Muschenheim, William. Architectural drawings and papers. 1923-1990

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Muschenheim, William. Architectural drawings and papers. 1923-1990

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Avery Library Collection: 13 linear ft. and 3081 architectural drawings.; Bentley Library Collection:12.5 linear ft. and 58 oversize folders

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Information

SNAC Resource ID: 6388214

Related Entities

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University of Michigan.

http://n2t.net/ark:/99166/w6f803v2 (corporateBody)

Outside of museum holdings, no comprehensive survey and inventory of campus artwork had been attempted since 1937. With support from the Michigan Commission on Art in Public Places, 1,076 items were inventoried during 1988-1990. Additional inventory work was undertaken in 1997-1998 for risk management purposed, but generated little new information. From the description of Inventory of University of Michigan-owned art, 1988-1990, 1997-1998. (University of Michigan). WorldCat record id...

Muschenheim, William.

http://n2t.net/ark:/99166/w6fs4n4z (person)

An early and well-established modernist, architect William Emil Muschenheim viewed the world in which he practiced as different from any world that had existed before. Evidenced in his work, his teaching, and his research is an unwavering faith in the significance of a universal style of architecture based on the cultivation and refinement of rapidly developing technology. At the same time, primary to his thinking was a belief that all cultures are most effectively viewed and unders...

University of Michigan. College of Architecture and Design

http://n2t.net/ark:/99166/w6934pgq (corporateBody)