Compare Constellations

Poor, Henry Varnum, 1887-1970. Correspondence with Carl Zigrosser, 1923, n.d.

Title: Correspondence with Carl Zigrosser, 1923, n.d.

Henry Varnum Poor was an artist represented at Weyhe Gallery. One letter is from his wife Bessie (Elizabeth) Brewer. The letters are about their work and artist John Flannagan.

ArchivalResource: 2 items (2 leaves).

http://www.worldcat.org/oclc/155902757 View

Forsyth, Robert J. Correspondence with Carl Zigrosser, 1960-1961.

Title: Correspondence with Carl Zigrosser, 1960-1961.

Robert Forsyth's letters to Carl Zigrosser reflect his research on John Flannagan.

ArchivalResource: 7 items (12 leaves).

http://www.worldcat.org/oclc/155901076 View

Leach, Henry Goddard, 1886-1970. Correspondence with Carl Zigrosser, 1935-1952.

Title: Correspondence with Carl Zigrosser, 1935-1952.

ArchivalResource: 5 items (5 leaves).

http://www.worldcat.org/oclc/155901963 View

Flannagan, John Bernard, 1895?-1942. John Bernard Flannagan : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York].

Title: John Bernard Flannagan : artist file : study photographs and reproductions of works of art with accompanying documentation 1930?-1990 [graphic] [compiled by staff of The Museum of Modern Art, New York]. 1930?-1990

File of color and black and white photographs of work of art, assembled by the staff of The Museum of Modern Art in New York from the museum's establishment until 1990. Items may include full views, details, installations, etc.

ArchivalResource: 1 or more folders: ill. (some col.) ; 38 cm.

http://www.worldcat.org/oclc/662625656 View

Oral history interview with Adolf Dehn

Title: Oral history interview with Adolf Dehn

An interview of Adolf Dehn conducted by Dorothy Gees Seckler between 1963 January 23-1964 Febuary 29 for the Archives of American Art.

OralHistoryResource: Sound recordings: 6 sound tape reels ; 5 in.Transcript: 50 p.

https://n2t.net/ark:/65665/mw97975ebfb-b426-49af-a029-bfa8a17ae687 View

Amory C. Simons papers

Title: Amory C. Simons papers

Material relating to Simons' activities as student and sculptor in Paris, and later as instructor in California, including: receipt for tuition payment at Academie Julian, Paris; membership card to the American Art Association of Paris; letters from John Flanagan, Paul Wayland Bartlett, his cousin A. Felix Du Pont, Santa Barbara School of the Arts, and others; and photographs of Simons and his sculpture.

ArchivalResource:

https://n2t.net/ark:/65665/mw9871495b0-175d-4d86-905b-85752c528b7c View

Paul Wayland Bartlett papers

Title: Paul Wayland Bartlett papers

The microfilmed Paul Wayland Bartlett papers contain correspondence with family, artists, and others (1887-1925); legal and financial documents (1887-1925); printed materials (1888-1925); sketches, drawings, and blueprints (undated, 1916-1920); and certificates (1915-1918). Correspondence consists of a chronological series (1887-1925) containing letters and postcards from John White Alexander, Samuel P. Avery, William A. Clark, Frank Edwin Elwell, John Flanagan, Daniel Chester French, Henry-Bonnard Bronze Company, Gorham Company, J. Scott Hartley, John LaFarge, Charles Loring, Frederick MacMonnies, Charles Sprague Pearce, Auguste Rodin, Frederic Wellington Ruckstull, Augustus Saint-Gaudens, and scattered letters from other nineteenth century artists regarding the execution of works, commissions, exhibitions and expositions in Paris and the United States, among them the Louisiana Purchase Exposition (1904) and the Exposition Universale (1899-1900), and Bartlett's illness and death in 1925. The remainder of the correspondence, arranged by subject, includes letters from Bartlett's father, Truman Howe Bartlett (1899-1913), many written from Boston where he taught in the architecture department of MIT, or from New Hampshire where he kept a studio, and letters to Paul regarding his father's entry in the National Cyclopedia of American Biography (1925); correspondence with the International Society of Sculptors, Painters and Gravers (1905-1907), some from Joseph Pennell, regarding exhibitions; correspondence regarding commissions, including Lafayette, McClellan, General Warren, Library of Congress, and other statues; postcards from artists (1892-1895); and miscellaneous letters. Legal documents relate to the Lafayette statue (1900) and also include Bartlett's death certificate. Financial records (1899-1922) consist of bank statements, checkbooks, bills and receipts for casting, photography, dues, and rent. Clippings and a scrapbook deal with Barlett's Lafayette statue. Other printed material includes articles on various Bartlett sculptures and other sculptors, exhibition catalogs, passes and announcements, yearbooks from the American Club of Paris (1905-1909), and material from the American Art Association of Paris, including a 20-page booklet by Bartlett giving the history of the group, and an invitation (1906) to an auction to benefit the victims of the San Francisco earthquake. Also included are sketches by Bartlett and his father (undated and circa 1913); oversized drawings, plans and prints for monuments, statues, and the Capitol ceiling (undated and 1916-1920); postcards depicting Bartlett's sculpture; and certificates from the National Academy of Design and the Panama Pacific International Exposition.

