[Television talk shows--clips] [videorecording]. [1980]

ArchivalResource

[Television talk shows--clips] [videorecording]. [1980]

This video contains the following recorded television clips: interviews with Yolanda Alaniz and Miriam Vogelfanger on Mundo latino, KMEX-TV, channel 34, Los Angeles, October 26, 1978; Warner Erhart, Will Schutz, and Nathaniel Brandon on Donahue, November 15, 1978.

1 videoreel : sd. ; 1/2 in. original.

Information

SNAC Resource ID: 8325038

Getty Research Institute

Related Entities

There are 7 Entities related to this resource.

Woman's Building (Los Angeles, Calif.)

http://n2t.net/ark:/99166/w6xb31gg (corporateBody)

In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of th...

Erhart, Warner.

http://n2t.net/ark:/99166/w6cw1wvj (person)

Brandon, Nathaniel

http://n2t.net/ark:/99166/w6t516g4 (person)

Vogelfanger, Miriam

http://n2t.net/ark:/99166/w61s43rp (person)

Alaniz, Yolanda, 1950-...

http://n2t.net/ark:/99166/w6t22hkj (person)

Yolanda Alaniz was born on 11 March 1950 and raised in the Yakima Valley of eastern Washington. She became involved in the labor movement as an employee at the University of Washington where she was one of the founders of the Staff Rights Organizing Committee (SROC). She has also been a member of the Freedom Socialist Party, United Workers Organization, and National Hispanic Feminist Conference, among other Seattle, Washington, and national organizations. Alaniz has written on the Chicano moveme...

Long Beach museum of art

http://n2t.net/ark:/99166/w62v6njc (corporateBody)

The Long Beach Museum of Art (LBMA) was among the first to focus on video as an artistic medium, spurring similar efforts throughout the United States. Beginning in 1974 the museum began collecting and exhibiting video art, later also actively encouraging the development of video art by co-producing projects and offering editing facilities to artists in its Video Annex. The museum's innovative approaches to the display of video art included several experiments with broadcast and cable television...

Schutz, William C.

http://n2t.net/ark:/99166/w66b13pq (person)