Ellis, Fred, 1885-1965

Cartoonist; New York, N.Y.

From the description of Fred Ellis papers, [ca. 1920-1970]. (Unknown). WorldCat record id: 82918344

Fred Ellis (1885-1965) was an American political/editorial cartoonist. Born in Chicago, he attended Chicago Normal School and Colonel Francis Parker's Progressive School. In his teens he worked in Frank Lloyd Wright's office and later in an engraving shop. His only formal art training was one three-month course in 1905 and a correspondence course in cartooning, but by 1919 his art had appeared in numerous publications.

Ellis was part of the American radical movement of the 1930s-1950s; he trained with Robert Minor and shared Minor's interest in the plight of the working man. In 1922 Ellis joined the Communist Party and a referral from Minor got him a job as cartoonist for the Daily Worker in New York. He left in 1930 to work in Berlin and Moscow, drawing cartoons for Pravda, Izvestia, the Moscow Daily News, and other newspapers, and illustrating books for Soviet publishing houses. He returned to New York in 1936 and again became a regular contributor the Daily Worker as well as appearing in magazines such as Ken, Fortune, New Masses, and various trade union periodicals. He taught for several years at the American Artists School, a progressive independent art school directed by Harry Gottlieb. His associates there included prominent American radical artists such as William Gropper, Art Young, John Groth, Margaret Bourke-White, Rockwell Kent, Carl Zigrosser, and Louis Slobodkin

Ellis' cartoons spoke to many important issues of the day, both international (World War II, appeasement, the atomic bomb, the Korean War, Nazi war crimes, Communism) and those close to the heart of the American working-class family (unions, low wages, worker safety, Social Security, political corruption, racism). His work has been exhibited in museums and art galleries in America and Russia, and in 1953 he was represented in the great exhibition in Copenhagen of "Artists of the World in the Service of Progress."

Ellis retired in 1955. When he died in 1965, long-time friend Harry Freeman wrote: "Ellis was as American as the sprawling city of Chicago in which he was born. But his powerful drawings touched the hearts of peoples in all continents. In them there is a deep understanding of the human condition, compassion for the sufferings of man, hatred for cruelty and injustice, and abiding faith that a better world can be made."

From the guide to the Fred Ellis Papers, 1923-1968, 1941-1955, (Special Collections Research Center, Syracuse University Libraries)

The Daily Worker, the official organ of the Communist Party of the United States of America (CPUSA), traces its origins back to the Communist Labor Party, founded in Chicago in 1919. The Communist Labor Party’s paper was known as the Toiler . When the Communist Labor Party and the Workers Party merged in 1921, the Toiler became the weekly paper The Worker . Two years later, the paper changed its name to the Daily Worker . As a daily newspaper, the Daily Worker covered the major stories of the 20th century, while at the same time speaking to the left-wing sector of the American population, which included labor, civil rights, and peace activists. The newspaper emphasized radical social movements, labor struggles, racial discrimination, right wing extremism, the Soviet Union, and the world-wide Communist movement.

The CPUSA grew under increasing attack following WWII. The rise of McCarthyism and the Red Scare eventually forced the Party to go underground, and in 1958, the Daily Worker shut down operation. In 1960, it resumed bi-weekly publication as The Worker, but never achieved the level of popularity it had in the 1930s and 1940s.

In 1967, the paper now known as the Daily World, again became a daily. It reported on the civil rights movement, including sit-ins, voter registration campaigns and the Freedom Rides. In the late 1960s and into the early 1970s, the Daily World aligned itself with the anti-Vietnam War and black nationalist movements.

In 1986 the paper merged with the CPUSA's West Coast weekly, the People's World . The newly formed People's Daily World was published from 1987 until 1991, when daily publication was abandoned in favor of a weekly edition, renamed the People's Weekly World . During this period the paper focused heavily on labor union activity, particularly in cities like Detroit and Chicago, as well as the growing anti-globalization movement.

Shifting its operations back to Chicago between 2001 and 2002, the paper changed its name to the People's World in 2009. In 2010, the paper ceased print publication and became an electronic, online-only, publication.

Specific artists represented in the Daily Worker/ Daily World Cartoon Collection include: Fred Ellis, Ollie Harrington, Hugo Gellert, Norman Goldberg, Kinkaid, and James Erickson (Eric), among numerous others.

From the guide to the The, Daily Worker, and, Daily World, Cartoon Collection, Bulk, 1940-1980, 1928-2002, (Tamiment Library and Robert F. Wagner Labor Archive)