ArchivalResource:

https://n2t.net/ark:/65665/mw9eefd4d6a-4188-47bc-a9fd-cdb419032958 View

Cheney, Sheldon. Correspondence with Carl Zigrosser, 1921-1961.

Title: Correspondence with Carl Zigrosser, 1921-1961.

Cheney's correspondence concerns publications from Germany, William Blake and John Flannagan. Martha Cheney writes inquiring after a work by Vincent Canadé.

ArchivalResource: 8 items (8 leaves).

http://www.worldcat.org/oclc/155900500 View

Oral history interview with Eugenie Gershoy

Title: Oral history interview with Eugenie Gershoy

An interview of Eugenie Gershoy conducted 1964 Oct. 15, by Mary McChesney, for the Archives of American Art's New Deal and the Arts Oral History Project.

OralHistoryResource: Sound recordings: 1 sound tape reel ; 5 in.Sound recordings: 1 compact disc.Transcript: 31 p. (on one microfilm reel)

https://n2t.net/ark:/65665/mw9a5aef8d9-b029-4385-85fc-5568c1eee2ed View

Library Collection of Study Photographs and Clippings, ca. 1930-2000

Title: Library Collection of Study Photographs and Clippings, ca. 1930-2000

The Library's collection of study photographs and clippings contains reference photographs and clippings of art objects from a vast array of geographic locations. The collection contains photographs and clippings of sculpture, decorative arts, architecture (locations), and paintings/drawings/prints in the following geographic categories: American, British, French, German, Italian, the Low Countries, Scandinavian, Spanish, Swiss, Miscellaneous European/Western tradition, Egyptian, Ancient Civilization, Byzantine, African, Pre-Columbian American Art, Prehistoric, Near East, Far East, and Oceania. This collection began with the purchase of Willem Rudolf Juynboll's clippings collection, but was augmented in many ways and from several sources. Other major sources of material include the Duveen Collection, purchases from the Courtauld Institute, and an Alinari subscription. The collection also includes material from independent photographers and clippings from auction catalogues collected by Clark staff members.

ArchivalResource: 679.3 linear ft

https://francine.clarkart.edu/record=b1184149~S4 View

Warneke, Heinz (Heinrich), 1895-1983. Correspondence with Carl Zigrosser, 1927-1971, n.d.

Title: Correspondence with Carl Zigrosser, 1927-1971, n.d.

These letters are written by the artist Jessie Warneke, the wife of the sculptor Heinz Warneke. Their work was represented at the Weyhe Gallery. Her lively correspondence with Carl Zigrosser concerns itself with life among the American artists living in Europe in the 1930's, their circle of mutual friends in the art world of New York, the progress of Heinz Warneke's work and his commissions, her own work and exhibitions, domestic news, their life as artist-farmers in Connecticut, life in Washington, the 1963 unveiling of a statue by Heinz at the Philadelphia Zoo, and their appreciation of Zigrosser's books. Later letters concern old times together and the subject of aging. Among the people mentioned in Jessie Warneke's letters are Mabel Dwight, Florence King, Erhard Weyhe, Roderick Seidenberg, Yasuo Kuniyoshi, Katherine Schmidt (Schubert), John B. Flannagan, Harry Gottlieb, Andrée Ruellan, Alexander Calder, Aristide Maillol, Kuei T'eng, Emil Ganso, Mitchell Jamieson, E. Boyd, Henry Mitchell, Thomas W. Nason, A. R. Orage and Sadakichi Hartmann.

ArchivalResource: 97 items (156 leaves).

http://www.worldcat.org/oclc/155899757 View

Augustus Saint-Gaudens letters

Title: Augustus Saint-Gaudens letters

Correspondence and letters from Saint-Gaudens.

