 1903-1904, with William Merritt Chase's class.Business records include 2 notebooks recording sales at the Armory Show in New York, Boston and Chicago, a record book with handwritten lists of paintings owned and sold by Pach in the early 1930s, and two books, one maintained by Nikifora Pach, recording pictures sold, lectures and publications by Pach from the early 1900s to the early 1960s.Printed material documents Pach's career through exhibition catalogs of Pach's solo and group exhibitions, news clippings about Pach, including reviews of his writings on art, and an almost comprehensive collection of copies of Pach's published journal and newspaper articles.Scrapbooks include a book of reviews and original letters pertaining to Pach's book <emph render="italic">Ananias or the False Artist</emph>, and a scrapbook documenting Pach's activities during the 1920s which included his first one-man show at the Brummer Gallery in New York and the publication of his books <emph render="italic">Masters of Modern Art</emph> and <emph render="italic">Raymond Duchamp-Villon</emph>.Artwork inlcudes a small group of drawings and three sketchbooks by Pach. Also of note are two print portfolios published in 1947 by the Laurel Gallery which include an essay and an etching by Pach, in addition to hand-pulled prints by artists such as Milton Avery, Reginald Marsh and Joan Miro.Photographs are of Pach from childhood through to the 1950s, in addition to Magda and Raymond Pach and other family members, artists, colleagues and friends. Included are photographs of William Merritt Chase's class and Robert Henri's class at the New York School of Art, circa 1904, and photos of artists including Robert Henri, Moriye Ogihara, and Pablo Picasso. Photographs of artwork by Pach and other artists can also be found here including Mexican mural projects by José Clemente Orozco and Diego Rivera, and works by Antoine-Louise Barye and George Of.Selections from Pach's library include works written by or translated by Pach, and items central to Pach's interests and work.

ArchivalResource:

https://n2t.net/ark:/65665/mw9e24017f2-73ab-4bdf-b1e3-d0e53592ca04 View

Stein family photograph album [graphic]

Title: Stein family photograph album [graphic] ca. 1895-1899.

Primarily snapshots of Allan Stein as a child, providing numerous views of childhood and family life in San Francisco of the 1890's. Christmas and birthday celebrations are prominent. Also includes pictures of Gertrude Stein (p. 22), Leo, Michael, and Sarah Stein.

ArchivalResource: 1 album (225 photographic prints) : b&w ; 29 x 38 cm.

http://www.worldcat.org/oclc/80152073 View

Russell, Morgan, 1886-1953. Morgan Russell archives and collection, 1884, 1908-1959.

Title: Morgan Russell archives and collection, 1884, 1908-1959.

The Morgan Russell Archives and Collection documents the artistic output, personal life, intellectual pursuits, gender identity issues, and financial predicaments of artist Morgan Russell from his student years in New York and Paris, beginning in 1906, through his move from France to the United States in 1946. Russell was a relentless chronicler in both words and image, evidenced here by large collections of letters, notebooks, notes, and drawings. Of particular significance are more than three thousand drawings and sketches, ranging from hasty thumbnail sketches to highly finished works on paper made by Russell over several decades, as well as over seventy notebooks kept by the artist in which he recorded his activities and thoughts about himself, his art and the art of others, his finances and life philosophy. Includes correspondence, most of which is addressed to Russell, including significant correspondence with painters Mabel Alvarez, Stanton Macdonald-Wright, and Robert Henri, critic Leo Stein, and novelist and poet Blaise Cendrars; biographical material including address books, immigration and marriage papers, exhibitor's and membership cards; business and financial papers including bank records, bills and receipts; private writings including notebooks, notes and sketches made on loose scraps of papers, essays on aesthetic subjects, creative essays on personal subjects including gender identity, and material relating to his light box studies; writings intended for public use consist of drafts of essays, speeches, and unpublished book manuscripts; printed material including exhibition catalogs (some with Russell's annotations and sketches), press clippings about Russell and others, images from publications and postcards (not used as correspondence), travel-related materials including sightseeing information, maps, passenger lists, and menus; original scores, studies after classical masters, sheet music catalogs, and notes on the relationship between music and painting; photographs including images of Russell, his family, friends and associates, as well as his work in painting and sculpture; drawings and sketches; and finished and/or significant drawings that have been accessioned into the museum's art collection. Correspondents represented include Alexander Altenburg, Mabel Alvarez, Guillaume Apollinaire, Friedrich Joseph Berber, Denyse Binon, Georges Binon, Suzanne Binon, Louis Bouché, George Carlock, Blaise Cendrars, Barnett D. Conlon, John Dracopoli, K.N. Dracopoli, Aimee Evans, Anne Evans, Elie Faure, John F. Flanagan, Howard S. Gans, Yves Hacart, R. Chalfant Head, Robert Henri, Sidney M. Hirsch, Robert Kennicitt, Michel Kikoïne, Arthur Lee, Stanton Macdonald-Wright, François Mauriac, Charles Otis Morgan, Miner Antoinette Russell Morgan, Violet Organ, Alexander Robinson, Augusta Rosiere, Michel Seuphor, Fred Sexton, Viola Brothers Shore, Louis Sol, Leo Stein, Igor Stravinsky, Blanche Turnbull, Ruth Turnbull, Gertrude Vanderbilt Whitney, and Willard Huntington Wright.

