[Congressional Record Scrapbook] 1906.

Sterrett, Cliff, 1883-1964

http://n2t.net/ark:/99166/w67w7q26 (person)

Cliff Sterrett (1883-1964) was an American cartoonist and the creator of the comic strip Polly and Her Pals . Widely considered an important artistic innovator in the form, Sterrett is cited as a major influence by a wide range of comics artists. Originally from Minnesota, Sterrett studied art for two years at the Chase School in New York City before starting his newspaper career as an artist with the New York Herald (1904-1908). Sterrett bumped around doing spot illustr...

Taylor, C. John, 1915-

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McCauley, Charles S.

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Briggs, Clare A., 1875-1930

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American cartoonist. From the description of Cartoon scrapbooks, 1917-1920. (University of Arizona). WorldCat record id: 28981460 From the description of Letters to Mr. Jones, 1913, 1914? (University of Virginia). WorldCat record id: 51634985 ...

McDougall, Walter Hugh, 1858-1938

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Artist and newspaper cartoonist. From the description of Correspondence, 1924-1925, with Perry Walton. (Boston Athenaeum). WorldCat record id: 184904232 Artist and author. From the description of Letter of Walter Hugh McDougall, undated. (Unknown). WorldCat record id: 79454509 ...

Condo, A. D.

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Opper, Frederick Burr, 1857-1937

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Frederick Burr Opper (1857-1937) was an American cartoonist and creator of the newspaper comic strips Happy Hooligan, And Her Name Was Maud!, Alphonse and Gaston and many others. From the guide to the Frederick Burr Opper Cartoons, 1931, (Special Collections Research Center, Syracuse University Libraries) Cartoonist and illustrator; b. in Madison, Ohio. From the description of Three cartoon sketches, [undated]. (Unknown). WorldCat record id: 70971290 Ame...

Rigby, Clarence

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Collins, J. P. (J. Paul)

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Satterfield, Robert W.

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Jennett, Norman E.

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Bushnell, E. A.

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Mohr, Jeanette

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McCay, Winsor

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Winsor McCay (1867-1934) was a cartoonist, animator, and performer credited with significant influence in the development of American comic strips and motion picture animation. McCay first gained attention with two comic strips, Dream of the Rarebit Fiend, which was first published in the New York Evening Telegram from 1904, and Little Nemo in Slumberland, published in the New York Herald from 1905 to 1915. These two strips both presented a dream state illustrated with fantasy art. ...