ArchivalResource:

https://n2t.net/ark:/65665/mw9308430ac-60f0-4162-b5ba-a9b77fc3c3eb View

John Bernard Flannagan papers

Title: John Bernard Flannagan papers

Biographical and exhibition data; a list of works; correspondence; a journal; notes and writings; notes by Magherita Flannagan; typescripts of a catalogue preface by Carl Zigrosser and a preface to Flannagan's letters by W. R. Valentiner; an application for a Guggenheim fellowship; a contract; sketches; exhibition catalogues and invitations; and printed material.

ArchivalResource:

https://n2t.net/ark:/65665/mw941594f92-401b-479f-bf1e-26b191413c56 View

Museum of Modern Art (New York, N.Y.). Correspondence with Carl Zigrosser, 1931-1969, n.d.

Title: Correspondence with Carl Zigrosser, 1931-1969, n.d.

Included in this file of general correspondence from the Museum of Modern Art to Carl Zigrosser are letters documenting loans to the Museum; leeters concerning exhibitiong on John Flannagan, Alfred Maurer, and Hneri Matisse; photography requests; and the Museum's response to a questionnaire on acquisition policies.

ArchivalResource: 54 items (67 leaves).

http://www.worldcat.org/oclc/155902354 View

La Centra, Hilda. Correspondence with Carl Zigrosser, 1935, n.d.

Title: Correspondence with Carl Zigrosser, 1935, n.d.

Hilda La Centra was the sister-in-law of John Flannagan. Included in this file is an outline by her of a project to teach music appresiation to children using puppet theater.

ArchivalResource: 3 items (7 leaves).

http://www.worldcat.org/oclc/155901903 View

Valentin, Curt, 1902-1954. Correspondence with Carl Zigrosser, 1940-1963.

Title: Correspondence with Carl Zigrosser, 1940-1963.

Curt Valentin and Carl Zigrosser corresponded about the work of John B. Flannagan and Käthe Kollwitz.

ArchivalResource: 25 items (34 leaves).

http://www.worldcat.org/oclc/155899683 View

Pach, Walter, 1883-1958. Correspondence with Carl Zigrosser, 1916-1958, n.d.

Title: Correspondence with Carl Zigrosser, 1916-1958, n.d.

Carl Zigrosser was a young employee of Keppel & Co. when he met Walter Pach before World War I. The two corresponded about art and the art world, domestic news, their writing projects (The Modern School, Pach's translation of Elie Faure, Odilon Redon, John Flannagan), Pach's travels and work in Mexico, and Pach's interest in the Directorship of the Guggenheim Museum. Included are some clippings, exhibition announcements, and typed manuscripts.

ArchivalResource: 42 items (53 leaves).

http://www.worldcat.org/oclc/213467204 View

Library Collection of Study Photographs and Clippings, ca. 1930-2000

Title: Library Collection of Study Photographs and Clippings, ca. 1930-2000

The Library's collection of study photographs and clippings contains reference photographs and clippings of art objects from a vast array of geographic locations. The collection contains photographs and clippings of sculpture, decorative arts, architecture (locations), and paintings/drawings/prints in the following geographic categories: American, British, French, German, Italian, the Low Countries, Scandinavian, Spanish, Swiss, Miscellaneous European/Western tradition, Egyptian, Ancient Civilization, Byzantine, African, Pre-Columbian American Art, Prehistoric, Near East, Far East, and Oceania. This collection began with the purchase of Willem Rudolf Juynboll's clippings collection, but was augmented in many ways and from several sources. Other major sources of material include the Duveen Collection, purchases from the Courtauld Institute, and an Alinari subscription. The collection also includes material from independent photographers and clippings from auction catalogues collected by Clark staff members.

ArchivalResource: 679.3 linear ft

https://francine.clarkart.edu/record=b1184149~S4 View

Flannagan, John Bernard, 1895?-1942. John Bernard Flannagan : vertical file.

Title: John Bernard Flannagan : vertical file.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/730246043 View

Flannagan, John Bernard, 1895?-1942 : [miscellaneous ephemeral material].

Title: Flannagan, John Bernard, 1895?-1942 : [miscellaneous ephemeral material].

The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.

ArchivalResource: 1 folder.

http://www.worldcat.org/oclc/199337334 View

Staley, Allen. Correspondence with Carl Zigrosser, 1959.

Title: Correspondence with Carl Zigrosser, 1959.

