Spanish-American War photographs collection [graphic], 1895-1932; bulk: 1898-1902.

ArchivalResource

Spanish-American War photographs collection [graphic], 1895-1932; bulk: 1898-1902.

Photographs, photomechanical prints, and lantern slides of the Spanish American War of 1898 and its aftermath, the Philippine-American War of 1899-1902, collected and taken by soldiers, sailors, and nurses who served during wartime. Most of the loose images depict battle scenes, battleships, military fortifications, and United States troops and their encampments in Cuba and the Philippines, as well as Army posts and military hospitals in the United States, among other subjects. These images include photographs of the 2nd Oregon Volunteer Infantry Regiment, among many other regiments. There are also a number of photographs of the countries in which the enlisted men served and traveled, including China, Cuba, Japan, Puerto Rico, and the Philippines,as well as their native peoples. Additionally, eleven photograph albums contain both professional and amateur photographs collected and taken by soldiers and sailors during wartime. Most notable are an album of photographs of United States soldiers in Cuba, taken in 1898 by John C. Hemment for William Hearst and presented to the U.S.S. Oregon in 1901 and two albums of photographs depicting the surrender of Juan Cailles in the Philippines in 1901. Other albums depict military scenes and landscapes in Cuba and the Philippines, military posts in the United States, and U.S. soldiers at home and abroad. Photographers represented ection include soldiers John Wells Gemmill, Emil Scherbler of LaGrand, Or., and Amos Patriquin; nurse Clara Chatfield Ott; and professional photographers Benjamin West Kilburn of Littleton, N. H., Benjamin Lloyd Singley, and the firms Strohmeyer & Wyman and Underwood & Underwood of New York, N.Y., among many others. Includes photographic postcards and panoramic photographs.

6.85 cubic feet (2,043 photographs, 424 photomechanical prints, and 94 lantern slides in 16 document boxes and 5 oversize boxes).

Information

SNAC Resource ID: 8197273

Related Entities

There are 10 Entities related to this resource.

Underwood & Underwood

http://n2t.net/ark:/99166/w6d61d0z (corporateBody)

Underwood & Underwood was established in Kansas in 1880, and later moved to New York. The firm was one of the largest producers and distributors of stereoscopic cards, and later news photographs. From the description of Underwood & Underwood stereographs of South Africa, circa 1899-1902. (Unknown). WorldCat record id: 367947675 Underwood & Underwood, located in Ottawa, Kansas, produced stereoscopes and stereoscopic images, starting in the early 1880’...

Patriquin, Amos, d. 1909,

http://n2t.net/ark:/99166/w6bw0mp9 (person)

Singley, B. L. (Benjamin Lloyd), b. 1864,

http://n2t.net/ark:/99166/w6962njg (person)

Strohmeyer & Wyman

http://n2t.net/ark:/99166/w6cr9t3h (corporateBody)

Ott, Clara Chatfield,

http://n2t.net/ark:/99166/w6ms6z8s (person)

Gemmill, John Wells,

http://n2t.net/ark:/99166/w61g3rkt (person)

Oregon (Battleship)

http://n2t.net/ark:/99166/w6hf1n8s (corporateBody)

Hemment, John C.

http://n2t.net/ark:/99166/w6795218 (person)

John C. Hemment was contracted by the U.S. government and various newspapers, including William Randolph Hearst's New York Journal, to take photographs of the wreckage of the USS Maine in Havana, Cuba. His experiences in Cuba during the Spanish-American War were chronicled in his Cannon and Camera (New York, 1898). From the description of John C. Hemment photographs taken in 1898, 1898. (Harvard University). WorldCat record id: 656152374 Biographical note: John C. Hemment wa...

Scherbler, Emil,

http://n2t.net/ark:/99166/w6768kp3 (person)

Kilburn, B. W. (Benjamin West), 1827-1909

http://n2t.net/ark:/99166/w6418bq0 (person)

One of the stereographs located in the Arkansas History Commission General Photograph File. Stereographs, composed of two photographs made by a camera with two lenses 2 1/2" apart mounted on a single card. As stereographs were popular as a source of photographs from around the world, they were mass produced and distributed. Views of Arkansas immortalized in stereoscopic views included locations in Eureka Springs, Hot Springs, Little Rock and Siloam Springs. From the description of Ar...