Office files of The American Poetry Review, 1972-1998.

ArchivalResource

Office files of The American Poetry Review, 1972-1998.

Comprises 54 items, 55 leaves correspondence plus manuscripts for publication. Contains translations of Federico García Lorca. Includes correspondences with Beacon Press, Georges Borchart, Inc., Literary Agency, and Sierra Club Books. Oversize galleys in folder 5101.

14 folders.

Related Entities

There are 5 Entities related to this resource.

García Lorca, Federico, 1898-1936

http://n2t.net/ark:/99166/w6359c5p (person)

Federico del Sagrado Corazón de Jesús García Lorca (5 June 1898 – 19 August 1936), known as Federico García Lorca, was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish literature. García Lorca was assassinated by Nationalist forces at the beginning of the Spa...

Bly, Robert W.

http://n2t.net/ark:/99166/w69k4bp3 (person)

American poet. From the description of The man in the black coat turns, 1981 [manuscript]. (University of Virginia). WorldCat record id: 647823162 Robert Bly (born December 23, 1926) is an American poet, author, activist and leader of the Mythopoetic Men's Movement. John Gill published a small literary journal in the 1960s entitled New American and Canadian Poetry. He also authored books of poetry, as well as published books of poetry of others under the name of New Books be...

Sierra Club Books

http://n2t.net/ark:/99166/w6dp17d3 (corporateBody)

Georges Borchart, Inc., Literary Agency.

http://n2t.net/ark:/99166/w6sv5z3d (corporateBody)

Beacon Press

http://n2t.net/ark:/99166/w6032njn (corporateBody)

The Beacon Press, a department of the Unitarian Universalist Association, traces its beginnings to 1854 when the American Unitarian Association raised $50,000 for a Book Fund Project. The AUA "issued an urgent call for liberal works that would meet the spiritual needs of the age." Until 1950, the strength of the Press was in history, biography, and a locus in religious thought and religious freedom. Melvin Arnold became the director of the Press in the late 1940s, and he transformed it into a wi...