Allen Staley was doing research on the artist John B. Flannagan when he wrote to Carl Zigrosser.

ArchivalResource: 3 items (3 leaves).

http://www.worldcat.org/oclc/155899336 View

Arensberg, Walter, 1878-1954. Correspondence with Carl Zigrosser, 1938-1939, n.d.

Title: Correspondence with Carl Zigrosser, 1938-1939, n.d.

Walter Arensberg was an art collector. His letters express interest in the work of John Bernard Flannagan. Also included is a poem by Arensberg, "Falling Asleep."

ArchivalResource: 3 items (3 leaves).

http://www.worldcat.org/oclc/122528444 View

Forbes Watson papers

Title: Forbes Watson papers

The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.5 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.

ArchivalResource: 13.92 Linear feet

https://n2t.net/ark:/65665/mw9b62b4c1c-aa40-4979-bbf3-d90fa4e127b6 View

Oral history interview with Peter Agostini

Title: Oral history interview with Peter Agostini

An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.

OralHistoryResource: Sound recordings: 3 5 in. sound tape reels.Transcript: 99 p.

https://n2t.net/ark:/65665/mw94f33a1ab-e475-4a6f-8b0b-f9822b288239 View

Robert J. Forsyth research material on John B. Flannagan

Title: Robert J. Forsyth research material on John B. Flannagan

Research material on sculptor John Bernard Flannagan gathered in preparation for Forsyth's Ph.D dissertation on Flannagan (Univ. of Minnesota, 1965) and for an incomplete catalog raisonne. Included are photocopies of letters from Flannagan to the Works Progress Administration regarding his dismissal, 1933-1934; Forsyth's correspondence with Flannagan's acquaintances, collectors, art historians, and dealers, 1955-1987; an incomplete typescript of the catalogue raisonne, and other writings on Flannagan by Forsyth; notes and notebooks; research files including interviews, notes and printed material; exhibition catalogs and clippings, 1931-1976; and 1.0 linear ft. of photographs and negatives of Flannagan's art work.

ArchivalResource: 2.4 linear feet

https://n2t.net/ark:/65665/mw9ab00263d-0693-47e0-9844-3ae1f96b09c1 View

Lockman, DeWitt McClellan, 1870-1957. DeWitt M. Lockman interviews with artists, 1927.

Title: DeWitt M. Lockman interviews with artists, 1927.

Typed and written records of interviews in 1927 with artists and architects associated with the National Academy of Design; plus a few typescripts which contain biographical sketches and/or lists of works, without interviews. The subjects were: Mrs. Edwin A. Abbey, Wayman E. Adams, Robert Ingersoll Aitken, Ernest Albert, Alonzo Reynolds Beal, Edwin August Bell, Edwin Howland Blashfield, Roy Brown, George Elmer Browne, Arnold William Brunner, Alexander Stirling Calder, Carleton T. Chapman, B. West Clinedinst, Alphaeus P. Cole, Timothy Cole, E. Irving Couse, Robert Bruce Crane, Charles C. Curran, Benjamin Franklin De Haven, William Rowell Derrick, Louis Paul Dessar, Thomas Wilmer Dewing, Frederick I. Dielman, Edward Dufner, John Ward Dunsmore, Jared Bradley Flagg, John Flannagan, August Reynolds Franzen, Daniel Chester French, Sherry Edmundsen Frey, Edward Gay, Cass Gilbert, W. Granville-Smith, Chester Harding, Childe Hassam, Charles W. Hawthorne, William Henry Howe, Henry Salem Hubbell, William Henry Hyde, William S. Jewett, Francis Coates Jones, Dora Wheeler Keith, William Fair Kline, Jonas Lie, Louis Loeb, Will H. Low, Edward McCartan, Frederick William MacMonnies, Hermon Atkins MacNeil, Gari Melchers, Francis Luis Mora, Henry Siddons Mowbray, Raymond Perry Rogers Neilson, George Glenn Newell, Robert H. Nisbet, Ivan G. Olinsky, William Dryden Paddock, Walter L. Palmer, Arthur Parton, William McGregor Paxton, Ernest Peixotto, Joseph Pennell, Edward Henry Potthast, Henry Prellwitz, Wilhelm F. Ritschel, Henry Rittenberg, Frederick Roth, William Sartain, Henry Bailey Snell, Robert Spence, Egerton Swartwout, Douglas Volk, Bessie Potter Vonnoh, Robert B.M. Vonnoh, Horatio Walker, Harry W. Watrous, Adolph Alexander Weinman, Charles D. Weldon, William John Whittemore, Frederick Ballard Williams, Irving Ramsay Wiles, and Owen Cullen Yates.

