Polyphonic vocal music : manuscript, 1818.
Related Entities
There are 14 Entities related to this resource.
Stevenson, John, Sir, 1761-1833
http://n2t.net/ark:/99166/w6697pz8 (person)
Callcott, John Wall, 1766-1821
http://n2t.net/ark:/99166/w6jw8nhc (person)
Reeve, William, 1757-1815
http://n2t.net/ark:/99166/w60v8z59 (person)
Horsley, William, 1774-1858
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English composer. From the description of Autograph letter signed, dated : [London] June 20 1829, to Vincent Novello, 1829 June 20. (Unknown). WorldCat record id: 270666465 ...
Bennett, William Mineard 1778-1858
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Welsh, Thomas, approximately 1780-1848
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Mozart, Johann Chrysostom Wolfgang Amadeus
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The Serenade from which this movement is taken originally composed for 2 clarinets, 2 horns and 2 bassoons, 1781; second version, with the addition of 2 oboes, in 1782 (see callno.: 2329). This transcription 1941.--Cf. Fleisher Collection. From the description of Adagio, K. V. 375 / Mozart ; transcribed by Zoltán Fekete. [c1941]. (Franklin & Marshall College). WorldCat record id: 42631243 Composed originally for solo piano, 1788. This transcription 1986.--Cf. Fleisher C...
Danby, John, 1757-1798
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Shield, William, 1748-1829
http://n2t.net/ark:/99166/w6gf1219 (person)
British theatre composer. From the description of Hope & Love / A Cavatina. (Unknown). WorldCat record id: 270569533 Epithet: Rear-Admiral British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000878.0x000389 English composer. From the description of Autograph letters signed (2), dated : [London] Oct. 23 1809 and [n.p.] Apr. 22 1816, to James Perry, 1809 Oct. 23. (Unknown). WorldCat record id: 27...
Philipps, Thomas, 1774-1841
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King, M. P. (Matthew Peter), 1773-1823
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Peabody, Augustus, 1814-1848
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Webbe, Samuel, 1740-1816
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Cherubini, Luigi, 1760-1842
http://n2t.net/ark:/99166/w64j0fkk (person)
Luigi Cherubini (1760-1842) was an Italian composer and music instructor. He was a child music prodigy who went on to write many popular operas as an adult. He moved to France in 1785, where he continued to live and work, successfully surviving the tumultuous regime changes of the Revolutionary and Napoleonic periods. After the end of the eighteenth century, Cherubini's operatic work was less successful and so he began composing church music. In 1822, he became director of the prestigious Conser...