Le Carnaval : "Eusebius" / taught by Antony Tudor ; notated by Carl Wolz. 1962.
Related Entities
There are 4 Entities related to this resource.
Schumann, Robert
http://n2t.net/ark:/99166/w65t3p1h (person)
Originally composed for solo piano, 1833-1835. Collaborative orchestration of the score, 1908-1909, for the use of the Russian Imperial Ballet. No indication is given of each collaborator's contribution. First performance as a ballet St. Petersburg, 1910. First concert performance, Boston, 25 November 1938, Boston Symphony Orchestra, Eugene Goossens conductor.--Cf. Fleisher Collection. From the description of Carnival / Robert Schumann ; orchestrated by Rimsky-Korsakov, Glazounov, Li...
Fokine, Michel, 1880-1942
http://n2t.net/ark:/99166/w6v40xkr (person)
Mikhail Fokine, Russian dancer, choreographer, teacher, and ballet director, was born in St. Petersburg May 5, 1880. He was trained at the Imperial Theatre School, St. Petersburg where he graduated in 1898. He was a dancer and choreographer at the Maryinsky Theatre and teacher at the Imperial Theatre School. His choreography for the Maryinsky included The Dying Swan for Anna Pavlova and Le Pavillion d'Armide. From 1909-1912, Fokine was chief choreographer for Ballets Russes of Serge Diaghilev, p...
Tudor, Antony, 1909-1987
http://n2t.net/ark:/99166/w6g1624d (person)
Antony Tudor, British dancer, choreographer, and teacher, was born William Cook in London, April 4, 1909. His training began in 1928 with Marie Rambert and continued with Pearl Argyle, Harold Turner, and Margaret Craske. His career included: dancer and choreographer for Ballet Club (later Ballet Rambert) from 1930-1937; founder and choreographer of London Ballet, 1937-1940; resident choreographer of Ballet Theatre (later American Ballet Theatre), New York, 1939-1950; artistic director, Royal Swe...
Wolz, Carl
http://n2t.net/ark:/99166/w6hq4wm2 (person)
Carl Wolz (1932-2002) was an influential choreographer, scholar, educator, and dance advocate. Born and educated in St. Louis, he served in the Navy during the Korean War and went on to major in Art History at the University of Chicago. He developed an interest in dance in college and began taking classes. He attended the Juilliard School for dance and began working with the Lucas Hoving Dance Company in 1960. He danced with the Hoving Company as well as for the St. Louis Municipal ...