ArchivalResource: 1.6 linear feet (4 boxes)

http://www.worldcat.org/oclc/475906995 View

Lachaise, Gaston, 1882-1935. Correspondence with Carl Zigrosser, 1930-1931.

Title: Correspondence with Carl Zigrosser, 1930-1931.

Carl Zigrosser enlisted Gaston Lachaise in a project to obtain a Guggenheim Fellowship fo John Flannagan.

ArchivalResource: 2 items (2 leaves).

http://www.worldcat.org/oclc/155901905 View

Flannagan, John Bernard, 1895?-1942. Correspondence with Carl Zigrosser, 1926-1942, n.d.

Title: Correspondence with Carl Zigrosser, 1926-1942, n.d.

The earliest correspondence concerns Flannagan's work on small pieces, sales, and exhibitions. Attentive and informative letters from 1928 written by Florence Rollins discuss Flannagan's problems in Woodstock, his inability to handle money or "behave decently," and his drinking. Miss Rollins had befriended Flannagan and let him live and work at her country place; her growing disillusionment is evident in her blunt letters. There are also reconciling letters from Flannagan to Rollins in the file that describe his life and his work. An exchange of letters from this time between Zigrosser and Juliana Force is the beginning of an informal alliance between the two to help arrange for sales of Flannagan's work. Flannagan's own letters often give simple, philosophical statements about the motivation of his work, his choice of subject and material. There is also misleading biographical information, references to sales, and requests for funds. Mid 1929 letters make reference to Jo Davidson and Grace Briggs, John Flannagan's future wife. Some letters are addressed to Laura Canadé, an employee of Weyhe Gallery and Carl Zigrosser's second wife. A March, 1930 contract sets up a purchase system at Weyhe, providing quarterly payments to Flannagan in return for the delivery of works of art. In June of 1930, Flannagan and his wife went to Ireland for a year's concerted work. Monthly letters give details about stone the available, setting up a household, his optimism about work and staying sober, financial arrangements, Ireland and the Irish, the complications of shipping his work, and the birth of his daughter. Flannagan's moods are quite changeable: each cheerful, optimistic letter full of plans is matched by one of nervous gloom full of plans, and another of miserable dejection. In April, 1931, the small family relocated to Paris, and in May of that year Grace and the baby left a horribly drunken Flannagan and returned to the United States. There is a gap in the correspondence until the spring of 1932, which brings a flurry of legal notices attempting to put a lien on Flannagan's work at the Weyhe Gallery. The next few letters from Flannagan are from 1934 and describe his work in metal casting and some carving projects. Early 1935 brings letters from Bloomingdale, a psychiatric hospital in New York City, where Flannagan is undergoing treatment for alcohol addiction and mental problems. The letters are desperate and unguarded. Flannagan worries about never being able to sculpt again, the removal of his teeth, and expresses his bitterness towards his wife and pleads his case to Zigrosser. By October of 1935, Flannagan is out of the hospital and living in Boston with Margharita La Centra, sculpting and making sales. April of 1936 brings a long letter about Flannagan's plan to purchase an old stone farmhouse near Woodstock, N.Y. with barns for sculpting in -- the purchase of which would require financial help from Erhard Weyhe. Zigrosser tried unsuccessfully to solicite help from other sources, including Chauncey Stillman, a well-to-do collector. Stillman's response is negative, but compassionate about helping Flannagan solve his personal problems. Flannagan's work was selling well at the time, but his underlying weaknesses remained unresolved. The letters from this time are excitable, full of plans, loaded down with financial problems and excuses for slow work. Letters from 1937 refer to Flannagan's hospitalization for a broken leg after he was struck by a car, and his recuperating in Ridgefield, Conn. at the home of Stephen Luce Brown. His work is slowed by his injury, and by the first symptoms of the recurring brain tumors that would complicate his last years. Other topics include a visit by Padraic Colum, Flannagan's feelings of lost time, his work on Jonah and the Whale (including a sketch of the sculpture), some comments on chemical coatings for his outdoor work, and the types and colors of stones he prefers. At this time, Flannagan's commission from the Fairmount Park Art Association of Philadelphia for his figure, the Miner, was coming to a head. A December, 1937 letter from Henri Marceau to Zigrosser reports of a meeting with the artist about the project at which Flannagan was not sober. Hospitalizations and recoveries create gaps in the letters from Flannagan. In 1939, his reduced stamina results in Flannagan working with metal casting instead of stone, and letters report his exhaustion and struggle with sobriety, as well as the infrequent sales of his work. 1940 brings fatalistic letters in which Flannagan writes about having a retrospective and comments on his poverty and how it effects his work. In July of that year, a postcard reports the sale at auction of all tools in Flannagan's "erstwhile studio." A letter to Zigrosser from Domenico Mortellito suggests making reproductions of Flannagan's work to get money for the artist. Letters for 1941 include a typescript of Flannagan's letters to Curt Valentin of Buchholz Gallery arranging sales and an exhibition. Letters to Zigrosser mention setting up a new studio, projects and work completed, and thoughts about suicide. The 1941 correspondence with Zigrosser is slimmer, but still quite personal and bearing a tone of resignation. Flannagan killed himself in his New York studio on January 6, 1942. Several folders of material follow the correspondence. Included are letters from various people involved with Flannagan, often resolving old conflicts. Not long after Flannagan's death, a Newsweek article characterized the Weyhe Gallery as profiteering from Flannagan during his lifetime. Letters between Erhard Weyhe, Laura Canadé and Carl Zigrosser record their initial dismay and defense of the Gallery's treatment of Flannagan. There are letters from researchers working on Flannagan. There is a folder of business receipts, a folder of clippings from magazines and newspapers, a folder of exhibition catalogs, a folder of comments and writings by Carl Zigrosser, and a folder of lists of Flannagan's sculptures.