ArchivalResource: 23 document boxes (11.5 linear feet) (documents)19 box binders (drawings and photographs)29 Solander boxes (drawings and oversize materials)

http://www.worldcat.org/oclc/71174525 View

Martin Birnbaum papers

Title: Martin Birnbaum papers

The papers of New York art dealer, critic, and author Martin Birnbaum measure 3.2 linear feet and date from 1862-1967, with the bulk of the material dating from 1920-1967. The papers document Birnbaum's association with the firm of Scott & Fowles, the lives and activities of his friends and colleagues, and his literary work, through biographical material, correspondence, writings and notes, business records, printed material, a scrapbook, scattered artwork, and photographs of Birnbaum, friends and colleagues, and artwork.

ArchivalResource: 3.2 Linear feet

https://n2t.net/ark:/65665/mw9ca6df438-53dd-472f-9ab1-0be16d9545eb View

Rosenshine, Annette, 1880-1971. Annette Rosenshine papers, 1885-1998 (bulk 1907-1971).

Title: Annette Rosenshine papers, 1885-1998 (bulk 1907-1971).

Contains correspondence, writings, clippings, reviews, and related material regarding Rosenshine's art and interest in psychoanalysis. Significant correspondents include Flora Arnstein, Constantin Brancusi, Erich Fromm, Allen Ginsberg, Henri Matisse, Henry Miller, Lewis Mumford, Paul Padgette (her literary executor), Chris Rambo, Evelyn Statsinger, Leo Stein and Nina Stein, Michael Stein, and Alice B. Toklas. Also includes letters from Louis Adamic, Mortimer and Betty Adler, Henry Geldzahler, Katharine Kuh, Jessica Mitford, and Elizabeth Sprigge. Also contains various drafts and a final typescript of Rosenshine's unpublished autobiography, "Life's not a paragraph," as well as notebooks, journals from her psychoanalysis, essays, and poems. Reviews and articles, announcements, copyrights, and related materials, including a scrapbook of clippings and programs document Rosenshine's work as a sculptor. Also includes a small amount of personal material, including biographical sketches, obituaries, and papers relating to her estate; her brother, Albert Adolph Rosenshine; and miscellaneous clippings collected by Rosenshine and Padgette.

ArchivalResource: 5 boxes, 1 oversize volume, 1 oversize box (2.4 linear feet)

