Designs for stage sets and book illustrations, ca. 1820.

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Designs for stage sets and book illustrations, ca. 1820.

These designs for theater sets (61 items) and literary publications (64 items) are mostly in the Classical and Neoclassical styles with some in the Gothic style. The sets were intended for plays by Aeschylus, Sophocles, Euripides, and Shakespeare and include reconstructions of early buildings. The book illustrations were for works by Dante, Milton, and James Macpherson.

125 items (52 watercolors and 73 ink sketches)

Information

SNAC Resource ID: 8256464

Getty Research Institute

Related Entities

There are 4 Entities related to this resource.

Macpherson, James, 1736-1796

http://n2t.net/ark:/99166/w6th8nh2 (person)

Milton, John, 1608-1674

http://n2t.net/ark:/99166/w69k48bs (person)

English poet. From the description of Documents relating to Kensington mortgage, 1651-1700. (Rosenbach Museum & Library). WorldCat record id: 122475458 Epithet: poet British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000297.0x00012e John Milton (1608-1674), the poet. For fuller details of his life and achievements see the Dictionary of National Biography. From the guide to the English translat...

Gandy, Joseph Michael, 1771-1843

http://n2t.net/ark:/99166/w6418kt7 (person)

British architect and draftsman. From the description of Architectural and decorative arts drawings, ca. 1812-1818 (Getty Research Institute). WorldCat record id: 83679878 English architect and draughtsman, author of numerous archaeologically-inspired interpretations of antique themes. From the description of The Persian Porch and the place of consultation of the Lacedemonians. ca. 1816. (Getty Research Institute). WorldCat record id: 82913731 English ar...

Dante Alighieri, 1265-1321

http://n2t.net/ark:/99166/w6t15227 (person)

Prolific poet, Florentine exile, and advocate of the Italian vernacular's destined role in the diffusion of literature, philosophy, and political thought. Dante's Divine Comedy proves its importance as a testimony to the beliefs, customs, and the contemporary experience of the late medieval period whose sense of vision prefigures the first signs of Renaissance civilization. This collection original works, criticial works, and memorabilia remains the largest of its kind outside of Italy (Enciclop...