ArchivalResource: 192 items (455 leaves).

http://www.worldcat.org/oclc/155901034 View

Flannagan, Grace Briggs. Correspondence with Carl Zigrosser, 1931-1933, n.d.

Title: Correspondence with Carl Zigrosser, 1931-1933, n.d.

Grace Flannagan was the wife of sculptor John Flannagan. Most of the letters date from the Flannagan's troubled stay in Ireland and Paris in 1930-1931. Cablegrams concern Grace Flannagan's departure sudden departure from France with her baby during one of her husband's drunks. There is another cablegram from Harry Gottlieb and Heinz Warneke arranging for Flannagan to leave Europe. The correspondence file for Heinz and Jessie Warneke in the Carl Zigrosser Papers also contain letters about the incident.

ArchivalResource: 10 items (13 leaves).

http://www.worldcat.org/oclc/155901029 View

Minneapolis Institute of Arts. Correspondence with Carl Zigrosser, 1927-1971.

Title: Correspondence with Carl Zigrosser, 1927-1971.

This correspondence concerns the purchases of works by Minnesota artists represented by Carl Zigrosser when he was with the Weyhe Gallery. Included are Wanda Gàg, John Flannagan and Adolf Dehn.

ArchivalResource: 9 items (8 leaves and 1 pamphlet).

http://www.worldcat.org/oclc/155902267 View

Davis, Wilbur B. Correspondence with Carl Zigrosser, 1940.

Title: Correspondence with Carl Zigrosser, 1940.

Davis purchased a goat head sculpture by John B. Flannagan from the Weyhe Gallery.

ArchivalResource: 1 item (1 leaf).

http://www.worldcat.org/oclc/155900700 View

Metropolitan Museum of Art (New York, N.Y.). Correspondence with Carl Zigrosser, 1919-1969.

Title: Correspondence with Carl Zigrosser, 1919-1969.

This file of letters from the Metropolitan Museum of Art to Carl Zigrosser includes letters acknowledging gifts to the Museum from Zigrosser, and letters concerning the purchase from the Weyhe Gallery of "Goat" by John Flannagan.

ArchivalResource: 23 items (24 leaves).

http://www.worldcat.org/oclc/155902227 View

Bolt, Joseph S. Correspondence with Carl Zigrosser, 1957.

Title: Correspondence with Carl Zigrosser, 1957.

Joseph Bolt was in contact with Carl Zigrosser about the sculptor, John Flannagan.

ArchivalResource: 2 items (2 leaves).

http://www.worldcat.org/oclc/155900228 View

Carl Zigrosser papers

Title: Carl Zigrosser papers

Personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on prints and printmaking and his personal relationships with artists.

ArchivalResource:

https://n2t.net/ark:/65665/mw9c88ba1db-1061-48d2-bae9-77dd7e7f65c5 View