http://www.worldcat.org/oclc/85182559 View

Walter Pach papers

Title: Walter Pach papers

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.Biographical material includes a copy of Pach's birth certificate and two passports for Walter and Magda Pach, in addition to address books, association membership cards and certificates.Correspondence is both personal and professional. Family correspondence includes letters from Pach's son, Raymond, his first wife Magdalene (Magda), and his second wife Nikifora, whom he married in 1951 following the 1950 death of Magda. General correspondence includes letters from artists including Jean Charlot, Arthur B. Davies, Marcel Duchamp, Raymond Duchamp-Villon, Jacques Lipchitz, Henri Matisse, Claude Monet, Maurice Prendergast, Diego Rivera, Morton Livingston Schamberg, John Sloan, and Jacques Villon; and other art-world figures including writers Van Wyck Brooks and Elie Faure, and Bryson Burroughs, curator of painting at the Metropolitan Museum of Art.The Writings series represents an extensive collection of hand-written manuscripts, typescripts, annotated drafts and notes for published and unpublished writings by Pach, including lectures, monographs such as <emph render="italic">Queer Thing, Painting</emph> and <emph render="italic">Ananias, or The False Artist</emph>, and journal and newspaper articles such as "Pierre-Auguste Renoir" (1912).Diaries and journals include one of particular note recording Pach's trip to Europe circa 1903-1904, with William Merritt Chase's class.Business records include 2 notebooks recording sales at the Armory Show in New York, Boston and Chicago, a record book with handwritten lists of paintings owned and sold by Pach in the early 1930s, and two books, one maintained by Nikifora Pach, recording pictures sold, lectures and publications by Pach from the early 1900s to the early 1960s.Printed material documents Pach's career through exhibition catalogs of Pach's solo and group exhibitions, news clippings about Pach, including reviews of his writings on art, and an almost comprehensive collection of copies of Pach's published journal and newspaper articles.Scrapbooks include a book of reviews and original letters pertaining to Pach's book <emph render="italic">Ananias or the False Artist</emph>, and a scrapbook documenting Pach's activities during the 1920s which included his first one-man show at the Brummer Gallery in New York and the publication of his books <emph render="italic">Masters of Modern Art</emph> and <emph render="italic">Raymond Duchamp-Villon</emph>.Artwork inlcudes a small group of drawings and three sketchbooks by Pach. Also of note are two print portfolios published in 1947 by the Laurel Gallery which include an essay and an etching by Pach, in addition to hand-pulled prints by artists such as Milton Avery, Reginald Marsh and Joan Miro.Photographs are of Pach from childhood through to the 1950s, in addition to Magda and Raymond Pach and other family members, artists, colleagues and friends. Included are photographs of William Merritt Chase's class and Robert Henri's class at the New York School of Art, circa 1904, and photos of artists including Robert Henri, Moriye Ogihara, and Pablo Picasso. Photographs of artwork by Pach and other artists can also be found here including Mexican mural projects by José Clemente Orozco and Diego Rivera, and works by Antoine-Louise Barye and George Of.Selections from Pach's library include works written by or translated by Pach, and items central to Pach's interests and work.

ArchivalResource:

https://n2t.net/ark:/65665/mw9e24017f2-73ab-4bdf-b1e3-d0e53592ca04 View

Oral history interview with Ruth Armer

Title: Oral history interview with Ruth Armer

An interview of Ruth Armer conducted 1974 August 14, by Paul J. Karlstrom, for the Archives of American Art. Armer speaks of her early interest in art; her education; moving to New York City in 1918; studying at the Art Students League under John Sloan, Robert Henri and George Bellows and the influences of Leo Stein and Max Weber. She discusses her early work in portrait painting; returning to San Francisco and working as a commercial artist; problems facing women artists in the 1930s; becoming a teacher; and her opinions of San Francisco art.

OralHistoryResource: Sound recording: 1 sound tape reel ; 5 in.Transcript: 39 p.

https://n2t.net/ark:/65665/mw998ed8042-a28d-4d3a-9418-5742d7ef5c02 View

Van Vechten, Carl, 1880-1964. Gertrude Stein photographs from the Paul Padgette collection [graphic] / photographed by Carl Van Vechten.

Title: Gertrude Stein photographs from the Paul Padgette collection [graphic] / photographed by Carl Van Vechten. ca. 1934-ca. 1963.

Chiefly portraits of Gertrude Stein and Alice Toklas in the 1930s. Includes photographs taken at Bilignin Villa, Chambery, Stein's home at 27 Rue de Fleurus, in New York, and at University of Virginia and the College of William and Mary. Also present are a view of Pablo Picasso's home, a portrait of Leo Stein, a photograph of Richard Banks' 1963 painting of Stein, and views of the casts and productions of Four saints in three acts, The Mother of us all, Yes is for a very young man, Dr. Faustus, Ladies' voices, and Brewsie & Wille.

ArchivalResource: 4 boxes (132 photographic prints) : b&w ; chiefly 8 x 10 or 7 x 10 in.

http://www.worldcat.org/oclc/47811155 View

Burrow, Trigant, 1875-1950. Trigant Burrow papers, 1875-1984 (inclusive), 1903-1950 (bulk).

Title: Trigant Burrow papers, 1875-1984 (inclusive), 1903-1950 (bulk).

