The musical of musicals : the musical! / music by Eric Rockwell ; lyrics by Joanne Bogart ; book by Eric Rockwell & Joanne Bogart, 2003-2005.

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The musical of musicals : the musical! / music by Eric Rockwell ; lyrics by Joanne Bogart ; book by Eric Rockwell & Joanne Bogart, 2003-2005.

Plotless revue consisting of parodies of Broadway musicals. Typescript, copyrighted 2003.

[1], 60 leaves ; 28 cm.

Information

SNAC Resource ID: 8036687

New York Public Library System, NYPL

Related Entities

There are 12 Entities related to this resource.

New York Public Library for the Performing Arts. Billy Rose Theatre Division. Theatre on Film and Tape Archive

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Since 1970, the Theatre on Film and Tape Archive (TOFT) has preserved live theatrical productions and documented the creative contributions of distinguished artists and legendary figures of the theatre. With the consent and cooperation of the theatrical unions and each production's artistic collaborators, TOFT produces video recordings of Broadway, Off-Broadway, and regional theatre productions, as well as dialogues between notable theatre personalities. ...

Lloyd Webber, Andrew, 1948-

http://n2t.net/ark:/99166/w65r5n4h (person)

Andrew Lloyd Webber is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals. His company, the Really Useful Group, is one of the largest theatre operators in London. ...

Rodgers, Richard, 1902-1979

http://n2t.net/ark:/99166/w69h6cvt (person)

Richard Rodgers, composer and producer, was born in New York on June 28, 1902. He composed his first song, My Auto Show Girl when he was fourteen years old. (This is included in the collection Box 16, Folder 6) In 1918 Rodgers met his first professional partner, Lorenz Hart. Together they presented their first hit show, The Garrick Gaieties in 1925. In 1929 Rodgers and Hart appeared in a two-reel autobiographical short, Masters of Melodyproduced by Paramount-Famous-Lasky Corp. and written and di...

Hammerstein, Oscar, II, 1895-1960

http://n2t.net/ark:/99166/w6vf7qf7 (person)

Oscar Hammerstein II, lyricist, librettist, theatrical producer. He is best known for his collaborations with composer Richard Rodgers, whose musicals include Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music....

Sondheim, Stephen, 1930-2021

http://n2t.net/ark:/99166/w6fc5tw4 (person)

Stephen Sondheim was an American composer and lyricist. Sondheim started his theatre career by writing the lyrics for West Side Story (1957) and Gypsy (1959) before becoming a composer and lyricist. Sondheim's best-known works include A Funny Thing Happened on the Way to the Forum (1962), Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd: The Demon Barber of Fleet Street (1979), Merrily We Roll Along (1981), Sunday in the Park with George (1984), and Into the Woods (1987)...

Ebb, Fred, 1928-2004

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Fred Ebb was born in the Bronx on April 8, 1928. He grew up in New York and studied at New York University and Columbia University. By 1951, songs with Ebb lyrics were being published and one of his early efforts was recorded by Judy Garland. Ebb's primary collaborator throughout the 1950s was Paul Klein, though he worked with several composers, including Mary Rodgers and Charles Strouse. With Klein, Ebb wrote many songs, some of which were in the Broadway revue, From A to Z (1960) as well as se...

Kander, John, 1927-

http://n2t.net/ark:/99166/w6md9q0n (person)

John Kander, born March 18, 1927, composer, known for his work in the musical theater. He is a frequent collaborator with Fred Ebb....

Hunt, Pamela

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Bogart, Joanne.

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Rockwell, Eric

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Herman, Jerry, 1931-

http://n2t.net/ark:/99166/w65d8tt7 (person)

Jerry Herman (b. 1933) is a composer and lyricist of Broadway musicals. Herman writes in an easily accessible, infectiously tuneful and optimistic style with a winning combination of innocence and wit. Finding particular success in the 1960s with Hello, Dolly! and Mame, his style seemed more out-of-step during the turbulent 70s, though he and many others regard his score for Mack and Mabel (1974) as his best. He found renewed success with La cage aux folles (1983). From the descripti...

York Theatre Company

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