Autograph letter signed : London, to Kenneth Clark, "Sunday" [after 1957 July 31].

ArchivalResource

Autograph letter signed : London, to Kenneth Clark, "Sunday" [after 1957 July 31].

Thanking him for his kind words about her poem, noting that she would like to write another "but every bore in London has descended on me;" mentioning that she is writing a note about Pavlik for the Times Obituary column and that it is depressing her horribly; asking him to write something about him as well, noting that it would be dreadful if Cecil Beaton was the only one to write about him.

1 item (4 p.) ; 17.5 cm

Information

SNAC Resource ID: 8194740

Related Entities

There are 4 Entities related to this resource.

Tchelitchew, Pavel, 1898-1957

http://n2t.net/ark:/99166/w6sc4wrw (person)

Russian-born painter, set designer, and costume designer, Pavel Tchelitchew emigrated in 1920. He lived in Berlin (1921-23) and Paris (1923-34) before moving to New York, where he lived with his partner Charles Henri Ford. He became a United States citizen in 1952 and died in Grottaferrata, Italy in 1957. Tchelitchew's early painting was abstract in style, described as Constructivist and Futurist and influenced by his study with Aleksandra Ekster in Kiev. After emigrating to Paris ...

Beaton, Cecil, 1904-1980

http://n2t.net/ark:/99166/w6bg2rpk (person)

Cecil Beaton, theatrical designer, won the 1960 Tony Award for costume design for his work on SARATOGA. He was also nominated for best scenic designer for the same production. From the guide to the Costume designs for Saratoga, 1959, (The New York Public Library. Billy Rose Theatre Division.) B. in London, 1904;d. January 18, 1980. From the description of Cecil Beaton : Artist File. (International Center of Photography). WorldCat record id: 539084703 Eng...

Clark, Jane, Lady.

http://n2t.net/ark:/99166/w68w3gzr (person)

Clark, Kenneth, 1903-1983

http://n2t.net/ark:/99166/w6183950 (person)

Kenneth Clark was an art historian and a patron of the arts. He was born in London, and educated at Winchester and Trinity College, Oxford, where he gained a second class in modern history. In the autumn of 1925, art historian Bernard Berenson asked him to assist him in the revision of his corpus of Florentine drawings. In 1929 he was offered the task of cataloguing Leonardo da Vinci's drawings held at Windsor Castle. In 1931 he was appointed keeper of the Department of Fine Art at the Ashmolean...