The papers contain correspondence, memoranda, manuscripts and other papers on the professional career and personal life of psychiatrist and psychoanalyst Trigant Burrow. The papers document Burrow's group laboratory research, the activities of The Lifwynn Foundation, the research of important colleagues like Hans C. Syz and Charles Baker Thompson, and such subjects as doctor-patient and interpersonal relations. The papers include extensive family and personal correspondence, a complete set of Burrow's published writings, drafts of manuscripts, and copies of unpublished and unfinished writings. Major correspondents include Sherwood Anderson, Sigmund Freud, Carl G. Jung, Alfred Korzybski, D. H. Lawrence, Adolf Meyer, Sir Herbert Read, Clarence Shields, and Leo Stein.

ArchivalResource: 42.50 linear ft.

http://www.worldcat.org/oclc/702153844 View

Savage, C. R. (Charles Roscoe), 1832-1909,. Photographs, circa 1900s.

Title: Photographs, circa 1900s.

Collection includes six black and white photographs from the 1900s. Includes images of Leo D. and Gertrude Stein, Maynard Dixon and his wife, and a photograph of Brigham Young's residence taken by Charles R. Savage.

ArchivalResource: 1 folder (0.08 linear ft.)

http://www.worldcat.org/oclc/192118113 View

Rosenshine, Annette, 1880-1971. Life's Not a Paragraph : ms., [undated].

Title: Life's Not a Paragraph : ms., [undated].

Negative microfilm of typescript copy of her recollections. Childhood in San Francisco; friendship with Alice B. Toklas; early interest in and study of art; 1906 earthquake; Paris, 1906-1908 with Sarah and Michael Stein; friendship with Leo and Gertrude Stein; study with Matisse; social service in San Francisco; psychoanalysis; career as scupltress.

ArchivalResource: 1 reel : negative (Rich. 531:13 [1983 replacement]) and positive (2 copies).

http://www.worldcat.org/oclc/743388605 View

Stein, Leo, 1872-1947. Letter, 1926, to Lewis Mumford.

Title: Letter, 1926, to Lewis Mumford.

ArchivalResource: 1 item (2 l.).

http://www.worldcat.org/oclc/155876420 View

Luhan, Mabel Dodge, 1879-1962. Mabel Dodge Luhan papers, 1859-1961 (bulk 1913-1951).

Title: Mabel Dodge Luhan papers, 1859-1961 (bulk 1913-1951).

The Luhan papers consist of correspondence, writings, photographs, scrapbooks and personal papers documenting the life and work of Mabel Dodge Luhan. Series I, Correspondence, consists chiefly of incoming letters from family, friends, fans and publishers. Luhan's activities and relationships in New York and New Mexico, with artists, writers, labor leaders and Native American Indians, are well documented. Correspondents include John Evans, John Collier, Gertrude and Leo Stein, Hutchins Hapgood, Neith Boyce, Maurice Sterne, Alfred Stieglitz, Carl Van Vechten, Robert Edmond Jones, D.H. and Frieda Lawrence, Dorothy Brett and Georgia O'Keeffe. The one significant group of outgoing letters is to psychoanalyst Smith Ely Jelliffe. Series II, Writings, contains a variety of writings: articles, essays, short stories, novels, poetry, reviews, book-length autobiographical and non-fictional work, and writings of others. There are drafts of Lorenzo in Taos, three of the four published volumes of Intimate Memories, and several unpublished autobiographical writings. Series III, Photographs, consists of portraits and snapshots of people and places, including Mabel Dodge and Tony Luhan, family, friends, Native American Indians, and Luhan's homes in Florence and Taos. There are photographs by James Edward Abbe, Ansel Adams, Laura Gilpin, Ernest Knee, Edward Weston and others. Series IV, Scrapbooks, consists of seventeen scrapbooks containing clippings and letters devoted to Luhan's published books and to subjects of interest to her. Clippings on subjects deal with modern art and literature, the 1913 Armory Show, Luhan's salon, labor issues, D.H. Lawrence, Native American Indians and Taos. Clippings include articles by Luhan and friends. Series V, Personal Papers, is organized into ten subseries: Artwork, Clippings, Diaries, Financial and Legal Records, Invitations and Announcements, John Evans Papers, Medical Records, Postcards, Printed Ephemera and Other. The Artwork subseries includes work by D.H. Lawrence, Maurice Sterne and Marsden Hartley. Series VI, Subject Files, consists chiefly of clippings on friends and family.

ArchivalResource: 68.24 linear ft. (112 boxes)

http://www.worldcat.org/oclc/60366622 View