Conrad Aiken materials cataloged under his name include typescripts of CLOCK AND COMPASS (n.d.); GEHENNA (1968); HELLO, TIB (1968); HEY, TAXI! (1968); THE LAST VISIT (1968); and STATE OF MIND (n.d.); one letter from Aiken to William Arrowsmith (1944 Jan. 4); eighty letters and telegrams (n.d., 1948-49) from Aiken to Ruth Herschberger; three letters and two telegrams from Aiken to Alice S. Morris at Harper's Bazaar, all dating from 1959; seven letters and three postcards (n.d., 1928-33) from Aiken to Bernard Cutner Schoenfeld; five letters and two telegrams (1959 Feb. 24 - June 23) from Alice S. Morris to Aiken; one letter (1958 March 21) from Morris to Pat Van Doren of Sagamore Press Inc.; two letters (1958 Jan. 30, 1958 Feb. 6) from Pat Van Doren to Morris; one letter (1959 Feb. 24) from Alice S. Morris to Karl Bissinger; one letter (1959 Feb. 20) from Karl Bissinger to Morris; and one memo (1959 May 22) from Morris to Nancy White at Harper's Bazaar. Aiken materials in other collections include: The Richard Church collection contains a carbon copy typescript review (ca. 1949) by Church of Aiken's AND IN THE HUMAN HEART and one letter (1947 Jan. 3) from Aiken to Church. The Cyril Connolly collection contains a holograph manuscript review (n.d.) by Connolly of Aiken's USHANT. The Cid Corman collection contains two letters (1950 Feb. 25, 1951 Nov. 16) from Aiken to Corman. The Norman Cousins collection contains a galley proof (n.d.) of WRITING FOR LOVE OR FOR MONEY. The Edward Dahlberg collection contains a carbon copy typescript review [1953] by Dahlberg of Aiken's USHANT. The John Gould Fletcher collection contains two letters (1950 May 11, 1952 Feb. 13) from Aiken to Charlie May Fletcher; 31 letters and cards (n.d., [1917]-1949 from Aiken to John Fletcher; four letters (1932-33) from John R. Amphlett of Amphlett ? one letter (1932 Oct. 3) from Henry Bergen to Aiken; two letters (1932 September 30, 1932 Oct. 3) from F. G. Crookshank to Aiken; 61 letters (n.d., [1916]-49) from John Fletcher to Aiken; three letters (1932) from Gertrude Freeman to Aiken; and six letters (n.d., 1932-33) from Lorna Hyde to Aiken. The Frank Stewart Flint collection contains one letter (1922 April 14) from Aiken to Flint. The Charles Henri Ford collection contains two letters (1941 Nov. 10, 1951 Dec. 1) from Aiken to Ford and one letter (1951 Nov. 28) from Ford to Aiken. The London Magazine collection contains a typescript of Francis Fytton's review [1966] of THE COLLECTED SHORT STORIES OF CONRAD AIKEN. The Katherine Mansfield collection contains one letter (1969 Oct. 29) from Aiken to Ruth Mantz. The Marianne Moore collection contains a typescript [1964] of Aiken's WHAT'S UNDER THAT TRICORNE HAT?, as well as one letter (1964 Aug. 4), one postcard (1964 Aug. 20), and one telegram (1964 Aug. 26) from Aiken to Thurairajah Tambimuttu. The Charles Norman collection contains one letter (1960 Oct. 20) from Aiken to Virginia Paterson of The Macmillan Co., five letters (1951-1961) from Aiken to Charles Norman, one letter (1960 Oct. 24) from Norman to Aiken, and a typescript (1959 Jan. 10) of Norman's interview with Aiken. The PEN collection contains one letter (1927 June 9) to Aiken. The Ezra Pound collection contains one letter (1964 Nov. 29) and one postcard (1965 Feb. 28) from Aiken to Noel Stock.
